X: 1
T: Cadgers in the Conongate
N: Pub: J. Walsh, London, 1748
Z: 2012 John Chambers <jc:trillian.mit.edu>
S: 4: ACMV  http://archive.org/details/acompositemusicv01rugg p.2:11
N: "Canongate" is how they spelled it.
N: There is a really long, undulating slur over the last 4 bars, perhaps an unusual sort of ending notation.
M: C|
L: 1/8
K: G
% - - - - - - - - - - - - - - - - - - - - - - - - -
V: 1
|:\
GBGB (de/f/g)e | dBgB A/A/A A2 |\
GBGB (de/f/g)e | dBgB G/G/G G2 :|\
|:\
bage gedB |
GBgB A/A/A A2 |\
[1 bage gedB | GBgB G/G/G G2 ||\
[2 (b/a/)g (a/g/)e (g/e/)d (e/d/)B | GBgB G/G/G G2 :|
% - - - - - - - - - - - - - - - - - - - - - - - - -
V: 2 clef=bass middle=d
|: g4 G4 | g2G2 d2D2 | g2G2 B2c2 | d2D2 g2G2 :|
|: g2c2 B2G2 | g2G2 d2D2 |[1 g2c2 B2G2 | d2D2 g2G2 ||
[2 g2c2 B2G2 | d2D2 g2G2 :|
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%%begintext align
%% First Cu. hey contrary sides .|
%% then on your own sides :|
%% the 1st Cu. foot it to the 2d Wo. and turn her .|.
%% the same to the 2d Man :|:
%% the 1st and 2d Cu. foot it and Right hands across .||
%% Foot it and Left hands across back again :||
%% cross over one Cu. and turn .||.
%% Right and left at top :||:
%%endtext