X: 034041
T: SQUARE DANCE (V)
O: Losch, V, 1930s, B.
R: reel, march
B: DTFMTF: Sam Bayard's "Dance to the Fiddle, March to the Fife" p.34 #41
Z: 2026 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: D
% = = = = = = = = = =
D2 | GFGA B3B | cBcd e2dB | G2D2 "^A....."GABc | dcBA G2 :| z2 | d2ef ggfg | e2cB A2AB | cBcd e2e2 |
{B}dcBA G2 || z2 | d2ef ggfd | e2dB A3A/B/ | cB AB/c/ e2e2 | {B}dcBA G2 |] y2 "^Var."y || "A"G2 (3ABc ||
% = = = = = = = = = =
% %begintext align
% % There are a few tunes which begin with the formula making up the
% % first two bars of our tune, but in all cases the likeness hardly
% % extends any farther; invariably the tunes beginning thus diverge
% % into quite distinct melodies. Such are One Thousand, p.99, 9th;
% % p.100, 2nd; White Ex, p.30, 3rd; White Un, No.63.
% %endtext