X: 036049
T: LITTLE SHOES (V)
O: I. Morris, V, 1930s, B.
R: polka, reel
B: DTFMTF: Sam Bayard's "Dance to the Fiddle, March to the Fife" p.36 #49 (and top staff of p.37)
Z: 2026 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: G
AB |\
c2C2 C2C2 | CCDE FEDF | A2D2 D2A2 | DEFG AGAB |\
c2C2 C2C2 | CCDE FEDF | A2D2 EFA2 | G3F G2 |]
Bc |\
dBdB G2g2 | e4 ^c2a2 | f4 d2ef | g2b2 d2Bc |\
dBdB G2g2 | e4 ^c2a2 | f4 d2ef | g2 (3agf g2 |]
% %begintext align
% % The second part of this tune is an international strain that resounds endlessly
% % through our present-day instrumental folk music, forming sometimes the first
% % section, sometimes a following one, of a number of tunes, and assuming quite
% % a number of variant forms. Examples are Howe DSV, p.76, The Muses (1st part),
% % as Zweitritt, a folkdance dated between 1820 and 1850; and two English examples
% % names Three Meet or The Pleasures of the Town, Sharp CDT, II, p.14 (1st part),
% % and Karpeles 100, p.6 (1st part).
% %endtext