X: 0000 T: Crosby's Caledonian Musical Repository B: "Caledonian Musical Repository", 1811, published by Oliver & Boyd, Caledonian Press, Netherbow F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 N: I've tried to be as faithful to the book's notation as ABC and modern music software allows. N: In some cases, repeat signs don't match modern practice, and have been "modernized". N: In a few cases, it's not clear what was intended, and no modernizing was done; N: this may confuse some software (and musicians). N: Sometimes dots are missing (or added); they have been fixed to agree with other bars in the song. N: Numbers have been added to verses below the staff, since some ABC software formats such lyrics N: in ways that may not make the order of the verses obvious. Z: 2013 John Chambers K: % - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext center %% THE %% Caledonian %% Musical Repository; %% a choice Selection of Esteemed %% SCOTTISH SONGS, %% adapted for the Voice, Violin, %% & German Flute. %% %% E. Mitchell sc. %% LONDON %% Printed for B. Crosby & Co. Stationers Court & Sold by all Book & %% Music Sellses _ Where may be had Printed uniform the English and %% Irish Musical Repository. %%endtext % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 1 T: the ABSENT LOVER O: 1811 B: "Caledonian Musical Repository", 1811, p.187-189 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (f/e/) | d A A> F A2 z(f/e/) | w: What* ails this heart o' mine? What* d B B> A B2 (B>d) | A B d d w: ails this wa-t'ry ee? What* gars me ay turn e f Ha> b | {b}a f {f}e d B3 :||: w: cauld as death, When I tak leave o' thee? (f/g/) | a>b a f a3 d' | w: When* thou art far a-wa, Thou'lt b> c' b a b3 Hy d' | a f e d w: dear-er grow to me; But change o' fouk, and d e f> b | {g}a f {f}e d B3 |: w: change o' place, may gar thy fan-cy jee. %page 188 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Then I'll sit down and moan, W: Just by yon spreading tree, W: And gin a leaf fa' in my lap, W: I'll ca't a word frae thee. W: Syne I'll gang to the bower, W: Which thou wi' roses tied, W: Twas ttiere by mony a blushing bud W: I strove my love to hide. W: W:3.I'll doat on ilka spot W: Whare I hae been wi' thee; W: I'll ca' to mind some fond love tale, W: By ev'ry burn and tree. W: 'Tis hope that cheers the mind, W: Tho' lovers absent be, W: And when I think I see thee still, W: I'll think I'm still wi' thee. % - - - - - - - - - - - - - - - - - - - - - - - - - %page 189 %%sep 5 1 500 %: 2 T: O, MARY, TURN AWA T: To the same air K: W:1.O, Mary, turn awa W: That bonny face o' thine, W: And dinna, dinna shaw that breast, W: That never can be mine. W: Can aught o' warld's gear W: E'er cool my bosom's care? W: Na, na, for ilka look o' thine, W: It only feeds despair. W: W:2.Then, Mary, turn awa W: That bonny face o' thine; W: O dinna, dinna shaw that breast, W: That never can be mine! W: Wi' love's severest pangs W: My heart is laden sair, W: And o'er my breast the grass maun grow, W: Ere I am free frae care. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 2 T: AH, CHLORIS, COULD I NOW BUT SIT O: 1811 B: "Caledonian Musical Repository", 1811, p.282-284 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - [V:1] F | (B>^A) (B>c) (d>c) (d>e) | f2 (dc) e2 (de) | w: Ah! Chlo-*ris,* could* I* now but* sit, As* [V:2] F | (B>^A) F2 (B>^A) (B>c) | d2 (cB) A2 A2 | [V:1] {d}f2 A2 (dB) (BG/F/) | A4 z2 (d>c) | w: un-con-cern'd* as** when Your* [V:2] d2 F2 G2 (FE) | A4 z2 (d>c) | [V:1] (B>^AB) c (d>cd) e | (f>ef) g f2 (ba) | w: in-**fant beau-**ty could** be-get No* [V:2] (B>cd) c (B>^AB) c | (d>cd) e d2 (GF) | [V:1] (gf) (ed) c3 B | B6 :: (f>g) | w: hap-*pi-*ness nor pain. When* [V:2] E2 E2 F3 F | [B6D6] :: (d>e) | %page 283 [V:1] (a>g) (ab) a2 (gf) | (gfe) d e2 (d>e) | w: I* this* dawn-ing* did** ad-mire, And* [V:2] (fd) (fg) f2 (ed) | (edc) B A2 A2 | [V:1] f2{ga} A2 (dc/B/) (AG/F/) | A4 z2 (dc) | w: prais'd the com-**ing** day, I* [V:2] D2 F2 G2 (FE/D/) | A4 z2 (dc) | [V:1] (B>^AB) c (d>cd) e | (f>ef) g f2 (ba) | w: lit-**tle thought** that ris-**ing fire Would* [V:2] (Bcd) c (B>^AB) c | (d>cd) e d2 (GF) | [V:1] (gf) (ed) c3 B | B6 :| w: take* my* rest a-way. [V:2] E2 E2 F3 F | [B6D6] :| %page 284 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Your charms in harmless childhood lay W: As metals in a mine; W: Age from no face takes more away, W: Than youth conceal'd in thine: W: But as your charms insensibly W: To their perfection press'd, W: So love, as unperceiv'd, did fly, W: And center'd in my breast. W: W:3.My passion with your beauty grew, W: While Cupid, at my heart, W: Still as his mother favour'd you, W: Threw a new flaming dart: W: Each gloried in their wanton part; W: To make a lover, he W: Employ'd the utmost of his art; W: To make a beauty, she. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 3 T: ANE AND TWENTY, TAM O: 1811 B: "Caledonian Musical Repository", 1811, p.150-151 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: There's a "Da Capo" after the final double bar; omitted here. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g | (dB) G (Bc) d | e2 A A2 g | w: And O* for ane* and twen-ty, Tam, And (dB) G (AB) ^d | e2 E E2 g | (dB) G w: hey* sweet ane* and twen-ty, Tam! I'll learn* my (Bc) d | (ed) c (BA) G | (cB) A B2 ^d | w: kin* a rat-*tlin sang,* If I* saw ane and e2 E E2 ][ f | (ga) g (gf) e | w: twen-ty, Tam. They snool* me sair,* and (ab) a (ag) f | (gf) g (ag) a | w: haud* me down,* and gar* me look* like b2 e e2 f | (ga) g (gf) e | w: blun-tie, Tam; But three* short years* will %page 151 (ab) a (ag) f | (gf) e B2 ^d | w: soon* wheel round,* And then* comes ane and e2 E E2 |] w: twen-ty, Tam. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.A gleib o' land, a claut o' gear, W: Was left me by my auntie, Tam; W: At kith or kin I needna spier, W: Gin I saw ane and twenty, Tam. W: And O, &c. W: W:3.They'll hae me wed a wealthy coof, W: Though I mysel' hae plenty, Tam; W: But hear'st thou, laddie, there's my loof, W: I'm thine at ane and twenty, Tam. W: And O, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 4 T: AULD LANGSYNE O: 1811 B: "Caledonian Musical Repository", 1811, p.142-143 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D | G> G G> B A> G A> B | w: Shou'd auld ac-quain-tance be for-got, And G d e3 z/g/ | d> B B> G w: ne-ver brought to min', Shou'd auld ac-quain-tance A> G A> B | G> E (E>D) G3 ][ e | w: be for-got, And days o' lang-*syne. For (dG A> G A> B | (dd) e3 z/g/ | w: auld* lang-*syne, my dear, For auld* lang-*syne, We'll d> B B> G A> G A> B | GD G3 |] w: tak' a cup o' kind-ness yet, For auld* lang-*syne. %page 143 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.We twa hae run about the braes. W: And pu'd the gowans fine; W: But we've wander'd mony a weary foot W: Sin' auld langsyne. W: For auld langsyne, &c. W: W:3.We twa hae paidel't i' the burn, W: When simmer days were prime, W: But seas between us braid hae roar'd W: Sin' auld langsyne. W: For auld langsyne, &c. W: W:4.Now there's a hand my trusty feire, W: And gi'es a haud o' thine, W: Syne toom the stoup to friendship's growth. W: And auld langsyne. W: For auld langsyne, &c. W: W:5.But surely ye'll be your pint-stoup, W: And surely I'll be mine, W: And we'll tak' a right gude willie-waught, W: For auld langsyne, W: For auld langsyne, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 5 T: AULD ROB MORRIS O: 1811 B: "Caledonian Musical Repository", 1811, p.225-226 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Bar 10 has 7 8th notes; fixed to match the rhythm of other bars by making the g an 8th note. M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - {GA}B2 | (G3 E) D2 | E2 G2 g2{e} | d3 B (AG) | w: There's auld* Rob Mor-ris that wons in yon* {G}A4 B A | (GA) (GE) D2 | E2 {F}G2 (ge) | w: glen, He's the king* o'* gude fel-lows and* d3 B (AG) | G4 ][ B2 | A2 A2 (Bd) | w: wale o' auld* men; He's gowd in his* e2 e2 g a | (ba) (ge) (dB) | {B}A4 (BA) | w: cof-fers he has ou-*sen* and* kine, And* (GA) (GE) D2 | E2 G2 (g>f) | d3 B (AG) | G6 |] w: ae* bon-*ny las-sie, his* dar-ling and* mine. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.She's fresh as the morning, the fairest in May; W: She's sweet as the ev'ning amang the new hay; W: As blythe and as artless as the lambs on the lea, W: And dear to my heart as the light to my ee. %page 226 W: W:3.But oh! she's an heiress, auld Robin's a laird, W: And my daddie has nought but a cot-house and yard; W: A wooer like me maunna hope to come speed, W: The wounds I must hide that will soon be my dead. W: W:4.The day comes to me, but delight brings me nane; W: The night comes to me, but my rest it is gane: W: I wander my lane like a night-troubled ghaist, W: And I sigh as my heart it wad burst in my breasf. W: W:5.O had she but been of a lower degree, W: I then might hae hop'd she wad smil'd upon me! W: O, how past describing had then been my bliss, W: As now my distraction no words can express! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 6 T: BANKS AND BRAES O' BONNY DOON O: 1811 B: "Caledonian Musical Repository", 1811, p.76-78 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: There is a curious double-line spacer between verses 2 and 3 which isn't explained. This might N: indicate two unrelated sets of lyrics to this air. The 1806 edition doesn't have this spacer. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A | d2d (ed) e | (fg) f (ed) e | w: Ye banks and braes* o' bon-*ny Doon,* How (fe) d (dB) A | (AB) d e2 A | w: can* you bloom* sae fresh* and fair? How %page 77 d2 d (ed) e | (fg) f (ed) e | {de}(fe) d w: can ye sing,* ye lit-*tle birds,* While I'm* sae (dB) A | (AB) d d2 :: f | a2 b w: wea-*ry fu'* o' care? Ye'll break my (af) d | a2 b (af) d | (af) d (af) d | w: heart,* ye lit-tle birds,* That war-*ble on* the {b}Ha2 "^Ad lib."(g/f/) {f}He2 A | d2 d (ed) e | {de}(fg) f w: flow'-ry* thorn; Ye mind me o'* de-part-*ed (ed) e | {de}(fe) d (dB) A | (AB) d d2 :| w: joys,* De-part-*ed, ne-*ver to* re-turn. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Aft hae I strayed by bonny Doon, W: To see the rose and woodbine twine, W: And hear ilk bird sing of its love, W: As fondly sae did I of mine: %page 78 W: Wi' lightsome heart I pu'd a rose, W: Sae sweet upon its thorny tree; W: But my fause love has stown the rose. W: And left the sharpest thorn to me. %%sep 5 1 50 %%sep 1 5 50 W:3.O blaw, ye flow'rs, your bonny bloom. W: And draw the wild birds to the burn! W: For Lumon promis'd me a ring, W: And ye maun aid me, should I mourn, W: O na, na, na, ye needna bloom! W: My een are dim and drowsy worn; W: Ye bonny birds, ye needna sing, W: For Lumon never will return. W: W:4.My Lumen's love, in broken sighs, W: At dawning day by Doon ye'se hear; W: At mid-day, by the willow green, W: For him I'll shed the silent tear. W: Sweet birds! I ken ye'll pity me, W: And join me wi' a plaintive sang, W: While echoe waked, to aid the mane W: I mak for him I lo'ed sae lang. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 7 T: the BATTLE OF SHERRA-MUIR N: In the 1806 edition, it's "SHERRA-MOOR". O: 1811 B: "Caledonian Musical Repository", 1811, p.218-222 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added missing flag to the a in bar 19. N: Missing 1/8-note in last bar; lengthened g to match 1806 edition's ending (and bars 4 and 8). N: The 2nd strain has initial repeat but no final repeat; not fixed. M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g | d G G G | d G B G | w: O cam ye here the fight to shun, Or d G G G | d2 B d | c A A A | w: herd the sheep wi' me, man? Or was ye at the %page 219 c A B A | c A A A | d2 B :: w: Sher-ra-muir, Or did the bat-tle see, man? A | G g g a | g e d B | w: I saw the bat-tle sair and teugh, And A a a b | a g Tf e | w: reek-in red ran mony a sheugh; My d g g a | g e d g | w: heart for fear gae sough for sough, To f a e g | f a e g | w: hear the thuds, and see the cluds, O' f a e g | f a e f | w: clans frae woods, in tar-tan duds, Wha g> a b f | g2 f |] w: glaum'd at king-doms three, man. %page 220 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The red-coat lads, wi' black cockades, W: To meet them were na slaw, man; W: They rush'd, and push'd, and blude outgush'd, W: And mony a book did fa', man. W: The great Argyle led on his files, W: I wat they glanc'd for twenty miles; W: They hough'd the clans like nine-pin kyles; W: They hack'd and hash'd, while braid swords clash'd, W: And through they dash'd, and hew'd, and smash'd, W: Till fey men died awa, man. W: W:3.But had ye seen the philibegs, W: And skyrin tartan trews, man, W: When in the teeth they dar'd our whigs, W: And covenant true-blues, man. W: In lines extended lang and large, W: When bayonets oppos'd the targe, W: And thousands hastened to the charge, W: Wi' Highland wrath, they frae the sheath W: Drew blades o' death, till out o' breath, W: They fled like frighted dows, man. W: W:4.O, how de'il, Tam, can that be true? W: The chace gade frae the north, man; %page 221 W: I saw, mysel, they did pursue W: The horsemen back to Forth, man; W: And at Dumblane, in my ain sight, W: They took the brig wi' a' their might, W: And straught to Stirling wing'd their flight: W: But, cursed lot! the gates were shut, W: And mony a hunted, poor red-coat, W: For fear amaist did swarf, man. W: W:5.My sister Kate cam up the gate, W: Wi' crowdie unto me, man; W: She swore she saw some rebels run W: To Perth and to Dundee, man. W: Their left-hand general had nae skill; W: The Angus lads had nae gude will, W: That day their neibours' blude to spill; W: For fear by foes that they should lose W: Their cogs o' brose, they scar'd at blows, W: And hameward fast did flee, man. W: W:6.They've lost some gallant gentlemen W: Amang the Highland clans, man; %page 222 W: I fear my Lord Panmure is slain, W: Or in his en'mies hands, man. W: Now wad ye sing this double flight, W: Some fell for wrang, and some for right, W: And mony bade the warld gude-night. W: Sae pell and mell, wi' muskets knell, W: How tories fell, and whigs to h-ll W: Flew aff in frighted bands, man. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 8 T: BESS THE GAWKIE O: 1811 B: "Caledonian Musical Repository", 1811, p.80-83 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ A3 d A2 (FG) | (AB/c/) (dc/B/) {B}A3 G | w: Blythe young Bess to* Jean** did** say, Will F2 (ED) d3 d | (BA) (GF) E2 (FG) | A2 d2 w: ye gang* to yon sun-*ny* brae, Where* flocks do A2 (F>G) | A2 d>e f2 D2 | F2 A2 g2 d2 | w: feed, And* herds do* stray, And sport a while wi' {f}e4 d2 z2 :: (de) (fe) (de) (fe) | (df) (ed) w: Ja-mie? Ah,* na,* lass!* I'll* no* gang* %page 81 (c>de) A | e3 d (dc) (cB) | (BA) (AB/c/) d2 zd | w: there,** Nor a-bout Ja-*mie* tak* a** care, Nor (df) (ed) d3 d | (d {e}f ed) d>eHf D | F2 A2 w: a-*bout* Ja-mie tak* a* care,** For he's ta'en g2 f2 | {f}e4 {de}d2 :| w: up wi' Mag-gie. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.For hark, and I will tell you, lass, W: Did I not see young Jamie pass, W: Wi' meikle blytheness in his face, W: Out owre the muir to Maggie: W: I wat he gae her mony a kiss, W: And Maggie took them nae amiss; W: 'Tween ilka smack pleased her wi' this, W: "That Bess was but a gawkie. W: W:3."For when a civil kiss I seek, W: "She turns her head, and thraws her cheek, %page 82 W: "And for an hour she'll hardly speak: W: "Wha'd no ca' her a gawkie? W: "But sure my Maggie has mair sense, W: "She'll gie a score without offence; W: "Now gie me ane into the mense, W: "And ye shall be my dawtie." W: W:4.'O Jamie, ye hae mony ta'en, W: 'But I will never stand for ane, W: 'Or twa when we do meet again, W: 'So ne'er think me a gawkie.' W: "Ah, na, lass, that canna be; W: "Sic thoughts as thae are far frae me, W: "Or ony thy sweet face that see, W: "E'er to think thee a gawkie." W: W:5.But, whisht, nae mair o' this we'll speak, W: For yonder Jamie does us meet; W: Instead o' Meg he kiss'd sae sweet, W: I trow he likes the gawkie. W: "O dear Bess, I hardly knew, W: "When I came by your gown sae new; W: "I think you've got it wet wi' dew." W: Quoth she, 'That's like a gawkie; %page 83 W: W:6.'It's wat wi' dew, and 'twill get rain, W: 'And I'll get gowns when it is gane; W: 'Sae ye may gang the gate ye came, W: 'And tell it to your dawtie.' W: The guilt appeared in Jamie's cheek; W: He cry'd, "O cruel maid, but sweet, W: "If I should gang anither gate, W: "I ne'er could meet my dawtie." W: W:7.The lasses fast frae him they flew, W: And left poor Jamie sair to rue, W: That ever Maggie's face he knew, W: Or yet ca'd Bess a gawkie. W: As they gade owre the muir they sang, W: The hills and dales with echo rang, W: The hills and dales with echo rang, W: 'Gang o'er the muir to Maggie.' %%sep 1 1 500 %%sep 1 1 500 X: 9 T: the BIRKS OF INVERMAY O: 1811 B: "Caledonian Musical Repository", 1811, p.14-17 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Corrected wrongly-placed bar line between last meastures of first strain. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (fg) | a3 b (af) (ed) | (e>de) f B3 d | w: The* smil-ing morn,* the* breath-**ing spring, In- (A>BA) F A2 (dA) | F2 (A>B) A2 (d/e/f/g/) | w: vite** the tune-ful* birds to* sing. And*** %page 15 a3 (bc'/d'/) (af) (ed) | (gf) (ed) B2 (f>e) | w: while they** war-*ble* from* each* spray, Love* dB AF A2 d>e | f2 ed d4 :: w: melts* the* u-ni-*ver-sal* lay. (AG) | F3 A (B>AB) d | (e>de) f B3 b | w: Let* us, A-man-**da, time-**ly wise, Like (a>ba) f (gf) (ed) | (ga) (b/a/g/f/) {f}e2 (ag) | w: them** im-prove* the* hour* that*** flies, And* (fa) (bc') d'3 b | (af) (ed) B2 (f>e) | w: in* soft* rap-tures waste* the* day, a-* (dB) AF A2 (de) | f2 Te2 d2 :| w: mang* the birks of* In-ver-may. %page 16 W:2.The lav'rocks now, and lintwhites sing; W: The rocks around with echoes ring; W: The mavis, and the blackbird's lay, W: In tuneful strains do glad the day; W: The woods now wear their summer suits; W: To mirth all nature now invites: W: Let us be blythesome then, and gay, W: Amang the birks of Invermay. W: W:3.Behold the hills and vales around. W: With lowing herds and flocks abound; W: The wanton kids, and frisking lambs. W: Gambol and dance about their dams; W: The busy bees, with humming noise, W: And all the reptile kind rejoice: W: Let us, like them, then sing and play W: About the birks of Invermay, W: W:4.Hark, how the waters, as they fall, W: Loudly my love to gladness call; W: The wanton waves sport in the beams, W: And fishes play throughout the streams; %page 17 W: The circling sun does now advance, W: And all the planets round him dance: W: Let us as jovial be as they, W: Amang the birks of Invermay. W: W:5.But soon the winter of the year, W: And age, life's winter, will appear; W: At this thy lovely bloom will fade, W: As that will strip the verdant shade: W: Our taste of pleasure then is o'er. W: The feather'd songsters are no more; W: And when they droop, and we decay. W: Adieu the birks of Invermay. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 10 T: the BLATH'RIE O'T O: 1811 B: "Caledonian Musical Repository", 1811, p.92-93 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (D>E) | F2 (dF) | D2 (A>B) w: When* I think* on* this* war-ld's* A2 D E | F2 d B (AF) E D | F2 B> c w: pelf, And the lit-tle wee share* I hae o't to my- B2 zd | A> B d> e f2 e d | w: self, And how the lass that wants it is e d e f A2 d> e | {de}f2 e d w: by the lads for-got, May the shame fa' the B2 {AB}d D | F2 (B>c) B2 |] w: gear and the blath-'rie* o't. %page 93 W:2.Jockie was the laddie that held the pleugh, W: But now he's got gowd and gear enough; W: He thinks nae mair o' me that wears the plaiden coat: W: May the shame, &c. W: W:3.Jenny was the lassie that mucked the byre, W: But now she is clad in her silken attire; W: And Jockie says he loes her, and swears he's me forgot: W: May the shame, &c. W: W:4.But a' this shall never daunton me, W: Sae lang as I keep my fancy free; W: For the lad that's sae inconstant, he is nae worth a groat: W: May the shame, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 11 T: the BLYTHSOME BRIDAL O: 1811 B: "Caledonian Musical Repository", 1811, p.202-206 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 9/4 L: 1/4 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G | G> A G B d e d B G | w: Come, fy let us a' to the bri-dal, For (A> B) G (A> B) d e2 g | G> A G g w: there'll* be lilt-*ing there, For Jock's to be mar- f e d B G | A B d (B> A) (G/F/) E2 |] w: ried to Mag-gie, The lass wi' the gow-*den* hair. g | g d g g> a g f e d | w: And there will be lang-kail and cas-tocks, And e d B (g> a) b {b}a2 f | g> a g w: ban-nocks o' bar-*ley meal, And there will be (b a) g f e d | (e/f/) g e d w: gude* saut her-ring, to re-*lish a cog %page 203 B G A2 |] w: o' gude ale. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.And there will be Sandy the sutor, W: And Will wi' the meikle mou', W: And there will be Tam the blutter, W: Wi' Andrew the tinkler, I trow: W: And there will be bow'd-legged Robie, W: Wi' thum'less Katie's gudeman; W: And there will be blue-cheeked Dobie, W: And Lowrie the laird o' the lan'. W: W:3.And there will be sow-libber Patie, W: And plucky-fac'd Wat i' the mill, W: Capper-nos'd Francie, and Gibbie W: That wins in the howe o' the hill: W: And there will be Alister Sibbie, W: Wha in wi' black Bessy did mool; W: Wi' snivelling Lilly, and Tibbie, W: The lass that stands aft on the stool. %page 204 W: W:4.And Madge that was buckled to Steenie, W: And coft him grey breeks to his ---, W: Wha after was hangit for stealing, W: Great mercy it happen'd nae warse. W: And there will be gleed Geordy Janners, W: And Kirsh wi' the lily-white leg, W: Wha gade to the south for manners, W: And play'd the fool in Mons-Meg. W: W:5.And there will be Judan Maclawrie, W: And blinkin daft Barbara Macleg, W: Wi' flea-lugged sharney fac'd Lawrie, W: And shangy-mou'd halucket Meg: W: And there will be happer a---'d Nancy, W: And fairy-fac'd Flowrie by name; W: Muck Maddie, and fat-hipped Girsy, W: The lass wi' the gowden wame. W: W:6.And there will be girn-again Gibby, W: Wi' his glaikit wife Jeany Bell, W: And mizzled-shinn'd Mungo Macapie, W: The lad that was skipper himsel. %page 205 W: There lads and lasses in pearlings, W: Will feast in the heart o' the ha', W: On sybows, and rifarts, and carlings, W: That was baith sodden and raw. W: W:7.And there will be fadges and brochan, W: And fouth o' good gabbocks o' skate; W: Powsowdie, and drammock, and crowdie, W: And cauler nowt feet in a plate. W: And there will be partans and buckies. W: And whitens and speldings enew, W: Wi' singit sheep-heads and a haggis, W: And scadlips to sup till ye spew. W: W:8.And there will be lapper'd-milk kebbucks. W: And sowens, and farls, and baps, W: Wi' swats and weel-scraped painches, W: And brandy in stoups and in caups; W: And there will be meal-kail and parritch, W: Wi' skink to sup till ye rive, W: And roasts to roast on a brander, W: O' fleuks that were taken alive. %page 206 W: W:9.Scrap'd haddocks, wilks, dulse, and tangle, W: And a mill o' gude snishin to prie; W: When weary wi' eating and drinking, W: We'll rise up and dance till we die. W: Then fy let us a' to the bridal, W: For there will be lilting there, W: For Jock's to be married to Maggie, W: The lass wi' the gowden hair. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 12 T: the BOATIE ROWS O: 1811 B: "Caledonian Musical Repository", 1811, p.154-157 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The word-to-note alignment in measures 12-13 is a bit awkward. M: 2/4 L: 1/8 K: E % - - - - - - - - - - - - - - - - - - - - - - - - - E | G>B B E | A c c e | w: O weel* may the boa-tie row, And B G (GE) | F2 zE | w: boa-tie row, That wins the bairns'* bread, The e> B B> c | e B B> B | c B c e | w: boa-tie rows, the boa-tie rows, The boa-tie rows in- f2 (ef) | (gf/e/) (gf) | (e/c/) (Bc/d/) | {f}He3 c | w: deed; And* weel** may* the* Boa-tie* row, That B> G G E | F3 :| w: wins my bairns'* bread. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I coost my line in Largo Bay, W: And fishes I catch'd nine, W: There was three to boil, and three to fry, W: And three to bait the line. W: The boatie rows, the boatie rows, W: The boatie rows indeed, W: And happy be the lot o' a', W: Who wishes her to speed. W: W:3.O weel may the boatie row. W: That fills a heavy creel, W: And cleads us a' frae tap to tae, W: And buys our parritch meal. W: The boatie rows, the boatie rows, W: The boatie rows indeed, W: And happy be the lot of a' W: That wish the boatie speed. W: W:4.When Jamie vow'd he wad be mine. W: And wan frae me my heart, W: O muckle lighter grew my creel; W: He swore we'd never part, %page 156 W: The boatie rows, the boatie rows. W: The boatie rows fu' weel, W: And muckle lighter is the load, W: When love bears up the creel. W: W:5.My kurtch I put upo' my head, W: And dress'd mysel' fu' braw; W: I trow my heart was douf and wae. W: When Jamie gaed awa'. W: But weel may the boatie row, W: And lucky be her part, W: And lightsome be the lassie's care, W: That yields an honest heart. W: W:6.When Sawney, Jock, and Janetie, W: Are up, and gotten lear, W: They'll help to gar the boatie row, W: And lighten a' our care. W: The boatie rows, the boatie rows, W: The boatie rows fu' weel, W: And lightsome be her heart that bears W: The murlain and the creel. %page 157 W: W:7.And when wi' age we're worn down, W: And hirpling round the door, W: They'll row to keep us dry and warm, W: As we did them before. W: Then weel may the boatie row, W: She wins the bairns' bread; W: And happy be the lot o' a', W: That wish the boatie speed. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 13 T: BONNY DUNDEE O: 1811 B: "Caledonian Musical Repository", 1811, p.160-161 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/4 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - A2 | E2 A2 A2 (A3B) c2 | B3 A G2 w: O whare did ye get* that hau-ver-meal B d3 d2 | e e3 e2 d e3 g2 | e3 d (cB) w: ban-nock? O sil-ly blind bo-dy, O din-na ye* A4 (AG) | E2 A2 A2 A3 B c2 | (B3A) G2 B d3 d2 | w: see? I* gat it frae a young brisk sod-*ger lad-die, Be- e4 e2 d2 e2 g2 | e3 d (cB) A4 ][ g2 | w: tween Saint Johns-toun and bon-ny Dun-*dee. O g4 g2 (g3a) b2 | B3 A G2 B2 d4 | w: gin I saw* the lad-die that gae me't! e2 a2 a2 a3 g a2 | {g}b3 a (gf) e4 g2 | w: Aft has he dou-dl'd me u-pon his* knee; May %page 161 g3 a g2 (g3a) b2 | B3 A G2 B d3 d2 | w: hea-ven pro-tect* my bon-ny Scots lad-die, And e2 e2 (dB) d3 e g | e3 d (cB) A4 |] w: send him safe* hame to his ba-by and* me. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.My blessings upon that sweet wee lippie, W: My blessings upon that bonny ee-bree! W: Thy smiles are sae like my blythe sodger laddie, W: Thou's ay the dearer and dearer to me. W: But I'll big a bower on yon bonny bank, W: Where Tay rins whimplin by sae clear, W: And I'll clead thee in the tartan sae fine, W: And mak thee a man like thy daddy dear. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 14 T: the BRAES OF YARROW O: 1811 B: "Caledonian Musical Repository", 1811, p.260-262 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D4 (EF) G2 D6 B2 | (c2B2A2) G2 E4 z4 | w: Busk ye,* busk ye, my bon-**ny bride; D4 (EF) G2 D4 (B2c2) | (d2cBA2) G2 (G3A) B4 | w: Busk ye,* busk ye, my* win-***some mar-*row; D4 (EF) G2 D6 B2 | (c2B2A2) G2 {F}E4 (B3A) | w: Busk ye,* busk ye, my bon-**ny bride, And* (G2F2) (E2D2) (c2B2A2) G2 | TE6 D2 E4 G4 :: w: let* us* to** the braes of Yar-row. (B3A) B2 c2 d6 B2 | (c2B2A2) G2 E4 z2 | w: There* will we sport and ga-**ther dew, (B3A) B2 c2 d6 c2 | (BcAB) G2 A2 (TB3c) d4 | w: Danc-*ing while lav'-rocks sing*** in the morn-*ing, %page 261 (B3A) B2 c2 (d2cBe2) d2 | (c2B2A2) G2 E4 (TB3A) | w: There* learn frae tur-***tles to** prove true: O* G2F2 (E2D2) (Bcd2) (BAG2) | E6 D2 (E3F) G4 :| w: Bell,* ne'er* vex** me** with thy scorn-*ing. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.To westlin breezes Flora yields, W: And when the beams are kindly warming, W: Blytheness appears o'er all the fields, W: And Nature looks mair fair and charming. W: Learn frae the burns, that trace the mead, W: Though on their banks the roses blossom, W: Yet hastily they flow to Tweed, W: And pour their sweetness in his bosom. W: W:3.Haste ye, haste ye, my bonny Bell, W: Haste to my arms, and there I'll guard thee; W: With free consent my fears repel, W: I'll with my love and care reward thee. W: Thus sang I saftly to my fair, W: Wha rais'd my hopes wi' kind relenting: %page 262 W: O, queen of smiles! I ask nae mair, W: Since now my bonny Bell's consenting. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 15 T: BRAW LADS ON YARROW BRAES O: 1811 B: "Caledonian Musical Repository", 1811, p.13-14 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2 ED D2 FG | A3 B AF ED | w: Braw, braw* lads, on* Yar-row braes,* Ye* D/E/F E2 E2 FA | B2 dB B2 A> F | w: wan-**der thro' the* blom-ing* hea-ther; But A3 B d3 e | fe dB {B}d3 e | w: Yar-row braes, nor Et-*trick* shaws, Can d/e/f E2 E2 FA | B2 dc B2 A2 |] w: match** the laads on* Gal-la* wa-ter. %page 14 W:2.But there is ane, a secret ane, W: Aboon them a' I loe him better; W: And I'll be his, and he'll be mine. W: The bonny lad o' Galla water. W: W:3.Although his daddy was nae laird, W: And though I hae nae muckle tocher, W: Yet rich in kindest, truest love, W: We'll tent our flocks by Galla water. W: W:4.It ne'er was gold, it ne'er was wealth, W: That coft contentment, peace, or pleasure; W: The bands and bliss o' mutual love, W: O! that's the choicest warld's treasure. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 16 T: the BROOM OF COWDENKNOWS O: 1811 B: "Caledonian Musical Repository", 1811, p.226-229 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D | D3 F A3 B | (AF) (E>D) D2 (d>A) | w: How blythe was I ilk morn* to* see My* B2 (d>e) {de}f2 (Te>d) | B6 d2 | (A>B) (d>e) w: swain come* o'er the* hill! He leap'd* the* %page 227 {de}f2 (Te>d) | d2 (D>E) F2 (TED) | G3 A (B>cd) F | w: burn, and* flew to* me, I* met him wi'** good E8 |][| D3 F A3 B | A F E> F w: will. O, the broom, the bon-ny bon-ny D2 (d>A) | B2 d> e {e}(d>ef) A | B4 z2 d2 | w: broom, The* broom of the Cow-**den-knows! I (A>B) (d>e) f2 (Te>d) | (dc) (BA) {G}F2 (TED) | w: wish* I* were wi'* my* dear* swain, Wi'* G3 B (A>Bd) F | E6 |] w: his pipe and** my ewes. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I neither wanted ewe nor lamb, W: While his flocks near me lay; W: He gather'd in my sheep at night, W: And cheer'd me a' the day. W: O, the broom, &c. %page 228 W: W:3.He tun'd his pipe and reed sae sweet, W: The birds stood listening by; W: Ev'n the dull cattle stood and gaz'd, W: Charm'd wi' his melody. W: O, the broom, &c. W: W:4.While thus we spent our time, by turns, W: Betwixt our flocks and play, W: I envied not the fairest dame, W: Though e'er sae rich and gay. W: O, the broom, &c. W: W:5.Hard fate! that I should banish'd be, W: Gang heavily, and mourn, W: Because I lov'd the kindest swain W: That ever yet was born, W: O, the broom, &c. W: W:6.He did oblige me ev'ry hour; W: Could I but faithfu' be? W: He staw my heart; could I refuse W: Whate'er he ask'd of me. W: O, the broom, &c. %page 229 W: W:7.My doggie, and my little kit, W: That held my wee soup whey, W: My plaidy, broach, and crooked stick. W: Maun now lie useless by. W: O, the broom, &c. W: W:8.Adieu, ye Cowdenknows, adieu! W: Fareweel a' pleasures there! W: Ye gods, restore me to my swain, W: It's a' I crave or care. W: O, the broom, &c % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 17 T: BURNS' FAREWELL TO AYRSHIRE O: 1811 B: "Caledonian Musical Repository", 1811, p.177-178 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d2 (Ad) | e2 A2 | (fe) (fg) | f2 ez | w: Scenes of* woe, and scenes* of* plea-sure, d2 (cB) | (cd) (ef) | c2 B2 | A4 | a2 (gf) | w: Scenes that* for-*mer* thoughts re-new; Scenes of* g2 f2 | (ef) (de) | c2 Az | (dc) (de) | d2 e2 | w: woe, and scenes* of* plea-sure, Now* a* sad and (fe) (fg) f3 z | (gf) (ed) | c2 (de) | f2 e2 | d4 |] w: last* a-*dieu; Now* a* sad and* last adieu! % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Bonny Doon, sae sweet at gloaming, W: Fare thee weel before I gang: W: Bonny Doon, where early roaming, W: First I weav'd the rustic sang. %page 178 W: W:3.Bowers, adieu! where love decoying, W: First enthrall'd this heart o' mine; W: There the saftest sweets enjoying, W: Sweets that mem'ry ne'er shall tine. W: W:4.Friends so near my bosom ever, W: Ye hae render'd moments dear; W: But, alas! when forc'd to sever, W: Then the stroke, O how severe! W: W:5.Friends, that parting tear reserve it, W: Though 'tis doubly dear to me; W: Could I think I did deserve it, W: How much happier would I be. W: W:6.Scenes of woe, and scenes of pleasure, W: Scenes that former thoughts renew: W: Scenes of woe, and scenes of pleasure, W: Now a sad and last adieu. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 18 T: the BUSH ABOON TRAQUAIR O: 1811 B: "Caledonian Musical Repository", 1811, p.236-239 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Bar line between measures 3 and 4 was missing. Similarly with measures 7 and 8. N: Oddity: The 2nd beat in measure 6 has different beams on both sides of the stem for the f note. The 1806 version doesn't do this. N: There are many cases where one edition has a comma and the other a semicolon. M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D4 | F4 A4 d6 f2 | (Te3d) (efgf) w: Hear me, ye nymphs, and ev'-*ry*** %page 237 {f}e6 E2 | F4 A4 (f3ed2) B2 | A8 {d}D4 (D3E) | w: swain, I'll tell how Peg-**gy grieves me; Tho'* F4 A4 {Bc}d6 e2 | (e3d) (e3f/g/) {f}e6 E2 | w: thus I lan-guish and* com-**plain, A- F4 A4 (f3ed2) B2 | A8 {d} D4 :: d4 | (c3BA2) B2 w: las! she ne'er** be-lieves me. My vows** and (c2d2) (e2f2) | (g3a) (f2g2) {f}e6 A2 | (d3ef2) g2 (a3ba2) g2 | w: sighs,* like* si-*lent* air, Un-heed-**ed, ne-**ver (f3g agfe) d6 e2 | (c3BA2) B2 (c3de2) f2 | w: move***** her; The bon-**ny bush** a- (g3a ba) (gf) {f}e6 E2 | F4 A4 (f3ed2) B2 | w: boon*** Tra-*quair, Was where I first** did A8 {d}D4 :| w: love her. %page 238 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.That day she smil'd, and made me glad, W: No maid seem'd ever kinder; W: I thought myself the luckiest lad, W: So sweetly there to find her. W: I try'd to soothe my am'rous flame, W: In words that I thought tender: W: If more there pass'd, I'm not to blame; W: I meant not to offend her. W: W:3.Yet now she scornful flies the plain, W: The fields we then frequented; W: If e'er we meet, she shews disdain, W: She looks as ne'er acquainted. W: The bonny bush bloom'd fair in May; W: Its sweets I'll ay remember: W: But now her frowns make it decay; W: It fades as in December. W: W:4.Ye rural pow'rs, who hear my strains, W: Why thus should Peggy grieve me? W: Oh! make her partner in my pains; W: Then let her smiles relieve me. %page 239 W: If not, my love will turn despair; W: My passion no more tender; W: I'll leave the bush aboon Traquair; W: To lonely wilds I'll wander. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 19 T: CALEDONIA O: 1811 B: "Caledonian Musical Repository", 1811, p.28-30 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - F | B (d/c/) (B/^A/) B F F | F d w: Their groves o'* sweet* myr-tles, let for-eign c d F F | B (d/c/) (B/A/) B w: lands reck-on, Where bright beam-*ing* sum- F d | E F ^A B2 F | B (d/c/) (B/^A/) w: mers ex-hale their per-fume; Far dear-er* to* B F F | F d c d F F/ F/ | w: me yon lone glen of green breck-en, Wi' the G (A/G/) (F/E/) F (G/F/) (E/D/) | E F ^A w: burn steal-*ing* un-der* the* lang yel-low B2 d | (A/B/) d d d2 A | (d/c/) (d/e/) (f/g/) w: broom. Far dear-*er to me yon hum-*ble* broom* %page 29 (af) d/ d/ | g (a/g/) (f/e/) f d B | w: bow-ers, Where the blue-bell* and* gow-an lurk A F A B2 d | (A/B/) d d d d A | w: low-ly un-seen; For there* light-ly trip-ping, a- (d/c/) (d/e/) (f/g/) (af) d | g (a/g/) (f/e/) w: mang* the* wild* flow-ers, A-list-ning* the* f d B | A F A B2 |] w: lin-net, aft wan-ders my Jean. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Tho' rich is the breeze, in their gay sunny valleys, W: And cauld Caledonia's blast on the wave; W: Their sweet-scented woodlands that skirt the proud palace, W: What are they? -- the haunt o' the tyrant and slave! %page 30 W: The slave's spicy forests, and gold-bubbling fountains, W: The brave Caledonian views wi' disdain: W: He wanders as free as the wind on his mountains, W: Save love's willing fetters -- the chains o' his Jean. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 20 T: CAULD KAIL IN ABERDEEN O: 1811 B: "Caledonian Musical Repository", 1811, p.194-198 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Bar 4 has a spurious 16th rest between the two D notes; not transcribed. N: Added dot to A note to fix the rhythm in bar 15. (It looks erased, along with the adjacent staff lines.) N: Page 197 seems to be missing, along with 2.5 verses. They've been copied from the 1806 edition. N: The bar line between measures 14 and 15 is missing in both editions. M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D2 | (F3 A) d3 B | A3 F E3 D | w: There's cauld* kail in A-ber-deen, And F2 A2 (Bc) (dB) | A4 D2 D2 | F3 A d3 B | w: cas-tocks in* Stra'-*bo-gie, Whaur il-ka lad maun A2 F2 E3 D | F2 A2 (Bc) (dB) | A4 D2 |]| w: hae his lass, But I maun hae* my* co-gie. A2 | d3 e f3 d | e3 c B3 A | w: For I maun hae my co-gie, troth, I d3 e f3 d | (e3 c) A3 A | d3 e f3 d | w: can-na want my co-*gie: I wad-na gie my g2 e2 Hc2 (e/d/c/B/) | A3 F d3 B | A4 D2 |] w: three-gird cog For*** a' the wives in Bo-gie. %page 195 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Johnny Smith has got a wife W: Wha scrimps him o' his cogie; W: But were she mine, upon my life, W: I'd duck her in a bogie. W: For I maun hae my cogie, troth, W: I canna want my cogie; W: I wadna gie my three-gird cog W: For a' the wives in Bogie. W: W:3.Twa-three todlin weans they hae. W: The pride o' a' Stra'bogie; W: Whene'er the totums cry for meat, W: She curses ay his cogie: W: Crying, "Wae betide the three-gird cog! W: "Oh, wae betide the cogie! W: "It does mair skaith than a' the ills W: "That happen in Stra'bogie." W: W:4.She fand him ance at Willie Sharp's; W: And what they maist did laugh at, W: She brake the bicker, spilt the drink. W: And tightly gowff'd his haffet; %page 196 W: Crying, "Wae betide the three-gird cog! W: "Oh, wae betide the cogie; W: "It does mair skaith than a' the ills W: "That happen in Stra'bogie." W: W:5.Yet here's to ilka honest soul, W: Wha'll drink wi' me a cogie; W: And for ilk silly whingin fool, W: We'll duck him in the bogie. W: For I maun hae my cogie, Sirs, W: I canna want my cogie; W: I wadna gie my three-gird cog W: For a' the queans in Bogie. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: ANOTHER SET. K: W:1.There's cauld kail in Aberdeen, W: And castocks in Stra'bogie; W: Gin I hae but a bonny lass, W: Ye're welcome to your cogie. % - - - - - - - - - - - - - - - - - - - - - - - - - %page 197 [missing; copied from the 1806 edition] W: And ye may sit up a' tbe night, W: And drink till it be braid day-light: W: Gie me a lass that's clean and tight, W: To dance the reel o' Bogie. W: W:2.In cotillons the French excel, W: John Bull in country dances; W: The Spaniards dance fandangos well; W: Mynheer an al'mande prances: W: In foursome reels the Scots delight, W: At threesome they dance wondrous light, W: But twasome ding a' out o' sight, W: Danc'd to the reel o' Bogie. W: W:3.Come lads, and view your partner's well, W: Wale each a blythesome rogie; W: I'll tak this lassie to mysel, W: She looks sae keen and vogie: W: Now, piper lad, bang up the spring; W: The country fashion is the thing, W: To prie their mou's ere we begin W: To dance the reel o' Bogie. % [end of insert from the 1806 edition] % - - - - - - - - - - - - - - - - - - - - - - - - - W: %page 198 W:4 Now ilka lad has got his lass, W: Save yon auld doited Fogie, W: And ta'en a fling upon the grass, W: As they do in Stra'bogie: W: But a' the lasses look sae fain, W: We canna think oursels to hain. W: For they maun hae their come-again W: To dance the reel o' Bogie. W: W:5.Now a' the lads hae done their best, W: Like true men o' Stra'bogie; W: We'll stop a while and tak a rest. W: And tipple out a cogie. W: Come now, my lads, and tak your glass, W: And try each other to surpass, W: In wishing health to ev'ry lass, W: To dance the reel o' Bogie. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 21 T: the COLLIER'S BONNY LASSIE O: 1811 B: "Caledonian Musical Repository", 1811, p.215-218 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - (d>c) | (cB) (AG) G2 G2 | G4 D3 E | w: The* col-*lier* has a daugh-ter, And =F3 G F2 F2 | A2 c2 z2 (dc) | B2 (AG) G2 G2 | w: O, she's won-der bon-ny, A* laird he* was that G4 D2 G2 | B2 (AB) (cB) (AG) | B2 d2 z2 :: w: sought her, Rich baith in* lands* and* mo-ney. (ef) | (gf) (ed) (ed) (cB) | c4 =f3 c | w: The* tu-*tors* watch'd* the* mo-tion Of {_B}A2 (G=F) F3 G | A2 c2 z2 d2 | (cB) (AG) A2 D2 | w:this young* ho-nest lov-er; But love* is* like the (B>ABc) d2 g2 | (gf) (fg) g2 G2 | B2 d2 z2 :| w: o-***cean, Wha can* its* deeps dis-co-ver? %page 216 W:2.He had the art to please ye, W: And was by a' respected; W: His airs sat round him easy, W: Genteel, but unaffected. W: The collier's bonny lassie, W: Fair as the new-blown lily, W: Ay sweet, and never saucy, W: Secur'd the heart of Willie. W: W:3.He lov'd beyond expression, W: The charms that were about her, W: And panted for possession; W: His life was dull without her. W: After mature resolving, W: Close to his breast he held her, W: In saftest flames dissolving, W: He tenderly thus tell'd her: W: W:4.My bonny collier's daughter, W: Let naething discompose ye; W: It's no your scanty tocher W: Shall ever gar me lose ye: %page 216 W: For I hae gear in plenty, W: And love says it's my duty, W: To wair what heav'n has lent me, W: Upon your wit and beauty. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: BONNY LESLEY. K: W:1.O saw ye bonny Lesley, W: As she gade o'er the border? W: She's gane, like Alexander, W: To spread her conquests farther. W: To see her is to love her, W: And love but her for ever; W: For Nature made her what she is, W: And ne'er made sic anither. W: W:2.Thou art a queen, fair Lesley, W: Thy subjects we, before thee: W: Thou art divine, fair Lesley, W: The hearts o' men adore thee. %page 218 W: The de'il he could na scaith thee, W: Or aught that wad belang thee; W: He'd look into thy bonny face, W: And say, "I canna wrang thee. W: W:3.The powers aboon will tent thee; W: Misfortune shanna steer thee; W: Thou'rt like themsels, sae lovely, W: That ill they'll ne'er let near thee. W: Return again, fair Lesley, W: Return to Caledonie! W: That we may brag, we hae a lass, W: There's nane again sae bonny. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 22 T: COME UNDER MY PLAIDY O: 1811 B: "Caledonian Musical Repository", 1811, p.70-73 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g | d B B B A B | d B B w: "Come un-der my plai-dy, the night's gaun to B2 g | d B B B A B | w: fa', Come in frae the cauld blast, the G E E E2 g | d B B B A B | w: drift, and the snaw; Come un-der my plai-dy, and d B B B A G | A A A w: lie down be-side me, There's room in't, be- B A B | G E E E2 ][ d | g f g w: lieve me, dear las-sie, for twa. Come un-der my a g a | b a g f e d | w: plai-dy, and lie down be-side me, I'll %page 71 g f g a g a | b g e e2 g/a/ | w: hap ye frae ev'-ry cauld blast that will blaw; Come* b g b a f a | g e f g2 f/ e/ | w: un-der my plai-dy, and lie down be-side me, There's d B B B A B | G E E E2 |] w: room in't, dear las-sie, be-lieve me, for twa." % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.`Gae 'wa wi' your plaidy! auld Donald, gae 'wa! W: `I fear na the cauld blast, the drift, nor the snaw: W: `Gae 'wa wi' your plaidy — I'll no lie beside ye, W: `Ye might be my gutchard; auld Donald, gae 'wa! W: `I'm gaun to meet Johnny, he's young and he's bonny, W: `He's been at Meg's bridal, fu' trig and fu' braw; W: `there's nane dance sae lightly, sae graceful sae 'tightly, W: `His cheeks are like roses, his brow's like the snaw.' %page 72 W: W:3."Dear Marion, let that flee stick fast to the wa'; W: "Your Jock's but a gowk, and has naething ava; W: "The hale o' his pack he has got on his back: W: "He's thretty, and I am but threescore and twa. W: "Be frank now and kindly, I'll busk ye ay finely; W: "At kirk or at market they'll nane gang sae braw; W: "A bien house to bide in, a chaise for to ride in, W: "And flunkies to 'tend ye as aft as ye ca'." W: W:4.`My father ay tell'd me, my mither and a', W: `Ye'd mak a gude husband, and keep me ay braw; W: `It's true I loe Johnny, he^s young and he's bonny, W: `But, wae's me, I ken he has naething ava! W: `I hae little tocher, ye've made a gude offer; W: `I'm now mair than twenty, my time is but sma'; W: `Sae gie me your plaidy, I'll creep in beside ye, W: `I thought ye'd been aulder than threescore and twa!' W: W:5.She crap in ayont him, beside the stane wa', W: Whare Johnny was list'ning, and heard her tell a'; %page 73 W: The day was appointed, his proud heart it dunted. W: And strack 'gainst his side, as if bursting in twa. W: He wander'd hame weary, the night it was dreary. W: And thowless, he tint his gate 'mang the deep snaw: W: The howlet was screaming, while Johnny cry'd, "Women W: "Wad marry Auld Nick, if he'd keep them ay braw. W: W:6."O the deil's in the lasses! they gang now sae braw, W: "They'll lie down wi' auld men o' threescore and twa; W: "The hale o' their marriage is gowd and a carriage; W: "Plain love is the cauldest blast now that can blaw, W: "Auld dotards, be wary! tak tent wha ye marry, W: "Young wives wi' their coaches they'll whup and they'll ca', W: "Till they meet wi' some Johnny that's youthfu' and bonny, W: "And they'll gie a horn on ilk haffet to claw," % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 23 T: the DAYS O' LANGSYNE O: 1811 B: "Caledonian Musical Repository", 1811, p.250-252 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (d/e/) | f> e d d3/ B A/ | A> B d w: When* war had broke in on the peace o' auld e2 d/ e/ | f> e d d> B A | w: men, And frae Chel-sea to arms they were A> B d d2 (d/e/) | f> e d w: sum-mon'd a-gain, Twa* vet'-rans grown d> B A | A> B d e2 d/ e/ | w: grey, wi' their mus-kets sair foil'd, Wi' a f> e d d> B A | A> B d d2 |][| w: sigh, were re-lat-ing how hard they had toil'd. (f/e/) | d f a d f a | b> a f w: The* drum it was beat-ing to fight they in- %page 251 e2 (a/g/) | f> e d d> B A | w: cline, But* ay they look'd back on the A> B d d2 |] w: days o' lang-syne. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Hech, Davie, man, weel thou remembers the time, W: When twa brisk young callans, and just in our prime. W: The prince led us, conquer'd, and shaw'd us the way, W: And mony a braw chield we turn'd cauld on that day. W: Still again I wad venture this auld trunk o' mine, W: Could our gen'ral but lead, or we fight like langsyne. W: W:3.But garrison duty is a' we can do; W: Tho' our arms are worn weak, yet our hearts are still true: W: We car'd na for dangers by land or by sea, W: For time is turn'd coward, and no you and me. W: And though at our fate we may sadly repine, W: Youth winna return, nor the strength o' langsyne. %page 252 W: W:4.When after our conquests, it joys me to mind, W: How thy Jean caress'd thee, and my Meg was kind; W: They shar'd o' our danger, though ever sae hard, W: Nor car'd we for plunder, when sic our reward. W: Ev'n now they're resolv'd baith their hames to resign, W: And to share the hard fate they were us'd to langsyne. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 24 T: the DAY RETURNS, MY BOSOM BURNS O: 1811 B: "Caledonian Musical Repository", 1811, p.86-87 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - (ge) | d2 B2 B2 (AG) | e2 A2 A2 (ge) | w: The* day re-turns, my* bo-som burns, The* d2 B2 (cB) (AG) | D2 G2 G2 (ge) | w: bliss-ful day* we* twa did meet; Tho'* d2 B2 {c}B2 (AG) | e2 A2 A2 (G>A) | w: win-ter wild in* tem-pest toil'd, Ne'er* B2 (ge) (dB) (AG) | D2 G2 G2 ][ (de) | w: sum-mer* sun* was* hauf sae sweet. Then* g2 g2 {g}b2 (ag) | e2 a2 a2 (ge) | w: a' the pride that* loads the tide, And* (de) (ga) {g}b2 (ag) | d2 g2 g2 d2 | w: cross-*es* o'er the* sul-try line, Then %page 87 c2 (ec) B2 (dB) | E2 A2 A2 (ge) | w: king-ly* robes, than* crowns and globes, Heav'n* (ed) (Be) (dB) (AG) | D2 G2 G2 |] w: gave* me* more,* it* made thee mine. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.While day and night can bring delight. W: Or nature aught of pleasure give; W: While joys above my mind can move. W: For thee and thee alone I live, W: When that grim foe of life below, W: Comes in between to mak us part, W: The iron hand that breaks our band, W: It breaks my bliss--it breaks my heart! %%sep 1 1 500 %%sep 1 1 500 X: 25 T: DUNCAN GRAY O: 1811 B: "Caledonian Musical Repository", 1811, p.198-201 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A d c d e f c2 | w: Dun-can Gray cam here to woo, %page 199 d2 e> g f d d> A | w: Ha, ha, the woo-ing o't, On A d c d e f c2 | w: blythe Yule night, when we were fu', d2 e> g f d d2 |][| fa (b/a/) g/f/ w: Ha, ha, the woo-ing o't. Mag-gie coost* her* g g g2 | f> f (g/f/) (e/d/) w: head fu' heigh, Look'd a-sklent* and* (c/d/) (e/c/) A2 | a (b/a/) g (a/g/) w: un-*co* skeigh, Gart poor* Dun-can* (f/a/) (g/f/) e2 | d2 e> g f d d2 |] w: stand* a-*beigh, Ha, ha, the woo-ing o't. %page 200 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Duncan fleech'd, and Duncan pray'd, W: Ha, ha, the wooing o't; W: Meg was deaf as Ailsa Craig, W: Ha, ha, the wooing o't. W: Duncan sigh'd baith out and in, W: Grat his een baith bleer't and blin; W: Spak o' lowpin o'er a lin, W: Ha, ha, the wooing o't. W: W:3.Time and chance are but a tide, W: Ha, ha, the wooing o't; W: Slighted love is sair to bide, W: Ha, ha, the wooing o't. W: Shall I, like a fool, quoth he, W: For a haughty hizzie die? W: She may gae to France for me! W: Ha, ha, the wooing o't. W: W:4.How it comes let doctors tell, W: Ha, ha, the wooing o't; W: Meg grew sick — as he grew heal W: Ha, ha, the wooing o't. %page 201 W: Something in her bosom wrings; W: For relief a sigh she brings; W: And O, her een they spak sic things! W: Ha, ha, the wooing o't. W: W:5.Duncan was a lad o' grace, W: Ha, ha, the wooing o't; W: Maggie's was a piteous case, W: Ha, ha, the wooing o't. W: Duncan cou'd na be her death, W: Swelling pity smoor'd his wrath; W: Now they're crouse and canty baith, W: Ha, ha, the wooing o't. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 26 T: ETTRICK BANKS O: 1811 B: "Caledonian Musical Repository", 1811, p.36-38 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - (B>A) | G3 F E2 (Bd) | (ed) (Bd) e2 g2 | w: On* Ett-rick banks, ae* sum-*mer's* night, At d2 (cB) g2 B2 | {c}B2 (AG) A2 (B>A) | w: gloam-ing* when the sheep came* hame, I* G3 F E2 (gf) | Te3 d B2 f2 | w: met my las-sie,* braw and tight, Come (g>ag) f (e>fg) e | d2 (B>c) B2 |: w: wad-**ing bare-**foot a' her* lane. d2 | g3 a g2 G2 | (B>c) (d>e) d2 (cB) | w: My heart grew light; I ran,* and* flang My* g3 a g2 (fe) | (f>ga) b a2 (ga) | w: arms a-bout her* li-**ly neck, I* %page 37 b2 (Ta>g) g2 G2 | B2 d2 b3 a | w: kiss'd and* clap'd her there fu' lang, My (g>ag) f (e>fg) e | d2 (B>c) B2 :| w: words** they were** na mo-ny* feck. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I said, My lassie, will ye gang W: To the Highland hills, some Earse to learn? W: And I'll gie thee baith cow and ewe, W: When ye come to the brig of Earn. W: At Leith auld meal comes in, ne'er fash, W: And herrings at the Broomilaw; W: Cheer up your heart, my bonny lass, W: There's gear to win we never saw. W: W:3.A' day when we hae wrought enough, W: When winter frosts and snaws begin, W: Soon as the' sun gaes west the loch, W: At night when ye sit down to spin, W: I'll screw my pipes, and play a spring ; W: And thus the weary night we'll end, %page 38 W: Till the tender kid, and lamb-time, bring W: Our pleasant simmer back again. W: W:4.Syne when the trees are in their bloom, W: And gowans glent o'er ilka field, W: I'll meet my lass amang the broom, W: And lead her to my simmer bield. W: There, far frae a' their scornfu' din, W: That mak the kindly heart their sport, W: Well laugh, and kiss, and dance, and sing, W: And gar the iangest day seem short. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 27 T: the EWE-BUGHTS, MARION O: 1811 B: "Caledonian Musical Repository", 1811, p.127-130 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - E/ G/ | G2 A> B | g2 (f>g) | e2 E> F | w: Will ye gae to the ewe-bughts,* Mar-ion, And G2 A> B | g2 (f>g) | e3 z/g/ | (dc) | A2 B ^d | e2 E> c | (BA) (GF) | w: sweet, my* Mar-ion, But nae hauf sae sweet* as* G3 g | (dc) | A2 B> ^d | w: thee. The sun* shines sweet, my* Mar-ion, But e2 E> c | (BA) (GF) | E3 |] w: nae hauf sae sweet* as* thee. %page 128 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.My Marion's a bonny lass, W: The blythe blinks ay in her ee; W: And fain wad I marry my Marion, W: Gin Marion wad marry me. W: W:3.There's gowd in your garters, Marion, W: And silk on your white hause-bane; W: Fu' fain wad I kiss my Marion, W: At e'en' when I come hame. W: W:4.I've nine milk ewes, my Marion, W: A cow, and a brawny quey; W: I'll gie them a' to my Marion, W: Just on her bridal day. W: W:5.And yese get a green-sey apron, W: And waistcoat o' Lon'on brown; W: Then vow but ye will be vap'rin, W: When ye gang to the town. W: W:6.I'm young and stout, my Marion; W: Nane dances like me on the green; W: And gin ye forsake me, Marion, W: I'll e'en draw up wi' Jean. %page 129 W: W:7.Sae put on your pearlings, Marion, W: Wi' kirtle of the cramasie; W: And sae soon's my chin has nae hair on, W: I shall come west, and see thee. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: HOW BLYTHE HAE I BEEN T: to the same air K: % - - - - - - - - - - - - - - - - - - - - - - - - - W:1.How blythe hae I been wi' my Sandy, W: As we sat in the howe o' the glen! W: But nae mair can I meet wi' my Sandy, W: To the banks o' the Rhine he is gane. W: W:2.Alas! that the trumpet's loud clarion W: Thus draws a' our shepherds afar; W: O cou'dna the ewe-bughts and Marion W: Please mair than the horrors o' war! W: W:3.Not a plough in our land has been ganging; W: The ousen hae stood in their sta'; W: Nae flails in our barns hae been banging. W: For mair than a towmond or twa. %page 134 W: W:4.Waes me, that the trumpet's shrill clarion W: Thus draws a' our shepherds afar! W: O, I wish that the ewe-bughts and Marion W: Could charm frae the horrors o' war. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 28 T: the EWIE WI' THE CROOKED HORN O: 1811 B: "Caledonian Musical Repository", 1811, p.52-57 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Fixed rhythm in measure 2 by adding flag to the c. N: The last verse does end with "'." rather than "'.", probably a typo. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D | D G G> A F> G A F | w: O were I a-ble to re-hearse, My %page 53 D G G> B c A B G | w: ew-ie's praise in pro-per verse, I'd c> B A G F> G A F | w: sound it out as loud and fierce, As D G G> B A> F HG2 || w: e-ver pi-pers drone cou'd blaw. c | B c B B G B A> G E2 | w: Well de-serv'd baith garse and corn e> d B G B2 | w:Sic a ew-ie ne'er was born, D> G G B A> F HG2 |] w: Here-a-bout, or far a-wa'. %page 54 W: 2.I neither needed tar nor keel, W: To mark upo' her hip or heel; W: Her crooked horn it did as weel, W: To ken her by amo' them a'. W: The ewie, &c. W: W: 3.She never threaten'd scab nor rot, W: But keeped ay her ain jog trot, W: Baith to the fauld and to the cot, W: Was never sweer to lead nor ca'. W: The ewie, &c. W: W: 4.Nae cauld nor hunger e'er her dang, W: Nor win' nor rain cou'd e'er her wrang; W: For anes she lay, a hale week lang, W: Aneath a drearie wreathe o' snaw. W: The ewie, &c. W: W: 5.When ither ewes they lap the dyke, W: And ate the kail for a' the tyke, W: My ewie never play'd the like, W: But tees'd about the barn-yard wa'. W: The ewie, &c. %page 55 W: W: 6.A better, nor a thriftier beast, W: Nae honest man cou'd weel hae wist, W: For, bonny thing, she never mist W: To hae ilk year a lamb or twa. W: The ewie, &c. W: W: 7.The first she had I gae to Jock, W: To be to him a kind of stock, W: And now the laddie has a flock, W: O' mair than thirty head to ca'. W: The ewie, &c. W: W: 8.The neist I gae to Jean, and now W: The bairn's sae bra', has fauld sae fu', W: That lads sae thick come her to woo, W: They're fain to sleep on hay or straw. W: The ewie, &c. W: W: 9.I looked ay at even' for her, W: For fear the fumart might devour her, W: Or some mishanter had come o'er her, W: If the beastie bade awa'. W: The ewie, &c. %page 56 W: W:10.Yet Monday last, for a' my keeping, W: I canna' speak it without greeting, W: A villain came, when I was sleeping, W: An' staw my ewie, horn and a'. W: The ewie, &c. W: W:11.I sought her sair upo' the morn, W: And down beneath a buss o' thorn W: I got my ewie's crooked horn; W: But, ah! my ewie was awa'. W: The ewie, &c. W: W:12.But gin I had the lown that did it, W: I've sworn and ban'd, as weel as said it, W: Tho' a' the world shou'd forbid it, W: I wad gie his neck a thraw. W: The ewie, &c. W: W:13.I never met wi' sic a turn W: As this since ever I was born, W: My ewie wi' the crooked horn, W: Poor silly ewie! stown awa.' W: The ewie, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 29 T: FAREWELL TO LOCHABER O: 1811 B: "Caledonian Musical Repository", 1811, p.30-32 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Fixed wrong rthym (either unneeded dot or missing flag) in measure 25, to match measure 26. N: Repeat sign at start of 2nd strain, but no final repeat. (Fixed.) M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G>A | B2 B2 B>c | TB3 A Bd | e2 A2 A>B | w: Fare-*well to Loch-*a-ber and* fare-well my* {B2}A4 G>A | B2 cB AG | (D3 E) G A | w: Jean, Where* heart-some* with* thee* I hae B2 AG GA | G4 G> A | B2 B2 Bc/d/ | w: mo-ny* days* been; For Loch-a-ber no** ({c}TB3 A) Bd | e2 A2 AB/c/ | (B2 A2) GA | w: more,* Loch-*a-ber no** more,* We'll* %page 31 B>d cB AG | D2 dc BA | B2 AG GA | G4 ]|: w: may-*be* re-*turn to* Loch-*a-ber* no* more. G2 | B>c d2 d2 | d>e dc BA | G2 g2 f2 | w: These tears* that I shed* they* are* a' for my g4 G2 | B>c d2 d2 | ed cB AG | G2 g2 ga | w: dear, And no* for the dan-*gers* at-*tend-ing on* g4 d2 | =f2 g2 fg | {=f}e2 d2 eg | w: weir; Tho' borne on rough* seas to a* a2 A2 AB/c/ | {B}A4 G>A | B2 cB AG | D3 e dB | w: far blood-y** shore, May-*be to* re-*turn to Loch-* B2 AG GA | G4 :| w: a-ber* no* more. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Tho' hurricanes rise, and raise ev'ry wind, W: They'll ne'er make a tempest like that in my mind; W: Tho' loudest of thunders on louder waves roar. W: That's naething like leaving my love on the shore, W: %page 32 W: To leave thee behind me my heart is sair pain'd ; W: But by ease that's inglorious no fame can be gain'd; W: And beauty and love's the reward of the brave; W: And I maun deserve it before I can crave, W: W:3.Then glory, my Jeany, maun plead my excuse; W: Since honour commands me, how can I refuse? W: Without it, I ne'er can have merit for thee, W: And losing thy favour I'd better not be. W: I gae, then, my lass, to win glory and fame, W: And if I should chance to come gloriously hame, W: I'll bring a heart to thee with love running o'er, W: And then I'll leave thee and Lochaber no more. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 30 T: FOR LACK OF GOLD O: 1811 B: "Caledonian Musical Repository", 1811, p.94-95 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Fixed incorrect length to the 2nd g in bar 5 ("for-"). N: Dropped extra bar line in the middle of bar 15. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - F>E | D3 F (A>Bd) A | B2 (e>f) e2 d B | w: For* lack of gold** she's left me,* O, And of d2 a2 (f>ga) d | f2 (a>b) a2 zd | (g>ab) g w: all that's dear** be-reft me,* O; She me** for- f>ga f | (gfe) d e2 d f | D3 F w: sook** for a** great duke, And to end-less (A>Bd) A | B2 (d>e) d2 :: (d>e) | (fd) (eB) w: care** has left me,* O. A* star* and* (dA) (BF) | E2 e2 e2 (fa) | (ba) (fb) (ad) (bd) | w: gar-*ter* have more art, Than* youth,* a* true* and* f2 (a>b) a2 (gf) | (g>ab) g (f>ga) f | (gfe) d w: faith-fut* heart; For* emp-**ty ti-**tles we** must %page 95 e2 (d/e/) f | D2 F (A>Bd) A | w: part, And* for glitt'-ring show** she's B2 (d>e) d2 :| w: left me,* O. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.No cruel fair shall ever move W: My injur'd heart again to love; W: Thro' distant climates I must rove, W: Since Jeany she has left me, O. W: Ye pow'rs above, I to your care W: Resign my faithless lovely fair; W: Your choicest blessings be her share, W: Tho" she has ever left me, O. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 31 T: GREEN GROW THE RASHES O: 1811 B: "Caledonian Musical Repository", 1811, p.66-67 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D/ | G G B A | B G G> B | w: There's nought but care on ev'-ry han', In A A e d | e A A> B | c B c e | w: ev'-ry hour that pass-es, O; What sig-ni-fies the d B G> B | A c B A | G E E2 |] w: life o' man, And 'twer-na for the lass-es, O. G2 g> f | g d d2 | e2 a g | w: Green grow the rash-es, O; Gree grow the a e e> f | g> a g e | (d/c/) (B/A/) w: rash-es, O: The sweet-est hours that e'er* I* G> B | A c B A | G E E2 |] w: spent, Were spent a-mang the lass-es, O. %page 67 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The war'ly race may riches chase, W: And riches still may fly them, O, W: And tho' at last they catch them fast, W: Their hearts can ne'er enjoy 'them,' O: W: Green grow, &c. W: W:3.Gie me a canny hour at e'en, W: My arms about my dearie, O, W: And war'ly cares, and war'ly men, W: May a' gae tapsalteerie, O. W: Green grow, &c. W: W:4.For you sae douce, wha sneer at this, W: Ye're nought but senseless asses, O; W: The wisest man the warld e'er saw, W: He dearly lo'ed the lasses, O. W: Green grow, &c. W: W:5.Auld nature swears, the lovely dears. W: Her noblest work she classes, O; W: Her 'prentice han' she tried on man, W: And then she made the lasses, O. W: Green grow, &c, % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 32 T: GUDE FORGI'E ME FOR LYIN O: 1811 B: "Caledonian Musical Repository", 1811, p.117-119 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The first two staffs (3 bars) have two sharps for the key signature; the rest is correct. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G/A/ | B> A B G> A G | B> A B w: Ae* day a braw woo-er came down the lang G2 (d/c/) | B c A G B d | w: glen, And* sair wi' his love he did e3 d2 B/ c/ | d e f g f e | w: deave me; But I said, there was nae-thing I d g B {B}A2 (G/A/) | {GA}B2 D D E G | w: hat-ed like men, The* deuce tak him to be- A> G A B> G A | {GA}B2 D w: lieve me, be-lieve me; The deuce tak D E G | A3 G2 |] w: him to be-lieve me. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.A weel stocket mailen, himsel for the laird, W: A bridal aff hand was the proffer, W: I never loot on that I kent it, or car'd, W: But thought I might get a waur offer. W: W:3.He spak o' the darts o' my bonny black een. W: And how for my love he was diein; W: I said he might die when he liket for Jean, W: The Gude forgi'e me for liein! W: W:4.But what do ye think, in a fortnight or less, W: (The deil's in his taste to gae near her), W: He's down the lang glen to my black cousin Bess; W: Guess ye how the jade I could bear her! W: W:5.Sae a' the neist ouk as I fretted wi' care, W: I gade to the tryst o' Dulgarlock; W: And wha but my braw fickle wooer was there, W: Wha glowr'd as if he'd seen a warlock. W: W:6.Out o'er my left shouther I gied him a blink, W: Lest neibours should think I was saucy; %page 119 W: My wooer he caper'd as he'd been in drink, W: And vow'd that I was a dear lassie. W: W:7.I spier'd for my cousin, fu' couthie and sweet, W: If she had recover'd her hearin'; W: And how my auld shoon fited her shachel'd feet, W: Gude safe us! how he fell a swearin'. W: W:8.He begg'd me, for Gudesake, that I'd be his wife; W: Or else I wad kill him wi' sorrow; W: Sae just to preserve the poor body in life, W: I think I shall wed him to-morrow. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 33 T: HAD I A CAVE O: 1811 B: "Caledonian Musical Repository", 1811, p.209-210 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ A2 B2 c2 | {c}d3 e f2 | A3 B c2 | {c}d6 | w: Had I a cave on some wild dis-tant shore, A2 B2 c2 | {c}d3 e f2 | A3 B c2 | {c}d6 | w: Where the wind howl to the wave's dash-ing roar; {A}f2 f2 f2 | g3 B B2 | {A}f2 f2 (fe) | w: There would I weep my woes, There seek my* {e}d3 B A2 | {A}a2 (gf) (ed) | d3 e f2 | w: lost re-pose, Till grief* my* eyes should close, A3 B c2 | d6 |] w: Ne'er to wake more. %page 210 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Falsest of womankind, canst thou declare W: All thy fond plighted vows--fleeting as air! W: To thy new lover hie, W: Laugh o'er thy perjury; W: Then in thy bosom try W: What peace is there. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 34 T: HERE AWA, THERE AWA O: 1811 B: "Caledonian Musical Repository", 1811, p.267-269 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Removed flag from firs note (e) in bar 14. N: Bar 13 has only 5 8th counts; fixed to match bar 9 and bar 13 in the 1806 edition. M: 3/4 L: 1/8 K: G % Mostly G, with endings in Em. % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ d3 c (BA) | G3 A G2 | A3 G A2 | B2 e4 | w: Here a-wa,* there a-wa, here a-wa, Wil-lie; d3 c (BA) | G3 A B2 | B3 A B2 | E6 :: w: Here a-wa,* there a-wa, haud a-wa hame: B2 e2 ^d2 | (e3 f) g2 | d3 e (dB) | w: Lang hae I sought* thee, dear hae I* (B3 c) d2 | B2 e2 ^d2 | e3 f g2 | w: bought* thee, Now I hae | got-ten my B3 A B2 | E6 :| w: Wil-lie a-gain. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Through the lang muir I hae follow'd my Willie, W: Through the lang muir I hae follow'd him hame; W: Whate'er betide us, nought shall divide us, W: Love now rewards a' my sorrow and pain. %page 268 W: W:3.Here awa, there awa, here awa, Willie, W: Here awa, there awa, haud awa hame: W: Come, love, believe me, naething can grieve me; W: Ilka thing pleases when Willie's at hame. W: W:4.Gin ye meet my love, kiss her and clap her, W: And gin ye meet my love, dinna think shame: W: Gin ye meet my love, kiss her and clap her, W: And shew her the way to haud awa hame. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: WANDERING WILLIE K: W:1.Here awa, there awa, wandering Willie, W: Here awa, there awa, haud awa hame; W: Come to my bosom, my ain only deary, W: Tell me thou bring'st me, my Willie, the same. W: W:2.Winter winds blew loud and cauld at our parting; W: Fears for my Willie brought tears in my ee: W: Welcome now simmer, and welcome my Willie, W: The simmer to nature, my Willie to me. %page 269 W: W:3.Rest, ye wild storms, in the cave of your slumbers; W: How your dread howling a lover alarms! W: Wauken, ye breezes! row gently, ye billows! W: And waft my dear laddie ance mair to my arms. W: W:4.But, ah! if he's faithless, and minds na his Nannie, W: Flow still between us, thou wide roaring main; W: May I never see it, may I never trow it, W: But, dying, believe that my Willie's my ain. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 35 T: HIGHLAND HARRY O: 1811 B: "Caledonian Musical Repository", 1811, p.269-270 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added flag to make first F in bar 2 a 16th note; also to the B in bar 6.. N: Added dot to the first B in bar 7. M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - E | E F F B | w: My Har-ry was a gal-lant gay, Fu' d B A> F F d | B> A B> w: state-ly strade he on the plain; But now he's ba- d e> f e> d | B> d (B/A/) F E f e e) d> B (A/G/) (F/E/) D> d | w: O for him back a-gain! O* for him back* a-*gain! I B> A B d e> f e> d | w: wad gie a' Knock-has-pie's land, For B> A d> F E M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - D | (D>E) D (F>G) F | (A>B) A {de}f2 d | w: The Law-*land lads* think they* are fine, But (dA) F (G>A) B | (Ad) F F E D | w: O* they're vain* and id-*ly gau-dy; How (D>E) D (A>B) A | (d>e) d {fg}a2 f | w: much* un-like* the grace-*fu' mein, And %page 211 (fd) A B> c d | (A>B) A F D2 | w: man-*ly looks of my High-*land lad-die. F2 G A d2 | {de}(f>e) d e A G | w: O my bon-ny High-*land lad-die, My F2 {de}f {f}e2 d | c2 d e A G | w: hand-some charm-ing High-land lad-die; May {G}F2 d {d}c2 B | A2 {ef}g {g}Hf2 e | w: heav'n still guard, and love re-ward, The (f/g/a/f/) (e/d/) B> c d | (A>B) A F D |] w: Law-***land* lass and her High-*land lad-die. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.If I were free at will to chuse, W: To be the wealthiest Lawland lady, W: I'd tak young Donald without trews, W: With bonnet blue and belted plaidy. W: O my bonny, &c. %page 212 W: W:3.The brawest beau in burrows town, W: In a' his airs, wi' art made ready, W: Compar'd to him, he's but a clown, W: He's finer far in's tartan plaidy. W: O my bonny, &c. W: W:4.O'er benty hill wi' him I'll run, W: And leave my Lawland kin and daddy; W: Frae winter's cauld, and simmer's sun, W: He'll screen me wi' his Highland plaidy, W: O my bonny, &c. W: W:5.A painted room, and silken bed, W: May please a Lawland laird and lady; W: But I can kiss, and be as glad, W: Behind a bush, in's Highland plaidy. W: O my bonny, &c. W: W:6.Few compliments between us pass; W: I ca' him my dear Highland laddie, W: And he ca's me his Lawland lass, W: Syne rows me in beneath his plaidy. W: O my bonny, &c. %page 213 W: W:7.Nae greater joy I'll e'er pretend, W: Than that his love prove true and steady, W: Like mine to him, which ne'er shall end, W: While heav'n preserves my Highland laddie. W: O my bonny, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: THE HIGHLAND LASSIE. K: W:1.The Lawland maids gang trig and fine, W: But aft they're sour and unco saucy; W: Sae proud, they never can be kind, W: Like my good-humour'd Highland lassie. W: O my bonny Highland lassie, W: My hearty, smiling Highland lassie; W: May never care mak thee less fair, W: But bloom of youth still bliss my lassie. W: W:2.Than ony lass in burrows-town, W: Wha mak their cheeks wi' patches mottie, W: I'd tak my Katie but a gown, W: Bare-footed, in her little coatie, W: O my bonny, &c. %page 214 W: W:3.Beneath the brier or breckan bush, W: Whene'er I kiss and court my dawtie, W: Happy and blythe as ane wad wish, W: My flighterin heart gangs pittie-pattie, W: O my bonny, &c. W: W:4.O'er highest heathery hills I'll stend, W: Wi' cockit gun and ratches tenty, W: To drive the deer out o' their den, W: To feast my lass on dishes dainty. W: O my bonny, &c. W: W:5.There's nane shall dare, by deed or word. W: 'Gainst her to wag a tongue or finger, W: While I can weild my trusty sword, W: Or frae my side whisk out a whinger. W: O my bonny, &c. W: W:6.The mountains clad with purple bloom, W: And berries ripe, invite my treasure W: To range with me; let great fouk gloom, W: While wealth and pride confound their pleasure. W: O my bonny, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 37 T: the HONEST MAN O: 1811 B: "Caledonian Musical Repository", 1811, p.169-173 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (B/c/) | d> e d A B d e> g | w: Is* there for ho-nest po-ver-ty, Wha f> e d A B2 B (f/e/) | d> e d A w: hangs his head, and a' that? The* cow-ard slave we B d e> g | f> e d B A2 A |][| w: pass him by, And dare be poor for a' that. g | (f>g) a f (g>f) e> g | f> g a d w: For a'* that, and a'* that, Our toils ob-scure, and B2 B g | f> g a (f/a/) b e e> f | w: a' that; The rank is but the* gui-nea stamp, The d> e {e}d (c/B/) A2 A |] w: man's the gowd, for* a' that. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.What though on hamely fare we dine, W: Wear hodden grey, and a' that? W: Gie fools their silk, and knaves their wine, W: A man's a man for a' that, W: For a' that, and a' that, W: Their tinsel shew, and a' that; W: An honest man, though ne'er sae poor, W: Is chief o' men, for a' that. W: W:3.Ye see yon birkie, ca'd a lord, W: Wha struts and stares, and a' that, W: Though hundreds worship at his word, W: He's but a coof, for a' that. W: For a' that, and a' that, W: His ribband, star, and a' that; W: A man o' independent mind W: Can look and laugh at a' that. W: W:4.The king can mak a belted knight, W: A marquis, duke, and a' that; W: An honest man's aboon his might, W: Gude faith, he manna fa' that! %page 171 W: For a' that, and a' that, W: His dignities, and a' that; W: The pith a' sense, and pride o' worth, W: Are grander far than a' that. W: W:5 Then let us pray, that come it may, W: As come it shall, for a' that, W: When sense and worth, o'er a' the earth, W: Shall bear the gree, and a' that. W: For a' that, and a' that, W: It's coming yet, for a' that, W: When man and man, the warld o'er, W: Shall brithers be, and a' that. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: THOUGH WOMEN'S MINDS T: to the same air K: W:1.Though women's minds, like winter winds, W: May shift and turn, and a' that, W: The noblest breast adores them maist, W: A consequence I draw that. W: For a' that, and a' that, W: And twice as meikle's a' that, %page 172 W: The bonny lass that I lo'e best, W: She'll be my ain, for a' that. W: W:2.Great love I bear to a' the fair, W: Their humble slave, and a' that; W: But lordly will, I hold it still W: A mortal sin to thraw that. W: For a' that, &c. W: W:3.But there is ane aboon the lave, W: Has wit and sense, and a' that; W: A bonny lass, I like her best, W: And wha a crime daur ca' that. W: For a' that, &c, W: W:4.In rapture sweet this hour we meet, W: Wi' mutual love, and a' that; W: But for how lang the flie may stang, W: Let inclination law that. W: For a' that, &c. W: W:5.Their tricks and craft hae put me daft, W: They've ta'en me in, and a' that; %page 173 W: But clear your decks, and here's the sex! W: I like the jades for a' that. W: For a' that, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 38 T: HOW SWEET THIS LONE VALE O: 1811 B: "Caledonian Musical Repository", 1811, p.100-101 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (d/B/) | A> B A {de}f> e d | w: How* sweet this lone vale, and how B> A B d> B A | A> B A w: sooth-ing to feel-ing, Yon night-in-gale's {de}f> e d | Te> d (e/f/) {e}d2 (d/B/) | w: notes, which in me-lo-dy* melt; Ob-* A> B A {g}f> e d | B> A B d B A | w: li-vion of woe o'er my mind gent-ly steal-ing, A A> B A {de}f > e d | e> d e d2 :: w: pause from keen sor-row a mo-ment is felt. %page 101 e | f> e f g> f (e/d/) | w: The moon's yel-low light o'er the* B> A B d B A | f> e f w: still lake is sleep-ing; Ah! near the sad g> f (e/d/) | e> d e d2 e | w: spot Ma-ry* sleeps in her tomb! A- f> e f (g>f) (e/d/) | B> A B w: gain the heart swells,* the* eye flows with d> B A/ A/ | A> B A {de}f> e d | w: weep-ing, And the sweets of the vale are all Te> d e d2 :| w: sha-dow'd with gloom. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 39 T: I'LL NEVER LEAVE THEE O: 1811 B: "Caledonian Musical Repository", 1811, p.96-98 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The rhythms aren't right at the strain boundaries. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - |:\ D2 F> G A2 | {G}F3 E D2 | E2 (G/A/B) (AF) | w: One day I heard Ma-ry say, How shall** I* {F2}E4 D2 | D2 F> G {FG}A2 | F3 E D2 | w: leave thee? Stay, dear-est A-do-nis, stay! (EF) (d M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D | G e | d> B A3 B | w: I had a horse, and I had nae mair, I G G G2 w: gat it frae my dad-die; My* purse was light, g e | d> B A3 B/ B/ | G e g2 g/a/ b | w: wit-tens o' my dad-die, To fee mysel to* a a g e3 g | (d/B/) (A/G/) G3 A | B E3 |] w: Law-land laird, Wha had* a* bon-ny la-dy. %page 166 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I wrote a letter, and thus began: W: "Madam, be not offended; W: "I'm owre the lugs in love wi' you, W: "And I carena though ye kend it: W: "For I get little frae the laird, W: "And far less frae my daddy, W: "Yet I wad blythely be the man W: "Wad strive to please my lady." W: W:3.She read my letter, and she leugh; W: "Ye needna been sae blate, man, W: "Ye might hae come to me yoursel, W: "And tauld me a' your state, man: W: "Ye might hae come to me yoursel, W: "Outwittens o' ony body, W: "And made John Goukston o' the laird. W: "And kiss'd his bonny lady." W: W:4.Then she pat siller in my purse, W: We drank wine in a cogie; W: She fee'd a man to rub my horse, W: And vow, but I was vogie! W: But I ne'er gat sae sair a fleg W: Since I cam frae my daddie; %page 167 W: The laird cam, rap, rap! to the yett, W: When I was wi' his lady. W: W:5.Then she pat me behint a chair, W: And hap'd me wi' a plaidy; W: Where I lay like to swarf wi' fear. W: And wished me wi' my daddie. W: The laird gade out, he saw na me, W: I staid till I was ready; W: I promis'd, but I ne'er gade back W: To see his bonny lady. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: O POORTITH CAULD T: to the same air K: W:1.O poortith cauld, and restless love, W: Ye break my peace between ye! W: Yet poortith a' I could forgive, W: If 'twere na for my Jeanie. W: O why should fate sic pleasure have. W: Love's dearest band untwining? W: Or why sae sweet a flow'r as love W: Depend on fortune's shining? %page 168 W: W:2.This warld's wealth, when I think on W: Its pride, and a' the lave o't, W: Fie, fie, on silly coward man, W: That he should be the slave o't. W: O why should fate, &c. W: W:3.Her een, sae bonny blue, betray W: How she repays my passion; W: But prudence is her o'erword ay? W: She taks o' rank and fashion. W: O why should fate, &c. W: W:4.O wha can prudence think upon, W: Wi' sic a lassie by him? W: O wha can prudence think upon, W: And sae in love as I am? W: O why should fate, &c. W: W:5.How blest the humble cotters fate! W: He wooes his simple dearie; W: The silly bogles, wealth and state. W: Can never mak him eerie. W: Then why should fate sic pleasure have, W: Love's dearest band untwining? W: Or sic a tender flow'r as love W: Depend on fortune's shining? % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 41 T: I LO'E NAE A LADDIE BUT ANE O: 1811 B: "Caledonian Musical Repository", 1811, p.22-23 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - F/E/ | D> E D D F D D> E F | w: ane,* He* lo'es nae a las-sie but %page 23 {F}E3- E2 F/E/ | D> E D D dF E> D E | w: ain,* An' his ain I'm* will-ing to D3- D3 ][ A | A> B c d> c d | w: be:* He cost me a roke-ly o' {c}B3- B2 c/d/ | A>F D D> E F | w: blue,* A* pair* o' mit-tens o' {F}E3- E2 F/> E/ | D> E D D F A | w: green,* An' his price was a kiss o' my B3- B2 c/ d/ | A D E | w: mou;* An' I paid him the debt* yes- D3- D2 |] w: treen. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 42 T: JOCKEY SAID TO JENNY O: 1811 B: "Caledonian Musical Repository", 1811, p.285-286 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/2 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 B2 G2 B2 G2 B2 | d2 d2 (ed) (cB) {B2}A4 | w: Joc-key said to Jen-ny, Jen-ny wilt* thou* do't, G2 B2 G2 B2 G2 B2 | d2 (ef) g2 d2 B4 | w: Ne'er a fit, quo' Jen-ny, for my* to-cher gude, (ed) (ef) g2 d2 B2 AG | d3 d (ed) (cB) A4 | w: For* my* to-cher gude, I* win-na mar-*ry* thee; G3 E DE GA B2 d2 | e3 f g2 d2 B4 |] w: E'en's-ye-like,* quo'* Joc-key, I can let ye be. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I hae gowd and gear, I hae land aneugh, W: I hae sax gude owsen ganging in a pleugh; W: Ganging in a pleugh, and linkin o'er the lee, W: And gin ye winna tak me, I can let ye be. %page 286 W: W:3.I hae a gude ha' house, a barn, and a byer; W: A peat-stack 'fore the door, will mak a rantin fire; W: We'll mak a rantin fire, and merry sall we be. W: And gin ye winna tak me, I can let ye be. W: W:4.Jenny said to Jockey, gin ye winna tell, W: Ye shall be the lad, I'll be the lass mysel'; W: Ye're a bonny lad, and I'm a lassie free; W: Ye're welcomer to tak me than to let me be. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 43 T: JOHN ANDERSON, MY JO O: 1811 B: "Caledonian Musical Repository", 1811, p.146-150 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C| L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - (AG) | E2 A2 A2 B2 | c4 c2 (dc) | w: John* An-der-son, my jo, John, when B3 A G2 ^F2 | G6 (AG) | E2 A2 A2 B2 | w: we were first ac-quaint, Your* locks were like the c4 c2 d2 | e3 d c2 d2 | e6 (g>f) | w: ra-ven, your bon-ny brow was brent; But* %%page 147 e3 d c2 d2 | (d3 f) g2 (fe) | d3 c w: now ye're turn-ed bald,* John, your* locks are B2 c2 | d6 (cd) | e2 c2 d2 (cB) | c2 (BA) w: like the snaw, My* blessings on your* fros-ty* B2 (AG) | E2 A2 A2 ^G2 | A6 |] w: pow, John* An-der-son, my jo. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.John Anderson, my jo, John, ye were my first conceit, W: And ay at kirk and market, I've kept you trim and neat; W: Some folk say ye're auld, John, but I scarce believe it's so, W: For ye are ay the same to me, John Anderson, my jo. W: W:3.John Anderson, my jo, John, we've seen our bairns' bairns, W: And yet, my dear John Anderson, I'm happy in your arms, %page 148 W: And sae are ye in mine, John, I'm sure ye'll ne'er say no, W: Though the days are gane that we hae seen, John Anderson, my jo. W: W:4.John Anderson, my jo, John, our siller ne'er was rife, W: And yet we ne'er saw poverty sin' we were man and wife; W: We've ay haen bit and brat, John, great blessings here below, W: And that helps to keep peace at hame, John Anderson, my jo. W: W:5.John Anderson, my jo, John, the warld loes us baith; W: We ne'er spak ill o' neibpurs, John, nor did them ony skaith; W: To live in peace and quietness was a' our care, ye know, W: And I'm sure they'll greet when we are dead, John Anderson, my jo. %page 149 %%sep 1 1 500 %%sep 1 1 500 X: 44 T: the JOLLY BEGGAR O: 1811 B: "Caledonian Musical Repository", 1811, p.58-62 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The rhythm in measure 7 is obviously wrong, but the fix isn't obvious, so I've left it as is. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - G | G A B c d2 G G/ G/ | w: There was a jol-ly beg-gar, and a G g g f e3 d | g b a w: beg-ging he was boun', And he took up g ed e g | d B A G A3 |] w: his quar-*ters in-to a land'-art town. B/ B/ | c B c d e2 e f | w: And we'll gang nae mair a rov-ing, Sae g f g a {g}f2 d d | b a w: late in-to the night, And we'll gang nae g f e/ f g2 g/ g/ | d B w: mair a rov-ing, boys, let the moon shine %page 59 A B G3 |] w: ne'er so bright. % - - - - - - - - - - - - - - - - - - - - - - - - - W: 2.He wad neither ly in barn, nor yet wad he in byre, W: But in ahint the ha' door, or else afore the fire, W: And we'll gang nae mair, &c. W: W: 3.The beggar's bed was made at e'en, wi' good clean straw and hay, W: And in ahint the ha' door, and there the beggar lay. W: And we'll gang nae mair, &c. W: W: 4.Up raise the gudeman's dochter, and for to bar the door, W: And there she saw the beggar standin i' the floor, W: And we'll gang nae mair, &c. W: W: 5.He took the lassie in his arms, and to the bed he ran,-- W: O hooly, hooly wi' me, Sir, ye'll waken our gudeman, W: And we'll gang nae mair, &c. %page 60 W: W: 6.The beggar was a cunnin' loon, and ne'er a word! he spak, W: Until he got his turn done, syne he began to crack. W: And we'll gang nae mair, &c. W: W: 7.Are there ony dogs into this town? maiden, tell me true; W: What wad ye do wi' them, my hinny and my dow? W: And we'll gang nae mair, &c. W: W: 8.They'll rive a' my meal pocks, and do me meikle wrang. W: O dool for the doing o't! Are you the poor man? W: And we'll gang nae mair, &c. W: W: 9.Then she took up the meal pocks, and flang them o'er the wa'; W: The d--l gae wi' the meal pocks, your ragged duds, and a'. W: And we'll gang nae mair, &c. %page 61 W: W:10.I took ye for some gentleman, at least the Laird of Brodie; W: O dool for the doing o't! are ye the poor bodie? W: And we'll gang nae mair, &c. W: W:11.He took the lassie in his arms, and gae her kisses three, W: And four-and-twenty hunder merk to pay the niu-rice fee. W: And we'll gang nae mair, &c. W: W:12.He took a horn frae his side, and blew baith loud and shrill, W: And four-and-twenty belted knights came skipping o'er the hill. W: And well gang nae mair, &c. W: W:13.And he took out his little knffe, loot a' his duddies fa', W: And he was the brawest gentleman that was a-mang them a'. W: And we'll gang nae mair, &c. %page 62 W: W:14.The beggar was a cliver loon, and he lap shoulder height: W: O ay for sicken quarters' as I got yesternight! W: And we'll gang na mail', &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 45 T: KAIL BROSE O' AULD SCOTLAND O: 1811 B: "Caledonian Musical Repository", 1811, p.133-136 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A/ A/ | d> e d c d e | w: When our an-cient fore-fa-thers a- f> e d e2 c/ c/ | d> e d (cd) c | w: greed wi' the laird, For a piece o' gude grund* to B E ^G A2 A | B G B d2 c/ B/ | w: be a kail-yard, It was to the brose than they A F D B3 | e> f g c B A | w: paid their re-gard: O! the kail-brose of auld d3 G2 F | (GA) B A d c | d3- d2 |] w: Scot-land, And O!* the Scot-tish kail-brose.* %page 134 W:2.When Fergus, the first of our kings, I suppose, W: At the head of his nobles had vanquish'd our foes, W: Just before they began, they'd been feasting on brose. W: O! the kail-brose, &c. W: W:3.Our sodgers were drest in their kilts and short hose, W: Wi' their bonnets and belts, which their dress did compose, W: And a bag of oat-meal on their backs to be brose. W: O! the kail-brose, &c. W: W:4.At our annual elections for bailies or mayor, W: Nae kickshaws o' puddings or tarts were seen there; W: But a cog o" gude brose was the favourite fare. W: O! the kail-brose, &c. W: W:5.But now since the thistle is joined to the rose, W: And the English nae langer are counted our foes, W: We've lost a great deal o' our relish for brose. W: O! the kail-brose, &c. W: W:6.Yet each true-hearted Scotsman, by nature jocose. W: Likes always to feast on a cog o' gude brose; W: And thanks be to heav'n, we've yet plenty of those. W: O! the kail-brose, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - X X: 0 T: KATH'RINE OGIE O: 1811 B: "Caledonian Musical Repository", 1811, p.182-186 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - (BA) | F2 (Bc) B3 c | d2 (cB) B2 (cd) | w: As* walk-ing* forth to view the* plain, U-* e3 f (ec) (Bc) | (A3 B) c2 (BA) | F2 (Bc) w: pon a morn-*ing* ear-*ly, While* May's sweet* B3 c | (d>e) (c>d) B2 (ag) | f2 (e/d/c) w: scent did cheer* my* brain, From* flow'rs which** (d>e) (c>d) | B4 f2 ][ (Bc) | (def) g a3 b | w: grew* so* rare-ly; I* chanc'd** to meet a (af) (ef) a2 (ed) | c2 (af) (ec) (Bc) | (A3 B) w: pret-*ty* maid, She* shin'd, tho'* it* was* fog-* c2 (BA) | d2 (cB) B3 F | (B>cd) e w: gie: I* ask'd her* name; Sweet Sir,** she %page 183 {de}f2 (ed) | (e>fa) b (af) (ec) | B4 f2 |] w: said, My* name** is Kath'-*rine* O-gie. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I stood a while, and did admire. W: To see a nymph so stately; W: So brisk an air there did appear W: In a country maid so neatly: W: Such nat'ral sweetness she display'd, W: Like lilies in a bogie; W: Diana's self was ne'er array'd W: Like this same Kath'rine Ogie. W: W:3.Thou flow'r of females, beauty's queen, W: Who sees thee sure must prize thee; W: Though thou art drest in robes but mean, W: Yet these cannot disguise thee: W: Thy handsome air, and graceful look, W: Excels each clownish rogie; W: Thou'rt match for laird, or lord, or duke, W: My charming Kath'rine Ogie. %page 184 W: W:4.O! were I but some shepherd swain, W: To feed my flock beside thee; W: At bughting-time to leave the plain, W: In milking to be abide thee. W: I'd think myself a happier man, W: Wi' Kate, my club, and dogie, W: Than he that hugs his thousands ten. W: Had I but Kath'rine Ogie. W: W:5.Then I'd despise th' imperial throne, W: And statesmen's dangerous stations, W: I'd be no king, I'd wear no crown, W: I'd smile at conquering nations, W: Might I caress, and still possess W: This lass of whom I'm vogie; W: For they are toys, and still look less, W: Compar'd with Kath'rine Ogie. W: W:6.I fear the gods have not decreed W: For me so fine a creature, W: Whose beauty rare makes her exceed W: All other works in nature. %page 185 W: Clouds of despair surround my love, W: That are both dark and foggie; W: Pity my case, ye Powers above! W: Else I die for Kath'rine Ogie. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: HIGHLAND MARY. T: to the same air K: W:1.Ye banks, and braes, and streams, around W: The Castle o' Montgomery, W: Green be your woods, and fair your flow'rs, W: Your waters never drumlie: W: There simmer first unfaulds her robes, W: And there they langest tarry; W: For there I took the last fareweel W: Of my dear Highland Mary, W: W:2.How sweetly bloom'd the gay green birk! W: How rich the hawthorn's blossom, W: As underneath their fragrant shade, W: I clasp'd her to my bosom! %page 186 W: The golden hours, on angel wings, W: Flew o'er me and my dearie; W: For dear to me, as light and life, W: Was my sweet Highland Mary. W: W:3.Wi' mony a vow, and lock'd embrace, W: Our parting was fu' tender; W: And pledging aft to meet again, W: We tore ourselves asunder. W: But oh! fell death's untimely frost, W: That nipt my flow'r so early; W: Now green's the sod, and cauld's the clay. W: That wraps my Highland Mary! W: W:4.O pale, pale now, those rosy lips, W: I aft hae kiss'd sae fondly! W: And clos'd for ay, the sparkling glance W: That dwelt on me sae kindly! W: And mould'ring now, in silent dust, W: That heart that lo'ed me dearly; W: But still within my bosom's core, W: Shall live my Highland Mary. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 46 T: KIND ROBIN LOES ME O: 1811 B: "Caledonian Musical Repository", 1811, p.276-279 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added dot to 3rd G in bar 3, to fix the rhythm. N: Changed the E in bar 14 from half note to quarter note, to fix the rhythm. N: The last bar in each strain is missing its final beat; I've added rests to fix the rhythm. N: There should be a pickup note at the start of most strains, but it's not shown in the music. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G2 G2 G3 B | (AB) (AG) E2 (D>E) | {E}G2 G2 w: Ro-bin is my on-*ly* jo, For* Ro-bin G3 B | (AG) (AB) e2 ze | G2 G2 g2 (Bd) | w: has the art* to* loe; Sae to his suit I* (cB) (AG) E2 (D>E) | G2 G2 e2 (dB) | {B2}d4 G2 z2 |] w: mean* to* bow, Be-*cause I ken he* loes me. %page 277 d2 (ed) B2 (eB) | (cB) (AG) {G}E2 zd | w: Hap-py* hap-py* was* the* shower, That d2 (ed) {c}B2 AG | A2 B2 e2 ze | d2 (ef) w: led me* to the* bir-ken bow'r, Where first of* g2 (Bd) | cB (AG) {G}E2 DE | G2 G2 e2 dB | w: love I* fand* the* pow'r, And* kend that Ro-bin {B2}d4 G2 z2 |] w: loes me. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.They speak of napkins, speak of rings, W: Speak of gloves and kissing-strings, W: And name a thousand bonny things, W: And ca' them signs he lo'es me; W: But I'd prefer a smack o' Rob, W: Seated on a velvet fog, W: To gifts as lang's a plaiden wob, W: Because I ken he loes me, %page 278 W: W:3.He's tall and sonsy, frank and free, W: Loe'd by a', and dear to me, W: Wi' him I'd live, wi' him I'd die, W: Because my Robin lo'es me. W: My titty Mary said to me, W: Our courtship but a joke wad be, W: And I ere lang be made to see, W: That Robin did nae lo'e me. W: W:4.But little kens she what has been, W: Me and my honest Rob between, W: And in his wooing, O sae keen W: Kind Robin is that lo'es me. W: Then fly, ye lazy hours, away, W: And hasten on the happy day, W: When 'join your hands,' Mess John shall say, W: And him be mine that lo'es me. W: W:5.Till then let ev'ry chance unite, W: To weigh our love and fix delight, W: And I'll look on a' such wi' spite, W: Wha doubt that Robin lo'es me. %page 279 W: O hey, Robin, quo' she, W: O hey, Robin, quo' she, W: O hey, Robin, quo' she, W: Kind Robin lo'es me. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 47 T: KING ROBERT BRUCE'S ADDRESS O: 1811 B: "Caledonian Musical Repository", 1811, p.173-177 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added missing dot to 3rd G in 1st bar. M: C L: 1/16 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G3 G G3 A G3 A c4 | A3 A w: Scots, wha hae wi' Wal-lace bled; Scots, wham A3 G A2 B2 (c2d2) | e3 g d3 e c3 d w: Bruce has af-ten led;* Wel-come to your go-ry He2 e d | c2 A2 A3 G G6 z2 ][ e3 e e3 d w: bed, Or to glo-rious vic-to-ry! Now's the day, and e3 f g4 | d3 d d3 c d3 e f4 | w: now's the hour! See the front of bat-tle lour! (gf) (ef) e3 d c3 d e2 e d | w: See* ap-*proach proud Ed-ward's pow'r! Ed-ward, c2 A2 A3 G G6 z2 |] w: chains, and sla-ve-ry! %page 174 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Wha will be a traitor knave? W: Wha can fill a coward's grave? W: Wha sae base as be a slave? W: Traitor, coward, turn and flee! W: Wha for Scotland's king and law, W: Freedom's sword will strongly draw? W: Freeman stand, or freeman fa'. W: Caledonian, on wi' me! W: W:3.By oppression's woes and pains; W: By your sons in servile chains; W: We will drain our dearest veins, W: But they shall be, shall be free, W: Lay the proud usurpers low! W: Tyrants fall in ev'ry foe! W: Liberty's in ev'ry blow! W: Forward!--let us do or die! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: THE LAND O' THE LEAL. T: to the same air K: W:1.I'm wearing awa, Jean, W: Like snaw when it's thaw, Jean, W: I'm wearing awa, Jean, W: To the land o' the leal. %page 175 W: There's nae sorrow there, Jean, W: There's nae cauld nor care, Jean; W: The day is ay fair, Jean, W: In the land o' the leal. W: W:2.Ye've been leal and true, Jean, W: Your task's ended now, Jean, W: And I'll welcome you, Jean, W: To the land o' the leal. W: Our bonny bairn's there, Jean, W: She was baith gude and fair, Jean, W: And we grudg'd her right sair, Jean; W: To the land o' the leal. W: W:3.Dry that tearfu' ee, Jean, W: My soul langs to be free, Jean* W: And angels wait on me, Jean, W: In the land o' the leal. W: Then fareweel my ain Jean; W: This warld's care is vain, Jean; W: We'll meet, and ye be fain, Jean, W: In the land o' the leal. % - - - - - - - - - - - - - - - - - - - - - - - - - %page 176 %%sep 5 1 500 %: 3 T: WEEL MAY WE A' BE T: to the same air K: W:1.Weel may we a' be, W: Ill may we never see; W: Here's to the king W: And this gude company. W: Fill, fill a bumper high; W: Drain, drain your glasses dry; W: Out upon him, fie! O fie! W: That winna do't again. W: W:2.Here's to the king, boys! W: Ye ken wha I mean, boys; W: And ev'ry honest man, boys, W: That will do't again. W: Fill, fill, &c. W: W:3.Here's to a' the chieftains W: Of the gallant Scottish clans; W: They hae done it mair than anes, W: And they'll do't again. W: Fill, fill, &c. W: W:4.When the pipes begin to strum W: Tutti, tattie, to the drum, W: Out claymore, and down the gun, W: And to the knaves again. W: Fill, fill, &c % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 48 T: the LAMMY O: 1811 B: "Caledonian Musical Repository", 1811, p.41-44 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - E | E> F G> A (Bc) d2 | w: O whare hae ye been a'* day, (AB) (AG) (FD) D2 | E> F G> A (Bc) d2 | w: My* boy* Tam-*my? Whare hae ye been a'* day, (Bg) (f>e) B f g> e w: My* boy* Tam-*my? I've been by burn and d> c B2 | G> B d> B A> F D2 | w: flow'-ry brae, Mea-dow green, and moun-tain grey, e> g f> g e2 B2 | G> A B> w: Cour-ing o' this young thing, just come frae A G F2 |] w: her mam-my. % - - - - - - - - - - - - - - - - - - - - - - - - - %page 42 W:2.And whare gat ye that young thing, W: My boy Tammy? W: And whare gat ye that young thing* W: My boy Tammy? W: I gat her down on yonder howe, W: Smiling on a broomy knowe, W: Herding ae wee lamb and ewe, W: For her poor mammy. W: W:3.What said ye to the young thing, W: My boy Tammy? W: What said ye to the young thing, W: My boy Tammy? W: I prais'd her een sae bonny blue, W: Her dimpl'd cheek, and cherry mou; W: I prie'd it aft, as ye may trow; W: She said, she'd tell her mammy. W: W:4.I held her to my beating breast; W: "My young, my smiling lammy;" W: I held her to my beating breast; W: "My young, my smiling lammy, %page 43 W: "I hae a house, it cost me dear, W: "I've walth o' penishin and gear, W: "Ye'se get it a', war't ten times mair, W: "Gin ye will leave your mammy." W: W:5.The smile gade aff her bonny face; W: "I manna leave my mammy ;*" W: The smile gade aff her bonny face; W: "I manna leave my mammy; W: "She's gi'en me meat, she's gi'en me claise, W: "She's been my comfort a' my days; W: "My daddy's death brought mony waes; W: "I canna leave my mammy ." W: W:6."We'll tak her hame, and mak her fain, W: "My ain kind-hearted lammy; W: "We'll tak her hame, and mak her fain, W: "My ain kind-hearted lammy; W: "We'll gie her meat, we'll gie her claise, W: "We'll be her comfort a' her days ;" W: The wee thing gies her hand, and says, W: "There! gang and ask my mammy," %page 48 W: W:7.Has she been to the kirk wi' thee, W: My boy Tammy? W: Has she been to the kirk wi' thee, W: My boy Tammy? W: She has been to the kirk wi' me, W: And the tear, was in her ee,-- W: But oh! she's but a young thing, W: Just come frae her mammy. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 49 T: the LASS IN YON TOWN O: 1811 B: "Caledonian Musical Repository", 1811, p.114-116 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - F | D> d d> A {G}F2 D> A | F A w: O wat ye wha's in yon town, Ye see the D A F> E E> d | d> c d> A w: e'en-ing sun u-pon? The dear-est maid's in {G}F2 D> A | F> A E> G F D D |] w: you town, His set-ting beams e'er shone u-pon. A | F D A D B D A> D | w: Now hap-ly down yon gay green shaw, She F D A D F> E E> G | F D w: wan-ders by yon spread-ing tree; How blest ye %page 115 A D B D A> D | F A E w: flow'rs that round her blaw, Ye catch the glan- G F D D A | F D A D B w: ces o' her ee. How blest ye birds that round D A> D | F D A D F> E w: her sing, And wan-ton in the bloom-ing E> G | F D A D B G Hd> B | w: year; But doub-ly wel-come be the spring, The A> F E> G F> D D |] w: sea-son to my Jea-nie dear. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The sun blinks blythe on yon town, W: Amang the broomy braes sae green; W: But my delights in yon town, W: And dearest pleasure is my Jean. %page 116 W: Withthout my fair, not a' the charms W: Of paradise could yield me joy; W: But gie me Jeanie in my arms, W: And welcome Lapland's dreary sky. W: My cave wad be a lover's bower, W: Tho' raging winter rent the air; W: And she a lovely little flower, W: That I wad tent and shelter there. W: W:3.O sweet is she in yon town. W: The sinking sun's gaun down upon; W: The dearest maid's in yon town, W: His setting beams e'er shone upon. W: If angry fate be sworn my foe, W: And suff'ring I am doom'd to bear, W: I'd careless quit ought here below; W: But spare, oh! spare my Jeanie dear. W: For while life's dearest blood runs warm, W: My thoughts frae her shall ne'er depart: W: For as most lovely is her form, W: She has the truest, kindest heart. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 50 T: the LASS OF BALLOCHMYLE O: 1811 B: "Caledonian Musical Repository", 1811, p.138-141 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added dot to last note in 1st strain to fix the rhythm of the measure. M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - (A>B) | c3 c (B>AB) d | (e>dc) B A2 (EF) | w: Twas* ev'n', the dew-**y fields** were green, On* G2 (ge) (dB) (A>B) | (G2 E2) E2 (AB) | c2 c2 w: ev'-ry* blade* the* | pearls* hang; The* ze-phyr (BA) (cd) | (ed) (cB) A2 (EF) | G2 (ge) (dB) (AB) | w: wan-*ton'd* round* the* bean, And* bore its* fra-*grant* %page 139 G2 (EF) E3 ][ b | (de) (ga) {g a}b2 (ag) | w: sweets a-*lang: In ev'-*ry* glen the* (a>gf) e d3 B | (e>fg) a (b>g) (a>b) | w: ma-**vis sang, All na-**ture list'-*ning* (g>e) (f>g) e2 (ga) | (b>a) (gb) (a>g) (e>a) | w: seem'd* the* while, Ex-*cept* where* green-*wood* (g M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A>G | F2 (E>D) (F>G) A2 | (d3 e f2) zA | w: The* lass of* Pa-*tie's mill,** So (Bc) (dc) (BAG) G | {F2}E4 z2 (A>G) | w: bon-*ny,* blythe,** and gay, In* %page 265 F2 (E>D) (F>G) A2 | (d3 e/f/ G2) zd | (B>cd) B w: spite of* all* my skill,*** Hath stole** my (c>de) f | d6 :: f2 | (gf) (ed) c2 (BA) | w: heart** a-way. When ted-*ding* of the* (d3 e f2) zA | (B>cd) A (BAG) F | w: hay,** Bare-head-**ed on** the {F2}E4 z2 (fg) | (a/g/f) (g/f/e) (fd) (Bg) | {f2}THe4 z2 (GF) | w: green, Love* 'midst** her** locks* did* play, And* G2 (AB) A2 Tc2 | d6 :| w: wan-ton'd* in her een. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Her arms white, round, and smooth; W: Breasts in their rising dawn; W: To Age it would give youth, W: To press them with his hand. %page 266 W: Through all my spirits ran W: An extacy of bliss, W: When I such sweetness fand W: Wrapt in a balmy kiss. W: W:3.Without the help of art, W: Like flowers which grace the wild, W: Her sweets she did impart, W: Whene'er she spoke or smil'd; W: Her looks they were so mild, W: Free from affected pride, W: She me to love beguil'd; W: I wish'd her for my bride, W: W:4.Oh! had I all that wealth W: Hopetoun's high mountains fill, W: Insur'd long life and health, W: And pleasure at my will; W: I promise, and fulfil, W: That none but bonny she, W: The lass of Patie's mill, W: Should share the same with me. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 52 T: LAST TIME I CAME O'ER THE MUIR O: 1811 B: "Caledonian Musical Repository", 1811, p.206-209 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (A>G) | F2 (ED) d3 e | {de}f2 (ed) c2 (BA) | w: The* last time* I came o'er the* muir, I* B3 A (F>EF) A | (B3 c) d2 (A>G) | F2 (ED) w: left my love** be-hind* me: Ye* pow'rs! what* d3 e | f2 (ed) c2 (BA) | (B>c) (de) (fed) c | w: pain do I en-*dure, When* soft* i-*de-**as %page 207 (B3 c) d2 :: (ed) | c2 (BA) A3 f | (ec) (B>c) w: mind* me. Soon* as the* rud-dy morn* dis-* A3 F | A3 d (A>BA) F | A4 d2 A2 | (B>AB) d w: play'd The beam-ing day** en-su-ing, I met** be- B2 (AF) | (A>FA) B d3 e | (fe) (dB) (AB/c/d) G | w: times my* love-**ly maid, In fit* re-*treats*** for (F2 TE3) D :| w: woo-*ing. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Beneath the cooling shade we lay, W: Gazing and chastely sporting; W: We kiss'd, and promis'd time away, W: Till night spread her black curtain; W: I pitied all beneath the skies, W: Ev'n kings, when she was nigh me; W: In raptures I beheld her eyes, W: Which could but ill deny me. %page 208 W: W:3.Should I be call'd where cannons roar, W: Where mortal steel may wound me; W: Or cast upon some foreign shore, W: Where dangers may surround me; W: Yet hopes again to see my love, W: To feast on glowing kisses, W: Shall make my care at distance move. W: In prospect of such blisses. W: W:4.In all my soul there's not one place W: To let a rival enter; W: Since she excels in ev'ry grace, W: In her my love shall center. W: Sooner the seas shall cease to flow. W: Their waves the Alps shall cover; W: On Greenland's ice shall roses grow. W: Before I cease to love her. W: W:5.The next time I gang o'er the muir, W: She shall a lover find me; W: And that my faith is firm and pure, W: Though I left her behind me. %page 209 W: Then Hymen's sacred bonds shall chain W: My heart to her fair bosom; W: There, while my being does remain, W: My love more fresh shall blossom. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 53 T: LET ME IN THIS AE NIGHT O: 1811 B: "Caledonian Musical Repository", 1811, p.32-35 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - A | G E E F G A B G | w: O las-sie, art thou sleep-ing yet? Or A B c A d> c B> A | w: art thou wak-in, I would wit; For %page 33 G E E ^d e f g> e | w: love has bound me hand and fit, And d B A G A2 B |][| A | G E E d w: I wad fain be in, jo. O let me in this e2 e2 B | d2 (dA) (Bc) B> A | w: ae night, This ae, ae,* ae* night, For G e | d B A w: pi-ty's sake, this ae* night, O wad ye let G A2 B |] w: me in, jo. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Out o'er the moss, out o'er the muir, W: I came, this dark and dreary hour, W: And here I stand without the door, W: Amid the pouring storm, jo. W: O let me in, &c. W: W:3.Thou hearest the winter wind and weet, W: Nae star blinks through the driving sleet, W: Tak pity on my weary feet, W: And shield me frae the rain, jo, W: O let me in, &c. W: W:4.The bitter blast that round me blaws, W: Unheeded howls, unheeded fa's; W: The cauldness o' thy heart's the cause W: O' a' my grief and pain, jo. W: O let me in, &c. W: W: HER ANSWER. W: W:5.O tell na me o' wind and rain, W: Upbraid na me wi' cauld disdain; W: Gae back the gate you cam again; W: I winna let you in, jo. W: I tell you now this ae night. W: This ae, ae, ae night; W: And ance for a' this ae night, W: I winna let you in, jo. W: W:6.The snellest blast, at mirkest hours, W: That round the pathless wand'rer pours,- W: Is nought to what poor she endures, W: That trusted faithless man, jo. W: I tell you now, &c, W: W:7.The sweetest flow'r that deck'd the mead, W: Now trodden like the vilest weed: W: Let simple maids the lesson read, W: The weird may be their ain, jo. W: I tell you now, &c. W: W:8.The bird that charm'd his summer day, W: Is how the cruel fowler's prey: W: Let witless, trusting woman, say, W: How aft her fate's the same, jo, W: I tell you now, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 54 T: LEWIS GORDON O: 1811 B: "Caledonian Musical Repository", 1811, p.84-85 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The first 3 staffs have the f# written as e#. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G> A B> A G A B> c d e Hg2 | w: And the lad I dare-na name; e> d g B ({Bd}c/B/) (A/G/) {GB}A2 | w: Tho' his back be at* the* wa', G> A B> A G A w: Here's to him that's far a-wa. Oh hon, my G A B> c d> e Hg2 | w: High-land-man! Oh, my bon-ny High-land-man! e> d {d}g B ({Bd}c/B/) (A/G/) {B}A> B | w: Weel was I my true-*love* ken, A- %page 85 G> A B> c d N: Fixed incorrect length of last two notes in bar 7, to match similar passages elsewhere. M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (DE) | F2 A2 A2 (Bc) d3 e d2 c2 | w: As* I came by Loch-*Er-Roch side, The B3 A B2 d2 (e3f) e2 E2 | F2 A2 A2 (Bc) w: lof-ty hills sur-vey-*ing, The wa-ter clear, the* d3 e {d}f3 e | (dc) (cB) (ABd) F w: hea-ther blooms, Their frag-*rance* sweet** con- {F}E4 D2 :: (ag) | f2 a2 d2 (fg) w: vey-ing. I* met, un-sought, my* (ag) (fg) a3 (g/f/) | f2 b2 e2 (ga) w: love-*ly* maid, I* found her like May {ga}b4 b2 (ag) | f3 a e3 f w: morn-ing; With* gra-ces sweet, and %page 103 d3 A B3 d | A3 d f3 d e4 d2 |] w: charms so rare, Her per-son all a-dorn-ing. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.How kind her looks, how blest was I, W: While in my arms I pressed her! W: And she her wishes scarce conceal'd, W: As fondly I caress'd her. W: She said, If that your heart be true, W: If constantly you'll love me, W: I heed not care, nor fortune's frowns, W: For nought but death shall move me. W: W:3.But faithful, loving, true, and kind. W: For ever you shall find me, W: And of our meeting here so sweet, W: Loch-Erroch sweet shall mind me. W: Enraptur'd then, My lovely lass, W: I cried, no more we'll tarry! W: We'll leave the fair Loch-Erroch side, W: For lovers soon should marry. % - - - - - - - - - - - - - - - - - - - - - - - - - %page 104 %%sep 5 1 500 %: 2 T: the LASS OF GOWRIE T: (to the same air) K: W:1.Upon a simmer afternoon, W: A wee before the sun gade down, W: My lassie, in a braw new gown, W: Came o'er the hills to Gowrie. W: The rose-bud, ting'd with morning show'r, W: Blooms fresh within the sunny bow'r; W: But Katie was the fairest flow'r W: That ever bloom'd in Gowrie. W: W:2.Nae thought had I to do her wrang, W: But round her waist my arms I flang, W: And said, My dearie, will ye gang W: To see the Carse o' Gowrie? W: I'll tak you to my father's ha', W: In yon green fields beside the shaw; W: And mak you lady o' them a', W: The brawest wife in Gowrie. W: W:3.A silken gown o' siller grey, W: My mither coft last new-year's-day, W: And buskit me frae tap to tae, W: To keep me out o' Gowrie. %page 105 W: Daft Will, short syne, cam courting Nell, W: And wan the lass, but what befel, W: Or whare she's gane, she kens hersel; W: She staid na lang in Gowrie. W: W:4.Sic thoughts, dear Katie, ill combine W: Wi' beauty rare, and wit like thine; W: Except yoursel, my bonny quean, W: I care for nought in Gowrie. W: Since first I saw you in the sheal, W: To you my heart's been true and leal; W: The darkest night I fear nae de'il, W: Warlock, or witch, in Gowrie. W: W:5.Saft kisses on her lips I laid; W: The blush upon her cheek soon spread; W: She whisper'd modestly, and said, W: O Pate, I'll stay in Gowrie! W: The auld folks soon gae their consent, W: Syne for Mess John they quickly sent, W: Wha ty'd them to their heart's content; W: And now she's Lady Gowrie! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 56 T: LOGAN WATER O: 1811 B: "Caledonian Musical Repository", 1811, p.230-233 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: In bar 5, the f is an 8th note; changed to 1/4 note to match the rest of the tune. N: In bar 11, the b's length is similarly wrong, and fixed similarly. N: In bar 15, the (fg) seems dotted, but the beam is obscured; transcribed as dotted. M: C L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - (Bc) | d2 (cB) B3 d | (AF) (EF) A3 c | w: By* Lo-gan's* streams, that rin* sae* deep, Fu' d3 c B3 d | (AB) (de) f3 f | w: aft wi' glee I've herd-*ed* sheep, I've (gb) (ag) {f}f2 (ed) | (ed) (cB) A3 c | w: herd-*ed* sheep, and* ga-*ther'd* slaes, Wi' (Bc) (de) (f>gf) e | d2 Tc2 B2 ][ (f^a) | w: my* dear* lad** on Lo-gan braes. But* b2 B2 B3 d | (AF) (EF) A3 ^a | w: waes my heart! thae days* are* gane, And b2 B2 B3 d | (AB) (de) f3 f | w: I, wi' grief, may herd* a-*lane, While %pag 231 (gb) (ag) {g}f2 (ed) | (edc) B A3 c | w: my* dear* lad maun* face** his faes, Far, (Bcd) e (f>g) (fe) | d2 Tc2 B2 |] w: far** frae me,* or* Lo-gan braes. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Nae mair at Logan kirk will he, W: Atween the preachings meet wi' me; W: Meet wi' me, or when it's mirk, W: Convoy me hame frae Logan kirk. W: Weel may I sing, thae days are gane, W: Frae kirk or fair I come alane; W: While my dear lad maun face his faes W: Far, far frae me, or Logan braes. %page 232 W: W:3.Logan, sweetly didst thou glide, W: That day I was my Willie's bride; W: And years sinsyne hae o'er us run. W: Like Logan to the simmer sun. W: But now thy flow'ry banks appear W: Like drumly winter, dark and drear, W: While my dear lad maun face his faes, W: Far, far frae me, and Logan braes. W: W:4.Again the merry month o' May W: Has made our hills and valleys gay; W: The birds rejoice in leafy bow'rs; W: The bees hum round the breathing flow'rs W: Blythe morning lifts his rosy e'e, W: And ev'ning's tears are tears of joy: W: My soul, deiightless, a' surveys, W: While Willie's far frae Logan braes. W: W:5.Within yon milk-white hawthorn bush, W: Amang her nestlings sits the thrush; %page 233 W: Her faithfu' mate will share her toil, W: Or wi' his sang her cares beguile: W: But I, wi' my sweet nurslings here, W: Nae mate to help, nae mate to cheer, W: Pass widow'd nights and joyless days, W: While Willy's far frae Logan braes. W: W:6.O wae upon you, men o' state, W: That brethren rouse to deadly hate! W: As ye mak mony a fond heart mourn, W: Sae may it on your heads return! W: How can your flinty hearts enjoy W: The widow's tear, the orphan's cry? W: But soon may peace bring happy days, W: And Willie hame to Logan's braes! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 57 T: LOGIE O' BUCHAN O: 1811 B: "Caledonian Musical Repository", 1811, p.120-122 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - (AG) | F3 G A2 | A f3 e2 | d2 B2 B2 | B4 w: O* Lo-gie o' Bu-chan, O Lo-gie the Laird, A G | F3 G A2 | A d3 e2 | f2 d2 d2 | w: They hae ta'en a-wa Ja-mie, that delv'd in the d4 ][ (de) | f3 e f2 | a4 f e | d2 B2 c2 | w: yard, Wha* play'd on the pipe, wi' the vi-ol sae d4 d e | f3 g f2 | e2 d2 e2 | f3 d B2 | w: sma'; They hae ta'en a-wa Ja-mie, the flow'r o' them B4 ][ A G | F3 G A2 | A f3 e2 | w: a'. He said, think na lang, las-sie, tho' d2 B2 B2 | B4 A G | F3 G A2 | A d3 e2 | w: I gang a-wa; He said, think na lang, las-sie, tho' %page 121 f2 d2 d2 | d4 ][ d e | f3 e f2 | a f3 e2 | w: I gang a-wa: For the sim-mer is com-ing, cauld d2 B3 c | d4 (de) | f3 g f2 | e2 d2 e2 | w: win-ter's a-wa, And* I'll come and see thee in f3 d B2 | B4 |] w: spite o' them a'. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Sandy has ousen, has gear, and has kye; W: A house and a hadden, and siller forbye: W: But I'd tak my ain lad, wi' his staff in his hand, W: Before I'd hae him, wi' his houses and land. W: He said, think na lang, &c. W: W:3.My daddie looks sulky, my minnie looks sour, W: They frown upon Jamie because he is poor: W: Tho' I lo'e them as weel as a daughter should do, W: They are nae hauf sae dear to me, Jamie, as you. W: He said, think na lang, &c. %page 122 W: W:4.I sit on my creepie, I spin at my wheel, W: And think on the laddie that lo'ed me sae weel; W: He had but ae saxpence, he brak it in twa, W: And he gied me the hauf o't when he gade awa. W: Then haste ye back, Jamie, and bide na awa, W: Then haste ye back, Jamie, and bide na awa; W: The simmer is coming, cauld winter's awa, W: And ye'll come and see me in spite o' them a'. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 58 T: LOVELY JEAN O: 1811 B: "Caledonian Musical Repository", 1811, p.62-65 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/16 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - G2 | c3 c c3 c c3 G c3 a | g3 e w: Of a' the airts the wind can blaw, I dear-ly d3 c A4 z2GA | c3 c c3 c c3 G c3 a | w: like the west, For* there the bon-ny las-sie lives, The g3 a c'3 e g4 z2a2 | g3 a c'3 e w: lass that I loe best: Tho' wild woods grow, and g3 e d3 c | d2 d e (fe) ec {B}A4 z2GA | w: ri-vers row, wi' mo-nie a hill* be-*tween, Baith* %page 63 c3 c c3 c c2 G2 c3 a | g3 e d3 e w: day and night, my fan-cy's flight Is e-ver wi' my c4 z2 |] GF | E3 G c3 G A3 G c3 G | w: Jean. I* see her in the dew-y flow'r, Sae e3 g (fe) (dc) {B}A4 z2GF | E3 G c3 G w: love-ly, sweet,* and* fair; I* hear her voice in A3 G c3 d | e3 f (gab) c' g4 z2(ab) | w: il-ka bird, Wi' mu-sic charm** the air: There's* c'3 b a3 g a3 g f3 e | d3 e (fe) w: not a bon-ny flow'r that springs, By foun-tain, shaw,* (dc) A4 z2G2 | c3 c c3 c c3 G c3 a | w: or* green, Nor yet a bon-ny bird that sings, But g3 e d3 e c4 z2 |] w: minds me o' my Jean. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Upon the banks o' flowing Clyde W: The lasses busk them braw; W: But when their best they hae put on, W: My Jeanie dings them a'; W: In hamely weeds she far exceeds W: The fairest o' the town; W: Baith grave and gay confess it sae, W: Tho' drest in russet gown. W: The gamesome lamb, that sucks its dam, W: Mair harmless canna be; W: She has nae faut, (if sic we ca't,) W: Except her love for me: W: The sparkling dew, of clearest hue, W: Is like her shining een; W: In shape and air, wha can compare W: "Wi' my sweet lovely Jean? W: W:3.O blaw, ye westlin winds, blaw saft W: Amang the leafy trees; W: Wi' gentle breath, frae muir and dale, W: Bring hame the laden bees, W: And bring the lassie back to me W: That's ay sae neat and clean; %page 65 W: Ae blink o' her wad banish care, W: Sae lovely is my Jean. W: What sighs and vows, amang the knowes, W: Hae past atween us twa! W: How fain to meet, how wae to part W: That day she gade awa! W: The powers aboon can only ken, W: To whom the heart is seen, W: That nane can be sae dear to me, W: As my sweet lovely Jean! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 59 T: MARY OF CASTLE CARY O: 1811 B: "Caledonian Musical Repository", 1811, p.239-241 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Used space in "ne'er wad", which looks a lot like a single word. M: C L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ B4 B3 c | {d}f4 f4 | (f e3) d3 d | w: Saw ye my wee thing? saw* ye mine c4 c4 | B4 B4 c | {d2}f4 f4{a2} | (f e3) d2 (cd) | w: ain thing? Saw ye my true-love, down* by yon* B8 | f4 f3 f | {f2}e4 e3 e | d4 c2 B2 | w: lee? Cross'd she the mea-dow, yes-treen at the {B2}A4 {A2}Ha4 | B4 B3 c | d2 f4 (3(fga) | w: gloam-ing? Sought she the bur-nie, where** {f}e3 d Tc4 | B8 |] w: flow'rs the haw-tree? %page 240 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2."Her hair it is lint-white, her skin it is milk-white; W: "Dark is the blue o' her saft-rolling ee. W: "Red, red her lip is, and sweeter than roses: W: "Whare could my wee thing wander frae me?" W: W:3.'I saw na your wee thing, I saw na your ain thing, W: 'Nor saw I your true-love down by yon lee: W: 'But I met my bonny thing late in the gloamin, W: 'Down by the burnie, whare flow'rs the haw-tree. W: W:4.'Her hair it was lint-white, her skin it was milk-white; W: 'Dark was the blue o' her saft-rolling ee; W: 'Red were her ripe lips, and sweeter than roses; W: 'Sweet were the kisses that she gae to me.' W: W:5."It was na my wee thing, it was na mine ain thing, W: "It was na my true-love ye met by the tree. W: "Proud is her leal heart, and modest her nature, W: "She never lo'ed leman till ance she lo'ed me. W: W:6."Her name it is Mary, she's frae Castle Cary; W: "Aft has she sat, when a bairn, on my knee. W: "Fair as your face is, were't fifty times fairer, W: "Young braggart, she ne'er wad gie kisses to thee." %page 241 W: W:7.'It was then your Mary, she's frae Castle Cary; W: 'It was then your true-love I met by the tree. W: 'Proud as her heart is, and modest her nature, W: 'Sweet were the kisses that she gae to me.' W: W:8.Sair gloom'd his dark brow, blood-red his cheek grew, W: Wild flash'd the fire frae his red-rolling ee: W: "Ye'se rue sair this morning, your boasting and scorning; W: "Defend, ye fause traitor, for loudly ye lie!" W: W:9.'Awa wi' beguiling,' then cried the youth, smiling: W: Aff gade the bonnet, the lint-white locks flee; W: The belted plaid fa'ing, her white bosom shawing, W: Fair stood the lov'd maid wi' the dark-rolling ee. W: W:10."Is it my wee thing? is it mine ain thing? W: "Is it my true-love here that I see?" W: 'O Jamie, forgie me! your heart's constant to me: W: 'I'll never mair wander, my true-love, frae thee.' % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 60 T: MUCKING O' GEORDIE'S BYRE O: 1811 B: "Caledonian Musical Repository", 1811, p.190-193 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: There are (faint) repeat signs at the middle double bar, but no final repeat sign. M: 3/4 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - (fe) | (d2 B2) B2 | B3 d (BA) | B2 d2 e2 | w: As* I* went o-ver yon* mea-dow, And f3 e d | d3 e (de/f/) | A4 (fe) | d2 B2 B2 | w: care-less-ly pass-ing a-**lang, I* list-ten'd with B3 d (BA) | B2 d2 e2 | f3 e d2 | w: plea-sure to* Jen-ny, While mourn-ful-ly e3 d (ef) | B4 :: (ag) | f2 a2 b2 | (a2 f2) e2 | w: sing-ing this* sang: The* muck-ing o' Geor-*die's d3 e f2 | f3 g a2 | (f3 e) d2 | A4 (fe) | w: byre, And the shool-ing the gruip* sae clean, Has* d2 B2 B2 | B3 d (BA) | B2 b2 (ag) | w: aft gart me spend the night* sleep-less, And* %page 191 f3 e d2 | e3 d (ef) | B4 |] w: brought the saut tears frae my* een. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.It was nae my father's intention, W: Nor was it my mither's desire, W: That e'er I should fyle my fingers W: Wi' the mucking o' Geofdie's byre. W: The mucking, &c. W: W:3.Though the roads were ever sae filthy, W: Or the day sae scoury and foul, W: I wad ay be ganging wi' Geordie; W: I lik'd it far better than school. W: The mucking, &c. W: W:4.My brither abuses me daily, W: For being wi' Geordie sae free; W: My sister she ca's me hoodwinked, W: Because he's below my degree. W: The mucking, &c. %page 192 W: W:5.But weel do I like my young Geordie, W: Although he was cunning and slee; W: He ca's me his dear and his honey, W: And Vm sure my Geordie loes me. W: The mucking, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: TAM GLEN T: to the same air K: W:1.My heart is a-breaking, dear tittie, W: Some counsel unto me come len'; W: To anger them a' is a pity, W: But what maun I do wi' Tam Glen? W: I'm thinking, wi' sic a braw fallow, W: In poortith I might mak a fen'; W: What care I in riches to wallow, W: If I mauna marry Tam Glen. W: W:2.There's Lowrie, the laird o' Drummiller, W: "Gude-day to you," brute, he comes ben; W: He brags, and be blaws o' his siller, W: But whan will he dance like Tam Glen? %page 193 W: My minnie does constantly deave me, W: And bids me beware o' young men; W: They flatter, she says, to deceive me; W: But wha can think sae o' Tam Glen? W: W:3.My daddy says, gin I'll forsake him, W: He'll gie me gude hunder marks ten; W: But if it's ordain'd I maun tak him, W: O wha will I get but Tam Gen? W: Yestreen at the valentines dealin, W: My heart to my mou' gied a sten, W: For thrice I drew ane without failin, W: And thrice it was written, Tam Glen. W: W:4.The last Hallowe'en I was wau'kin, W: My droukit sark-sleeve, as ye ken, W: His likeness cam up the house staukin, W: And the very grey breeks o' Tam Glen. W: Come counsel, dear tittie, don't tarry; W: I'll gie you my bonny black hen, W: Gin ye will advise me to marry W: The lad I Ioe dearly, Tam Glen. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 61 T: MY AIN KIND DEARIE, O O: 1811 B: "Caledonian Musical Repository", 1811, p.130-133 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added missing flag to e in initial pickup. (Alternative: delete the dot on the initial f.) M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (f>e) | {de}f2 A2 A2 B2 (d3e) d2 f2 | w: Will* ye gang o'er the lee-*rig, My {f}(e3f) (gfed) {de}f2 B2 B2 (f3e) | {de}f2 A2 A2 B2 w: ain* kind*** dear-ie, O? And* cud-dle there fu' (d3e) d2 (d'a) | b2 a2 (bc'd'a) f2 d2 d2 |] w: kind-*ly, Wi'* me, my kind*** dear-ie, O? a2 | (ba) b>c' d'3 f (gf) (ga) b3 d | w: At thor-*ny* dyke, or birk-*en* tree, We'll %page 131 (e>d) (e>f) (gf) (ed) {de}f2 B2 B2 (f>e) | w: daff,* and* ne-*ver* wea-re, O; They'll* {de}f2 A2 A2 B2 d3 e d2 (d'>a) | w: scug ill een frae you and me, My* {c'}(b2a2) (bc'd'a) f2 d2 d2 |] w: ain* kind*** dear-y, O. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Nae herd wi' kent, or colly there, W: Shall ever come to fear ye, O, W: But lav'rocks, whistling in the air, W: Shall woo, like me, their dearie, O. W: While ithers herd their lambs and ewes, W: And toil for warld's gear, my jo, W: Upon the lee my pleasure grows W: Wi' thee, my ain kind dearie, O. %page 132 W: W:3.At gloamin, if my lane I be, W: Oh, but I'm wond'rous eerie, O, W: And mony a heavy sigh I gie, W: When absent frae my dearie, O: W: But seated 'neath the milk-white thorn, W: In ev'ning fair and clearie, O, W: Enraptur'd, a' my cares I scorn, W: When wi' my kind dearie, O. W: W:4.Whare through the birks the burnie rows, W: Aft hae I sat fu' cheery, O, W: Upon the bonny greensward howes, W: Wi' thee, my kind dearie, O. W: I've courted till I've heard the craw W: Of honest Chanticleerie, O, W: Yet never miss'd my sleep ava, W: When wi' my kind dearie, O. W: W:5.For though the night were ne'er sae dark. W: And I were ne'er sae weary, O, W: I'd meet thee on the lee rig W: My ain kind dearie, O. %page 133 W: While in this weary warld of wae, W: This wilderness sae dreary, 0, W: What maks me blythe, and keeps me sae? W: 'Tis thee, my kind dearie, O. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 62 T: MY NANNIE, O O: 1811 B: "Caledonian Musical Repository", 1811, p.18-20 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - (G>A) | B2 E2 B3 A | G3 (TF>E) E2 (DE) | w: Be-*hind yon hills, where Lu-gar* flowrs, 'Mang* G3 A (B>AB) d | e2 (A>B) A2 (GA) | w: muirs and moss-**es ma-ny,* O, The* B2 {Bc}d2 (cB) (AG) | A2 B3 Hg3 f | w: win-try sun* the* day has clos'd, And (e>ge) d (B>AB) ^d | e2 (E>F) E2 :: w: I'll** a-wa** to Nan-nie,* O. (B>c) | d3 e {e}d2 (cB) | g2 (d>e) d2 (gf) | w: The* west-lin wind blaws* loud and* shill, The* e3 f (g>fg) a | b2 (e>f) e2 (dc) | w: night's baith mirk** and rai-ny,* O; I'll* %page 19 B2 g2 (dB) (AG) | A2 B2 Hg3 f | w: get my plaid,* and* out I'll steal, And (e>ge) d (B>AB) ^d | e2 (TE>F) E2 :| w: o'er** the hill** to Nan-nie,* O. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.My Nannie's charming, sweet, and young, W: Nae artfu' wiles to win ye, O: W: May ill befa' the flatt'ring tongue, W: That wad beguile my Nannie, O. W: Her face is fair, her heart is true, W: As spotless as she's bonny, O; W: The op'ning gowan, wet wi' dew, W: Nae purer is than Nannie, O. W: W:3.A country lad is my degree, W: And few there be that ken me, O; W: But what care I how few there be? W: I'm welcome ay to Nannie, O. %page 20 W: My riches a's my penny fee, W: And I maun guide it cannie, O, W: But warld's gear ne'er fashes me, W: My thoughts are a' my Nannie, O. W: W:4.Our auld gudeman delights to view W: His sheep and kye thrive cannie, O, W: But I'm as blythe that hands his pleugh, W: And has nae care but Nannie, O. W: Come weel, come woe, I carena by, W: m'11 tak what Heav'n will send me, O; W: Nae ither care in life hae I, W: But live, and love my Nannie, O. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 63 T: MY ONLY JO AND DEARIE, O O: 1811 B: "Caledonian Musical Repository", 1811, p.122-124 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - B | e3 f (gf) (e^d) | e2 B2 B3 G | w: Thy cheek is o'* the* ro-se's hue, My A3 c (BA) (GF) | G2 E2 E3 B | w: on-ly jo* and* dear-ie, O; Thy e3 f (gf) (e^d) | e2 B2 B2 G2 | w: neck is o'* the* sil-ler dew U- %page 123 A3 c (BA) (GF) | G2 E2 E3 :: B | w: pon the banks* sae* brier-ie, O. Thy e3 f g2 e2 | f3 ^d B2 zB | e3 f g2 (fe) | w: teeth are o' the i-vo-ry; O sweet's the twink-le* f2 d2 d2 (ef) | g2 e2 (gf) (e^d) | w: o' thine ee: Nae* joy, nae plea-*sure,* e3 f Hg3 G | A3 c (BA) (GF) | G2 E2 E3 :| w: blinks on me, My on-ly jo* and* dear-ie, O. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The birdie sings upo' the thorn W: Its sang o' joy, fu' cheerie, O, W: Rejoicing in the simmer morn, W: Nae care to mak it eerie, O; W: Ah! little kens the sangster sweet, W: Aught o' the care I hae to meet, W: That gars my restless bosom beat, W: My only jo and dearie, O. %page 124 W: W:3.When we were bairnies on yon brae, W: And youth was blinkin bonny, O, W: Aft we wad daff the li'elang day, W: Our joys fu' sweet and monie, O. W: Aft I wad chase thee o'er the lee, W: And round about the thorny tree; W: Or pu' the wild flowers a' for thee, W: My only jo and dearie, O. W: W:4.I hae a wish I canna tine, W: 'Mang a' the cares that grieve me, O; W: I wish that thou wert ever mine, W: And never mair to leave me, O; W: Then I wad daut thee night and day, W: Nae ither war'dly care I'd hae, W: Till life's warm stream forgat to play, W: My only jo and dearie, O. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 64 T: NAE LUCK ABOUT THE HOUSE O: 1811 B: "Caledonian Musical Repository", 1811, p.88-92 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - e | g e d B | c> c c e | w: But are ye sure the news is true? And g e d B | A2 ze | g e d B | w: are ye sure he's weel? Is this a time to c c c e | d> c B A | w: talk o' wark? Ye jades, fling by your G3 e | g e d B | c> c c e | w: wheel. Is this a time to talk o' wark, When g d c B | A3 e | g e d B | w: Co-lin's at the door? Rax me my cloak, I'll c> d e g | d> c B A | w: down the key, And see him come a- %page 89 G2 G A | B2 B G | c> B c A | w: shore. For there's nae luck a-bout the house, There's B2 B G | A2 zd | B c c e | d c B A | G3 |] w: in the house, Whan our gude-man's a-wa. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Rise up and mak a clean fire-side; W: Put on the muckle pat; W: Gie little Kate her cotton gown, W: And Jock his Sunday's coat: W: And mak their shoon as black as slaes, W: Their hose as white as snaw; W: Its a' to pleasure our gudeman, W: He likes to see them braw. W: For there's nae luck, &c. W: W:3.There are twa hens into the crib, W: Hae' fed this month and mair, %page 90 W: Mak haste and thraw their necks about, W: That Colin weel may fare: W: And spread the table neat and clean. W: Gar ilka thing look braw; W: Its a' for love o' our gudeman, W: For he's been lang awa. W: For there's nae luck, &c. W: W:4.O gie me down my bigonet, W: My bishop satin gown, W: And then gae tell the bailie's wife W: That Colin's come to town. W: My Sunday's shoon they maun gae on, W: My hose o' pearl blue; W: And a' to pleasure our gudeman, W: For he's baith leal and true. W: For there's nae luck, &c. W: W:5.Sae sweet his voice, sae smooth his tongue. W: His breath's like cauler air; W: His very tread has music in't, W: As he comes up the stair, %page 91 W: And will I see his face again? W: And will I hear him speak? W: I'm downright dizzy wi' the joy, W: In troth, I'm like to greet. W: For there's nae luck, &c. W: W:6.The cauld blasts o' the winter wind, W: That thirl'd thro' my heart, W: They're a' biawn by, I hae him safe, W: Till death we'll never part. W: But what puts parting in my head? W: It may be far awa; W: The present moment is our ain, W: The neist we never saw. W: For there's nae luck, &c. W: W:7.Since Colin's weel, I'm weel content; W: I hae nae mair to crave; W: Could I but live to mak him blest, W: I'm blest aboon the lave. W: And will I see his face again? W: And will I hear him speak? W: I'm downright dizzy wi' the thought, W: In troth, I'm like to greet. W: For there's nae luck, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 65 T: O'ER THE MUIR AMANG THE HEATHER O: 1811 B: "Caledonian Musical Repository", 1811, p.44-47 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added flag to first note to fix the rhythm of the measure by matching bar 2. N: Added dot to last note, to fix the rhythm. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ D A G> A G D | w: Com-ing thro' the craigs o' Kyle, A- E B c> B A A B c d (e/f/) g d | w: There I met a bon-ny* las-sie, %page 45 e g d> B A> B A g g> a g> a g a a b a> b a a g e d> e {ga}b> a | w: There I met a bon-ny las-sie, g> e (d//e//g) B M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - D | {D}E> G G3 G | {G}E> G G3 G | w: O see that form that faint-ly gleams! 'Tis {G}A> B {B}e2 d2 | {e}d> c {c}B3 d | w: Os-car come to cheer my dreams: On d (B/c/) {d}e2 B2 | A> G {D}E2 (BA) | {A}G F TE2 D2 | w: wings of* wind he flies a-way; O* stay, my love-ly E (B/A/) G3 :| w: Os-car,* stay. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Wake, Ossian, last of Fingal's line, W: And mix thy sighs and tears with mine, W: Awake the harp to doleful lays, W: And soothe my soul with Oscar's praise. %page 84 W: W:3.The shell is ceas'd in Oscar's hall, W: Since gloomy Cairbar wrought his fall; W: The roe on Morven lightly bounds, W: Nor hears the cry of Oscar's hounds. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 67 T: the POSIE O: 1811 B: "Caledonian Musical Repository", 1811, p.125-127 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C| L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - B | e> ^d e f g2 f e | w: O love will ven-ture in, where it b b a g f3 (e/^d/) | e> d e f w: dare-na weel be seen; O* love will ven-ture g2 B2 | c B A G A3 B | w: in, where wis-dom ance has been; But e B B B e B B> B | w: I will down yon ri-ver rove, A- c B A G F3 (G/A/) | B c d c w: mang the leaves sae green, And* a' to pu' a e B B> A | G2 F2 E2 |] w: po-sie to my ain dear Jean. %page 126 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The primrose I will pu', the firstling o' the year, W: And I will pu' the pink, the emblem o' my dear; W: For she's the pink o' womankind, (I will her ay esteem) W: And a' to be a posie for my ain dear Jean. W: W:3.I'll pu' the budding rose when it glitters wi' the dew. W: For its like a ba'my kiss o' her sweet bonny mou'; W: The daisy for simplicity, and unaffected mein, W: And a' to be a posie to my ain dear Jean. W: W:4.The lily it is pure, and the lily it is fair. W: And in her lovely breast, I'll place the lily there; W: The hyacinth for constancy, and sweetly smelling bean, W: And a' to be a posie for my ain dear Jean. W: W:5.The woodbine I will pu', when the e'ening star is near, W: I'll pu' the vi'let too, which weel she fa's to wear, W: Wi' ilka flow'r on hill or dale, that's sweet or comely seen. W: And a' to be a posie for my ain dear Jean. %page 127 W: W:6.I'll tie the posie round wi' the silken cord o' love, W: And place it in her bosom; then swear by a' above, W: That to my latest breath o' life the band shall ay remain, W: And this will be a posie to my ain dear Jean. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 68 T: ROSLIN CASTLE O: 1811 B: "Caledonian Musical Repository", 1811, p.222-224 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: In bar 10, the sharp sign on the d is faint, as if erased; added to match the 1806 version. N: The "morning" in bar 6 is hyphenated differently in the two editions. N: Nanny's reply to Colin's song is included in the 1806 edition, but omitted in the 1811 edition. M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - (G>F) | E2 (B>c) B2 (AB) | {d}(cBA) G F2 (G>F) | w: 'Twas* in that* sea-son* of** the year, When* E2 (e>f) {ef}g2 (fe) | (^d>ef) d B2 (A>B) | w: all things* gay and* sweet** ap-pear, That* (cB) (AG) F2 (GA) | (BG) (FE) {e}^d2 (ef) | w: Co-*lin,* with the* morn-*ing* ray, A-* %page 223 (ge) (f^d) (eB) (AB) | G2 (TF>E) E2 ][ B2 | w: rose* and* sung* his* ru-ral* lay. Of e2 (ef) {a}g2 (fe) | (ba) (ga) {g}f2 (e^d) | w: Nan-ny's* charms the* shep-*herd* sung, The* (eB) (ef) {a}g2 (fe) | (ba) (ga) {g}f2 (AB) | w: hills* and* dales with* Nan-*ny* rung; While* (cB) (AG) F2 (GA) | (BG) (FE) {e}H^d2 (e>f) | w: Ros-*lin* Cas-tle* heard* the* swain, And* (ge) (f^d) (eB) (AB) | G2 (TF>E) E2 |] w: e-*choed* back* the* cheer-ful* strain. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Awake, sweet Muse! the breathing spring W: With rapture warms, awake and sing! W: Awake and join the vocal throng, W: Who hail the morning with a song: %page 224 W: To Nanny raise the chearful lay; W: O! bid her haste and come away; W: In sweetest smiles herself adorn, W: And add new graces to the morn! W: W:3.O hark, my love! on ev'ry spray, W: Each feather'd warbler tunes his lay; W: 'Tis beauty fires the ravish'd throng, W: And love inspires the melting song: W: Then let my raptur'd notes arise, W: For beauty darts from Nanny's eyes, W: And love my rising bosom warms, W: And fills my soul with sweet alarms. W: W:4.O come, my love! thy Colin's lay W: With rapture calls, O come away! W: Come, while the Muse this wreath shall twine W: Around that modest brow of thine. W: O! hither haste, and with thee bring W: That beauty blooming like the spring, W: Those graces that divinely shine, W: And charm this ravish'd breast of mine! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 69 T: ROY'S WIFE OF ALDIVALLOCH O: 1811 B: "Caledonian Musical Repository", 1811, p.152-153 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ AF3 F3 E F3 E F B3 | w: Roy's* wife of Al-di-val-loch, AF3 F3 E F3 E F B3 | w: Roy's* wife of Al-di-val-loch, A3 F {F}E3 D | d3 e {e}Hf3 e | w: Wat ye how she cheat-ed me, As {e}d3 B A3 {Bd} F E3 D E HF2 |] w: I came o'er the braes o' Bal-loch. A | A3 (B/c/) d3 f (ed) (ef) d3 A | w: She vow'd, she* swore, she wad* be* mine; She A2 B d3 F {F}E3 D E HF3 A | w: said she lo'ed me best of o-ny; But %page 153 A3 (B/c/) d3 f (ed) (gf) {f}He3 d | w: oh! the* fic-kle faith-*less* quean, She's {d}f3 e d3 F | F3 E F2 {A}(d"_Da Capo"B) |] w: ta'en the carle, and left her John-nie.* % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.O she was a canty quean, W: Weel could she dance the Highland walloch; W: How happy I, had she been mine, W: Or I'd been Roy of Aldivalloch. W: Roy's wife, &c. W: W:3.Her hair sae fair, her een sae clear, W: Her wee bit mou' sae sweet and bonny: W: To me she ever will be dear, W: Though she's for ever left her Johnnie. W: Roy's wife, &c % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 70 T: SAE FLAXEN WERE HER RINGLETS O: 1811 B: "Caledonian Musical Repository", 1811, p.162-164 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - G | G2 G G2 A | G3 F2 F | w: Sae flax-en were her ring-lets, Her E2 E F2 G | A2 G F2 B | w: eye-brows of a dark-er hue, Be- B2 A G2 F | E3 E2 ^d | e2 B B2 A | w: witch-ing-ly o'er-arch-ing Twa laugh-ing een o' G2 F E2 ^d | e3 B2 ^d | e3 B2 ^d | w: bon-ny blue. Her smil-ing, sae wyl-ing, Wad e2 g f2 e | =d2 ^c B2 c | w: make a wretch for-get his woe; What d3 A2 ^c | d3 A2 ^c | d2 =f e2 d | w: plea-sure, what trea-sure, Un-to these ro-sy %page 163 =c2 B A2 e | e2 ^d e2 ^c | w: lips to grow! Such was my Chlo-ris' e2 ^c d2 B | e2 g f2 e | w: bon-ny face, When first her bon-ny d2 c B2 A | G2 G (G>A) G | w: face I saw; And ay my Chlo-*ris' F2 F F2 ^d | e2 B B2 A | w: dear-est charm, She says she loes me G2 F E2 |] w: best of a'. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Like harmony her motion. W: Her pretty ancle is a spy, W: Betraying fair proportion, W: Wad make a saint forget the sky, W: Sae warming, sae charming, W: Her fau'tless form and gracefu' air, %page 164 W: Ilk feature--auld Nature W: Declar'd that she could do nae mair: W: Her's are the willing chains o' love, W: By conqu'ring Beauty's sov'reign law; W: And ay my Chloris' dearest charm. W: She says she loes me best of a'. W: W:3.Let others love the city. W: And gaudy show at sunny noon; W: Gie me the lonely valley, W: The dewy eve, and rising moon, W: Fair beaming, and streaming, W: Her silver light the boughs amang, W: While falling, recalling, W: The am'rous thrush concludes his sang. W: There, dearest Chloris, wilt thou rove. W: By wimpling burn and leafy shaw, W: And hear my vows o' truth and love. W: And say thou loes me best of a'. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 71 T: SAW YE MY FATHER O: 1811 B: "Caledonian Musical Repository", 1811, p.279-281 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - zD | (D3E) F3 G | A4 A3 A | B4 e3 d | w: O saw* ye my fa-ther? or say ye my {d}c4 B2 A2 | d4 c3 d | {c}B6 A2 | A6 :: w: mo-ther? Or saw ye my true-love John? zG | (F>E) F3 d | {G}F4 E3 D | (E3D) E3 F | w: I saw* na your fa-ther, I saw* na your G4 A3 B | {B}A4 F3 A | (A2G2) (F2E2) | D6 :| w: mo-ther, But I saw your true-*love* John. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.It's now ten at night, and the stars gie nae light. W: And the bells they ring, ding dang; W: He's met wi' some delay, that causeth him to stay. W: But he will be here ere lang. %page 280 W: W:3.The surly auld carl did naething but snarl, W: And Johnny's face it grew red; W: Yet tho' often he sigh'd, he ne'er a word reply'd, W: Till all were asleep in bed. W: W:4.Up Johnny rose, and to the door he goes, W: And gently tirled the pin: W: The lassie taking tent, unto the door she went, W: Then opened and let him in. W: W:5.And are ye come at last? and do I hold ye fast? W: And is my Johnny true? W: I hae nae time to tell, but sae lang's I like mysel, W: Sae lang shall I lo'e you. W: W:6.Flee up, flee up, my bonny grey cock, W: And craw when it is day; W: Your neck shall be like the bonny beaten gold. W: And your wings of the silver grey. W: W:7.The cock prov'd fause, and untrue he was, W: For he crew an hour o'er soon: W: The lassie thought it day when she sent her love away, W: And it was but a blink of the moon. %page 281 % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: FAIR JENNY K: W:1.Where are the joys I have met in the morning, W: That danc'd to the lark's early song? W: Where is the peace that awaited my wand'ring, W: At ev'ning the wild woods among? W: W:2.No more a-winding the course of yon river, W: And marking sweet flowerets so fair: W: No more I trace the light footsteps of pleasure, W: But sorrow and sad-sighing care. W: W:3.Is it that summer's forsaken our valleys, W: And grim surly winter is near? W: No, no, the bees humming round the gay roses W: Proclaim it the pride of the year. W: W:4.Fain would I hide what I fear to discover, W: Yet long, long too well have I known: W: All that has caused this wreck in my bosom, W: Is Jenny, fair Jenny alone. W: W:5.Time cannot aid me, my griefs are immortal, W: Nor hope dare a comfort bestow: W: Come then, enamour'd and fond of my anguish, W: Enjoyment I'll seek in my woe. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 72 T: SHE ROSE AND LET ME IN O: 1811 B: "Caledonian Musical Repository", 1811, p.274-276 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Removed dot from 2nd A in bar 15, to fix the rhythm. N: Added flag to last note of bar 13, to fix the rhythm. M: C L: 1/8 K: Em % - - - - - - - - - - - - - - - - - - - - - - - - - (G>F) | E2 (B>c) B2 e2 | ^d3 ^c B2 =c2 | w: The* night her* si-lent sa-ble wore, And B2 (AG) (FGA) G | (G2 F2) z2 (G>F) | E2 B2 B2 e2 | w: gloom-y* were** the skies;* Of* glitt-'ring start ap- ^d3 e f2 (B>c) | B2 f2 (gfe) ^d | w: pear'd no more Than* those in Nel-**ly's e6 :: (ef) | {ef}g2 (fe) ^d2 (cB) | w: eyes. When* to her* fa-ther's* (e^de) f g2 B2 | (AcB) A ( GBA) G | w: door** I came, where I** had of-**ten (G2 F2) z2 (ef) | (gfg) e (^d^cd) B | w: been,* I* begg'd** my fair,** my %page 275 (e>^d)e f g2 B2 | TA3 G (A2 B) ^d | w: love-**ly dame, to rise and let* me e6 :| w: in. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.But she, with accents all divine, W: Did my fond suit reprove, W: And while she chid my rash design, W: She but inflam'd my love. W: Her beauty oft had pleas'd before, W: While her bright eyes did roll; W: But virtue only had the pow'r W: To charm my very soul. W: W:3.Then who would cruelly deceive, W: Or from such beauty part? W: I lov'd her so, I could not leave W: The charmer of my heart. W: My eager fondness I obey'd, W: Resolv'd she should be mine, W: Till Hymen to my arms conveyed W: My treasure so divine. %page 276 W: W:4.Now happy in my Nelly's love, W: Transporting is my joy; W: No greater blessing can I prove, W: So blest a man am I: W: For beauty may a while retain W: The conquer'd fluttering heart. W: But virtue only is the chain, W: Holds, never to depart. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 73 T: the SOLDIER'S RETURN O: 1811 B: "Caledonian Musical Repository", 1811, p.48-52 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: D %%slurgraces 1 %%gracesslur 1 % - - - - - - - - - - - - - - - - - - - - - - - - - [V:1](de) | {d}f2 (A>B) {B}A3 d | ({=c}BA) (Bd) w: When* wild war's* deal-ly blast* was* [V:2] D2 | D2 (F>G) F2 F2 | G2 (GB) [V:1]{f}e2 (de) | f2 A2 (gf) (ed) | ({=c}B3 ^c) d2 (de) | w: blawn, And* gen-tle peace* re-*turn-*ing, And* [V:2] A2 (dc) | d2 c2 B2 F2 | (G2 A2) [F2D2] D2 | [V:1]f2 (A>B) A3 d | (BA) (Bd) e2 (de) | w: eyes a-*gain wi' plea-*sure* beam'd, That* [V:2] D2 (AG) F3 F | G2 (GB) A2 (dc) | [V:1]({d}f2) A2 (gf) (ed) | ({=c}B3 ^c) d2 |] w: had been blear'd* wi'* mourn-*ing. [V:2] d2 c2 B2 F2 | (G2 A2) [F2D2] |] %page 49 [V:1] zA | (de) (fg) {f}a3 a | (ba) (gf) e3 A | w: I left* the* lines and tent-*ed* fields, Where [V:2] A2 | (dc) (de) f3 f | (gf) (ed) A3 A | [V:1] (de) (fg) (ab) (ag) | (f3 g) a2 zA | w: lang* I'd* been* a* lod-*ger; A [V:2] (dc) (de) (fg) (fe) | (d3 e) f2 zA | [V:1] (de) (fg) a2 (fa) | (ba) (gf) e2 (de) | w: hum-*ble* knap-sack* a'* my* wealth, A* [V:2] (dc) (de) f2 f2 | (gf) (ed) A2 (FE) | [V:1] f2 A2 (gf) (ed) | ({=c}B3 ^c) ({e}d2) |] w: poor, but ho-*nest* sod-*ger. [V:2] D2 (DE) F2 D2 | (G2 A2) [F2D2] |] %page 50 W:2.A leal light heart beat in my breast, W: My hands unstained wi" plunder; W: And to dear Scotia, hame again, W: I cheerly on did wander. W: I thought upon the banks o' Coil; W: I thought upon my Nancy; W: I thought upon the 'witching smile, W: That caught my youthfu' fancy. W: W:3.At length I reach'd the bonny glen, W: Where early life I sported, W: I pass'd the mill and trysting thorn, W: Where Nancy oft I courted. W: Wha spied I but mine ain dear maid, W: Down by her mother's dwelling! W: And turn'd me round to hide the flood W: That in my een was swelling. W: W:4.Wi' altered voice, quoth I, Sweet lass W: Sweet as yon hawthorn blossom, W: O! happy, happy may he be, W: That's dearest to thy bosom! %page 51 W: My purse is light, I've far to gang, W: Fain wad I be thy lodger; W: I've serv'd my king and country lang, W: Tak pity on a sodger. W: W:5.Sae wistfully she gaz'd on me. W: And lovelier grew than ever; W: Quoth she, A sodger ance I lo'ed, W: Forget him shall I never: W: Our humble cot, and namely fare, W: Ye freely shall partake o't: W: That gallant badge, the dear cockade; W: Ye've welcome for the sake on't, W: W:6.She gaz'd--she redden'd like a rose, W: Syne pale like ony lily, W: She sunk within my arms, and cried, W: Art thou mine ain dear Willie? W: By him who made yon sun and sky, W: By whom true love's rewarded, W: I am the man!--and thus may still W: True lovers be rewarded. %page 52 W: W:7.The wars are o'er, and I'm come hame, W: And find thee still true-hearted; W: Though poor in gear, we're rich in love, W: And, mair, we'se ne'er be parted. W: Quo' she, My grandsire left me gowd, W: A mailin plenish'd fairly; W: Come then, my faithfu* sodger lad, W: Thou'rt welcome to it dearly, W: W:8.For gold the merchant ploughs the main. W: The farmer ploughs the manor; W: But glory is the sodger's prize; W: The sodger's wealth is honour. W: The brave poor sodger ne'er despise, W: Nor count him as a stranger, W: Remember, he's your country's stay, W: In day and hour o' danger. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 74 T: the SONG OF DEATH O: 1811 B: "Caledonian Musical Repository", 1811, p.136-138 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Bar 7 has a smudge before the G in bar 8; transcribed as the # seen in the 1806 edition. M: 6/8 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - A2 | B3 A (Bd) e2 e2 a2 | w: Fare-well, thou fair* day, thou green f3 e {f e}d2 {d}B4 g2 | f2 {g/}a2 ({g/}fe) w: earth, and ye skies, Now gay with the* d2 d2 (F^G) | A6- A4 (Bd) | B3 A (Bd) w: broad set-ting* sun!* Fare-*well, loves and* e3 f g2 | {g/}f2 e3 d {d}B4 g2 | w: friend-ships, ye dear ten-der ties! Our %page 137 (f>g) {f g}(ag) (fe) d2 d2 (F^G) | A6- A4 ][ (fg) | w: race* of* ex-*ist-ence is* run.* Thou* a2 a2 d'2 b2 b2 (d'=c') | b3 a g2 B4 g2 | w: grim King of Ter-rors, thou* life's gloom-y foe, Go f3 e (fa) b a3 f2 | {g}a6- a4 a2 | w: fright-en the* cow-ard and slave!* Go b3 a g2 a2 a2 g2 | f3 e {f e}d2 w: teach them to trem-ble, fell ty-rant! but B4 g2 | f a3 (fe) d2 d2 (F^G) | A6- A4 |] w: know, No ter-rors hast* thou to the * brave.* % W:2.Thou strik'st the dull peasant, he sinks in the dark; W: Nor saves ev'n the wreck of a name: %page 138 W: Thou strik'st the young hero, a glorious mark! W: He falls in the blaze of his fame. W: In the field of proud honour, our swords in our hands, W: Our King and our Country to save; W: While victory shines on life's last ebbing sands, W: O, who would not die with the brave! % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 75 T: STAY, MY CHARMER O: 1811 B: "Caledonian Musical Repository", 1811, p.136-137 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Fixed are a number of dotted notes followed by notes with a pale, partial or missing flag. N: Some beams are also similarly incomplete or fuzzy. But the "fixes" may be incorrect. M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ d4 (c2B2) {B}A4 (G2F2) | G4 (A3B/=c/) B4 A4 | w: Stay, my* char-mer,* can you** leave me? d4 (e3f) g4 (f3e) | {e}f4 (defd) (c3B) A4 | w: Cru-el,* cru-el,* to de-***ceive* me: g4 (f3g) {f}e2 (f2d2) | {d}c4 (dfef) g4 (f2e2) | w: Well you* know how* much you*** grieve me;* d4 (d3B) A4 (D3G) | F4 (TE3D/E/) D8 | {f}g4 (f3g) w: Cru-el* char-mer,* can you** go? Cru-el* {f}e4 (f2d2) | A4 (Te3d/e/) d8 |] w: char-mer,* can you** go? %page 137 W:2.By my love so ill requited, W: By the faith you fondly plighted, W: By the pange of lovers slighted, W: Do not, do not leave me so, W: Do not, do not leave me so. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 76 T: SWEETEST MAY O: 1811 B: "Caledonian Musical Repository", 1811, p.27 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ (f>e) d (Ae) d (Ae) d (Ae) d (Bg) f | {f}(ed) c d2 A |] w: For* its faith* and truth* re-ward it. % - - - - - - - - - - - - - - - - - - - - - - - - - W: Proof o' shot to birth or money, W: Not the wealthy, but the bonny, W: Not high-born, but noble-minded, W: In love's silken band can bind it. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 77 T: SWEET ANNY O: 1811 B: "Caledonian Musical Repository", 1811, p.246-249 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Both strains' final notes are missing a dot; fixed. M: C L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - F | B2 (de) f3 z/b/ | (fB) (de) f3 z/b/ | (fe) f3 z/b/ | (fB) B3 |: A | w: Jock-ey's* tost a-boon* the* tide. Far d2 (fA) {cd}e2 (dc) | w: aff to* dis-*tant* realms* he* gangs, Yet* (dd) (eB) B3 :| w: think on* An-*ny, his faith-*fu'* ain. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.I met our wealthy laird yestreen; W: Wi' gowd in hand he tempted me; W: He prais'd my brow, my rolling een, W: And made a brag o' what he'd gie. W: What though my Jockey's far away, W: Tost up and down the dinsome main; W: I'll keep my heart anither day, W: Since Jockey may return again. W: W:3.Nae mair, false Jamie, sing nae mair, W: And fairly cast your pipe away; W: My Jockey wad be troubled sair, W: To see his friend his love betray: W: For a' your sangs and verse are vain, W: While Jockey's notes do faithfu' flow; %page 248 W: My heart to him shall true remain; W: I'll keep it for my constant jo. W: W:4.Blaw saft, ye gales, round Jockey's head, W: And gar the waves be calm and still; W: His hameward sail wi' breezes speed, W: And dinna a' my pleasure spill. W: What though my Jockey's far away; W: Yet he will braw in siller shine; W: I'll keep my heart anither day, W: Since Jockey may again be mine. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 5 1 500 %: 2 T: WI' WAEFU' HEART K: W:1.Wi' waefu' heart and sorrowing ee, W: I saw my Jamie sail awa: W: O 'twas a fatal day to me, W: That day he past the Berwick Law. W: How joyless now seem'd a' behind! W: I ling'ring stray'd alang the shore; W: Dark boding fears hung on my mind, W: That I might never see him, more. %page 249 W: W:2.The night came on wi' heavy rain, W: Loud, fierce, and wild the tempest blew; W: In mountains roll'd the awful main-- W: Ah, hapless maid! thy fears how true! W: The landsmen heard their drowning cries; W: The wreck was seen with dawning day: W: My love was found, and now he lies W: Low in the isle o' gloomy May. W: W:3.O boatman, kindly waft me o'er! W: The cavern'd rock shall be my home; W: 'Twill ease my burden'd heart, to pour W: Its sorrows o'er his grassy tomb. W: Wi' sweetest flow'rs I'll deck his grave, W: And 'tend them through the langsome year; W: I'll water them, ilk morn and eve, W: Wi' deepest sorrow's warmest tear. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 78 T: TAK YOUR AULD CLOAK ABOUT YE O: 1811 B: "Caledonian Musical Repository", 1811, p.110-114 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - B | d> e d2 zf | e> d c2 zc | w: In win-ter, when the rain rain'd cauld, And d> c B2 zc | ^A> ^G e2 zc | w: frost and snaw on il-ka hill, And %page 111 d> e d3 f | e> d c3 {de}f | w: Bo-reas, wi' his blasts sae bauld, Was d> c B3 c | ^A> B F3 ][ c | d> A w: threat'-ning a' our kye to kill. Then Bell my A2 zG | F> A A2 zA | F> B B2 zc | w: wife, wha loes na strife, She said to me, right d> e f2 ze | d> d d3 d | e> f w: has-ti-ly, Get up, gude-man, save Crum-my's a2 za | (b/a/) (g/f/) {ef}g2 f> e | (d>c) B3 |] w: life, And tak* your* auld cloak a-bout* ye. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.My Crummy is an usefu' cow. W: And she is come of a good kin'; W: Aft has she wet the bairns' mou', W: And I am laith that she should tine, %page 112 W: Get up, gudeman, it is fu' time; W: The sun shines in the lift sae hie: W: Sloth never made a gracious end, W: Sae tak your auld cloak about ye. W: W:3.Sly cloak was ance a gude grey cloak, W: When it was fitting for my wear; W: But now it's scantly worth a groat, W: For I hae worn't this thretty year. W: Let's spend the gear that we hae won, W: We little ken the day we'll die; W: Then I"ll be proud, since I hae sworn W: To hae a new cloak about me. W: W:4.In days whan our King Robert rang, W: His trews they cost but hauf-a-crown; W: He said they were a groat owre dear, W: And ca'd the tailor thief and loun. W: He was the king that wore the crown, W: And thou a man o' low degree; W: It's pride puts a' the country down, W: Sae tak your auld cloak about ye. %page 113 W: W:5.Ev'ry land has its ain laugh, W: Ilk kind o' corn has its ain hool, W: I think the warld is a gaun daft, W: When ilka wife her man wad rule: W: Do ye nae see Rob, Jock, and Hab, W: How they are girded gallantly? W: While I sit hurklin in the ase; W: Til hae a new cloak about me. W: W:6.Crudeman, I wat it's thretty year W: Since we did ane anither ken, W: And we hae had, between us twa? W: O' lads and bonny lasses ten; W: Now they are women grown and men, W: I wish and pray, weel may they be; W: And if you prove a good husband, W: E'en tak your auld cloak about ye. W: W:7.Bell, my wife, she loes na strife, W: But she wad guide me if she can; W: And to maintain an easy life, W: I aft maun yield, though I'm gudeman. %page 114 W: Nought's to be won at woman's hand, W: Unless ye gie her a' the plea; W: Sae I'll leave aff whare I began, W: And tak my auld cloak about me. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 79 T: TARRY WOO O: 1811 B: "Caledonian Musical Repository", 1811, p.106-108 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G3 A B2 (AG) | (ED) (EG) {G2}A4 | G3 A w: Tar-ry woo, O* Tar-*ry* woo, Tar-ry B2 (AB) | (cB) (AG) (B>c d2) | G3 A {c}B2 (AG) | w: woo is* ill* to* spin;** Card it weel, O* (ED) (EG) {G2}A4 | G3 A B2 (AB) | (cB) (AG) w: card* it* weel, Card it weel ere* ye* be-* (B>c d2) ][ e2 (ge) d2 (ed) | B2 (gB) {B2}A4 | w: gin.** When it's* card-ed* row'd, and* spun, e2 (ge) d3 e | (g>a) (ba) g4 | e2 (ge) w: Then the* work is haf-*lens* done; But when d2 (ed) | (cB) (gB) A3 B | (G>AB) c (d>ed) c | w: wo-ven* drest,* and* clean, It may** be clead**ing %page 107 {c}B2 (AG) (B>c d2 |] w: for a* queen.** % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Sing, my harmless sheep, W: That feed upon the mountains steep, W: Bleating sweetly as ye go, W: Through the winter's frost and snow; W: Hart, and hind, and fallow deer, W: No by hauf sae usefu' are: W: Frae kings to him that hauds the plough. W: A' are oblig'd to tarry woo. W: W:3.Up, ye shepherds! dance and skip, W: O'er the hills and valleys trip; W: Sing in praise of tarry woo; W: Sing the flocks that bear it too: W: Harmless creatures, without blame, W: That clead the back and cram the wame; W: Keep us warm and hearty fu'; W: Leeze me on the tarry woo. %page 108 W: W:4.How happy is the shepherd's life, W: Far frae courts, and free of strife; W: While the gimmers bleat and bae, W: And the lambkins answer mae. W: No such music to his ear; W: Of thief or fox he has nae fear; W: Sturdy kent, and colly true, W: Weel defend the tarry woo. W: W:5.He lives content, and envies none; W: No, ev'n a monarch on his throne, W: He that the royal sceptre sways, W: Has nae sweeter holidays. W: Who'd be a king? can ony tell? W: When a shepherd sings sae well, W: Sings sae well, and pays his due, W: Wi' honest heart and tarry woo. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 80 T: THERE'LL NEVER BE PEACE, &c. O: 1811 B: "Caledonian Musical Repository", 1811, p.262-264 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - (B>c) | d3 c B2 | c3 B A2 | (EF) A2 (A>B) | w: By* yon cas-tle wa', at the close* o' the* A4 (Bc) | d2 (ed) (cB) | c2 f3 A | F2 B2 (B>c) | w: day, I* heard a* man* sing, tho' his head it was* B4 (B>c) | (dc) (de) (fg) | a3 ^g f2 | w: grey, And* as* he* was* sing-ing, the (e2 c2) a2 | A4 (Bc) | d2 (ed) (cB) | w: tears* down came; There'll* ne-ver* be* (c2 Hf3) A | F2 B2 (Bc) | B4 ][ bc' | w: peace* till Ja-mie comes* hame. The* %page 263 d'3 c' b2 | c'3 b a | (ef) a2 (ab) | a4 (bc') | w: church is in ru-ins, the state* is in* jars, De-* d'3 c' b2 | c'3 b a2 | f2 b2 (bc') | b4 (Bc) | w: lu-sions, op-pres-sions, and mur-der-ous* wars; We* d3 e (fg) | a3 ^g f2 | e2 c2 a2 | w: dare-na weel* say't, but we ken wha's to A4 (Bc) | (d M: 2/4 L: 1/8 K: Ador % - - - - - - - - - - - - - - - - - - - - - - - - - E | A A | B2 E> B | w: O this is no mine ain house, I {B}c2 B> A | B B | A A | B2 E> B | c A | w: love I've chang'd vows, I din-na like the %page 253 ^G g e c | w: big-ging o't. For* now that I'm young d> e d B | c c B> A | w: Ro-bie's bride, And mis-tress of his (B d | (e>g) ec | d> e d B | w: fire-*side, Mine ain* house I like to guide, And c> c (d/c/) (B/A/) | ^G N: Added dot to final note to complete the rhythm. M: C| L: 1/8 K: Ador % - - - - - - - - - - - - - - - - - - - - - - - - - B | D G A> G E> G | w: O Tib-bie, I hae seen the day, Ye %page 179 D G c3 e | d> B g> B w: wad na been sae shy; For lack o' gear ye A> G E> G | D G A3 |] w: light-ly me; But, troth! I care na by. B | c> A B> G A> G E> B | w: Ye-streen I met you on the muir, Ye c> B c> d e> f g> e | w: spak na, but gade by like stoure; Ye d> B g> B A> G E> G | D G A3 |] w: hair care I. %page 180 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.O Tibbie! I hae seen the day W: Ye wad na been sae shy; W: For lack o' gear ye lightly me; W: But, troth! I care na by. W: I doubt na, lass, but ye may think, W: Because ye hae the name o' clink, W: That ye can please me wi' a wink, W: Whene'er ye like to try. W: W:3.O Tibbie! I hae seen the day W: Ye wad na been sae shy; W: For lack o' gear ye lightly me; W: But, troth! I care na by. W: But sorrow tak him that's sae mean, W: Although his pouch o' coin were clean, W: Wha follows ony saucy quean W: That looks sae proud and high. W: W:4.O Tibbie! I hae seen the day W: Ye wadna been sae shy; W: For lack o' gear ye lightly me; W: But, troth! I care na by. %page 181 W: Although a lad were e'er sae smart, W: If he but want the yellow dirt, W: Ye'll cast your head anither airt, W: And answer him fu' dry. W: W:5.O Tibbie! I hae seen the day W: Ye wad na been sae shy; W: For lack o' gear ye lightly me; W: But, troth! I care na by. W: But if he hae the name o' gear, W: Yell fasten to him like a brier, W: Though hardly he, for sense or lear, W: Be better than the kye. W: W:6.O Tibbie! I hae seen the day W: Ye wad na been sae shy; W: For lack o' gear ye lightly me; W: But, troth! I care na by. W: There lives a lass in yonder park, W: I wad na gie her under sark W: For thee, wi' a' thy thousand mark; W: Ye need na look sae high. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 83 T: TODLEN BUTT, AND TODLEN BEN O: 1811 B: "Caledonian Musical Repository", 1811, p.20-22 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ E e e e2 g | d e g dB G | w: When I've a sax-pence un-der my thum,* Then Ee e e ^f g | dB G A2 E | w: I'll* get cre-dit in ilk-*a town: But %pate 21 E e e e2 g | d e g dB G | w: ay when I'm poor they bid me gang by;* O! E e e e2 g | dB G (A2 G) | w: po-ver-ty parts good com-*pa-ny.* AB d A2 G | AB d G3 | A B w: Tod-*len hame,* tod-*len hame, Coud-na d e2 g | dB G (A2 G) |] w: my love come tod-*len Hame?* W:2.Fair-fa' the gudewife, and send her good sale, W: She gi'es us white bannocks to drink her ale, W: Syne if that her tippenny chance to be sma', W: We'll take a good scour o't, and ca't awa'. W: Todlen hame, todlen hame, W: As round as a neep come todlen hame. W: W:3.My kimmer and I lay down to sleep. W: Wi' twa pint-stoups at our bed feet; %page 22 W: And ay when we waken'd, we drank them dry: W: What think ye o' my wee kimmer and I? W: Todlen butt, and todlen ben, W: Sae round as my love comes todlen hame. W: W:4.Leez me on liquor, my todlen dow, W: Ye're ay sae good-humour'd when weeting your mou; W: When sober sae sour, yell fight wi' a flee, W: That's a blyth sight to the bairnies and me, W: When todlen hame, todlen hame, W: When round as a neep ye come todlen hame, % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 84 T: TULLOCHGORUM O: 1811 B: "Caledonian Musical Repository", 1811, p.264-268 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: In bar 1, the A has a dotted 16th note; clearly wrong. Similarly bar 10, the first G. N: The 2nd strain has initial repeat but no final repeat. Repeat it as you like. N: "Tory" is spelled several ways in the lyrics. M: C| L: 1/8 %%begintext %% Fidlers, your pins in temper fix, %% And roset weel your fiddlesticks; %% But banish vile Italian tricks %% Frae out your quorum; %% Nor fortes wi' pianos mix, %% Gie's Tullochgorum. -- Fergusson. %%endtext K: Gmix % - - - - - - - - - - - - - - - - - - - - - - - - - d | B> G d> G c> F A> c | w: Come gie's a sang, the la-dy cried, And B> G d> G B> c d> g | w: lay your dis-putes all a-side; What c> G d> G c F A> B | w: non-sense is't for folks to chide For G> g d> c B2 A :: B | w: wha's been done be-fore them. Let G> g d> f c> F A2 | w: whig and tor-ry all a-gree, %page 265 G> g d> g B> g d> g | w: Whig and to-ry, Whig and to-ry, G> g d> f c> F A> B | w: Whig and to-ry all a-gree To G> g d> c B2 A> B | w: drop their whig-meg-mo-rum. Let G> g d> f c> F A> B | w: Whig and to-ry all a-gree To G> g d> e f> g a> g | w: spend the night wi' mirth and glee, And f> e d> f c> F A> B | w: cheer-fu' sing a-lang wi' me The G> g d> c B2 A |] w: Reel of Tul-loch-go-rum. %page 266 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Tullochgorum's my delight, W: It gars us a' in ane unite, W: And ony sumph that keeps up spite. W: In conscience I abhor him: W: Blithe and merry we's be a', W: Blithe and merry, W: Blithe and merry, W: Blithe and merry we's be a', W: To make a cheerfu' quorum; W: Blithe and merry we's be a', W: As lang as we hae breath to draw, W: And dance till we be like to fa', W: The Reel of Tulloehgorum. W: W:3.There needs na be sae great a phrase W: Wi' bringing dull Italian lays; W: I wadna gie our ain Strathspeys W: For hauf a hunder score o'm. W: They're dowff and dowie at the best, W: Dowff and dowie, W: Dowff and dowie, W: They're dowff and dowie at the best, W: Wi' a' their variorum: %page 267 W: They're dowff and dowie at the best, W: Their allegro's, and a' the rest, W: They canna please a Highland taste, W: Compar'd wi' Tullochgorum. W: W:4.Let wardly minds themselves oppress, W: Wi' fear o' want, and double cess, W: And silly sauls themselves distress, W: Wi' keeping up decorum. W: Shall we sae sour and silky sit, W: Sour and silky, W: Sour and silky, W: Shall we sae sour and silky sit. W: Like auld Philosophorum? W: Shall we sae sour and silky sit, W: Wi' neither sense, nor mirth, nor wit, W: And canna rise to shake a fit W: To the Reel of Tullochgorum? W: W:5.May choicest blessings still attend W: Each honest-hearted open friend. W: And calm and quiet be his end, W: Be a' that's gude before him! %page 268 W: May peace and plenty be his lot, W: Peace and plenty, W: Peace and plenty, W: May peace and plenty be his lot. W: And dainties a great store o'm: W: May peace and plenty be his lot, W: Unstain'd by any vicious blot! W: And may he never want a groat W: That's fond of Tullochgorum. W: W:6.But for the discontented fool, W: Wha wants to be oppression's tool, W: May envy gnaw his rotten soul, W: And blackest fiends devour him! W: May dole and sorrow be his chance, W: And honest souls abhor him: W: May dole and sorrow be his chance, W: Dole and sorrow, W: Dole and sorrow, W: May dole and sorrow be his chance, W: And a the ills that come frae France, W: Whae'er he be that winna dance W: The Reel of Tullochgorum. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 85 T: TWEEDSIDE O: 1811 B: "Caledonian Musical Repository", 1811, p.24-26 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - (B>A) | G2 D2 E2 | G3 A (Bc) | {B2}A4 (B>A) | w: What* beau-ties does Flo-ra dis-*close! How* G2 D2 E2 | G2 (dc) (BA) | G4 (B>A) | w: sweet are her smiles up-*on* Tweed! Yet* G2 D2 E2 | (GF) (GA) (Bc) | {B2}A4 (GA) | B2 (cB) (AG) | w: Ma-ry's still sweet-*er* that* those, Both* na-ture* and* A2 D2 F2 | G4 :: (Bc) | d2 (cB) (AG) | d2 (ed) (cB) | w: fan-cy ex-ceed. No* dai-sey,* nor* sweet blush-*ing* {B2}A4 (Bc) | {Bc}d2 (cB) (AG) | (GF) (GA) (Bc) | d4 (e/f/g) | w: rose, not* all the* gay* flowers* of* the* field, Not** {e}d2 (cB) (AG) | (dB) (ed) (cB) | {B2}A4 (GA) | w: Tweed glid-*ing* gent-*ly* thro'* those, Such* %page 25 B2 {cd}(cB) (AG) | (3(edc) B2 TA2 | G4 :| w: beau-gy* and* plea-**sure does yield. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.The warblers are heard in the grove, W: The linnet, the lark, and the thrush. W: The blackbird, and sweet cooing dove. W: With music enchant ev'ry bush. W: Come, let us go forth to the mead, W: Let us see how the primroses spring; W: We'll lodge in some village on Tweed, W: And love while the feathered folks sing. W: W:3.How does my love pass the long day? W: Does Mary not tend a few sheep? W: Do they never carelessly stray, W: While happily she lies asleep? W: Tweed's murmurs should lull her to rest; W: Kind Nature indulging my bliss, W: To ease the soft pains of my breast, W: I'd steal an ambrosial kiss. W: %page 26 W:4.'Tis she does the virgins excel; W: No beauty with her may compare; W: Love's graces around her do dwell; W: She's fairest where thousands are fair. W: Say, charmer where do thy flocks stray? W: Oh! tell me at noon where they feed? W: Shall I seek them on sweet winding Tay, W: Or the pleasanter banks of the Tweed? % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 86 T: TWINE WEEL THE PLAIDEN O: 1811 B: "Caledonian Musical Repository", 1811, p.109-110 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Added flag to last note in first measure to fix the rhythm, to match measure 3. M: C L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - (DE) | F2 A2 {G}F2 (ED) E2 (FA) B3 B | w: O* I hae lost my* sil-ken* snood, That A3 B {B}A2 (GF) {F}A4 D2 (DE) | F2 (FA) {G}F2 E D w: tied my hair sae* yel-low; I've* gien my* heart to the E2 (FA) B3 B | A3 B (ABd) F {F}A4 D2 |][| w: lad I* lo'ed, He was a gal-**lant fel-low. (AB/c/) | d3 e d2 (cB) {d}c2 (BA) A2 (Bc) | w: And** twine it weel, my* bon-ny* dow, And* d3 e {e}d2 (cB) {B}e4 A2 (Bc) | d2 (de) {e}d2 (cB) w: twine it weel, the* plaid-en; The* las-sie* lost her {c}B2 A2 HF2 (fe) | d3 B (BA) (dF) TE4 {DE}D2 |] w: silk-en snood, In* pu'ing o'* the* brack-en. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.He prais'd my een sae bonny blue, W: Sae lily-white my skin, O, W: And syne he pried my bonny mou', W: And swore it was nae sin, O. W: And twine, &c. W: W:3.But he has left the lass he lo'ed, W: His ain true-love forsaken; W: Which gars me sair to greet the snood W: I lost amang the bracken. W: And twine, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 87 T: WAWKING O' THE FAULD O: 1811 B: "Caledonian Musical Repository", 1811, p.234-236 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: This song has a lot of rhythm errors, some perhaps due to poor printing. N: Added bar line after first note to correct the rhythm; N: Fixed bar 2's missing 8th note to match other bars. N: Bar 7 has an odd dot after/below the b; not transcribed. N: Both strains have incorrect rhythm in their last measures; fixed by lengthening the last notes. N: Also changed initial G pickup to 1/8 note, since no other bars have 1/16-note pickups. N: Bar 11 has an extra 1/8 length; corrected by shortening the a note. N: Bar 12 has an extra 1/8 length; shortened the "-rits" syllable to fix it. M: C L: 1/8 K: Ador % - - - - - - - - - - - - - - - - - - - - - - - - - G | E>A A> B A2 g>e | w: My Peg-gy is a young thing, just dB A G E2 (DE) | G> A B w: en-ter'd in her teens, Fair* as the day, A G E D E | G> A B A w: and sweet as May, Fair as the day, and G E D G | E>A A B A2 G A | w: al-ways gay; My Peg-gy is a young thing, And B> A B d e2 g>a | b a g> e w: I'm nae ve-ry auld, Yet* weel I like to d> e g B | A> G E G A3 |] w: meet her At the wawk-ing o' the fauld. %page 235 g | e a a> b a2 g a | w: My Peg-gy speaks sae sweet-ly, when- b> b a g e2 de | g a g w: e'er we meet a-lane, I* wish nae mair B G> A B G | g> a g B G> w: to lay my care, I wish nae mair o' a' A B G | A a a> b a2 g f | w: that's rare; My Peg-gy speaks sae sweet-ly, To e> d e g a2 (ga) | b> a g e w: a' the lave I'm cauld, But* she gars a' my d (e/f/) g B | A> G E G A3 |] w: spi-rits* glow At walk-ing o' the fauld. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2. My Peggy smiles sae kindly, W: Whene'er I whisper love, W: That I look down on a' the town, W: That I look down upon a crown: W: My Peggy smiles sae kindly, W: It maks me blythe and bauld, W: And naething gies me sic delight W: As wawking o' the fauld. W: W:3. My Peggy sings sae saftly, W: When on my pipe I play; W: By a' the rest it is confest, W: By a' the rest that she sings best: W: My Peggy sings sae saftly, W: And in her sangs are tauld, W: Wi' innocence, the wale o' sense, W: At wawking o' the fauld. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 88 T: WAWKING O' THE FAULD T: Uncorrected version O: 1811 B: "Caledonian Musical Repository", 1811, p.234-236 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Included to illustrate a particularly poor example of proofreading. M: C L: 1/8 K: Ador G/ E>A A> B A2 g>e | dB A G E (DE) | G> A B A G E D E | G> A B A G E D G | E>A A B A2 G A | B> A B d e2 g>a | b3/2 a g> e d> e g B | A> G E G A2 |] g | e a a> b a2 g a | b> b a g e2 de | g3/2 a2 g B G> A B G | g> a g B G> A B G | A a a> b a2 g f | e> d e g a2 (ga) | b> a g e d (ef) g3/2 B | A> G E G A2 |] %%sep 1 1 500 %%sep 1 1 500 X: 89 T: WHAT CAN A YOUNG LASSIE O: 1811 B: "Caledonian Musical Repository", 1811, p.158-159 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Missing flag added to the B in bar 2. M: 6/8 L: 1/8 K: Bm % - - - - - - - - - - - - - - - - - - - - - - - - - F | B> c B d> e f | w: What can a young las-sie, what e> f d c> B A | B> c B w: shall a young las-sie, What shall a young d> e f | A F F F2 F | B> c B w: las-sie do wi' an auld man? Bad luck on the d> e f | e> f d c> B A | w: pen-ny that tempt-ed my min-nie, To f> e d c> B A | F B B B2 |] w: sell her poor Jen-ny for houses and land. d | F D D w: wea-ry day lang; He's doy'lt and he's F e d c3/ B A/ | F B B B2 |] w: drea-ry's my life wi' a cra-zy auld man! % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.He hums and he hankers, he frets and he cankers; W: I never can please him, do a' that I can; W: He's peevish, and jealous o' a' the young fellows; W: O dool on the day I met wi' an auld man! W: My auld auntie Katie upon me taks pity, W: I'll do my endeavour to follow her plan; W: I'll cross him, and wrack him, until I heart break him. W: And then his auld brass will buy me a new pan. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 90 T: WHISTLE AND I'LL COME TO YOU O: 1811 B: "Caledonian Musical Repository", 1811, p.148-150 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 6/8 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - (c/d/) | e c A G>F E | D d d d2 (c/d/) | w: O* whis-tle and I'll* come to you, my lad, O* e c A (G>E) G | A c c c2 (c/d/) | w: whis-tle and I'll* come to you, my lad; Tho'* e c A G> F E | D f e {e}d2 (g/f/) | w: fa-ther and mo-ther, and a' shou'd gae mad, O* e c A (G>E) G | A c c c2 ][ (e/d/) | w: whis-tle and I'll* come to you, my lad, Come c e g c e g | c e g w: down the back stairs when ye come to court (gf) (e/d/) | c e g c e g | w: me,* Come* down the back stairs when ye %page 145 a d d Hd2 (e/d/) | c e g w: come to court me; Come* down the back c d e | c c' a Hg2 (a/g/) | e c A w: stairs, and let nae-bo-dy see, And* come as ye GF E | D d d d2 (g/f/) | e c A (GE) G | w: were* na com-ing to me, And* come as ye were* na A c c c2 |] w: com-ing to me. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.O whistle and I'll come to you, my lad; W: O whistle and I'll come to you, my lad; W: Though father and mother, and a' shou'd gae mad, W: O whistle and I'LL come to you, my lad. W: At kirk or at market, whene'er ye meet me, W: Gang by me as though that ye car'd na a flee; W: But steal me a look o' your bonny black ee, W: Yet look as ye were na looking at me. %page 146 W: W:3.O whistle and I'll come to you, my lad; W: O whistle and I'll come to you, my lad; W: Though father and mother, and a' shou'd gae mad, W: O whistle and I'll come to you, my lad. W: Ay vow and protest that ye carena for me, W: And whyles ye may lightly my beauty a wee; W: But court na anither, though joking ye be, W: For fear that she wyle your fancy frae me. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 91 T: WILLIE BREW'D A PECK O' MAUT O: 1811 B: "Caledonian Musical Repository", 1811, p.38-40 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: There is some odd notation for what appears to be a dotted 8th note plus two 32nd notes. M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - (B>c) | d2 (g>e) (e>d) (c>B) | w: O* Wil-lie* bew'd* a* e3 a (gf) (ed) | g3 e (dc) | d2 (gf) (ed) (cB) | w: cam to* pree; Three* bly-ther* hearts,* that* e2 a>g (gf) (ed) | g2 f>e (d2 f/e/) d/c/ | w: lee-lang* night,* Ye* wad na* found** in* B2 (A>B) G3 ][ b | ag (f>e) (eB) | w: Chris-ten-*dee. We are* na* fou,* We're* (e>d) (e>f/g//) (cB) A>G | (c>B) (c>d/e//) (dB A2 (f>g) | d'b g>a/b// e3 g | w: in our* e'e; The* cock* may** craw, The (e/d/c/B/) (df) g3 e | (dG) (A>B) c>d/e// | w: day*** may* daw, Yet ay* we'll* taste* the** B2 (A>B) G2 |] w: bar-ley* bree. %page 40 W:2.Here are we met, three merry boys, W: Three merry boys I trow are we; W: And mony a night we've merry been, W: And mony mair we hope to see! W: We are na fou, &c. W: W:3.It is the moon, I ken her horn, W: That's blinking in the lift sae hie; W: She shines sae bright to wyle us hame; W: But, hy my sooth! she'll wait a wee. W: We are na fou, &c. W: W:4.Wha first shall rise to gang awa, W: A cuckold, cowart lown, is he! W: Wha first beside his chair shall fa', W: He is the king amang us three! W: We are na fou, &c. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 92 T: WILLIE WAS A WANTON WAG O: 1811 B: "Caledonian Musical Repository", 1811, p.270-273 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: Shortened pickup g note to the second strain to fix the rhythm. M: C L: 1/16 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ F2 A2 A2 (Bc) d3 e (dc) (BA) | w: Wil-ly was a* wan-ton wag,* The* F2 A2 A3 f e3 d B3 A | w: bly-thest lad that e'er I saw, At %page 271 F2 A2 A2 (Bc) d3 e (dc) (BA) | w: bri-dals still he* bore the brag,* And* F2 A2 A3 d B3 d A3 |][| w: car-ried ay the gree a-wa. g | f2 a2 e2 f2 d3 e {g}f2 {e}d2 | w: His doub-let was of Zet-land shag, And f2 a2 e3 f e2 d2 B3 g | w: vow! but Wil-lie he was braw; And f2 a2 e2 f d2 e2 f3 g | w: at his shou-ther hang a tag, That {f}a2 A2 A3 f e3 f d3 |] w: pleas'd the lass-es best of a'. "2d Verse." A2 | F2 A2 A2 w: He was a man %page 272 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.He was a man without a clag, W: His heart was frank, without a flaw: W: And ay whatever Willy said, W: It was still hadden as a law. W: His boots they were made o' the jag, W: When he gaed to the weapon-shaw; W: Upon the green nane durst him brag, W: The fiend a ane amang them a'. W: W:3.And was na Willie weel worth gowd, W: He wan the love of great and sma'; W: For after he the bride had kiss'd, W: He kiss'd the lasses hale-sale a'. W: Sae merrily round the ring they row'd, W: When by the hand he led them a'; W: And smack on smack on them bestow'd, W: By virtue o' a standing law. W: W:4.And was na Willy a great lown, W: As shyre a lick as e'er was seen? W: When he danc'd wi' the lasses round, W: The bridegroom spier'd whare he had been. %page 273 W: Quoth Willy, I've been at the ring, W: Wi' bobbing, faith, my shanks are sair: W: Gae ca' your bride and maidens in, W: For Willy he dow do nae mair. W: W:5.Then rest ye, Willy, I'll gae out, W: And for a wee fill, up the ring; W: But shame light on his souple snout, W: He wanted Willy's wanton fling. W: Then straight he to the bride did fare, W: Says, well's me on your bonny face; W: Wi' bobbing, Willy's shanks are sair, W: And I'm come out to fill his place, W: W:6.Bridegroom, she says, you'll stick the dance, W: And at the ring you'll ay be lag, W: Unless, like Willy, ye advance; W: (O! Willy has a wanton wag:) W: For wi't he learns us a' to steer, W: And foremost ay bears up the ring; W: We will find nae sic dancing here, W: If we want Willy's wanton fling. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 93 T: WILLY'S RARE O: 1811 B: "Caledonian Musical Repository", 1811, p.98-99 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 3/4 L: 1/8 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ c d e2 (dc) | {A}G (F/E/) F3 G | w: Wil-ly's rare, and* Wil-ly's* fair, And c d {f}e2 (dc) | e M: C L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - [|\ G> D E> D G2 D> D | G A {GA}B w: Wilt thou be my dear-ie, When sor-row wrings G B A A> B | G> D E D G2 D2 | w: thy gen-tle heart, O wilt though let me cheer thee? G> A B B B B B> B | A> G A B w: By the trea-sure of my soul, And that's the love I e2 e g | e> e {e}d (c/B/) e A A> B | w: bear thee, I swear and vow that* on-ly thou Shalt G> D E D G2 D> D | e> d e (d/B/) w: e-ver be my dear-ie: I swear and vow that* d> B A> B | G> D E D G2 D2 |] w: on-ly thou Shalt e-ver be my dear-ie. %page 69 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Lassie, say thou loes me; W: And if thou winna be my aim, W: O say na thou'lt refuse me. W: If it manna, canna be, W: That thou for thine may choose me, W: Then let me, Jeanie, quickly die, W: Ay trusting that thou loes me. W: W:3.Flower of beauties, hear me, W: And dinna treat me wi' disdain; W: A' ither ills I fear na, W: Gin thou wad only smile on him W: Could part wi' life to please thee; W: Of joys on earth I'll ask nae mair, W: Gin thou wilt be my dearie. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 95 T: WITHIN A MILE OF EDINBURGH O: 1811 B: "Caledonian Musical Repository", 1811, p.74-76 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: The dotted notes are a bit flakey in the last two measures; fixed in the obvious way. M: C L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - f> g | (af) d2 (f e | (f>a) (b>d') (a f | w: E-din-burgh* town, In the ro-*sy* time* of the (Tf2 e2) z2 (f>g) | (af) d2 f d | w: year,* Sweet* flow-*ers* bloom'd, and the (B e | (ff) | w: grass* was* down, And each shep-*herd* woo'd* his* d4 z4 | d> e f> g af d'2 | w: dear; Bon-ny Jock-ey, blythe and gay, d> e f> g a f d' d | w: Kiss'd sweet Jen-ny mak-ing hay; The d> e d B A G A d | w: las-sie blush'd, and frown-ing cry'd, Na, f d f a (Hb>c'Hd') b | a f d2 |] w: win-na, win-na, man-na buckle to. %page 75 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Jockey was a wag that never wad wed, W: Tho' lang he had followed the lass; W: Contented she earn'd and ate her brown bread, W: And merrily turn'd up the grass. W: Bonny Jockey, blythe and free, W: Won her heart right merrily, %page 76 W: Yet still she blush'd, and frowning cry'd, W: Na, na, it winna do; W: I canna, canna, winna, winna, manna buckle to. W: W:3.But when he vow'd he wad mak her his bride, W: Tho' his flocks and herds were not few, W: She gied him her hand, and a kiss beside, W: And vow'd she'd for ever be true. W: Bonny Jockey, blythe and free, W: Won her heart right merrily; W: At church she nae mair frowning cry'd, W: Na, na, it winna do, W: I canna, canna, winna, winna, manna buckle to. % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 96 T: WOO'D AND MARRIED AND A' O: 1811 B: "Caledonian Musical Repository", 1811, p.256-259 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers M: 9/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - g | d2 c B> c A G2 G | w: The bride came out o' the byre, And B> c d d g B d2 e | w: O, as she dight-ed her cheeks! Sirs, d> e c B> c A G> A B | w: I'm to be mar-ried the night, And hae E2 e e> f ^d e2 g | w: nei-ther blan-kets nor sheets; Hae (d>e) f g> a g (fe) d | w: nei-*ther blan-kets nor sheets,* Nor (B>c) d d g B d2 g | w: scarce* a co-ver-let to; The %page 257 d> e c B> c A G> A B | w: bride that has a' thing to bor-row Has E2 e e> f ^d e3 | d2 c B> c w: e'en right mei-kle a-do. Woo'd and mar-ried A G3 | (B>c) d d g B d2 e | w: and a', Woo'd* and mar-ried and a', And d> e c B> c A G> A B | w: was na she ve-ry weel aff, That was E2 e e> f ^d e2 |] w: woo'd and mar-ried and a'. % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.Out then spak the bride's father, W: As he cam in frae the pleugh, W: O haud your tongue, my doughter, W: And ye's get gear eneugh; %page 258 W: The stirk that stands i' the tether, W: And our braw baws'nt yad, W: Will carry ye hame your corn; W: What wad ye be at, ye jad? W: Woo'd and married, &c. W: W:3.Neist out spak the bride's mither, W: What de'il needs a' this pride! W: I had na a plack in my pouch W: That night I was a bride: W: My gown was linsy-woolsy, W: And ne'er a sark ava; W: And ye hae ribbons and buskings, W: Tar mair than ane or twa. W: Woo'd and married, &c. W: W:4.What's the matter, quo' Willie, W: Though we be scant o' claise? W: We'll creep the closer thegither, W: And we'll smoor a' the fleas: W: Simmer is soon coming on, W: And we'll get teats o' woo, %page 259 W: And likewise a lass o' our ain, W: And she'll spin claise anew. W: Woo'd and married, &c. W: W:5.Out spak the bride's brither, W: As he cam in wi' the kye, W: Poor Willie had ne'er a ta'en ye. W: Had he kent ye as weel as I; W: For ye're baith proud and saucy, W: And no for a poor man's wife; W: Gin I canna get a better, W: Ise ne'er tak ane i' my life. W: Woo'd and married, &c. W: W:6.Out spak the bride's sister, W: As she cam in frae the byre, W: O gin I were but married, W: It's a' that I desire. W: But we poor fouk maun live single, W: And do the best we can; W: I dinna care what I should want. W: If I could get but a man. W: Woo'd and married, &c, % - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 %%sep 1 1 500 X: 97 T: the YELLOW HAIR'D LADDIE O: 1811 B: "Caledonian Musical Repository", 1811, p.242-245 F: http://digital.nls.uk/special-collections-of-printed-music/pageturner.cfm?id=87686121 Z: 2013 John Chambers N: In the 1806 edition, the harmony line isn't present, and the strains aren't repeated. N: In bar 9, the A pickup in V:2 has a flag; corrected to a quarter note. M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - [V:1] (DE) | F2 A2 (Bc) | d2 e2 ({de}f2) | w: In* A-pril when* prim-ro-ses [V:2] D2 | D2 F2 G2 | F2 E2 D2 | % [V:1] A2 (BA) (GF) | {F}E4 DE | F2 A2 (Bc) | w: paint the* sweet* plain, And* sum-mer ap-* [V:2] F2 (GF) ED | A4 FE | D2 F2 G2 | % [V:1] (dc) (de) {de}f2 |[1 (AB) (AF) (ED) | D4 :| w: proach-*ing* re-joic-*eth* the* swain. [V:2] F2 E2 D2 |1 (FG) A2 G2 | F4 :| % [V:1] [2 A2 (gf) ed | d4 |: (de) | f2 (gf) (ed) | w: joi-ceth* the* swain, The* yel-low* hair'd* [V:2] [2 (FG) A2 G2 | F4 |: A2 | d2 (ed) (cB) | %page 243 % [V:1] c2 (ec) (BA) | (B>cd) B (AG) | ({F}E4) (DE) | w: lad-die* would* of-**ten-times* go, To* [V:2] A2 A2 F2 | G2 G2 (FD) | A4 (FE) | % [V:1] F2 A2 (Bc) | (dc) (de) f2 | w: wilds and deep* glens* where* the [V:2] D2 F2 G2 | F2 E2 D2 | % [V:1] [1 A2 (gf) (ed) | d4 :|[2 (AB) (AF) (ED) | D4 |] w: haw-thorn* trees* grow. haw-*thorn* trees* grow. [V:2] [1 (FG) A2 G2 | F4 :|[2 (FG) A2 G2 | F4 |] %page 244 % - - - - - - - - - - - - - - - - - - - - - - - - - W:2.There, under the shade of an old sacred thorn, W: With freedom, he sung his loves, evening and morn: W: He sung with so soft and inchanting a sound, W: That sylvans and Fairies, unseen, danc'd around. W: W:3.The shepherd thus sung: Tho' young Maddie be fair, W: Her beauty is dash'd with a scornful proud air: W: But Susie was handsome, and sweetly could sing; W: Her breath like the breezes perfum'd in the spring. W: W:4.That Maddie, in all the gay bloom of her youth, W: Like the moon, was inconstant, and never spoke truth: W: But Susie was faithful, good-humour'd, and free, W: And fair as the goddess that sprung from the sea. W: W:5.That mamma's fine daughter, with all her great dow'r, W: Was awkwardly airy, and frequently sour: W: Then sighing, he wish'd, would but parents agree. W: The witty, sweet Susie, his mistress might be. %page 245 %%sep 5 1 500 T: THE ORIGINAL WORDS. K: W:1.The yellow-hair'd laddie sat down on yon brae. W: Cries, Milk the ewes, lassie, let nane o' them gae; W: And ay as she milked, and ay as she sang, W: The yellow-hair'd laddie shall be my gudeman. W: And ay as she milked, &c. W: W:2.The weather is cauld, and my claithing is thin, W: The ewes are new clipped, they winna bught in: W: They winna bught in, although I should die; W: O yellow-haired laddie, be kind unto me. W: They winna bught in, &c. W: W:3.The gudewife cries butt the house, Jenny, come ben. W: The cheese is to mak, and the butter's to kirn; W: Though butter and cheese, and a' should e'en sour, W: I'll crack and kiss wi' my love ae lang hauf hour: W: It's ae iang hauf hour, and we'se e'en mak it three, W: For the yellow-hair'd laddie my gudeman shall be. % - - - - - - - - - - - - - - - - - - - - - - - - -