X: 0 T: HILL COUNTRY TUNES T: Instrumental Folk Music of Southwestern Pennsylvania S: Collected and Edited by: Samuel Preston Bayard (Philadelphia 1944) N: American Folklore Society Z: 2010 John Chambers K: %%sep 2 1 500 %%sep 1 1 500 X: 1 T: 1A. BUFFALO GALS T: Hagantown Gals B: Sam Bayard, "Hill Country Tunes" 1944 #1A S: Played by Irvin Yaugher Jr., Mt. Independence, Fayette County, PA, Oct 19 1943. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: G EF |\ G2A2 B2^/c2 | eddB G2B^/c | d2^/cB A2Ac | e2d2- d2EF | G2A2 B2^/c2 | eddB G2B^/c | d2^/cB A2F2 | A2G2- G2 || z2 | Jg2fg e2d2 | eddB G2z2 | {B}d2^/cB A2Ac | e2d2- d2ef | g2fg e2d2 | e2dB G2B^/c | d2^/cB A2F2 | A2G2- G2 |] %%sep 2 1 500 %%sep 1 1 500 X: 2 T: 1B. BUFFALO GALS T: Johnstown Gals B: Sam Bayard, "Hill Country Tunes" 1944 #1B S: Played by Mrs Sarah Armstrong, (near) Derry, Westmoreland County, PA, Nov 18 1943. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: G D2 |\ G3A B2G2 | BcdB G2Bc | d2cB A2F2 | AGFE D2EF | G3A B2G2 | BcdB G2Bc | d2cB A2F2 | G4 G2 || (3def | g3f e2d2 | BcdB G2ef | ggf2 e2d2 | e2a2 a2f2 | g2f2 e2d2 | BcdB G2Bc | d2cB A2F2 | G2 G2 |] %%sep 2 1 500 %%sep 1 1 500 X: 3 T: 2. SWEET ELLEN B: Sam Bayard, "Hill Country Tunes" 1944 #2 S: Played by Irvin Yaugher Jr., Mt. Independence PA, Oct 19 1943. Learned from his great-uncle. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: D A,2 |\ D2DE F2ED | FAAF A3A | BABc dBAG | F2ED E2FE | A,DDD F2ED | FAAF A3A | BABc dBAG | F2D2 D2 || de | fa2b afde | fede fede | fa2b afde | fee2 e3e | faab afde |.fz ed B2A2 | BcdB AGED | F2D2 D2 |] %%sep 2 1 500 %%sep 1 1 500 X: 4 T: 3. THE ROCKY MOUNTAIN HORNPIPE C: Emery Martin B: Sam Bayard, "Hill Country Tunes" 1944 #3 S: Played by Emery Martin, Dunbar, Fayette County, PA, Sep 29 1943. Composed by himself. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: D A,2- |\ A,2DE FEDE | F2[A2D2] [A2D2]A2 | BABc dBAF | F2[E2A,2] [E2A,2]FE | D2DE FE D2 | F2[A2D2] [A2D2]B2- | BABc dBAA | F2D2 D2:: (3ABc | d2(3efg fedd | c2dd B2A2 | BABc dedd | B2A2 A2(3ABc | d2(3efg fedd | c2dd B2A2 | BABc dBAG | F2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X: 5 T: 4. JINNY IN THE LOWLANDS B: Sam Bayard, "Hill Country Tunes" 1944 #4 S: Played by Played by Emery Martin, Dunbar, PA, Oct 14 1943. Learned from his father. N: Variant of Billy in the Lowlands (Low Grounds). R: reel Z: 2010 John Chambers M: C| L: 1/8 K: C G,2- |\ G,2C2 _/E2G2 | c3d c2G2 | ABcB ABcB | AGEC D2C2 | G,2C2 _/E2G2 | c3d c2G2 | ABcB ABcd | ee^fg a2a2 || [M:6/5]a2e2- e^fgf g2d2 |[M:4/4] BddB A2G2 | e^fgg a2a2 | e^fgg g2g2 | e^fgf g2d2 | BddB A2G2 | ABcB ABcB | AGEC D2HC2 :| %%sep 2 1 500 %%sep 1 1 500 X: 6 T: 5. REEL T: Billy in the Lowlands (variant) B: Sam Bayard, "Hill Country Tunes" 1944 #5 S: Played by David P Gilpin, Connellsville, Fayette County, PA, Sep 22 1943. Learned in Dunbar, PA. N: Variant of Billy in the Lowlands (Low Grounds). R: reel Z: 2010 John Chambers %Q: "Very Quick" M: C| L: 1/8 K: C G,2 |\ G,2C2 E2G2 | cBcd c2B2 | A^GAB cBcd | e2a2 {e}g2G,2 | G,2C2 E2G2 | cBcd c2B2 | A^GAB cBcA | GED_B, C2 || cc | eg2^f g2ag | ec2B c2d2 | ea2g a2ag | ecAB c2cd | eg2^f g2ag | ec2B c2G2 | A^GAB cBcA | GED_B, C2 |] %%sep 2 1 500 %%sep 1 1 500 X: 7 T: 6. O DEAR MOTHER MY TOES ARE SORE B: Sam Bayard, "Hill Country Tunes" 1944 #6 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. Learned from his great-uncle. R: jig %Q: "Mod." Z: 2010 John Chambers M: 6/8 L: 1/8 K: Am He2^f edB | GA>B AGE | CD2 ^/F/E/DE | A3 Az2 :| |: e2^f g2a | ge^c dz_/a | e>_/ae dBG | ABA GEC | D3 ^/F/E/DE | A3 Az2 :| P: VAR: "a."^g2 || "b."e |] %%sep 2 1 500 %%sep 1 1 500 X: 8 T: 7. I'LL DANCE A JIG AND I'LL DANCE NO MORE B: Sam Bayard, "Hill Country Tunes" 1944 #7 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. R: jig Z: 2010 John Chambers M: 6/8 L: 1/8 K: Amix Bcd |\ e2e efe | d2B G2A | B2B BAG | AAA Bcd | e2e efe | d2B G2A | Bcd A2F | A2z z2c/d/ | e2e ef^/g | a2f d3 | ef^/g e2c | e3- e2c/d/ | e2e ef^/g | a2f d3 | ef^/g e2c | e2z z2c/d/ | e2e efe | d2B G2A | B2B BAG | A2"D.C."z |] %%sep 2 1 500 %%sep 1 1 500 X: 9 T: 8A. THE CUCKOO'S NEST B: Sam Bayard, "Hill Country Tunes" 1944 #8A S: Played by Emery Martin, Dunbar PA, Oct 14 1943. Learned from his father. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: Amix ef/^g/ | a6 a2 | bae2 e3f | g2f2 g2g2 | agaf d3f | e2fg a2a2 | ab ag/f/ e2 "a."(3fgf | edBA "b."GABd | c2A2 A2 || e2- | eccc AAcA | AcBA G2B2 | [BD]dBA [BD]dBA | [BD]dBA G2B2 | ABcd e2fg | agaf d2 "d."gf | "c".edBA "b."GABd | c2A2 A2 |] P: VAR: "a."{f}gf || "b."GGAB || "c"d/d/ | "d."f2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 10 T: 8B. THE CUCKOO'S NEST B: Sam Bayard, "Hill Country Tunes" 1944 #8B S: Played by Irvin Yaugher Jr, Mt. Independence PA, Oct 19 1943. Learned from his great-uncle. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: Amix He>f | edcd edcd | ecdB G2Bc | dBGB dBGB | dBcA G2z2 | ABcd e2"a."af | ^/g2ec d2"b."^/c2 | "c"BcBA GABd | c2.A2 .A2 || z2 | e2a2 a3f | b2a2 e3f | g2e2 g3e | a2g2 d3e | | e3c A2e2 | g2ec d3^/c | BABA GABd | c2.A2 .A2 |] P: VAR: "a."a2 || "b."d2 || "c."cABA |] y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 11 T: 9. THE YELLOW HEIFER B: Sam Bayard, "Hill Country Tunes" 1944 #9 S: Played by Emery Martin, (near) Dunbar PA, Oct 14 1943. Learned from his father. N: This is another variant of the Cuckoo's Nest. N: Sam Bayard wrote: "Irvin Yaugher, of Mt. Independence in Fayette County, regards this tune N: as simply a derivative of "Paddy on the Turnpike" (No. 31 in the present collection) -- which N: is not beyond the bounds of possibility." R: reel Z: 2010 John Chambers M: C| L: 1/8 K: Amix "a."ef/g/ |[M:6/4] a6 a2 abaa |[M:4/4] baba "b."e3f | "c."g2f2 gfgg | "d."agaf "e."e2fg | a3a "f."abaa | ba "g."ba/g/ e2ef | g2a2 [fA]edB | [A4D4] [A2D2] || F | E2A2 [A3E3]A | "h."Agfe ddBA | G2EE G2DG | "i."G^/cBA "j."GGED | EFG2 A3A | BABd e2f2 | gf"k."ge dfAd | ^/cBA2 A2 |] P: VAR: "a."e2 || "b."e2ef || "c."g2f2 g2g2 || "c."g2g2 aggg || "c."g2f2 gagg || "d."afaf || "e."e3f || "f."a2a2 || "f."baaa || "g."ba || "g."bg || "g."ge || "g."gf || "h."Aggf || "i."GBBA || "j."AGED || "k."g/f/e |] %%sep 2 1 500 %%sep 1 1 500 X: 12 T: 10. FIRE IN THE MOUNTAIN B: Sam Bayard, "Hill Country Tunes" 1944 #10 S: Played by Irvin Yaugher Jr., Mt. Independence, PA, Oct 19 1943. Learned from his great-uncle. N: Sam Bayard wrote: This tune bears a slight resemblance to that of the well-known "Short'nin N: Bread." The title has been a "floating" one for some time, apparently -- it appears to quite N: different tunes in Decca Album No.66 (recorded from the playing of a Georgia fiddler) and Joyce N: 1909, No.200. Witht he first part of No.10, compare the melody of "The Organ Grinder Swing." R: reel Z: 2010 John Chambers M: C| L: 1/8 K: D F2A2 A2BA | F2A2 A2z2 | F2A2 A2BA | F2E2 E3D | F2A2 A2BA | F2A2 A2zB/c/ | d2d2 ecBA | F2E2 D2 z2:| |: d2d2 A2Bc | d2e2 f2z2 | d2d2 A2BA | F2E2 D2z2 :| %%sep 2 1 500 %%sep 1 1 500 X: 13 T: 11A. THE HONEYCOMB ROCK B: Sam Bayard, "Hill Country Tunes" 1944 #11 S: Played by Irvin Yaugher Jr., Mt. Independence, PA, Oct 19 1943. Learned from his great-uncle. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: G Hge | dB^/cA BAGB | dB^/cA [BD]z "a."Hge | dB^/cA BAGB | AGF[AD] Gz :| |: ze/f/ | g2fg afdf | g2fg az "b."^/ga | "c."baag .f2.d2 | edef gz :| P: VAR: "a."Hg2 || "b."zf || "c"b2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 14 T: 11B. THE MCCLELLANTOWN HORNPIPE B: Sam Bayard, "Hill Country Tunes" 1944 #11 S: Played by Emery Martin, Dunbar, PA, Oct 14 1943. Learned from his father. R: reel Z: 2010 John Chambers M: C| L: 1/8 K: G "a."Bc | dB^/cA BAGB | "b."dB (3cBc d3 B/c/ | dB^/cA BAGB | AF[AD]F G3 :| |: e/f/ | g2fg afde/f/ | g2fg a3a | b2a2 g2f2 |1 edef g3 :|2 edef g2 Hg>e |] P: VAR: "a."d4- | d || "b."dBcA Bdge |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 15 T: 12. REEL B: Sam Bayard, "Hill Country Tunes" 1944 #12 S: Played by David P Gilpin, Connellsville, PA, Sep 22 1943. Learned in Cumberland, MD. N: Variant of Kerr #113 "Push about the Jorum", etc. R: reel Z: 2010 John Chambers M: 4/4 L: 1/8 K: G Hd>c | BG2B "a."A2Ac | "b."BGBd [g2B2]e>d | BG2B A2"c."Ac | BdAF G2 :| |: ef | g2 (3fgf e2d2 | eaa^g a2e M: 6/8 L: 1/8 K: D A |\ F2A [d2D2]F | A[AG][AF] [AE][AF][AG] |\ [A2F2]A [d2D2]F | A[AG][AF] [A2E2]z | F2A [d2D2]F | A[AG][AF] [A3E3] |\ c>BA ABc | [d3D3] [dD]z :| |: e |\ [f2A2]e [d2D2]c | d2c {c}[BD]cd |\ [e2A2]d [c2E2]B | [AD3]BA A2G | FGA d2F | [AD][AG][AF] [A3E2] |\ cBA ABc | [d3D3] [dD]z :| %%sep 2 1 500 %%sep 1 1 500 X: 17 T: 14. ROLLING OFF A LOG B: Sam Bayard, "Hill Country Tunes" 1944 #14 R: jig S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 5 1943. Z: 2010 John Chambers K: D D2F A2d | f2d A2F | G2G [e2A2G2]d | cBA GFE | D2F A2d | f2d A2F | G2G [e2A2G2]d | cBc d3 || |: e2d cBA | f2e dcd | e2d cBA | f2e d3 :| g2f e2d | c2B A2G | F2E D2F | Dz2 Dz2 |] %%sep 2 1 500 %%sep 1 1 500 X: 18 T: 15. THE BONNY MAID B: Sam Bayard, "Hill Country Tunes" 1944 #15 N: Whistled by F. P. Provance (as he formerlo played it on the violin), N: Point Marion, Fayette County, PA, Oct 16 1943. R: reel Z: 2010 John Chambers K: D z2 |\ FA2"a."B d3B | ABAF E2D2 | FA2"a."B d3B | cdec .d2.f2 | FA2"a."B d3B | ABAF E2D2 | FA2B d2d2 | cdec dz || |: fg |\ a2af g2ge | faec dcBA | a2af g2ge | faec d2 :| P: VAR: "a."A |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 19 T: 16. LEATHER BREECHES B: Sam Bayard, "Hill Country Tunes" 1944 #16 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. R: reel Z: 2010 John Chambers K: G DGBG AGBG | DGBG AGEG | DGBG [AD]GBG | DEDB, A,B,G,z | DGBG AGBG | [AD]GBG AGEz | cBcB "a."AGFE | DDGA BAG || D |\ GABc d2dc | Bcdc BAG2 | GGBd g2gf | efgf edBA | GABc d2dc | Bcdc "b."Bcd2 | g2fg edB2 | A2GA BAG2 |] P: VAR: "a."AAFE || "b."B2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 20 T: 17. TIDDLE TOOK TODFISH B: Sam Bayard, "Hill Country Tunes" 1944 #17 S: Played by David P. Gilpin, Connellsville, PA, Sep 22 1943. Learned at Dunbar, PA. N: This tune has so far proved untraceable. R: reel Z: 2010 John Chambers K: D (3ABc |\ d2[fA]e c2ec | "a."BcdB AFDF | G2"b."BG F2AF | EDEF GABc | d2fe c2ec | BcdB AFDF | G2"b."BG F2AF | EGFE D2 :| A2- \ |: Acef gfgz | Ace^g agaz | Acef g2gf |1 faec d2B2 :|2 faec d2 |] P: VAR: "a."B2dB || "b."BA |] y8 y8 y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 21 T: 18. BUTTERMILK AND CIDER B: Sam Bayard, "Hill Country Tunes" 1944 #18 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. S: Learned from Jim Lawry, a fiddler of that same region. N: This is a variant of a widely known Irish reel sometimes called "Going to California". R: reel Z: 2010 John Chambers K: A A2- |\ AcBA FAE2 | Aceg f2g2 | agfe fecB | AcBA F2E2 | AcBA F2E2 | Aceg f2g2 | agfe fecA | B2A2 A2 || e2- | eaga fecd | eaga f2 (3efg | agfe fecA | BcBA F2E2 | AcBA F2E2 | Aceg f2 (3efg | agfe fecA | B2A2 A2 |] %%sep 2 1 500 %%sep 1 1 500 X: 22 T: 19. THE ROAD TO BOSTON B: Sam Bayard, "Hill Country Tunes" 1944 #19 N: Whistled by J. W. Devan (as he formerly played it on the file), Connellsville, PA, Oct 20 1943. N: This old fifers' march is known by the above name in the Northeast as well as in Pennsylvania. N: The tune itself is international and -- in the present state of our knowledge -- not N: assignable to any definite place of orogin. R: reel M: 4/4 L: 1/16 Z: 2010 John Chambers K: D f6 (3eef g2f2e2d2 | c2d2e2f2 d2AA F>FA2 | f6 ef g2f2e2d2 | c2d2e2f2 d4d4 :| |: a6ga b2a2g2f2 | g6g>g a2g2f2e2 | f6e>f g2f2e2d2 | c2d2e2f2 d2z2z4 :| %%sep 2 1 500 %%sep 1 1 500 X: 23 T: 20. LARDNER'S REEL B: Sam Bayard, "Hill Country Tunes" 1944 #20 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. Learned by ear from other local fiddling. N: Bayard points out that variants of the first half of this tune are found frequently in N: the American instrumental tradition, "it seems to have no steadfast association with N: any one second strain." R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: A [A2E2] |\ [A2E2]Ac BA^/GB | Acef/g/ a2ga |\ bgeg aece | fedc BAGB | A2Ac BA^/GB | Acef/g/ a2g>b | bgeg aece | fedB A2 || z2 | E2[A2E2] [BE]AGB | [A2E2][cE][AE] eAcA |\ B2de fedf | e2ge "a."bgeg | agae faec | defg agaf |\ eagf edcB | A2^/c2 A2 |] P: VAR: "a."bge2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 24 T: 21. THE KING'S HEAD B: Sam Bayard, "Hill Country Tunes" 1944 #21 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 5 1943. N: This is the other name of Soldier's Joy, found in many old collections. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D B2 |\ A2FG [AD]FDF | [A2D2][d2D2] [d2D2]"a."cB |\ A2FG [AD]FDF | {F}GFED E2FG | A2FG [AD]FDF | [A2D2][d2D2] [d2D2]e2 |\ f2af e^/gfe | d2[f2d2] Hd2 || de | f2de f2"b."af | e2cd e2g2 |\ f2de fgaf| edcB A4 | f2de f2"b."af | e2cd e2g2 |\ f2af e^/gfe | d2[f2d2] Hd2 |] P: VAR: "a."B2 || "b."a2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 25 T: 22. HASTE TO THE WEDDING B: Sam Bayard, "Hill Country Tunes" 1944 #22 S: Played by Emery Martin, Dunbar, PA, Oct 14 1943. Learned from his father. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: D D- |\ DFA Adf | "a."Adf fdd | "b."AFF DFF | EEE EFE | DFA Adf | "a."Adf fdd | [AD]FA efe | [d3D3] [dD]z || (3e/f/g/ |\ aaa agf | gab baf | faa aff | gfg efg | aaa "c."gff | edf fdd | [AD]FA dfd | [d3D3] [d2D2] |] P: VAR: "a."Aff || "b."dAF || "c."fff |] y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 26 T: 23. THE WIND THAT SHOOK THE BARLEY B: Sam Bayard, "Hill Country Tunes" 1944 #23 N: Whistled and sung by F.P.Provance (as he formerly played it on the violin), Point Marion, PA, Oct N: 16 1943. Learned from fiddlers playing it in eastern Fayett and Western Somerset Counties, PA. R: hornpipe, reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D A2A>B A>GE>F | G>FG>A B>cd>B |\ | A2A>B A>GF>f |1 g>fe>d B>c d>B :|2 g>fe>d B>cd>e || |: f2f>e f2f>e | "a."f>ef>d B>cd>e |\ f2f>e f2f>g |1a>fe>d B>cd>e :|2 a>fe>c B>c!D.C.!d>B |] P: VAR: "a."f2 |] y8 y8 y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 27 T: 24. DANCE TUNE B: Sam Bayard, "Hill Country Tunes" 1944 #24 N: Copied from manuscript of Denune Provance, Peachen, Fayette County, PA, Sep 21 1943. S: Learned from traditional players about Dunbar. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: F a2g fed | c2A c2f | ege cde | fef a3 | a2g fed | c2A c2f | ege cde | f6 :| |: g3 f3 | ege c3 | =BdB GAB | c=Bc g3 | g3 f3 | ege c3 | =BdB GAB | c6 :| %%sep 2 1 500 %%sep 1 1 500 X: 28 T: 25. DANCE TUNE B: Sam Bayard, "Hill Country Tunes" 1944 #25 N: Copied from manuscript of Denune Provance, Peachen, Fayette County, PA, Sep 21 1943. S: Learned from traditional players about Dunbar. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: C g^fg c'2e | g^fg .c'2c | BdB GAB |1 cBc g3 :|2 c3- c3 || |: g^fg age | cBc G2c | BAB GAB |1 cBc g3 :|2 c3- c2z |] %%sep 2 1 500 %%sep 1 1 500 X: 29 T: 26. DANCE TUNE B: Sam Bayard, "Hill Country Tunes" 1944 #26 N: Copied from manuscript of Denune Provance, Peachen, Fayette County, PA, Sep 21 1943. S: Learned from traditional players about Dunbar. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: C g2^f g2a | gec G3 | fdB GAB | cBA G3 | g2^f g2a | gec G3 | fdB GAB | c3- c3 :: c3 _B3 | Acf a3 | _b3 d3 | fef gfd | c3 _B3 | Acf a3 | _b3 d2e | fag f3 :| %%sep 2 1 500 %%sep 1 1 500 X: 30 T: 27. WALTZING WITH THE ONE I LOVE C: Sarah Armstrong B: Sam Bayard, "Hill Country Tunes" 1944 #27 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. Composed by herself. R: waltz M: 3/4 L: 1/8 Z: 2010 John Chambers K: D Ad |\ [f4A4] [f2A2] | e2 d2 "a."B2 | A3 B AG | F2 D2 F2 |\ [e4A4] [e2A2] | c2 B2 A2 | d3 c "b."d>B | A2 F2 A2 | [f4A4] [f2A2] | e2 d2 "a."B2 | A3 B AG | F2 D2 F2 |\ [e4A4] [e2A2] | c2 B2 c2 | d6- | d2 z2 FG | A3 B A>G | F2 D2 F2 | A2 F2 A2 | d6 |\ A4 cB | A2 c2 B2 | A2 c2 B2 A2 F2 G2 | A3 B A>G | F2 D2 F2 | A2 F2 A2 | d4 "c."cd |\ [e4A4] [e2A2] | c2 B2 c2 | d6- | d2 z2 |] P: VAR: "a."cB || "b."dB || "c."d2 |] y6 y6 y6 y6 y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 31 T: 28. DREAM SONG C: Sarah Armstrong B: Sam Bayard, "Hill Country Tunes" 1944 #28 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. Composed by herself. N: "Mrs Armstrong relates that she dreamed of seeing here Uncle Laney -- the most accomplished N: fiddler in the family, and the one who knew the greatest store of old music -- sitting on a N: log in a clearing and playing this air on his violin. The tune impressed her so by its wistful N: quality that she still recalled it when awake; so she at once tried it out on her fiddle and N: committed it to memory." R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G Bc | d2BG e2dc | B2AB/A/ G2EF | G2FGA2GF | G6 :| ef | g2eg f2d2 | e2ce d2BA | G2Bd e2dB | "D.C. to fine"A6 |] %%sep 2 1 500 %%sep 1 1 500 X: 32 T: 29. LANEY TUNIN' HIS FIDDLE C: Sarah Armstrong B: Sam Bayard, "Hill Country Tunes" 1944 #29 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. Composed by herself. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D e2e2 A2A2 | [A2D2][A2D2] A,3z | [A2D2]FA B2A2 | [A2D2]FA B2A2 | e2e2 A2A2 | D2D2 A,4 | D2FA B2[A2D2] | [AD]zz2 Dz z2 :| |: D2FA B2[A2D2] | [A2D2]FA B2[A2D2] | c3B [A2D2][AF]A | [B2D2][A2D2] [A4D4] | D2FA B2[A2D2] | D2FA B2[A2D2] | c2B2 AAGE | D2DD D2z2 :| %%sep 2 1 500 %%sep 1 1 500 X: 33 T: 30. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #30 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. N: In bar 12 the g was g2; this was probably an error. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: D A- |\ A2A F2A | def edB A2A F2"a."G | ABA GFE | D2D F2A | def edB | A2A F2G | ABc "fine"d2|| e | f2d A2d | fef a^/gf | e2c A2c | ece a2^/g | f2d A2d | fef a^/gf | ef^/g a2c | d2z d"D.C."cB |] P: VAR: "a."a |] y6 y6 y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 34 T: 31A. PADDY ON THE TURNPIKE B: Sam Bayard, "Hill Country Tunes" 1944 #31A S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. As played by his great-uncle. N: The 4/4+5/4 time signature was used by Bayard, to say that some bars contain 5 beats. R: reel M: 45/44 L: 1/8 Z: 2010 John Chambers K: Ador ((3EFG) |\ A3^G A2"a."AB | ^cdef gfed | BG-G2 G2 ((3DEF) GA | BGAF GFED | "b."EAA^G A2A2 | BABd e2d2 ef | gage dBGB | ^/cABG A2 :: z2 | ea-ab a3f | bfaf "c."gfed | efga g3g | bfaf ^/ge dz | eaab a3f | bfaf ^/ge dz ef | gage dBGB | ^/cABG A2 :| P: VAR: "a"B2 || "b."EAA2 || "c."ge dz |] y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 35 T: 31B. PADDY ON THE TURNPIKE B: Sam Bayard, "Hill Country Tunes" 1944 #31B S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. R: reel M: C L: 1/8 Z: 2010 John Chambers K: G D2G2 G2G2 | BAGA B2G2 | E2G2 G2G2 | EDEF EDB,C | D2G2 G2G2 | BAGA B2d2 | efgf e2d2 | B2A2 G2z2 :| |: e2a2 a2a2 | ba^ga b2a2 | e3f g2ge | d2ge d2d2 | e2a2 a2a2 | ba^ga b2a2 | e3f g2ge | d^/cBA G2z2 :| %%sep 2 1 500 %%sep 1 1 500 X: 36 T: 32. HARRY COOPER B: Sam Bayard, "Hill Country Tunes" 1944 #32 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: G (3D>EF |\ G2DC B,G,B,[DG,] | EDEG FDD2 | G3A ^/cAcA | EAA2 A2 (D>EF | G2DC B,G,B,D | EDEG FDD2 | G2Bd e^/cAF | G2GG G2 || ef | g2d2 e2^/cA | dBAG FDD2 | G3A ^/cAcA | EAA2 A2ef | g2d2 e2^/cA | cBAG FDD2 | G2Bd e^/cAF | G3G G2 |] %%sep 2 1 500 %%sep 1 1 500 X: 37 T: 33. OLD REEL B: Sam Bayard, "Hill Country Tunes" 1944 #33 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 13 1943. N: The first part occurs as the second part of "Wake Up Susan" in other collection. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D A,2- | A,2D2 B,2D2 | A,2DE FED2 | E2A2 F2A2 | E2AB cBA2 | A,2[D2G,2]B,2[D2G,2] | A,2DE FED2 | E2A2 "a."A3B | AGFE D2 :: A2 | d2dA dAF[AD] | E2E2 EFGA | B2"b."Bc BAFE | D2[d2D2] [dD]ABc | d2"c."dA dAF[AD] | E2E2 EFGA | B2Bc BAFE | D2 [d2D2] [d2D2] :| P: VAR: "a."A2B2 || "b."B2 || "c."d2 |] %%sep 2 1 500 %%sep 1 1 500 X: 38 T: 34. LITTLE HORNPIPE B: Sam Bayard, "Hill Country Tunes" 1944 #34 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 13 1943. N: The first part occurs with different second parts in other collections. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D z2 | D2FE D2FG | AAdB "a."AGFE | D2FE D2F2 | A,2E2 D2E2 | D2FE "b."D2FG | AAdB A2F2 | "c."GBAG FDED | A,2D2 D2 :| |: A2 | d2dA d2dA | dAdA B2A2 | A2ed c2ed | cded cABc | d2dA d2dA | dAdA B2A2 | GBAG FDED | A,2D2 D2 |] P: VAR: "a."AAFE || "b."DE || "c."GBAA |] y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 39 T: 35. WHISKEY B: Sam Bayard, "Hill Country Tunes" 1944 #35 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. One of his mother's favorite tunes. N: Tune 159 has the same first part and a different second part. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: G (3DEF | G2EG D3E | GGAG Bdd2 | "a."d2ed B2A2 | GBAG EGG2 | G2EG D3E | GGAG Bdd2 | g2ed B2"b."A2 | GBAF Dz || z2 | g2ed B2A2 | G>BAG Bdd2 | g2ed B2A2 | GBAF Dz z2 | g2ed B2A2 | G>BAG Bdd2 | e6- e>f | g2ed B2A2 | GBAF Dz |] P: VAR: "a."d2e2 B3A || "b."AF |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 40 T: 36. Schottische B: Sam Bayard, "Hill Country Tunes" 1944 #36 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18 1943. N: In the Ford collection as "Crystal Schottische". R: reel, hornpipe, shottish M: 4/4 L: 1/8 Z: 2010 John Chambers K: G G>A |\ BcBA G2D2 | GGBd g3g | f2AB c2Bc | ed^cd B2G2 | BcBA G2D2 | GGBd g3g | f2AB cBAF | G4 G2 :: FG | "a."ABAF A2A2 | "b."defg a3a | b2^c2 [e2A2]c2 | d^cdB A2FG | ABAF A2A2 | defg a3a | b2^c2 [e2A2]c2 | d2d2 d2 :| P: VAR: "a."A3F B2A2 || "b."d2fg |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 41 T: 37. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #37 S: Played by Mrs. Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: A e | a2e c2e | [aA]e[aA] [e2A2]c | BAB dcB | A2c cde | [a2A2]e c2e | aea e3c | "a."BAB dcB | A3 A2 :: z | E2E A2A | cAc e2c | BAB dcB | A2c cBc | E2E A2A | cAc e2c | "a."BAB dcB |1 A3- A2 :|2 A3- A"D.C."ce |] P: Var: "a."B2B |] y6 y6 y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 42 T: 38. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #38 S: Played by Mrs. Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: The first half of this quadrille is known in New England: see Burchenal, "American Country-Dances", No.1. N: In Seventy Good Old Dances, No.8, p.24, is a tune which bears a very slight resemblance to this, N: and which may or may not be a relative. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: A e | eaf e2c | BAB c3 | E2A B2B | cBc dcd | eaf e2c | BAB c3 | E3 EFG | A3 A2 :: e- | ecA Acd | ecA A2c | ecA cAc | "a."B2B dcd | ecA Acd | ecA A2c | "b."e2e efg |1 a3 a2 :|2 a3 a2f |] P: Var: "a."B>BB || "b."e>ee |] y6 y6 y6 y6 y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 43 T: 39. WHAT THE DEVIL AILS YOU B: Sam Bayard, "Hill Country Tunes" 1944 #39 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. R: shottish M: 4/4 L: 1/8 Z: 2010 John Chambers K: D .D>F[AD]>B [A2D2][f2A2] | D>FA>B [A2D2][a2A2] | ^/g2f2 e2d2 | c>dc>B A2G2 | F>GA>B A2[f2A2] | D>FA>B A2[a2A2] | ^/g2f2 e2d2 | cABc d2z2 || e2e2 a2a2 | c>Ac>d e4 | B2e2 c2e2 | B2e>f e>dc>d | e2e2 a2a2 | c>Ac>d e4 | e2^gf edcB | A4- [A2F2]"D.C."z2 |] %%sep 2 1 500 %%sep 1 1 500 X: 44 T: 40. SCHOTTISCHE B: Sam Bayard, "Hill Country Tunes" 1944 #40 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. R: shottish M: 4/4 L: 1/8 Z: 2010 John Chambers K: D "a."A>A |\ F2d2 F2d2 | c2B2 BABc | d2F2 GFGA | B2A2 AGFE | D2d2 F2d2 | c2B2 B4 | ABcd efge | f2d2 d2 :: "b."de | [f2A2][f2A2] [e2A2][e2A2] | d2A2 AFAd | c2EF GFGA | B2A2 AGF[AD] | [f2A2][f2A2] [e2A2][e2A2] | d2"c."AA AFAd | c2cB AGFE | D2d2 d2 :| P: Var: "a."D2 || "b."z2 || "c."A2 |] y8 y8 y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 45 T: 41. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #41 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov. 18, 1943. N: A quadrille always played at the dances in Schwalm's Grove, N: a dancing ground not far from Derry [Pennsylvania]. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: A E |\ A2E A2c | e2e ece | fga e2c | e3 efg | agf d2f | fec A2c | "a."efe dcB | A2z A2z :| |: e |\ a2e g2e | fec Ace | A2e g2e | fec B3 | a2e g2e | fec Acd | efe dcB | A2Z Za :| P: Var: "a."e2e |] y6 y6 y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 46 T: 42. STOP TUNE, or TAKE OFF YOUR HAT TO THE LADIES B: Sam Bayard, "Hill Country Tunes" 1944 #42 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov. 18, 1943. N: Perhaps this was originally a stage piece. Somewhere in the course of playing, N: the performer used to stop and take off his hat; hence the titles. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: D A |\ d3 d2e | [f3A3] e2d | B2c d2B | A2F D2z | d3 d2e | f3 e2d | B2d e2f | e3- e2A | d3 d2e | f3 e2d | B2d e2B | A2F D2z | Az2 Dz2 | Az2 Dz2 | F2F E2D | F2F E2F | Az2 Dz2 | Az2 Dz2 | F2F A,2A, | D3- D2 |] %%sep 2 1 500 %%sep 1 1 500 X: 47 T: 43. MUDDY WATER B: Sam Bayard, "Hill Country Tunes" 1944 #43 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov. 18, 1943. R: hornpipe, reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D HAG |\ F2 D2 DE"a."FD | E2 "c."A,2 A,3 E | F3 F G2 FG | A2d2 dB AG | F2 D2 DEFD | E2 "c."A,2 A,3 E | F2 EF G2 FE | D2 F2 D2 :: A2 | d3 e f2 ed | c2 ed cB "b."A2 | d3 e fe de | f2 a2 a3 A | d3 e f2 ed | c2 ed cB "b."A2 | A2 Bc dB AG | F2 D2 D2 :| P: Var: "a."FG || "b."AA | "c"[E2A,2][E2A,2] |] %%sep 2 1 500 %%sep 1 1 500 X: 48 T: 44. OLD MARCH B: Sam Bayard, "Hill Country Tunes" 1944 #44 N: Whistled by F.P. Provance, Point Marion, PA, Sept 19, 1943. Learned from Sam Waggle, fifer, of Dunbar. R: jig-time march M: 6/8 L: 1/8 Z: 2010 John Chambers P: Leisurely K: Edor A |\ B2E EDE | B2c d2B | A2F FEF | DEF AFA | B2E EDE | B2c d2A | Bcd F2"a."A | E3- E2 :: A | ~B2"b."B B K: Ador e- |\ efe AGA | efe edB | ded GFG | ded dze | efe AGA | efe gzf | efe edB | A3 A2 || e | ef^g a2b |[M:9/8] a^/ge g3 d3 |[M:6/8] ef^g a2b |[M:9/8] a^/ge a2z d3 | [M:6/8] ef^g a2b | a^/ge gz2 | G>Bd edB | A3 A2 |] %%sep 2 1 500 %%sep 1 1 500 X: 50 T: 46. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #46 S: Played by John Kubina, (near) Davistown, Greene County, PA, Sept 3, 1943. S: Learned from Ann Peterson, fiddler, in East Pittsburgh. Z: 2010 John Chambers R: jig M: 6/8 L: 1/8 %%slurgraces K: Ador {d}eAA eAA | BAG Bcd | eAA eAA | BAA g2f | eAA eAA | BAG Bcd | efg fed | eAA A2z | eaa a^ga | bag fed | eaa a^ga "a."baf g2z | eaa a^ga | bag fed | efg fed | eAA A2z |] P: Var: "a"bbf |] %%sep 2 1 500 %%sep 1 1 500 X: 51 T: 47. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #47 S: Played by John Kubina, (near) Davistown, Greene County, PA, Sept 3, 1943. S: Learned from Ann Peterson, fiddler, in East Pittsburgh. Z: 2010 John Chambers R: jig M: 6/8 L: 1/8 %%slurgraces K: Gm {^c}d- |\ dGG GGG | BGB dcB | AFF FFF | AFA c2-c/ ^c/ | dGG GGG | "a."BGB d2"*"=e | f"*"=ed cBA | "b."{Bc}BGG Gz || c | dgg dff | dgg fdc | dgg {de}d2c | BGG Gz (G//A//B//c//) | dgg dff | dgg fdc | {d}g2z {de}d2c | "c."BGG G2 |] P: Var: "a."BAB || "b."G3- G || "c (when going to beginning)"BGG [B2G2] |] y6 y6 y6 y6 %%text Notes marked "*" occasionally flatted. %%sep 2 1 500 %%sep 1 1 500 X: 52 T: 48. THE RED BRICK HOUSE IN GEORGIA TOWN B: Sam Bayard, "Hill Country Tunes" 1944 #48 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers R: reel M: C L: 1/8 K: Ador "a."e3^c A2A2 | e^cef g2d2 | B3A G2G2 | AGAB "b."cBA2 | e3^c A2A2 | e^cef g2d2 | efgf e2d2 | B2G2 A2z2 || e2a2 a2^/g2 | edef g2d2 | e3e ^/g2d2 | edef ^/g2d2 | e2a2 a2g2 | edef ^/g2d2 | efgf e2d2 | B2G2 A2z2 |] P: Var: "a."e2e^c || "b."c2 |] %%sep 2 1 500 %%sep 1 1 500 X: 53 T: 49. REEL B: Sam Bayard, "Hill Country Tunes" 1944 #49 S: Played by John Kubina, (near) Davistown, PA, Sept 3, 1943. S: Learned from Mat. Cain, fiddler, in the North Side, Pittsburgh. N: Called "The Bummer's Reel" by some in Pennsylvania, though often nameless. Z: 2010 John Chambers R: reel M: 4/4 L: 1/8 K: Bb {F}B2 |\ BdFB d2dc | Bdgf =efdB | AcFA c2cA | Bdgf =efdc | BdFB d2dc | Bdgf =efdB | AcFA cdcA | B2d2 B2 || g2- | g2a2 b2a2 | gf=ef gfdB | AcFA cdcA | Bdgf =efdB | g2a2 b2a2 | gf=ef gfdB | AcFA cdcA | B2d2 [B2D2]z2 || FBBB B2B2 | BABc BAG2 | Fccc c2c2 | cBcd cBAG | FBBB B2B2 | BABc BAG2 | F2z A/B/ c2A2 | B2d2 [B2D2] |] %%sep 2 1 500 %%sep 1 1 500 X: 54 T: 50. QUADRILLE AND HORNPIPE B: Sam Bayard, "Hill Country Tunes" 1944 #50 S: Played by Robert Crow, Claysville, Washington County, PA, Sept 13, 1943. N: Learned in that region. Z: 2010 John Chambers R: reel M: 4/4 L: 1/8 K: D D2- |\ D2^/FA d2F2 | "a."GBAG F2 ((3EFE) | DD^GA dAF[AD] | A,2A,2 A,2z2 | D2FA dA "b."FD | G2"c."AF G2=cB | A2ff "d."ge^/cA | d2fe d2 || "e."((3efg) | a2f2 d2ef | ^/ga^/gf e2"f."fg | a2f2 d2"g."gf | ed^/cB A2fg | a2f2 d2ef | gagf e2a2- | a2 a4 g2 | ((3fgf) e2 Hd2 |] P: Var: "a."BB || "b."F2 || "c."{G}BB || "d."gece || "e."fg || "f."ff || "f."aa || "g"ff |] %%sep 2 1 500 %%sep 1 1 500 X: 55 T: 51. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #51 S: Played by Robert Crow, Claysville, PA, Spe 13, 1943. Learned in that region. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G ((3DEF) |\ G2G2 BcdA | [c2E2]cc egfe | G2G2 BdcB | AGFE DFA2 | GFGA BcdA | c2"a."cc egfe | defg agfa | g2 ((3agf) g2 || fg | afdf afdf | "b."bfdf bfdf | afdf afdf | agfe d2"c."d2 | ed^cd egfe | dcBc d2ef | gafe "d."dcBA | "e."G2G2 G2 |] P: Var: "a."cd || "b."bfff bfff || "c."dd || "d."dBBA || "e."G2GG G2 |] y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 56 T: 52. THE DRUNKEN HICCOUGHS B: Sam Bayard, "Hill Country Tunes" 1944 #52 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: This tune is also quite popular in Fayette County. Its variants show little change. The N: title is one of the "floating" variety, being mentioned in Odum, "An American Epoch", p.202, N: and Carmer, "Stars Fell on Alabama", p.276; and found in connection with a quite different N: air in Ford, p.126. The tune's usual title in Pennsylvania is "The Oil City Quickstep". R: reel M: C L: 1/8 Z: 2010 John Chambers K: G dc |\ [B2D2].D2 [B2D2].D2 | [B2D2]D2 [B2D2]AB | [c2E2]E2 [c2E2]E2 | [c2E2]E2 [c2E2]dc | [B2D2]D2 [B2D2]D2 | [B2D2]D2 BABc | d4 d4 | d2e2 d2c2 | [B2D2]D2 [B2D2]D2 | [B2D2]D2 [B2D2]AB | [c2E2]E2 [c2E2]E2 | [c2E2]E2 [c2E2]d2 | g2f2 e2d2 | e2d2 c2Bc | d2c2E2F2 | G6 || z2 |\ D4 G2B2 | d6 ^cd | e2"a."e2 d2B2 | G6 A2 | B2cB "b."A2G2 | D4 B,2D2 | E2^/FE D2B,2 | D6 B,C | D4 G2B2 | "c."d6 ^cd | e2e2 d2B2 | G2B2 d2ga | b4 a2b2 | c'4 e2f2 | a4 gfga | g2z2 z2 |] P: Var: "a."ee | "b."A2A2 | "c."d4 ^c2d2 | y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 57 T: 53. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #53 S: Played by Robert Crow, Claysville PA, Sept 13, 1943. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G D2- |\ D2D2 DcBA | E2[c2E2] [c2E2]AG | FGAB cdef | g2d2 ecB2 | D4 D2{c}BA | E2[c2E2] [c2E2]AG | FGAB cdef | g2 ((3agf) [gB]z :| ef |\ g2f2 g2d2 | ed^/cd B2G2 | [AD]FDF [AD]cBA | GABc d2ef | g2f2 g2d2 | edcd B2G2 | AFDF AcBA | G2[GG2]G [GG]z |] %%sep 2 1 500 %%sep 1 1 500 X: 58 T: 54. THE FLOWERS OF EDINBURGH B: Sam Bayard, "Hill Country Tunes" 1944 #54 S: Played by John Kubina, (near) Davistown, PA, Sept 3 1943. S: Learned from traditional players in Pittsburgh. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G D2zD G2G2 | BGBd cBAG | FGFE D2DF | ABAF D2z2 | D3D G2G2 | BGBd efge | dcBA GFGA | B2G2 G2 || ef | g2g2 gbag | f2f2 fagf | e^def gfe=d | B2e2 e2((3efe) | dBGB d2^cd | edef g2fe | dcBA GFGA | B2G2 G2z2 |] %%sep 2 1 500 %%sep 1 1 500 X: 59 T: 55. HIGH LEVEL (HORNPIPE) B: Sam Bayard, "Hill Country Tunes" 1944 #55 S: Played by John Kubina, (near) Davistown, PA, Sept 3 1943. S: Learned from traditional players in and around Pittsburgh. R: hornpipe, reel M: 4/4 L: 1/8 Z: 2010 John Chambers N: A version of this tune appears as "President Garfield's Hornpipe" in One Thousand, p.101. N: A different meody under the name of "High Level" is in Kerr, No.394, and DeVille, No.7. K: Bb "a."dc |\ BFDF BFDF | BABc d^/cd=e | fcAc fcAc | "b."fgag fedc | BFDF BFDF | BABc d^/cd=e | .f2ag fedc | .B2.d2 .B2 || HbHa | gecA FAcz/g/ | fdBF DFBd | eAgf eAgf | dBgf dfba | gecA FAcz/g/ | fdBF DFBd | A2ag fedc | B2d2 [B2D2] |] P: Var: "a."Ac || "b."f=e |] %%sep 2 1 500 %%sep 1 1 500 X: 60 T: 56. THE LOP-EARED MULE B: Sam Bayard, "Hill Country Tunes" 1944 #56 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: G g2- |\ g2b2 d2c2 | ((3BcB) A2 G4 | FGAB c2^/F2 | GABc d2g2- | g2b2 d2c2 | ((3BcB) A2 G4 | FGAB "a."cAFA | "b."G2BA G2 ::[K:D] {EFG}A2 | [a2A2][a2A2] [a3A3]g | f2d2 d2ef | g2G2 B2c2 | ed^/cB A2 "c."((3EFG) | [a2A2][a2A2] [a3A3]g | f2d2 d2ef | g2 ((3fgf) e2ce | f2[f2d2] [f2d2] |] P: Var: "a."c2F2 || "b."G3G G2 || "c"((3FFG) |] y8 y8 y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 61 T: 57. CLOUD'S REEL B: Sam Bayard, "Hill Country Tunes" 1944 #57 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. N: A hornpipe in the Bayard Coll., No.182, has a first part slightly resembling the first of this N: reel; otherwise the tune is unknown to the editor, and no other version has been identified. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G dc |\ B2G2 G2AB | cGE2 [c4E4] | DE^/FG A2F2 | DFA2 d3c | B2G2 G2AB | cGE2 [c4E4] | DEFG AcBA | GB"a."AF G2z2 || [B2G2]dd {d}b2[B2D2] | c2{f}e2 a3g | f2f2 b2f2 | agfe d2z2 | "b."B3B/B/ b2[B2D2] | c2e2 a3g | f2f2 b2f2 | gfga gz |] P: Var: "a."AG- G2z2 | "b."d3d/d/ |] %%sep 2 1 500 %%sep 1 1 500 X: 62 T: 58. THE SNOUTS AND EARS OF AMERICA B: Sam Bayard, "Hill Country Tunes" 1944 #58 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 5, 1943. N: The title of this fine, spirited tune may not be a corruption, but as it stands it is N: incomprehensible. The editor knows of no other version; but it is not impossible that N: the air is a derivative of the familiar "Irish Washerwoman" tune, recase in 4/4 time, N: and with the order of parts reversed. If so, it makes a distinct improvement on the N: original melody. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D A2 |\ d2D2 D2D2 | F2A2 d2ed | c2A2 ABcd e2A2 A2Bc | dcBA G2F2 | E2[A2D2] ABAG | F2D2 E2DE | F2D2 D2 :: D2 | F2D2 D2D2 | F2D2 [A2D2]BA | G2[E2A,2] [E2A,2][E2A,2] | A2d2 d2AG | F2D2 D2D2 | F2A2 A2BA | G2E2 A3G | F2D2 D2 :| %%sep 2 1 500 %%sep 1 1 500 X: 63 T: 59. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #59 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: C G2- |\ [G2G,2]BB A2G2 | E2G2 [c4E4] | [G2G,2]Bc d2c2 | ((3BcB) A2 G4- | [G2G,2]"a."cd e2d2 | c2E2 [F4A,4] | G2Bc "b."dcBd | c2 ((3dcB) c2z2 || K: G d2cc B2d2 | g2a2 b4 | a2"c."bb d'2f2 | gfga b2z2 | d2gf e2d2 | B2d2 g2z2 | f2ga b2f2 | gfga g2z2 |] P: Var: "a."Bc || "b."d2B2 || "c."aa |] %%sep 2 1 500 %%sep 1 1 500 X: 64 T: 60. SCHOTTISCHE B: Sam Bayard, "Hill Country Tunes" 1944 #60 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. N: The A,2 notes in bars 2 and 6 are probably typos. R: shottish M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: D ((3FG^G) |\ [AD2]>BA>G F>Ad>=c | B>=c B>A [G2A,2] e>d | [ce4]c2B "a."A>gf>e | d>ef>g a2 {E}((3F>G^G) | [AD2]>BA>G F>A d>=c | B>=c B>A [G2A,2] e>d | [ce4]c2B A>gf>e | d2[f2d2] [f2d2] :: ((3efg) | [a2A2][f2d2] {g}f>ef>g | [a2A2][g2B2] [gB]>f[gB]>a | b2e2 e>fg>a | b2a2 a>gf>g | [a2A2][f2d2] f>ef>g | [a2A2][g2B2] [gB]>fg>a | b2c2 a2c2 | d>ef>e d2 :| P: Var: "a."A>ce>c |] %%sep 2 1 500 %%sep 1 1 500 X: 65 T: 61. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #61 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G DG |\ [B2D2]BB B2"a."G2 | [AD]GFE DFAB | [c2E2] [cE][cE] c2F2 | AGFE DFA2 | [d2D2][dD][dD] [d2D2][d2D2] | e2f2 g2e2 | d2c2 ((3BcB)A2 | "b."GGGG [G2G,2] :: "c."Bc | [d2D2][dD][dD] [d2D2]e2 | dcBA G2[BD]d | [g2B2]gg g2g2 | agfe d2B2 | c2aa aaa2 | B2gg ggg2 | B2cd e2f2 | gdef [gB]z :| P: Var: "a."FA || "b."G3G || "c."((3ABc) |] %%sep 2 1 500 %%sep 1 1 500 X: 66 T: 62. MAGGOTS IN THE SHEEP HIDE B: Sam Bayard, "Hill Country Tunes" 1944 #62 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: A notable feature of this dance air is its short three-note prelude, which is never played except N: at the very start, and is left out of all subsequent repetitions. Preludes of an unvarying sort N: are quite unusual in our traditional dance music. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D "[Prelude]"A2 | d6 e2 |:\ f2d2 A2F2 | G2A2 B3c | d2A2 G2E2 | D2F2 A2d2 | f2d2 A2"a."FF | G2A2 B3c | d2A2 G2E2 | D4 D4 :: F2A2 [A3D3]F | [A6D6] A2 | B2Bc d2B2 | B2A2 A2F2 | G3G G2G2 | F2[A2D2] F2[A2D2] | [d2D2]A2 G2E2 | D4 D4 :| P: Var: "a."F2 |] %%sep 2 1 500 %%sep 1 1 500 X: 67 T: 63. MAGGOTS IN THE SHEEP HIDE B: Sam Bayard, "Hill Country Tunes" 1944 #63 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers %%slurgraces K: D B |\ A2F DFA | d2d def | gfe fed | fed Bcd | A2F DFA | d2e f2g | aed efe | d3 d2 :: e/f/ | g2"a."g/a/ gfe | f2{f}g fed | e2e ede | fed Bcd | A2F DFA | d2e f2g | aed efe | d3 d2 :| P: Var: "a."a |] %%sep 2 1 500 %%sep 1 1 500 X: 68 T: 64. MAGGOTS IN THE SHEEP HIDE B: Sam Bayard, "Hill Country Tunes" 1944 #64 S: Played by David P. Gilpin, Connellsville, PA, Sept 22, 1943. Learned at Dunbar, PA. N: The editor knows of no other set of this highly characteristic reel tune. N: The third part was composed by the player, David Gilpin. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G ef |\ gfga gfed | B[B2G2][BG] [B2G2]dB | [AF][A2F2][AF] [A2F2]dc | B[B2G2]"a."[BG] [B2G2]ef | gfga gfed | B[B2G2][BG] [B2G2]cB | A^GAB cdef | [g2B2] [gB2]f [g2B2] :: K:D ((3FG^G) |\ A2fg fedc | B[g2B2]f g3B | ABcd ecAc | dcde f3A- | A2fg fedc | B[g2B2]f [g2B2][eA]>[eA] | ABcd egfe | [d4F4] [d2F2] :| P: 1st part again !Segno!\ |: A2- |\ A2[A2G2] F3E | DFAg [f2A2][f2A2] | Acef gfe2 | defg a2AA- | A2[A2G2] F3E | DFAg f2ff | Acef gfec |1 "b"dfec d2 ((3FG^G) :|2 [d3F3]c [d2F2] |] P: Var: [K:G]"a."F ||[K:D] "b."d2dc |] %%sep 2 1 500 %%sep 1 1 500 X: 69 T: 65. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #65 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G [d2D2]ef gafe | d2[B2D2] [g2B2]z2 | [d2D2]ef gfga | b2a2 e2z2 | d2ef gafe | d2B2 [g2B2]e2 | d2c2 ((3BcB) AG | FFAF [B2G2]z2 || D2GD "a."GBAG | E2E2 EGFE | D2G2 "b."GABc | d2.[c2-E2] .[c2-E2]e2- | e2d2 egfe | d2c2 ((3BcB)A2 | D2"c."FA AFAc | BAFA G2z2 |] P: Var: "a."[BD]GAG || "b."[BD]GBc || "c."AA |] y8 y8 y8 y8 %%sep 2 1 500 %%sep 1 1 500 X: 70 T: 66. OVER THE STUMP AND BACK AGAIN B: Sam Bayard, "Hill Country Tunes" 1944 #66 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: The story Mrs Armstrong tells concerning this tune illustrates the extremely casual way N: in which a country dance tune can acquire a new name. On one occasion, when the player N: was a small girl, her uncle Laney Gray was sitting n their home playing this tune on his N: fiddle. Someone came into the house with the news that old Dan Riffle (a local character N: still well remembered by many people in the Derry neighborhood) was trying to drive a N: team back and forth across a stump. The team was reluctant, and Dan was yelling and N: swearing at the animals in a great passion. When Laney heard this, he at once exclamed, N: "There's a name for my tune -- `Over the stump and back again!'" Mrs Armstrong did not N: state that her uncle had composed thi air; in all likelihood, he was merely casting N: about for some suitable name to give to it, and this little incident inspired him! R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: D A2 |\ d3d A2B2 | AGFE D2"a."F2 | E2E2 [c2E2][c2E2] | [B2E2][B2E2] [c2E2]A2 | d2d2 A2B2 | AGFE D2D2 | "b."E2E2 c2Bc | d4 d2 :: A2 | d3d f2f2 | d2d2 f3f | g2gf e2"c."cd | edcB A2A2 | d3d f2f2 | d2d2 f3f | g2gf e2ce | f2d2 d2 :| P: Var: "a."DD || "b."E3E | "c."c2 |] %%sep 2 1 500 %%sep 1 1 500 X: 71 T: 67. DANCE TUNE B: Sam Bayard, "Hill Country Tunes" 1944 #67 N: Copied from manuscript of Denune Provance, Peachen, PA, Sept 21, 1943. N: Learned in the mountains behind Peachen and Dunbar. R: polka, reel M: 2/4 L: 1/16 Z: 2010 John Chambers K: Bb F2GF D2F2 | G2F2 d3e | d2c2 G2A2 |1 cBAG F2z2 :| B8 ||[K:=e] K: F |: c2dc A2c2 | f2e2e2z2 | g2c2d2e2 |1gfed c2z2 :| f6 z2 |] %%sep 2 1 500 %%sep 1 1 500 X: 72 T: 68. DANCE TUNE B: Sam Bayard, "Hill Country Tunes" 1944 #68 N: Copied from manuscript of Denune Provance, Peachen, PA, Sept 21, 1943. S: Learned from traditional players about Dunbar. R: polka, reel M: 2/4 L: 1/16 Z: 2010 John Chambers K: F |: f3e f2a2 | gfeg fcAc | f3e "a."f2a2 | gfeg f4 :| |: a6 a2 | c'6 a2 | g6 g2 | d8 | e6 f2 | a2g2 e2c2 | [1 d2c2 c2B2 | A8 :|[2 f3e fefg | f4 "Da Capo"c4 |] "Final measure at end."y16 | f8 |] P: Var: "a."f3a |] %%sep 2 1 500 %%sep 1 1 500 X: 73 T: 69. THE BLACKSMITH B: Sam Bayard, "Hill Country Tunes" 1944 #69 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: Tunes contructed like this one, with the second part consisting almost entirely of the first part N: repeated an octave higher, are not often encountered in the repertories of American country fiddlers. Z: 2010 John Chambers R: reel, polka M: C L: 1/8 K: D "a."HAG |\ F2D2 "b."D2DD | F2D2 D2EF | G2E2 EDEF | G2E2 E4 | F2[AD][AD] [A3D3][AD] | F2[A2D2] [A2D2]d2 | c2e2 B2c2 | [d4D4] [d2D2] :: de | f2d2 d3e | f2d2 d2ef | g2e2 edef | g2e2 e4 | f2af d2d2 | fgaf d2d2 | c2A2 B2c2 | [d4D4] [d2D2] :| P: Var: "a."D2 || "b."D3D || "b."DDDD |] %%sep 2 1 500 %%sep 1 1 500 X: 74 T: 70. THE COTTAGE BY THE SEA, or THE RED HEADED GIRL B: Sam Bayard, "Hill Country Tunes" 1944 #70 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers R: reel, polka M: C L: 1/8 K: D d2- |\ d3D D2D2 | A,2D2 D2EF | GFED E2FE | DEFG A2Bc | d3D D2D2 | A,2D2 D2FG | A2Bc d2F2 | EDEF D2 :: FE | "a."DEFG A3A | D2GA B3^/c | B2A2 F2D2 | EDEF E2FE | DEFG A4 | D2GA B3B | A2Bc d2F2 | EDEF D2 :| P: Var: "a."D2FG |] %%sep 2 1 500 %%sep 1 1 500 X: 75 T: 71. JOHNNY GET YOUR HAIR CUT B: Sam Bayard, "Hill Country Tunes" 1944 #71 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers N: The first part of this tune, unaccompanied by any other strain, N: has been sung in southwestern Pennsylvania to the jingles N: Johnny get your hair cut, hair cut, hair cut, N: Johnny get your hair cut, just like me! N: and N: Granny will your dog bite, etc. -- No, child, no! N: These little refrains are current all over the country, often to N: entirely different strains of music. R: reel, polka M: C L: 1/8 K: D A2 | dfed B2A2 | B2A2 F2A2 | dfed B2AA | B2c2 d2 :| z2 | d2f2 a3a | b2a2 f2e2 | defg a2a2 | b2a2 f3z | d2f2 a3a | b2a2 f2e2 | dfed B2A2 | B2c2 d4 || D2FG A2Bc | d3d F2B2 | A3A E2B2 | A3A F2E2 | DEFG A2Bc | d2d2 F2B2 | A3A E2FE | D4 D2 |] %%sep 2 1 500 %%sep 1 1 500 X: 76 T: 72. FAREWELL TO WHISKEY B: Sam Bayard, "Hill Country Tunes" 1944 #72 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers N: No other versions of this tune have been noted. This is another case of a tune-title being N: misapplied, since No.72 is not the (Scottish) tune, attributed to Neil Gow, which generally N: goes by the name "Farewell to Whiskey," and is well known in western Pennsylvania. R: reel, polka M: C L: 1/8 K: D A3B [A2D2]FG | [A2D2]d2 [f2A2]d2 | A3B A2[A2F2] | G2F2 [A2E2]D2 | [A3D3]B [A2D2][AF]G | [A2D2]d2 [f4A4] | g2f2 e2[e2c2] | [d4D4] [d2D2]z2 || [e3A3]f [e2A2]cd | e2[a2A2] ^g2f2 | [e3A3]f [e2A2]c2 | d2c2 B2[A2D2] | [e3A3]f [e2A2]cd | e2[a2A2] [a2A2]z2 | d2c2 B2cB | A2c2 "D.C."A2z2 |] %%sep 2 1 500 %%sep 1 1 500 X: 77 T: 73. MACDONAHUE'S HORNPIPE B: Sam Bayard, "Hill Country Tunes" 1944 #73 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers R: hornpipe, reel M: C L: 1/8 K: D "a."D3D D2D2 | FDFA dAF2 | "b."E3E E2E2 | EDEF "c."GFEF | "d."D3D D2D2 | FDF[AD] dAF2 | E3E EGFE | D2F2 D2 || AA |\ d2dA F2A2 | dAdA F2A2 | e2ec A2cd | efec A2Bc | d2dA F2A2 | dAdA F2[A2D2] | "e."E2EE EGFE | D2F2 D4 |] P: Var: "a."D2DD D2DD || "b."E2EE || "c."GFE2 || "d."D2DD || "e."E2E2 |] %%sep 2 1 500 %%sep 1 1 500 X: 78 T: 74. DOWN YONDER B: Sam Bayard, "Hill Country Tunes" 1944 #74 N: Copied from manuscript of Denune Provance, Peachen, PA, Sept 21, 1943. S: Learned from traditional players about Dunbar. R: polka, reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: C e4 dc3 | eged cc'b_b | a4 gf3 | ac'ag f4 | ecdc ecdc | eg2e g4 | ecdc ecdc | eg2e g4 | ^ff2 f2 ed2 | ^ff2 f2 ed2 | g2^fg =fed2 | g2^fg =fed2 | e4 dc3 | eged cc'b_b | a4 gf3 ac'ag f4 | ecdc ecdc | eg2e gz ^fg | a4 b2g2 | c'2 g ^f "_Da Capo"=fy |] w: | | | *** [sic~in~MS] %%sep 2 1 500 %%sep 1 1 500 X: 79 T: 75. HOG EYE AN' A 'TATER B: Sam Bayard, "Hill Country Tunes" 1944 #75 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. As played by his great-uncle. N: This is not the melody which accompanies the well known and often recorded sea shanty called N: "Hog eye," nor is it the playparty song tune with a similar name known farther south (see N: Sharp-Karpeles, "English Folk Songs from the Southern Appalachians, II, No.250). A somewhat N: different version, with the parts in reverse order, is in Bayard Coll., No.288, from Greene N: County, where the title is simply "Hog Eye," and has an indecent meaning. N: N: In Fayette County, this tune has the following associated rhyme: N: I went down to Sally's house N: 'Bout ten o'clock or later; N: All she had to give to me N: Was a hog-eye and a 'tater. N: The rhyme accompanying the set known in Greene County is: N: As I was going down the street, N: A pretty little girl I chanced to meet; N: I stepped right up and kissed her sweet, N: And asked her for some hog-eye meat. N: No other sets of the tune are known to the editor. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: Am A2 |\ ABAG E2AB | c2dB c2G2 | ABAG E2AB | ^/c2A2 A2G2 | ABAG E2AB | c2cA d2d2 | e^fed B2AB | ^/c2A2 A2 || AB | ^/c2B2 c2d2 | e2^f2 e3d | ^c2B2 c2d2 | e2A2 A2AB | ^/c2B2 c2d2 | e2^f2 e3d | ^c2A2 B2zd | ^/c2A2 A2 |] %%sep 2 1 500 %%sep 1 1 500 X: 80 T: 76. FINE TIMES AT OUR HOUSE B: Sam Bayard, "Hill Country Tunes" 1944 #76 S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. As played by his great-uncle. N: The title of this tune has the appearance of being an importation from the British Isles; and N: no doubt the melody is too. Another set, with a variant form of the title, and a different N: second part, is in Bayard Coll., No.227, from Center County. It is case in a different mode N: from this, which disguises it greatly. N: "Bub" Yaugher knew the following rhyme associated with this tune: N: Possum up a gum stump, N: Coonie in the holler, N: Devil's on the other side -- N: Don't you hear him holler? R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: Ador E2- |\ E^/FED [E2C2][E2C2] | ABAG ABc"a."E- | E^/FED [E2C2][E2C2] | ABAG ^/FDD2 | E^/FED [E2C2][E2C2] | ABAG AB^/cd | e3f e2d2 | ^/cA {A}BA A2 :: z2 | e2af e2"b."d2 | ^cdef ^/g2z2 | e2af e2d2 | ^cde2 a2z2 | e2af e2d2 | ^cdef ^/g2z2 | e2zg e2d2 | ^/cAB"c."G A2 |] P: Var: "a."z || "b."d^c || "c."^G |] %%sep 2 1 500 %%sep 1 1 500 X: 81 T: 77. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #77 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers K: C G- |\ GEF cGE | FEF d2c | B/c/BA GAB | cde cBA | G^/FE cGE | FEF d2c | B/c/BA GAB | c2 ((3d/c/B/) cz || z | e3 g/^f/ag | e2c ABA | G3 g^fe | d3- d2z | e3 g/^f/ag | e2c ABA | G^FG A2B | cGE [c2E2] |] %%sep 2 1 500 %%sep 1 1 500 X: 82 T: 78. QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #78 S: Played by Robert Crow, Claysville, PA, Sept 13, 1943. Learned in that region. N: This tune affords clear evidence of the transmission of imported German folk dance music in N: Pennsylvania. Its first part has a close variant in the opening section of "Langenh\"ager," N: a norther German dance air: see Burchenal, "Folk-Dances of Germany," p.36. ... R: jig M: 6/8 L: 1/8 Z: 2010 John Chambers %%slurgraces K: G G- |\ "a."G2B {Bc}BAB | dcB [c3E3] | egf def | gfe cBA | G2"b."B {c}BAB | dcB [c3E3] | egf def | "c."agf [g2B2] :: z | {fga}b2f gfe | d2c B2e | f2e def | gfe def | b2f gfe | d2c B2e | f2e def | g2 ((3a/g/f/) [gB]z :| P: Var: "a."GBB || "b."B/B/ || "b."B/c/ || "c."G2 ((3agf) |] y6 y6 y6 y6 y6 y6 %%sep 2 1 500 %%sep 1 1 500 X: 83 T: 79. REEL B: Sam Bayard, "Hill Country Tunes" 1944 #79 S: Played by David P Gilpin, Connellsville, Fayette County, PA, Sep 22 1943. S: Learned from Steve Piadnik, a Polish fiddler. N: Variant of Billy in the Lowlands (Low Grounds). R: reel Z: 2010 John Chambers M: C| L: 1/8 K: C ((3e/f/^f/) |: g^fga g=fed | cBcd cBAG | "a."Acdc BGAB | [1 cBce a3g :|[2 "b."[c3E3]B [c4E4] || [e4E4] c3A | G6 z2 | g3g ^f2g2 | ag3 {g}^fgfg | e2cB c2A2 | G6 ^f2 | g2g a2B2 | "c."cBcd [c2E2] || P: 1st part again K:G ^AB |: "d."d2d2 e2f2 | g2d2 B3B | ABAG FDEF |[1 GFGA Bc^c2 :|[2 "e."G4 G2 |] P: Var: "a."A2dc || "b."[c2E2]cB c4 || "c."[cE][c2E2]B [c2E2] || "d."d3d e2e^f || "e."G3G G2 |] %%sep 2 1 500 %%sep 1 1 500 X: 84 T: 80. THE OLD MAN AND OLD WOMAN SCOLDIN' B: Sam Bayard, "Hill Country Tunes" 1944 #80 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. Z: 2010 John Chambers N: [This tune] has been revised to fit the "Old Man and Woman" pattern: it is a shortened N: form of "Governor King's March," an old fifers' tune of western Pennsylvania. M: 2/4 L: 1/16 K: D "Slow"DEFG |\ A4 A3B | A4 FED2 | B4 B3A | B2d2 d2B2 | B2A2 A2F2 | A2F2 E2D2 | E4 E3F | E4 DEFG | A4 A3B | A4 FED2 | B4 B3A | B2d2 d2B2 | B2A2 A2F2 | A2F2 E2FE | D4 [d4D4] | [d4D4] z4 |: "Fast"A2 | d3A A2A2 | f2d2 d2cd | e2A2 f2A2 | d2A2 A2Bc | d3A A2A2 | f2d2 d2cd | efed c2B2 | A4 :| %%sep 2 1 500 %%sep 1 1 500 X: 85 T: 81. REEL B: Sam Bayard, "Hill Country Tunes" 1944 #81 S: Played by David P. Gilpin, Connellsville, PA, Sept 22, 1943. Learned at Dunbar, PA. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: G E2- |\ EFGB | A K: G ((3def) |: g>dB>G | D>GB>d | e>dB>G D>GA>B |[1 c>BA>G ^/F>GA>B | c>Bc>d e2ef :|[2 c>BA>F D>FA>c | "a."B2 G>F G2 |] ((3def) |: g>fg>a g>fe>^d | e>^de>f e>d^/c>B |[1 A>BA>G F>GA>B | ^/c>B^/c>d e2e>f :|[2 A>BA>G F>GA>^/c | "a."B>GG>F G2 |] P: Var: "a."BG2F |] %%sep 2 1 500 %%sep 1 1 500 X: 87 T: 83. REEL T: Mountain Hornpipe T: Douglas' Favorite B: Sam Bayard, "Hill Country Tunes" 1944 #83 S: Played by David P. Gilpin, Connellsville, PA, Sept 22, 1943. Learned at Dunbar, PA. N: This is a set of a quite well known dance air which, in commercial fiddle-tune collections, N: generally goes by the name of "Douglas Favorite, or the Mountain Hornpipe." R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: G ((3DEF) |\ G2gf edBA | G2gf edBG | DFGB AGBG | DFA"a."B cBA^/F | G2gf edBA | G2gf edef | gfgf e^cAF | G2GF G2 || "b."Gd | B2Bc "c."d2B2 | "d."cBcd e2A2- | A2AB "e."cBcA | GBBd "g."{d}g2Bc | d^cdf e^deg | fefa gfge | d^cdf ecAF | "g."G2GF G2 |] P: Var: "a."d || "b."Ad || "c."d2dB || "d."c2cd || "e."cBc2 || "f."gB || "g."G2G2G2 || "g."G2[g2B2][g2B2] |] %%sep 2 1 500 %%sep 1 1 500 X: 88 T: 84. ROSEMONT QUADRILLE B: Sam Bayard, "Hill Country Tunes" 1944 #84 N: Played by Emery Martin, (near) Dunbar, PA, Oct 14, 1943. N: Learned from his brother, who learned it from F.P. Provance. N: Emery Martin learned this tune by ear, and for a long while called it "The Fillmore Provance Tune," N: thus -- as is quite common -- naming it after the fiddler from whose playing his own family acquired N: it. Later, upon his playing the air for someone else, he was told that the title given here was the N: correct one, and accordingly adopted it. His informant also told him that the tune, under this name, N: was to be found in the collection "Gems of the Ball," which the editor has not seen. R: reel, polka M: 4/4 L: 1/8 Z: 2010 John Chambers K: G [A2-D2] |\ [AD]B[AD][AD] F2[A2D2] | d2F2 [A3D3]d | "a."cc[e2A2] B2c2 | dcde f2[A2-D2] | [AD]B[AD][AD] F2[A2D2] | d2F2 [A3D3]d | "a."cce2 B2c2 | d4 {B}=c2z2 ||[K:^f=c] K: G g6 B2 | cBA2 G2"b."[A2D2] | [E6G,6]FE | D4 F2A2 | d4 {B}c4 | B2G2 [A2D2]F2 | G2[F2G,2] [E2G,2]D2 | [G4G,4] B2d2 | g6 B2 | cBA2 G2A2 | f4 e2z2 | d2B2 G3E | D2G2 B3d | d2AB c2F2 | [G6G,6] "D.C."y |] P: Var: "a."c2 || "b."[A2E2] |] %%sep 2 1 500 %%sep 1 1 500 X: 89 T: 85. GUILDEROY B: Sam Bayard, "Hill Country Tunes" 1944 #85 N: Played by irvin Yaugher Jr., Mt. Independence, PA, Oct 19, 1943. Learned from his great-uncle. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers K: Amix [A2E2] |\ E2A2 "a."ABcd | efge d2cd | e2A2 A2 ((3cBA) | GFEF GFED | E2A2 ABcd | efge d2cd | e2a2 ^gfed | c2A2 A2 || ef | g3a gfef | gage | d2cd | e2A2 "b."AcBA | GFEF GFED | E2A2 ABcd | efge d2cd | e2a2 ^gfed | c2A2 A2 |] P: Var: "a."A2 || "b."A2 ((3cBA) |] %%sep 2 1 500 %%sep 1 1 500 X: 90 T: 86. BONAPARTE'S RETREAT B: Sam Bayard, "Hill Country Tunes" 1944 #86 N: Played by irvin Yaugher Jr., Mt. Independence, PA, Oct 19, 1943. Learned from his great-uncle. R: march M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: Am ((3E^FG) | AzA2 {cB}AGE2 | cde^/c d2 ((3e^f^/g) | a>^/ged ^/cA GE | {E}A2A>B A2 :| |: e^f/^/g/ | a>^ged ^/cde^f | ^/g^fga g2e/^f/^g | a^/ged ^/cA GE | A2 "a."A>B A2 |] P: Var: "a."A2 |] %%sep 2 1 500 %%sep 1 1 500 X: 91 T: 87. BONAPARTE'S RETREAT B: Sam Bayard, "Hill Country Tunes" 1987 #87 N: Whistled by F.P. Provance, Point Marion, PA, Sept 19, 1943. Learned from Sam Waggle, fifer, of Dunbar. R: march M: 2/4 L: 1/8 Z: 2010 John Chambers P: Rather Slow K: G D2 |\ B3 "a."A/B/ | dB AG | AG AB | cB AG | B3 "a."A/B/ | dB AG | AG AB | G2 G>G | G2 :: d2 | g3 a/b/ | g2 d2 | g3 a/b/ | g2 G2 | AG AB | G2 G>G | G2 :| P: Var: "a."B |] %%sep 2 1 500 %%sep 1 1 500 X: 92 T: 88A. NAPOLEON CROSSING THE RHINE N: Variant of The Blackbird B: Sam Bayard, "Hill Country Tunes" 1944 #88A N: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. R: slow march M: C L: 1/8 Z: 2010 John Chambers K: D A2 | B2AF A2Bc | d>cdF G2FG | A2fe dBAG | F2D2 D2 :| A2 | d>efg a2af | g>fga g2fe | d>e"a."fg a2ag | f2d2 d2fg | a2fd g2fe | d2B2 g2fe | d2AF ABAG | F2D2 D2 |] P: Var: "a."f>g |] %%sep 2 1 500 %%sep 1 1 500 X: 93 T: 88B. BLACKBIRD B: Sam Bayard, "Hill Country Tunes" 1944 #88B N: Played by Emery Martin, (near) Dunbar, PA, Oct 14, 1943. Learned from his father. R: slow march M: C| L: 1/8 Z: 2010 John Chambers P: Slow and Stately K: G A | [B4D4] {^/c}BAG2 | [A4D4] [AD]B^c2 | d2d2 ((3B^cB) A2 | G4 F2G2 | [A2D2][A2D2] [B2D2]G2 | F2D2 E2C2 | B,4 G,3A, | G,6 z2 | G,3A, B,2C2 | D2D2 {A}B2G2 | F3G AGF2 | G6- G2 | G,3A, B,2C2 | [D2G,2][D2G,2] [E2G,2]C | B4 G,3A, | G,6 z2 |] %%sep 2 1 500 %%sep 1 1 500 X: 94 T: 89. BONAPARTE CROSSING THE ALPS B: Sam Bayard, "Hill Country Tunes" 1944 #89 N: Played by F.P. Provance (as he formerly played it on the violin), Point Marion, PA, Oct 16, 1943. N: Learned from the fifers at Dunbar. P: Mod.; measured. R: march M: C L: 1/8 Z: 2010 John Chambers K: Ador "a"d2 |\ e2A2 A2gf | e2d2 "b."B R: march M: C L: 1/8 K: D DF |\ A2A>B A2d[eA] | [fA]>e fa [f2A2]ed | BAdB AFD[AF] | "a."E>DE>F [A2E2]DF | A2A>B A2d[eA] | f>e fa [f2A2]ed | BAdB AF EF/E/ | D2[d2D2] [d2D2] || fg | afdf a2AB/c/ | d>cde f2AF | G>FGA Bd AF | "a."E>DEF E2DF | A2A>B A2de | f>e fa f2ed | BAdB AF EF/E/ | D2[d2D2] [d2D2] |] P: Var: "a."E2E>F |] %%sep 2 1 500 %%sep 1 1 500 X: 96 T: 91. MARCH TUNE (THE SECOND PART OF RANAHAN'S MARCH) B: Sam Bayard, "Hill Country Tunes" 1944 #91 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: The editor knows nothing about the derivation or history of this march tune. N: It was played along with No. 90, as its name indicates. Z: 2010 John Chambers R: march M: 4/4 L: 1/8 K: D A,2 |: D2D>E F2ED | A2A>B A2de | f3e d3F/G/ |1 A2A>B AGFE :| [2 A2A>B A2 |: fe | dA d4 gf | eB e4 fe | dcBA FEDF | [A2D2] [AD]>B "D.C."[A2D2] :| %%sep 2 1 500 %%sep 1 1 500 X: 97 T: 92. FORTY MILES B: Sam Bayard, "Hill Country Tunes" 1944 #92 N: Played by Irvin Yaugher Jr., Mt. Independence, PA, Oct 19, 1943. N: Learned from hearing "martial bands" (fife and drum corps) play it. R: jig-time march M: 6/8 L: 1/8 Z: 2010 John Chambers %%slurgraces K: D F/E/ |\ D2E F2G | ABA AGE | [E2=C2][EC] {Bc}d2d | B>cB BAF | E2F ^G2A | B2B ^/g/f/ef | ded ABc | d3- d2 || d | "a."^/g/f/ef def | gfg e2g | fed cBA|[M:9/8] GFE D2E F2^G |[M:6/8] A2A ^g/f/ef | ded ABc | d3- d2 |] P: Var: "a."f |] %%sep 2 1 500 %%sep 1 1 500 X: 98 T: 93. ROCK'S HORNPIPE B: Sam Bayard, "Hill Country Tunes" 1944 #93 N: Played by Irvin Yaugher Jr., Mt. Independence, PA, Oct 19, 1943. Learned from his great-uncle. N: Fiddlers spell the local title of this Irish tune as we give it here; but they always pronounce N: it "JirROCK's," stressing the last syllable. It has long been quite popular in Fayette County, N: but has not thus far turned up elsewhere in western Pennsylvania. N: Other variants are in O'Neill, "Music of Ireland", No.1597; Joyce 1909, No.63. R: hornpipe, reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces 0 K: D AG |\ F[AD]DD DFED | CE[EA,][EA,] | A,E[EA,][EA,] A,[EC][EA,][EA,] | DF[AD]c [BD]A[BD]c | defe dcBA | FADD DFED | CEA,A, A,[EC]EE | DFAd B^/GEC | D2DD D2 || d>e | fdfa f2e>c | defe dcBA | Bdef {f}^/gfed | c2A2 A2"a."d>e | fdfa f2e>c | defe dcBA | GABc dBAG | F2DD D2 |] P: Var: "a."e>^/g |] %%sep 2 1 500 %%sep 1 1 500 X: 99 T: 94. JOHN NEWGRANT COME HOME WITH A PAIN IN HIS HEAD B: Sam Bayard, "Hill Country Tunes" 1944 #94 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 18, 1943. N: This air -- an excellent specimen of what Irish Fiddlers would call a "double jig" -- is quite N: new to the editor; and so is its name, which sounds like a line from some one of the rhymes often N: attached to fiddle tunes. There can be little doubt that No.94 belongs to Irish tradition. R: jig M: 6/8 L: 1/8 K: D F |\ AFD FDF | AFA dcB | AFD FDF | E2E GFG | AFD FDF | G2G2 BAG | "a."FGA ABc | dAF Dz :: A | d2d "b."BAG | F2A ABc | d2d BAF | E2e edc | "c."dcd "b."BAG | F2A ABc | dcd BAF | EFE E2 |] P: Var: "a."A2A || "b."BAA || "c."d2d |] %%sep 2 1 500 %%sep 1 1 500 X: 100 T: 95. HANG ON B: Sam Bayard, "Hill Country Tunes" 1944 #95 N: Played by Irvin Yaugher Jr., Mt. Independence, PA, Oct 19, 1943. Learned from his grandfather. R: reel M: 4/4 L: 1/8 Z: 2010 John Chambers %%slurgraces K: D "a."((3ABc) | d2dB d2dB | d2dB "b."G3A | B2d2 efed | B2A2 A2 :| |: ((3efg) | a2a2 f2d2 | {f}gfed B2d2 | efed efed | B2A2 A2 :| P: Var: "a."Bc || "b."G2A2 |]