X: 0 T: PAT SHAW'S PINEWOODS C: Pat Shaw Z: 1997-2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" 1985 K: %%textfont Times-Roman 14 %%begintext align This book is a combination of two of Pat Shaw's books: "Between Two Ponds" and "Among the Pines". The former was published by Pat himself in 1976. The latter was finished and published by Marjorie Fennessy in 1983, after Pat's death in 1977. The two were combined into one book and published by Pinewoods Camp in 1985. Some liberties have been taken to deal with the differences between standard staff notation and ABC: Long notes with chord changes have been rewritten as tied notes. Staff breaks have been changed to prevent overly-long lines of text. Chords with a bass note below the chord have been rewritten as "Chord/bass". In a few cases, initial bar lines have been added as an attachment point for the section letter. None of these should change the meaning of the music. I've been transcribing the tunes in this book over the years as various local dance teachers call for them in dance programs that I play for. With time, I may have all of them in ABC format. If you need one that's not here, let me know. -- John Chambers %%endtext %%sep 15 1 500 %%sep 5 1 500 X: 5 T: LONG POND C: Pat Shaw R: rag, reel Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.5 M: 2/4 L: 1/16 P: AB ad lib K: G % "A"[|] GA \ | "G"B2 d4 b2 | "C"ageg- "G/b"gedg | "C"edBA- "D7"AGED | "G"G6 GA \ | "G"B2 d4 b2 | "C"agab- "G"bag2 | "A7"a2a2- abge | "D7"a6 ga | | "G"b2g2 "C"ageg- | "G"g2d2 "Em"edBd- | "G/b"d2B2 "C"AGEG | "Am"A6 "D7"DE \ | "G"GB2G "C"AGE2 | "G"GB2G "C"A2e2 | "G"dBAG- "C"GE"D7"D2 | "G"G6 |] "B"[|] G,A, \ | "G"B,2D2 "C"EDEF | "G"GB2G "C"AGE2 | "G"GAGE- "Em"EDB,2 | "Bm"D6 "D7"G,A, \ | "G"B,2D2 "C"EDEF | "G"GB2G "C"A2e2 | "G/b"dBAG- "Em"GEG2 | "Am"A6 "D7"de | | "G7"=fede- "C"edc2 | "G/b"dedB "Em"AGAB | "G/b"dBGB- BAG2 | "C"E6 "D7"DE \ | "G"GB2G "C"A2e2 | "G/b"dg2d "Em"e2b2 | "Am"agea "D7"gedB | "G"G6 |] %%begintext align %% The tempo of this dance should be relaxed and leisurely, about that of a contra %% as danced in New England. It must in no way be "driven" or rushed. A suitable %% alternative tune would be "Dixon County Blues." %%endtext %%sep 5 1 500 X: 6 T: KITTY ALONE C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 1997 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.6 P: 6 x A K: Em "A"[|] E |\ "Em"E2F G2G | "D"F2E D3 | "A7"FEF "D"D3 | "A7"FEF "D"D2D |\ "Em"E2F G2A | "Bm"B2^c d3 | "G"BBB "D/f#"d2d | "Em"e3- e2 B | "G(Em)"B2B "C"e2e | "G"d2B BAG | "D/f#"A2A "G"B2G | "A7"F2E "D"D3 |\ "C"EEE "G/b"G2G | "G"DDD "D/f#"d3 | "D"FFF "Bm"F2F | "Em"E3- E2 |] %%begintext align %% "Kitty Alone" is one of the very few cabins for a single person at Pinewoods. %%endtext %%sep 5 1 500 X: 7 T: ANOTHER NANCY'S FANCY or The Lang Staff C: Pat Shaw R: M: 3/2 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.7 P: ABAB ad lib K: G "A"[|]\ "G"G4 B4 "C/e"c4 | "G/b"d2ed "C"c2B2 "D7"c2A2 |\ "G"B2cB "C"A2G2 "D7"A2D2 | "C"E6 F2 "G/b"G2A2 | "C"B6 "Am"c2 "D7"A4 | "G"G4 B4 "C/e"c4 | "G/b"d2ed "C"c2B2 "D7"c2A2 |\ "Em"B2cB "Am"A2G2 "D7"A2D2 | "C"E3F "G/b"G2A2 "G"B2c2 | "C"A6 "D7"G2 "G"G2 :| "B"[|]\ "G"g2ag "A7"f2e2 "D"f2d2 | "G7"=f2gf "C"e2d2 "C/e"e2c2 |\ "G/b"d2ed "C"c2B2 "C/e"A2G2 | "D"F3G "A7"AGFE "D"D4 | "C"E3D EFGA "G/b"B2d2 | "C"e2g4 "Am"ag "D7"f2d2 |\ "G/b"g3a "G"bagf "C"edcB | "D7"A6 G2 "G"G4 :| %%begintext align %% Pat named this dance for Nancy Langstaff, his hostess on many occasions and wife of %% John Langstaff, singer, author, and director of the "Christmas Revels." "Nancy's %% Fancy" is a traditional country dance collected by Cecil Sharp in Devonshire. %%endtext %%sep 5 1 500 X: 8 T: THE SHY MER-CHANT or Jack's Serenade to Genny C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.8 P: 3 x AAB K: Bb "A"[|]\ D/E/ |\ "Bb"F2B "F7"cBc | "Bb"d2c "Gm"Bcd | "Cm"e2d cB2 | "F"c3- c2d |\ "Cm"e2d c2B | "Cm/eb"cdB "F"AGF | "Eb"Ge2 "F7"c2A | "Bb"B3- B2 :| "B"[|]\ A/B/ |\ "F"c2f "C7"gfg | "F"a2g "F/a"f2e | "Gm"dg2 "D7"^fa2 | "Gm"g3- g2g/a/ |\ "Gm"b2a g2f | "Gm/bb"gaf "D"=edc | "Bb"db2 "C7"g2=e | "F"f2_e "F7"dec | "Bb/d"B2F "F7/c"EFE | "Bb"D2E "Bb/d"FED | "Eb"G2A "Cm"BcB | "F"A3- "F/eb"A2G/A/ |\ "Bb/c"B2c "Bb"d2e | "Bb/c"fdB "Eb"efg | "Bb/f"fB2 "F7"F2A | "Bb"B3- B2 |] %%begintext align This dance should be very lyrical in character and not too fast. The names of the figures are those used for the figures of a series of dances known to have been danced in the village of Llangadfan, Montgomeryshire (now Powys), in the late 18th century and derived from a manuscript in the National Library of Wales in Aberystwyth. Notice that the 1st figure is based on movements where inside hands are taken, the 2nd on movements in which hands are not given at all and the 3rd on those in which hands are joined either left in left, or right in right. Pat's pun refers to Jack and Genny Shimer. Genny is former National Director of the Country Dance and Song Society of America and a past President of Pinewoods Camp, Inc. %%endtext %%sep 5 1 500 X: 10 T: THE JIM MORRIS-ON C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.10 N: No key signature is given, and all accidentals are explicit. The actual key fluctuates. P: AAB ad lib K: none "A"|:\ "G"g2d2 d2e^f | "C"g2c2 c2de | "Bb"=f2_B2 B2cd | "F"c4 "G"G4 :| "B"[|\ "Gm"_B3c dcBA | "Dm"G2FE D2D2 | "G"G2=B2 "D7"A2d2 | "G"B4 G4 || "Bb"B3c dcBA | "C"G2FE "D"D2d2 | "G/b"g2dg "D7/a"^fedc | "G"=B4 G4 |] %%begintext align Jim Morrison is a former National Director of CDSS, and a caller and teacher of American and English dance, as well as a fiddler and dance historian. %%endtext %%sep 5 1 500 X: 11 T: THE LINDSAY RANT or Marney's Blarney C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.11 P: AAB ad lib K: D "A"[|]\ FG | "D"A2A2 "D/f#"a3f | "G"edef "G/b"B2cd | "Em"G2AB "Em/g"E2AG | "A7"FGFE "D"D2 :| "B"[|]\ de | "D"f2f2 "D/f#"d2ef | "G"gfed "A7"e2de | "D"f2f2 "D/f#"d2ef | "E7"edcB "A7"A2de | "D"fgfe "Bm"d2ef | "Em"gagf "A7"e2fg | "D/f#"agfe "G"dcBA | "A7"GFEF "D"D2 |] %%begintext align This should be danced throughout with a light, quiet, economical rant step. The tune should be played fast, at a real North Country rant tempo, not the soggy speed so often found elsewhere. Notice that one moves on 4 places each round of the dance. Marney Lindsay Morrison, Jim's wife, teaches garland, stave and ribbon dances and is a founder member of the Court Square Dancers of Charlottesville, Virginia. %%endtext %%sep 5 1 500 X: 12 T: JOHN RAYMOND C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.12 N: There seems to be an extra half beat in the last bar. The final dot may be a typo. P: 3 x AABB K: D "A"[|]\ A2 | "D"d2d2 "A7"efge | "D"f2ef "G"g2f2 | "Em"edef "Em/g"efed | "A"c2"E7"B2 "A"A2"A7"A2 | "D"d2d2 "A7"efge | "D"f2f2 "G"gabg | "D/f#"a2d2 "G"Bcd2 | "A7"A2Bc [1 "D"d2 :|2 "D"d4 || "B"\ |: "Bm"Bcde f2f2 | "Em"gfgb "Bm"f2f2 | "Em"g2fe "D/f#"f2ed | "G"efed "A7"c2A2 | "D"f2ff f2f2 | "G"fe2g- g4 | "A7"zeee e2e2 | "D"e3d- d6 :| %%sep 5 1 500 X: 14 T: THE GAY GADDABOUT C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.14 N: P: 3 x AAB K: Bb "A"[|] F|\ "Bb"B3 "F7"c3 | "Bb"def "Eb"g3 | "Bb/d"f2b "Bb"dcB | "F/a"c2f "F7"AGF |\ "Bb"BAB "F7"cBc | "Bb"dcB "Bb/d"fed | "Eb"cdB "F7"AGA | B3-{FD} [B2B,2] "B":| f |\ "Gm"bab "Gm/bb"g2d | "Cm"edc "D7"d2A | "Gm"BAG "Gm/bb"dbg | "D7"^fga d2d |\ "Cm"efg "F7"cde | "Bb"def "Bb/d"Bcd | "C"cd=e "F/a"fga | "Bb"gf"C"=e "F7"f2 || d |\ "Cm"efg "F7"cde | "Bb"def "Bb/d"Bcd | "Eb"cde "Bb/d"fed | "Eb"cdB "F7"AGF |\ "Bb"B3 "F7"c3 | "Bb"def "Eb"gab | "Bb/f"fed "F7"cBA | "Bb"B3- B2 |] %%begintext align NOTE: this should be brisk and lively and should have gay abandon (or should we say Gay's abandon?) The A music should be danced with the steps as indicated and the whole of the B music with a skipping or skip change of step, except for the last 4 bars which should be walked. May Gadd, whose nickname was "Gay," was one of Cecil Sharp's dance demonstrators. In 1927 she was sent to America by the English Folk Dance Society to organize and teach the New York Branch. In 1937 she was named National Director of CDSS and served in that capacity until 1972. %%endtext %%sep 5 1 500 X: 15 T: TRUMPET VINE or Joe Brown's Hornpipe C: Pat Shaw R: reel, hornpipe M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.15 P: 6 x AABB K: Am "A"[|]cB |\ "Am"A2AB c2de | "G"d2G2 G2cB | "Am"A2AB c2BA | "Em"B2E2 E2cB | "Am"A2Bc "G"d2ef | "C"edce g2fe | "Dm"dcBA "Em"Gede | "Am"c2A2 A2 :| "B"|: e2 |\ "Am"agfe "Dm"dcBd | "Am"c2A2 A2e2 | "Am"agfe "Dm"fedc | "G"BdG2 G2AB | "C"cdec "G"defd | "C"eagf "C/e"e2dc | "Dm"BcdB "E7"edcB | "Am"c2A2 A2 :| %%begintext align A massive trumpet fine covers one side of Joe Brown's old house on West Long Pond Road. Overflow campers from Pinewoods were housed here for a number of years. %%endtext %%sep 5 1 500 X: 16 T: PINEWOODS SQUARE EIGHT C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 1997 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.16 P: 3 x AABB K: G "A"[|]B/c/ |\ "G"ded B2e | "G"ded B3 | "D7"cdc A2d | "D7"cdc ABc |\ "G"ded B2e | "G"ded B2d | "D7"cAF DEF | "G"G3 G2 "B":| |: B/c/ |\ "G"d2b bag | "G"d2g B2e | "G"d2b bag | "G"d3 d^cd |\ "C"e2c' c'ba | "G"d2b bag | "D7"fed b2a | "G"g3- g2 :| %%begintext align "Square Eight" is a group of cabins near Ampleforth which enclose a pine-needle blanketed area. %%endtext %%sep 5 1 500 X: 18 T: THE AMAZED GENETICIST or Ramsay's Reeling C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.18 P: 4 x AAB1B2 K: D "A"[|] A2 |\ "D"d3B "D/f#"A2FA | "G"B2B2 "A7"A3A | "D"d2a2 "D/f#"fede | "E7"fed2 "A7"e2AB | "D"d3B "D/f#"A2FA | "G"B2B2 "A7"A2AB | "D"d2a2 "(Em)"fede | "A7"f2e2 "D"d2 "B1":| f2 | "Bm"b4 b2af | "F#m"a2f2 f4 | "G"edef "D/f#"afed | "Em"edB2 "Em/g"B4 | "F#m"AFAB "Bm"defd | "Em"edef "A7"a2fa | "G"bafe "D/f#"dBAF | "A7"EDE2 "D"D2 "B2"|| f2 | "Bm"b4 b2af | "F#m"a2f2 f4 | "G"edef "D/f#"afed | "G"efed "A7"B2AB | "D"d3B "D/f#"A2FA | "G"B2B2 "A7"A2AB | "D"d2a2 "(Em)"fede | "A7"f2e2 "D"d2 |] %%begintext align NOTE: The music should be lively, yet controlled, and danced with a skip change of step. The rings should be slipped and the rest walked. The dance was first performed in Dr John Ramsay's honour at the Levi Jackson week-end in September 1974. One very slight alteration to it has been made since then. John Ramsay, directory of Recreation extension at Berea College in Kentucky, earned his doctorate in Animal Genetics. For his reminiscences of Pat's visit, see page 35. %%endtext %%sep 5 1 500 X: 20 T: QUITE CARRI-ED AWAY or Joan Transported C: Pat Shaw R: waltz, minuet M: 3/4 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.20 P: AABB ad lib K: G "A"[|]dc |\ "G"B2 Bcde | "D/f#"A2 AB cd | "Em"G2 GA "Am"Bc | "G/d"B4 "D"A2 | "G"B2 B^c"Em"de | "A"c2 "D/f#"defd | "Em"g2 B2 "A7"^c2 | "D"d4 "B":: "D7"ef | "G"g2 "C"ag"C/e"fe | "G/b"d4 "G"Bd | "C"edcB "Am"AG | "D"F2 "A7"EF "D"D2 | "C"E2 EF"Am"GA | "D"F2 FG"Bm"AB | "Em"G2 GA"Em/g"Bc | "Am"AB cd"D7"ef | "G(Em)"g2 "C"ag"C/e"fe | "G/b"Md2 "D7/a"Mc2 "G"MB2 | "C"((3ABc) "G/d"BG"D7"AF | "G"G4 :| %%begintext align NOTE: Although this need not be taken too slowly, it should have more of the character of the Minuet than of the Waltz. Musicians should take care to make the third beat of the bar really lead into the next in order to give the necessary flow to carry the dancers along. Each movement of the A music should be exactly phrased, whereas the movements of the B music should flow into each other much more; though, of course, at the end of the B1 there should be a brief instant of rest when everyone is on the wrong side of the set. The 1st couples after their left hand turn at the end of the B1 should not go straight into their right hand turn the shortest way, but should fall back into their progressed places, improper, on the last bar of B1. Joan Carr was Associate Director of CDSS when Pat was here. %%endtext %%sep 5 1 500 X: 21 T: THE MARTIAL BARON C: Pat Shaw M: 5/2 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.21 N: The book has a dotted bar line between beats 2 and 3 of each measure. N: The B1 ending should be used twice in the last round. P: AABB ad lib K: D "A"|:\ "D"F2AA A2d2 | "D"A2d2 "A7"d2e2 "D"f4 |\ "F#m"a2ag "Bm"f2d2 | "Em"g2gf "Em"e2d2 "A7"e4 | "D"F2AA A2d2 | "Bm"f2ga "Em"g2f2 "A"e4 |\ "F#m"a2ag "Bm"f2dc |1 "Em"B2gf "A7"ede2 "D"d4 :|2 "Em"B2gf "A7"ede2 "D"d3 || M: 6/8 "B"[|]c/d/|\ "A"e2e efg | "D"agf "A"e2c/d/ | "A"e2e edc | "E7"BA^G "A"A2c/d/ | "A"e2e efg | "D/f#"agf "A7/e"gfe | "D"a2g "G"fed |[1 "A7"cBc "D fine"d2 :|2 "Em"edc "A7"BAG |] %%begintext align NOTE: The A music with 5 beats to the bar should be steady and dignified. For the B music the tempo should quicken appreciably and be very vigorous and bright. Try for as much contrast as possible in style and mood between the two parts of the dance. Marshall Barron is one of America's most experienced English dance musicians. Her arrangemets of dance music, workshops for dance musicians, and guiding spirit have long been vital to CDSS. %%endtext %%sep 5 1 500 X: 22 T: ROUND POND C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 1999 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.22 P: 3xAAB K: D V: 1 name="1" "A"|:\ "D"f2f "A7"afe | "Bm"d2"(G)"d "D"A2B | "C"=c2c "G"BAG | "D"F2G A2d |\ "G"BGB "D/f#"A2A | "A7/e"GEG "D"F2F | "G"EFG "D/a"FGA | "A7"B2c "D"d3 :| "B"[| "D"D2E F2F | "G6"GFE "A7"FGA | "G"BAG "D"A2d | "A7"edc "D"d3 || "D"F2G A2A | "G6"BAG "A7"ABc | "G"dcB "D"Adf | "A7"gfe "D"f3 || "D"a2a dcd | "G6"e2d "A7"cea | "G"gfe "D"fga | "A7"A2A "D"d3 || "D"D2E F2F | "G6"GFE "A7"FGA | "G"BAG "D"A2d | "A7"edc "D"d3 || "D"F2G A2A | "G6"BAG "A7"ABc | "G"dcB "D"Adf | "A7"gfe "D"f3 |] V: 2 name="2" |: D2d cAG | F2E FED | EGE D2D | D3- DCD | D2z DFD | B,2C D2[DA,] | B,2C D2F | E2G F3 :| z6 | z6 | z6 | z6 || z6 | z6 | z6 | z6 || D2E F2F | GFE FGA | BAG A2d | edc d3 || F2G A2A | BAG ABc | dcB Adf | gfe f3 || a2a dcd | e2d cea | gfe fga | A2A d3 |] V: 3 name="3" |: A2A fBc | dcB AGF | G2G GFE | D2E FGA | GEG A2D | D2E FED | EDE FED | G2A A3 :| z6 | z6 | z6 | z6 || D2E F2F | GFE FGA | BAG A2d | edc d3 || F2G A2A | BAG ABc | dcB adf | gfe f3 || a2a dcd | e2d cea | gfe fga | A2A d3 || D2E F2F | GFE FGA | BAG A2d | edc A3 |] V: 4 clef="bass" middle=d |: "D"d2z "A7"A2z | "Bm"BA"(G)"G "D"d2d | "C"=cec "G"g2b | "D"d'2a def | "G"g2z "D/f#"fdf | "A7/e"e2A "D"def | "G"g2z "D/a"a2z | "A7"A2e "D"d2a :| "D"d'2z c'2z | "G6"b2z "A7"a2z | "G"g2z "D"f2z | "A7"e2a "D"d2a || "D"d'2z c'2z | "G6"b2z "A7"a2z | "G"f2z "D"f2z | "A7"e2a "D"d2a | "D"d'c'b a2a | "G6"g2b "A7"agf | "G"e2d "D"cBA | "A7"a2a "D"d2a | "D"d'c'b a2a | "G6"g2b "A7"agf | "G"e2d "D"cBA | "A7"a2a "D"d2a || "D"d'c'b a2a | "G6"g2b "A7"agf |"G"e2d "D"cBA | "A7"a2a "D"d3 |] %%begintext align %%endtext %%sep 5 1 500 X: 30 T: LITTLE HUNSDON C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.30 P: 3 x AABB K: Em % "A"|: "Em"e2f g2e | "G"dB2 A2G | "Am/c"A2B ce2 | "B7"^d3 B3 "B":: "G"G2B dB2 | "D/f#"A2G "D/f#"A2G "D"FAd | "Bm"f>ga "Em"gf2 | "A7"e3 "D"d3 | "C"e2f ge2 | "G"d2B "D7/a"AGF | "G/b"G>AB "G"dBG | "B7"F3 "Em"E3 :| %%begintext align One of Pat's last compositions, this dance was introduced in October of 1977. It is named for a small cabin nestled in the woods behind Hunsdon House, overlooking Round Pond. %%endtext %%sep 5 1 500 X: 31 T: CAMP HOUSE REEL C: Pat Shaw R: reel M: 2/4 L: 1/16 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.31 N: P: AAB1B2 ad lib K: Em % B^c^d"A"| "Em"e2eB- "Em/g"Bcd2 | "Am"cBAG "Em"B2E2 | "Am"FGAB- "Em/g"BAG2 | "F#7"FGEF- "B7"FB^c^d| y4 y4 | "Em"e2e2 "Em/g"B2kcd- | "Am"dcBA "Em"B2E2 | "Am"FGAB- "Em/b"BAG2 | "G7"FE^DE- "Em"E :| "(D7)"=DEF"B1"| "G"G2ed- "D7"dBA2 | "G"G2e2 "D7"d2BA | "G"G2ed- "G/b"deg2 | "A7" agef- "D7"fdcA | y4 y4 | "G"G2ed- "D7"dBA2 | "Em"G2g2 "C"e3f | "G/b"gfed- "G" dBG2 | "D7" AGFG- "G"G |] "(D7)"DEF "B2"| "G"G2ed- "D7"dBA2 | "G"G2e2 "D7"d2BA | "G"G2ed- "G/b"deg2 | "A7" agef- "D7"fdcA | y4 y4 | "G"G2ed- "D7"dBA2 | "Em"G2g2 "B7"f3^d | "C"e=dcB- "G" BAG2 | "B7"FE^DE- "Em"E |] %%begintext align Note: In B2 the 2nd and 3rd couples do complete straight heys across the set, making large loops at the ends to allow the 1st couple to make half-turns. Be careful to observe the rhythmic differences in the music between bars 1 and 2 and bars 5 and 6. The Camp House is one of the oldest building at Pinewoods Camp. It serves as a central gathering place and afternoon tea is often served here when camp is in session. %%endtext %%sep 5 1 500 X: 34 T: LEVI JACKSON RAG C: Pat Shaw M: 2/4 L: 1/16 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.34 K: G "A"[|]\ "D7"d2e2f2 |\ "G"g4 d4 | "G"edBd- "D7"dBA2 | "G"G8 | "G"D8 |\ "Bb"=F4 _B4 | "Bb"d=fgf- fdc2 | "Am"d8 | "D7"e4 ^f4 | "G"g4 d4 | "G"edBd- dBA2 | "C"G8 | "C"E6 _E2 |\ "G"D4 "E7"d4 | "A7"BGA_B- "D7"BGA2 | "G"G8- | G2 || "B"[|]\ "G7"G2F2=F2 |\ "C"EGAC EGEG | "C"ACEG EGAc | "Am"e2ee- edc2 | "Am"A8 | "E"^GB^cE GBGB | "E"^cE^GB GBce | "C#m"^g2gg- gfe2 | "C#m"^c8 | "E"^g2gg- gfe2 | "A7"=g2gg- gfe2 | "D"f2ff- fede | "D7"fafe defa | "G"bage- "E7"edB2 | "A7"edBA- "D7"AGE2 | "G"G4- "C"G4- | "G"G2 |] %%begintext align %% This dance was commissioned by the Adult Section of the Kentucky Mountain Folk %% Festival and is here included with their kind permission. It should be played pretty fast %% and should be danced with as much fun and verve as possible, though never letting it %% get completely out of control! %%endtext %%sep 5 1 500 X: 40 T: THE AMERICAN HUSBAND or Her Man C: Pat Shaw R: reel M: 2/4 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.40 P: AABB ad lib K: G "A"[|]\ "(D7)"DED |\ "G"G2 "C"e2 | "G/b"d>BAG | "Am"ABGE- | "D7"EDEF | "Em"G2g2 | "Bm"f>edB | "C"e4- | "D7"edef | "Em"g2e2 | "G/b"d>BAG | "Am"ABGE- | "D7"E_ED=E | "Bb7(G7)"=F2D2 | "Am"EG-"D7"GE | "G"G4- | "G"G :| "B"[|]\ |: ded |\ "D7"=f2ed- | "G"dded | "D7"=f2ed- | "G"dded | "C"g2e2 !Segno!| "G/b"d>BAG | "A7"_BAGA- | "D7"A ded | "B7"b2ag- | "Em"gedB | "C7"_BAGE- | "D7"EDEG | "G"Bd"G/b"BA- | "C"A2 "D7"GE | "G"G4- | "G"G :| P: Alternative for opening bars of B2: ded |\ "D7"=f2de- | "G"ed=f2 | "D7"de2d | "G"=f2ed | "C"g2"dal"e2 !Segno!| y4 y4 y4 y4 y4 y4 %%begintext align %%endtext %%sep 5 1 500 X: 43 T: PINE CONES C: Pat Shaw R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.43 P: 3 x AABB K: D A "A"|\ "D"d2B A2d | "A7"edc "D"d2a |\ "G"b2a "A7"gfe | "D"f2d "G"B2"A7"A |\ "D"d2B A2d | "A7"edc "D(Bm)"d2A | "G"BAG "D/a"FAF | "A7"E3 "D"D2 :|\ F "B"|:\ "D"F2A "A7"ABA | "D"F2A d2e |\ "Bm"f2d "Em"gfe | "D/a"f2d "A7"B2A | "D"F2A "A7"ABA |\ |1 "D"d2e "Bm"f2d | "Em"gfe "D/a"faf | "A7"e2 "D"d2 A \ :|2 "D"d2e f2a | "B"bag "D/a"faf | "A7"e3 "D"d2 |] %%begintext align "Pine Cones" is a spacious house at Pinewoods Camp with a wonderful long porch which overlooks Round Pond. Pat lived here when he was at camp in 1974. %%endtext %%sep 5 1 500 X: 44 T: PINEWOODS REEL C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.41 N: Alternate tune for The American Husband P: AABB (32 bars) K: G "A"[|]\ Bc |\ "G"dgfe d2Bc | "G"dedB "D"A2GA | "G"BcBA "Em"GFED | "Am"CEAG "D"F2 (3EFE | "G/b"DGBG "Am/c"EGcA | "D"FAdB "G"GBdg | "C"edcB "Am"cBAG | "D"FDEF "G"G2 :| "B"[|]\ |: GA |\ "Em"BGEG BGBe | "Am"cBAB c2AG | "B"F^DB,D FDFB | "Em"GFEF G2GA | "Em"BGBe "Am"cAce | "G"^dBdf "Em"gegb | "Am"c'bag "Am/c"agfe | "D"dcBA "G"G2 :| %%sep 5 1 500 X: 45 T: ALL MY OTHER FRIENDS C: Pat Shaw R: reel M: C| L: 1/8 Z: 2011 John Chambers B: Pat Shaw "Pat Shaw's Pinewoods" p.41 N: Alternate tune for The American Husband P: AABB (32 bars) K: D "A"[|]\ A2 |\ "D"d3e "A7"fedc | "D"dAFA D2ag | "D"fefg afbg | "Em"fedf "A7"e2A2 | "D"d3e "A7"fedf | "E7"e3f ^gefg | "A/c#"aefc "D"dcBA | "E7"EA^GB "A"A2 :| "B"[|]\ |: f=g |\ "D"a3g fedf | "G"gfga b2ef | "Em"g3f efed | "A7"cdcB A2fg | "D"a3g feda | "G"b3a gfeg | "D/f#"agfa "G"bagf | "A7"edce "D"d2 :|