X: 0
T: Haste to the Wedding
K:


X: 1
P: Haste to the Wedding
O: 1760
M: 6/8
L: 1/8
R: jig
Z: 2005 John Chambers <jc:trillian.mit.edu>
B: Cole p.53
B: Called "The Small Pin Cushion" in J. Oswald's "Caledonian Pocket Companion" (bk. 10, c 1760)
B: Called "Carrick Fergus" in J. Brysson's "A Curious Collection of Favourite Tunes" (Edinburgh 1791)
N: "The tune 'Come, Haste to the Wedding,' of Gaelic origin, was introduced in the pantomime, The Elopement, staged in London in 1767." (Linscott, 1939)
K: D
F/G/ \
| "D"A>BA Agf | "G"ede "A7"fdB | "D"A>BA "Bm"AdF | "Em"GFG "A7"EFG | "D"A>BA Aaf |
| "G"ede "A7"fdB | "D"A>BA "A7"faf | "D"d>ed d2 :: f/g/ | "D"a>fa afa | "G"b>gb "(A7)"bag |
| "D"fga "Bm"agf | "Em"g>fg "A7"efg | "D"a2z "Bm"f2z | "Em"ede "A7"fdB | "D"A>BA "A7"faf | "D"d>ed d2 :|


X: 2
P: Kesh Jig  (Kincora Jig)
R: jig
Z: 1997 by John Chambers <jc:trillian.mit.edu>
B: George Petrie "Tear the Callies" 1850
M: 6/8
L: 1/8
K: G
D \
| "G"~G3 GAB | "D7"~A3 ABd | "G"edd gdd | "D7"edB dBA \
| "G"~G3 "(Em)"GAB | "Am"~A3 "D7"ABd | "G"edd gdB | "D7"AGF "G"G2 :|
|: A \
| "G"~B3 dBd | "C"ege "G"dBG | "G"~B3 dBG | "Am"~A3 "D7"AGA \
| "G"~B3 dBd | "C"ege "G"dBd | "C"~g3 "D7"aga | "D7"bgf "G"g2 :|


X: 3
P: Jefferson and Liberty
O: Howe, 1843
R: jig
Z: John Chambers <jc:trillian.mit.edu>
N: Based on an older Irish tune, The Gobby-O, from c.1808.
N: The key is Am in some old books, but A Dorian is more common (and more Irish).
N: The original tune for the dance "Jefferson & Liberty" was "Willie was a Wanton Wag", aka "Constitution March" in the US.
N: This tune replaced it in the 1840s.
M: 6/8
L: 1/8
K: Ador
|: "Am"{B}c2A A^GA | E2A ABc | "G"B2G GBc | dBG GAB \
|  "Am"c2A A^GA | E2A A2e | edc "E7"BAB | "Am"E2A A3 :|
|: "Am"A2B c2d | "C"e2f g3 | e2f g2e | "G"dBG G2E \
|  "Am"A2B c2d | efg "F"a3 | "C"edc "E7"BAB | "Am"c2A A3 :|


X: 4
P: Stan Chapman's Jig  (Willie's Trip To Toronto)
O: attr. Jerry Holland
M: 6/8
L: 1/8
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Origin of the name, from fiddleinspain@thesession.org:
N: [Stan told me that he] was touring Cape Breton with some young fiddlers
N: and dropped in to see Jerry Holland. Jerry played him a jig and Stan
N: liked it so much he asked if he could have the dots so he could teach
N: it to his students. He toured/played/taught for the next year or so
N: and then met a fiddler who played him the same tune. When Stan identified
N: it by the name he’d been given (Willie’s Trip to Toronto?), the fiddler
N: looked at him funny and told him it was called Stan Chapman’s... That
N: was the first time he found out it had been renamed in his honour! I’m
N: pretty sure Stan still has the handwritten copy with the original title
N: somewhere.
K: A
   F \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | ecA "E"BAF \
| "A"E3 EFA | "E"B3 Bce | "A"fea fec | "E"ecA "A"A2 :|
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "A"cAA A2 |]
y  f \
| "A"e2e ecA | "D"f2-f fga | "A"fec "E"BAB | "F#m"cAF "D"F2f \
| "A"ecA ecA | "D"fdf fga | "A"fec "E"BAB | "A"cAA A2 |]


X: 5
P: Roaring Jelly #1  (Smash the Windows)
O: trad
R: jig
B: Kerr's Caledonian; Kennedy v.1, Cole
N: In O'Neill's as a reel (#1382)
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: See also Smash the Windows, which has a B1 and a B2 part.
M: 6/8
L: 1/8
K: D
   A \
| "D"D>ED F2A | d2f "A"ecA | "G"G2B "D"F2A | "Em"E2F "A7"GFE \
| "D"D>ED F2A | d2f "A"ecA | "G"Bgf "A7"edc | "D"d3- d2 :|
|: f/g/ \
| "D"a2f d2f | f2g agf | "A7"g2e c2e | e2f gfe \
| "D"fed "A7"gfe | "D"agf "G"bag | "D"fed "A7"cde | "D"fdd d2 :|