X: 1 T: Ale is Dear T: Maighstir Ord S: MS of unknown origin, in Concord Slow Scottish collection O: 1848 B: 1848 William Gunn "The Caledonian Repository of Music Adapted for the Bagpipes", Glasgow, 1848, p.22 Z: 2018 John Chambers M: C| L: 1/8 K: Bdor e2 |\ "Bm"{g}f2ef B2ce | "Bm"{g}f2ea "A"cAce |\ "Bm"f2ef "G"B2ce | "F#m"faec "Bm"B2Be ||\ "Bm"{g}feef B2ce | "Bm"{g}feea "A"cAce |\ "Bm"f2ef "G"B2ce | "F#m"faec "Bm"B2B2 |]|\ "Bm"ABBc d2cB | "A"cAAB ABcA | "Bm"B2Bc d2cB | "F#m"f2ec "Bm"B2B2 ||\ "Bm"ABBc d2cB | "A"cAAB ABcA |\ "G"d2fd "Em"c2ec | "F#m"f2ec "Bm"B2 |] %%sep 1 1 500 X: 2 T: Anne's Reel C: Fergie MacDonald R: reel S: Page from Concord Slow Scottish Session collection Z: 2017 John Chambers M: C| L: 1/8 K: D (AG) |\ F2(EF) DFFD | FAAB B2(AB) | d2(fd) BddB |[1,3 ABAF EA :|[2,4 Addc d2 :| |: (fg) |\ a2(ag) faaf | efed BddB | A2(fA) fAAf |[1,3 A2(fA) e2 :|[2,4 A2(fe) d2 :| %%sep 1 1 500 X: 3 T: the Annex C: Jake Charron S: as played by Cynthia MacLeod S: Page from Concord Slow Scottish Session collection R: reel Z: 2016 John Chambers M: C| L: 1/8 K: A g |\ ac c/c/c dcdf | ec c/c/c BAFE |\ DFAc dcdf | ecAc [1,3 B3 :|[2,4 A3 :| |::: g |\ fc c/c/c defg | a2eg fece |\ defg [1,3 afge | cffe f3 :|[2,4 aece | dBGB A3 :| %%sep 1 1 500 X: 4 T: Arthur Muise C: Brenda Stubbert R: reel Z: 2014 John Chambers S: printed copy of unknown origin M: C| L: 1/8 K: Amix Ad |\ cA A/A/A F M: C| L: 1/8 K: Bm c \ | "Bm"BF F/F/F {c}d2de | "A"cAeA "F#7"(Tfe)({c}dc) \ | "Bm"BF F/F/F {c}d2cd | "F#7"(Tfe)({c}dc) "Bm"{c}dBBc | | "Bm"BF F/F/F {c}d2de | "A"cBAa "F#7"(Tfe)({c}dc) \ | "Bm"BF F/F/F {c}d2cd | "F#7"(Tfe)({c}dc) "Bm"{c}dBB :| |: c \ | "Bm"(Bb)(ba) "G"{f}gfed | "A"ca(ed) cAAc \ | "Bm"(Bb)(ba) "G"{f}gfed | "A"caec "Bm"dBBc | | "Bm"(Bb)(ba) "G"({f}gf)ed | "A"caed cAAc \ | "Bm"(BF)Bc "G"{c}dc{c}de | "F#7"(Tfe)({c}dc) "Bm"{c}B2 :| %%sep 1 1 500 X: 6 T: Keep It Up T: As a th\`oiseach T: Be Off Macintosh B: Skye, Hardie B: BSFC Session Tune Book 2016 p.63 N: pipe reel Fraser p.56 D: Ed Pearlman on Boston Hospitality Z: 2011 John Chambers M: C L: 1/8 K: EDorian c | "Em"dEBE dEBc | "Em"dEBE "D"FDDc | "Em"dEBE "(G)"GBeB | "A7"cAdA "D"FDD :| f | "Em"gebe geef | "Em"gebe "D"fddf | "Em"gebe gefd | "A7"cAdA "D"FDD || f | "Em"gebe geef | "Em"gebe "D"fddf | "Em"ebgb "(D)"faeg | "A7"fcdA "D"FDD |] %%sep 1 1 500 X: 7 T: the Old Grey Cat T: the Auld Grey Cat R: reel O: Kerr c.1880 B: Kerr's Merry Melodies, v.1p.28 c.1880 B: Roaring Jelly Coll. Z: John Chambers M: C| L: 1/8 K: Edor B2 \ | "Em"{^d}e2e2 E3F | GFGA BABc | "D"{^c}d2d2 D3E | FAdB AFED | "Em"{^d}e2e2 E3F | | GFGA BABc | "D"{^c}dcBA "B7"BAGF | "Em"E4 e2 :: ed | "Em"B2e2 e3d | Bdef gfed | | "D"A2d2 d3B | ABde fedf | "Em"e2B2 "D"g2B2 | "C"a2B2 "B7"b3a | "Am"gfed "B7"BAB^d | "Em"e6 :| %%sep 1 1 500 X: 8 T: the Banshee 3 T: McMahon's Reel C: James McMahon R: reel Z: John Chambers M: C| L: 1/8 K: G |:\ "G"~G3D ED[EB,][GD] | "(Am)"[AG][GD][AG]B "D7"d2Bd | "G"eged "Em"BAGA | "C"BAGE "D7"EDEF | "G"~G3D EDEG | "Am"AGAB "D7"d2Bd | "G"eged "Em"BAGA | "C"BAGE "D7"EDD2 :| |:\ "Am"eaag efge | "G"dBBA "(Bm)"B2Bd | "Em"eB~B2 gBfB | eBBA B2Bd | "Am"eaag efge | "G"dBBA "(Bm)"B2Bd | "C"eged "Em"BAGA | "Am"BAGE "D7"EDD2 :| %%sep 1 1 500 X: 9 T: the Barrowburn Reel C: Addie Harper %date: 1988 Z: John Chambers N: Addie Harper (who is this - Do we need permission?) L: 1/8 K: D z2 | "D"~D2DE FAAd | "G"~B2BA BddB | "D"~A2AB "Bm"d2de | "Em"fedB "A7"AFEF | "D"~D2DE FAAd | "G"~B2BA Bdde | "D"f2af "A7"e2fe | "G"dB"A7"AB "D"d2 :: cd | "A7"~e2ef ecBA | "D"~f2fg fdBA | "Em"~g2ga gecA | "F#m"a2ag f2ef | "G"g2ga gecA | "D"a2ag f2ef | "G"g2ag "D"f2ed | "G"dB"A7"AB "D"d2 :| %%sep 1 1 500 %%sep 1 1 500 X: 10 T: the Barrowburn Reel C: Addie Harper %date: 1988 Z: John Chambers N: Addie Harper (who is this - Do we need permission?) L: 1/8 K: D z2 \ | "D"~D2DE FAAd | "G"~B2BA BddB | "D"~A2AB "Bm"d2de | "Em"fedB "A7"AFEF | y4 \ | "D"~D2DE FAAd | "G"~B2BA Bdde | "D"f2af "A7"e2fe | "G"dB"A7"AB "D"d2 :| |: cd \ | "A7"~e2ef ecBA | "D"~f2fg fdBA | "Em"~g2ga gecA | "F#m"a2ag f2ef | y4 \ | "G"g2ga gecA | "D"a2ag f2ef | "G"g2ag "D"f2ed | "G"dB"A7"AB "D"d2 :| %%sep 1 1 500 X: 11 T: Bernadette's Reel C: Steve Spence %date:1982 R: reel S: printed page in Concord Slow Scottish Session collection S: PDF file from Concord Slow Jam collection Z: 2015 John Chambers M: C| L: 1/8 K: Ador |:\ "Am"EAAG A3B | cedB "D7"cDEF | "G"G2BG cGBG | G,B,DG BcBG | y2| "Am"EAAG A3B | cedB "D7"cDEF | "G"G2BG cGBG |1 "Em"ABAG "Am"A4 :|2 "Em"ABAG "Am"A3 |] g |\ "Am"aAAa "G"gedg | "Em"edBA "D7"BDEF | "G"G2BG cGBG | G,B,DG Bdeg | y2| "Am"aAAa "G"gedg | "Em"edBA "D7"BDEF | "G"G2BG cGBG | "Em"ABAG "Am"A3 |] g |\ "Am"aAAa "G"gedg | "Em"edBA "D7"BDEF | "G"G3D EDB,D | G,B,DG BcBG | y2| "Am"EAAG A3B | cedB "D7"cDEF | "G"G2BG cGBG | "Em"ABAG "Am"A4 |] %%text Most of the leading tone G notes were sharped in the original. %%sep 1 1 500 X: 12 T: John McNeil's Reel T: Big John McNeil C: Peter Milne S: handwritten copy of unknown origin in Concord Slow Scottish Session collection Z: 2015 John Chambers (based on RSCDS version from Anselm Lingnau) %%staffsep 40 M: C| L: 1/8 K: A E !segno!||\ "A"A,2CE FECE | "A"AECE FECE |\ "A"A,2CE FECE | "D"FAGF "E7"EDCB, | "A"A,2CE FECE | "A"AECE FE[DC][CA,] |\ "E/G#"B,D"A"CE "Bm"DF"A7/C#"E=G | "D"FA"E7"GB "A"cAA :| |: f |\ "A"eA"D"fA "A"eAca | "A"eA"D"fA "A"e2 f/g/a |\ "A"eA"D"fA "A"eAce | "D"df"A"ca "E"B2 {de}Tf2 | "A"eA"D"fA "A"eAca | "A"eA"D"fA "A"e2 e/f/g |\ "A"a[bg]ag fedc |1 "E7"defg "A"a3 :|2 "D"BAGF "E7"EDC!segno!B, |] %%sep 1 1 500 X: 13 T: Bill Powrie C: Ian Powrie R: reel, hornpipe Z: 2014 John Chambers S: SRSNH page 7.9 M: C| L: 1/8 K: D A2 |\ "D"D2DF AFF2 | "D"d2Ad "D7"fdd2 |\ "G"d2Bd "D"dAAd | "E7"ceAc eAGE || y4 |\ "D"D2DF AFF2 | "D"d2Ad "D7"fdd2 |\ "G"d2Bd "D"dAAd | "A7"ceAc "D"d2 :| |: de |\ "D"f2gf "D7"fee2 | "G"d2Bd "D"dAA2 |\ "G"dBBd "D"dAAd | "E7"ceAc "A7"egfe || y4 |\ "D"f2gf "D7"feef | "G"d2Bd "D"dAA2 |\ "G"dBBd "D"dAAd | "A7"c{d}e Ac "D"d2 :| %%sep 1 1 500 X: 14 T: Boston Urban Ceilidh C: Hanneke Cassel Z: rog:vitanuova.com scots-l 2004-7-12 M: 4/4 L: 1/8 K: D |:\ f3g fede | ff2g fedc | BAGB ABcA | cdec defg | f3g fed2 | ff2g fed2 | BAGB ABcA |[1 cdec d3e :|[2 cdec defg | |:\ ad (3ddd adad | aB (3BBB gBgB | ac (3ccc acac | fgfe defg | ad (3ddd adad | aB (3BBB gBbg | ac (3ccc acac | fgfe d4 :| %%sep 1 1 500 X: 15 T: the Bottom of the Punch Bowl O: Trad R: reel Z: 1997 by John Chambers , modified by: S: handwritten page in Concord Slow Scottish Session collection M: C| L: 1/8 K: D FE \ | "D"D2D2 d3e | "D"d2D2 FGAF \ | "Em"E2E2 "/G"efgf | "A7"e2E2 "/C#"FGAF | | "D"D2D2 d3e | "D"fedB "/F#"d3A \ | "G"B3F "A7"A3E | "D"F2D2 D2 :| |: de \ | "D"fedB "A/C#"ABde | "Bm"fedB "/A"d3e \ | "G"A3B "D/F#"ABde | "Em"f2e2 "A7"e2de | | "D"fedB "A/C#"ABde | "Bm"fedB "/F#"d3A \ | "G"BdBF "A7"ABAE | "D"F2D2 D2 :| %%sep 1 1 500 X: 16 T: Brenda Stubbert C: Jerry Holland O: Cape Breton R: reel N: BSFC VIII-9 D: on Altan The Red Crow; Natalie McMaster tape? N: (get Jerry Holland's permission) Z: 2007 John Chambers N: N: This fine tune is already being mistakenly called "traditional" N: by people who don't realize that it's only a few years old. M: C| L: 1/8 K: Am B \ | "Am"RA2BA GAAB | RA2B[dA] edd[eB] | "G"RG2BA BGGB | c2BA BGGB | y3 \ | "Am"RA2BA GAAB | RA2B[dA] edda | "G"gedB GABd | "(Em)"e2dB "Am"eAA :| |: B | "Am"RA2a2 RA2g2 | RAage age[gd] | "G"RG2BA BGGB | c2BA BGGB | y4 \ |[1 "Am"RA2a2 RA2g2 | RAage agea | "G"gedB GABd | "(Em)"e2dB "Am"eAA :| y4 \ |[2 "Am"RA2BA GAAB | RA2Bd edda | "G"gedB GABd | "(Em)"e2dB "Am"eAA |] %%sep 1 1 500 X: 17 T: Brumley Brae N: The source had "(Recommended Version)" after the title. Recommended by who(m)? ;-) C: William McPherson (1919-1974) R: reel S: printed page in Concord Slow Scottish Session collection Z: 2015 by John Chambers N: 2nd strain rewritten as 4 repeated bars + two 4-bar endings, for 5 staves. M: 4/4 L: 1/8 K: D A |\ "D"{c}d2cd AFD(d | cd)AF DFAF | "Em"EB, B,/B,/B, GFED | "A7"CEGB =cA^cA | y3 |\ "D"{c}d2cd AFD(d | cd)AF DFAF | "Em"GBgf "E7"ecdB | "A7"AFGE "D"D3 :| |: (a |\ "D"^ga)fd A(a^ga) | fdA(a ^ga)fd | "Em"eB B/B/B bagf | "E7"edcB "A7"A [1 a^g(a |\ "D"^ga)fd A(a^ga) | fdA(a ^ga)fd | "Em"eB B/B/B BABG | "A7"FDEC D3 :| [2 ^ABc |\ "D"{c}d2cd AFD(d | cd)AF DFAF | "G"[G3G,3]B, "A7"A,CEG | "(D)"FD"A7"EC "D"D2 |] %%sep 1 1 500 X: 18 T: Bulgarian Red C: Charlie McKerran R: reel N: The title refers to a wine. S: printed copy (with handwritten chords) of unknown origin in Concord Slow Scottish Session collection Z: 2015 John Chambers M: C| L: 1/8 K: Dm |:\ "Dm"Addc d2AB | "C"c2dc "G"BGGB |\ "Dm"Addc d2de | "F"f2fa "C"geed | "Dm"Addc d2AB | "C"c2cA "G"BGGA |\ "G"B2BG "C"c2ce |1 "F"f2fa "C"geed :|2 "F"f2fa "C"geec |] |:\ "Dm"dA (3AAA fAeA | "Dm"dA (3AAA "C"dcAc |\ "Dm"dA (3AAA "C"fAeA | "F"f2fa "C"geed | "Dm"dA (3AAA fAeA | "Dm"dA (3AAA "C"dcAc |\ "G"B2BG "C"c2ce |1 "F"f2fa "C"geec :|2 "F"f2fa "C"geed |] %%sep 1 1 500 X: 19 T: Potatoes and Herring T: Bunt\`ata's Sgadan C: Allan MacDonald R: polka Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection M: C| L: 1/8 K: A B | "A"A2 c{B}A ceae | "D"f2ae "E7"cBB[ae] | "A"A2 c{B}A ceae | "D"f2"E7"ae "A"cAA :| e | "F#m"f2cf efce | f2ae "E"cBBe | "F#m"f2cf efce | "D"f2"E7"ae "A"cAA || e | "F#m"f2cf efce | f2ae "E"cBB[ae] | "A"A2c{B}A ceae | "D"f2"E7"ae "A"cAA |] %%sep 1 1 500 X: 20 T: the Burning of the Piper's Hut R: march Z: 2014 John Chambers from MS by Barbara McOwen dated November 2003 B: Ross Collection v.4 S: Page from Concord Slow Scottish Session collection M: C| L: 1/8 K: Bm %%slurgraces f2 |\ "Bm"B>c de) fd) | "A"c2 A2 e2 A2 | "A"c>d eA cc de) fd) | "A"c2 A2 "F#m"f2 A2 | "Bm"c2 B2 B2 :| |: f2 |\ "Bm"B>c dd) | "A"c2 A2 e2 A2 | "A"c>d eA cc dd) | "A"c2 A2 "F#m"f2 A2 | "Bm"c2 B2 B2 :| %%sep 1 1 500 X: 21 T: Calum Donaldson C: Ronnie Cooper (1934-1982) O: Shetland R: reel S: Concord MA Slow Scottish Session 2023-11-8 Z: 2023 John Chambers M: C| L: 1/8 K: A uE |:\ "A"EAAG ABcd | eAcA "F#m"eAcA | "Bm"Bffe [1 f2(fg) | afec "E7"BdcB :|[2 "D"fgaf | "E7"ecBc "A"A2 || ue2 |:\ "A"agab agfe | fedc dcBA | "Bm"Bffe [1 f2(fg) | "B7"afec "E7"Befg :|[2 "D"fgaf | "E7"ecBc "A"A2 |] %%sep 1 1 500 X: 22 T: Calum Donaldson C: Ronnie Cooper (1934-1982) O: Shetland R: reel S: Concord MA Slow Scottish Session 2023-11-8 Z: 2023 John Chambers M: C| L: 1/8 K: A uE |\ "A"EAAG ABcd | eAcA "F#m"eAcA | "Bm"Bffe f2(fg) | afec "E7"BdcB | "A"EAAG ABcd | eAcA "F#m"eAcA | "Bm"Bffe "D"fgaf | "E7"ecBc "A"A2 || ue2 |\ "A"agab agfe | fedc dcBA | "Bm"Bffe f2(fg) | "B7"afec "E7"Befg | "A"agab agfe | fedc dcBA | "Bm"Bffe "D"fgaf | "E7"ecBc "A"A2 |] %%sep 1 1 500 X: 23 T: Calum Donaldson C: R.Cooper R: reel Z: 2014 John Chambers S: PDF image of set for The Highlandman Kissed His Mother from George Meikle 2012 M: C| L: 1/8 K: A A |\ "A"EAAG "E7"ABcd | "A"eAcA "F#m"eAcA |\ [1,3 "Bm"Bffe f3g | "Bm"afec "E7"BdcB :|\ [2,4"Bm"cffe fgaf | "E7"ecBc "A"A3 :| e |::\ "A"agab agfe | "D"fedc "A"dcBA |\ [1 "Bm"Bffe f3g | "Bm"afec "E7"Befg :|\ [2 "Bm"Bffe fgaf | "E7"ecBc "A"A3e :| |[3 "Bm"Bffe f3g | "Bm"afec "E7"BdcB |]\ "A"EAAG ABcd | "A"eAcA "F#m"eAcA |\ "Bm"Bffe fgaf | "E7"ecBc "A"A3 |] %%sep 1 1 500 X: 24 T: Calum Donaldson C: R.Cooper R: reel Z: 2014 John Chambers S: PDF image of set for The Highlandman Kissed His Mother from George Meikle 2012 M: C| L: 1/8 K: A A |\ "A"EAAG "E7"ABcd | "A"eAcA "F#m"eAcA |\ [1,3 "Bm"Bffe f3g | "Bm"afec "E7"BdcB :|\ [2,4"Bm"cffe fgaf | "E7"ecBc "A"A3 :| e |\ "A"agab agfe | "D"fedc "A"dcBA |\ [1 "Bm"Bffe f3g | "Bm"afec "E7"Befg :|\ [2 "Bm"Bffe fgaf | "E7"ecBc "A"A3 |] e |\ "A"agab "E7"agfe | "A"fedc "F#m"dcBA |\ "Bm"Bffe f3g | "Bm"afec "E7"BdcB | "A"EAAG ABcd | "A"eAcA "F#m"eAcA |\ "Bm"Bffe fgaf | "E7"ecBc "A"A3 |] %%sep 1 1 500 X: 25 T: the Cardin' o't S: Scots Musical Museum #437 R: reel S: page in Concord Slow Scottish Session collection S: handwritten page labelled "Potomac Valley Scottish Fiddle Club" Z: 2015 John Chambers M: C| L: 1/8 K: G BA |\ "G"G3A B3c | d2ge dBAG |\ "C"c3e "G"dBAG | "D"FGAB A3B |\ "C"cBcd efge | "G"dBAG "D"F2ED |\ "G"G3A "D7"BdAc | "G"B2G2 G2 :: ge |\ "G"dBGB d3e | "G"dBGB d2cB | "C"cBcd efga | "D"f2d2 d2cB |\ "C"cBcd efge | "G"dcBA "D7"F2ED |\ "G"G3A "D7"BdAc | "G"B2G2 G2 :| %%sep 1 1 500 X: 26 T: Carnie's Canter M: 4/4 L: 1/8 C: J.S.Skinner B: Skye Collection S: Betsy Hooper's collection 2010-5-1 R: reel K: F B |\ "F"Ac c/c/c dc=Bc | "F"Ac=Bc fc_BA |\ "Gm"Bd d/d/d ed^cd | "Gm"Bd^cd "C7"ed=cB |\ "F"Ac c/c/c dc=Bc | "F"Ac=Bc fc_BA |\ "Bb"BABd g^fga | "Gm"bagf "C7"edcB |[|\ "F"Af f/f/f cfAf | "F"afef "Dm"cfAf | "Gm"Bg g/g/g dgBg | "Gm"bagf "C7"edcB |\ "F"Af f/f/f cfAf | "F"afef "Dm"cfAf |\ "Bb"bgaf "Gm"gefd | "C7"cBAG F3 |] %%sep 1 1 500 X: 27 T: Carnie's Canter M: 4/4 L: 1/8 C: J.S.Skinner B: Skye Collection S: Betsy Hooper's collection 2010-5-1 R: reel K: F B |\ "F"Ac c/c/c dc=Bc | "F"Ac=Bc fc_BA |\ "Gm"Bd d/d/d ed^cd | "Gm"Bd^cd "C7"ed=cB | "F"Ac c/c/c dc=Bc | "F"Ac=Bc fc_BA |\ "Bb"BABd g^fga | "Gm"bagf "C7"edcB |] [|\ "F"Af f/f/f cfAf | "F"afef "Dm"cfAf |\ "Gm"Bg g/g/g dgBg | "Gm"bagf "C7"edcB | "F"Af f/f/f cfAf | "F"afef "Dm"cfAf |\ "Bb"bgaf "Gm"gefd | "C7"cBAG F3 |] %%sep 1 1 500 X: 28 T: Carter MacKenzie's Reel C: Kevin Chiasson R: reel S: page in Concord Slow Scottish Session collection Z: printed 2015 John Chambers M: C| L: 1/8 K: A |: "A"EAAE A2AB | ceaf ecBA | "Bm"FBBA B2Bc | "E7"dBcA BAFA | y3 "A"EAAE A2AB | ceaf ecBA | "D"d2fd "A"ceaf |1 "E7"ecdB "A"cAAF :|2 "E7"ecdB "A"cAAB |] |: "A"Aaag a2ed | cAAc dBcA | "Bm"FBBA B2Bc | "E7"dBcA BAFA | [1 "A"Eaag a2ed | cAce aecA | "D"d2fd "A"ceaf | "E7"ecdB "A"cAAB :| [2 "A"EAAE A2AB | ceaf ecBA | "D"d2fd "A"ceaf | "E7"ecdB "A"cAA2 |] %%sep 1 1 500 X: 29 T: Catchin' Rabbits C: Ian Powrie Z: 1999 John Chambers R: reel M: C| L: 1/8 K: D A2 |:\ "D"FAAB "A7"ABde | "D"f2ef edBA |1,3 "Em"Beed e2ef | gefd "A7"edBA :|2,4 "Em"Beef gefd | "A7"eAce "D"d2 :| |: ag |\ "D"f2ef "G"edBd | "D"ABde f2ed |1,3 "Em"Beed e2ef | gefd "A7"e2 :|2,4 "Em"Beef gefd | "A7"eAce "D"d2 :| ag |\ "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beed e2ef | gefd "A7"edBA | y4 \ "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beef gefd | "A7"eAce "D"d2 |] %%sep 1 1 500 %%sep 1 1 500 X: 30 T: Catchin' Rabbits C: Ian Powrie Z: 1999 John Chambers R: reel M: C| L: 1/8 K: D |: A2 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beed e2ef | gefd "A7"edBA | y4 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beef gefd | "A7"eAce "D"d2 :| ag | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beed e2ef | gefd "A7"e2ag | y4 | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beef gefd | "A7"eAce "D"d2 |] ag | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beed e2ef | gefd "A7"edBA | y4 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beef gefd | "A7"eAce "D"d2 |] %%sep 1 1 500 X: 31 T: the Cockle Gatherer T: Trusaidh mi na Colleagain C: R: reel S: page in Concord Slow Scottish Session collection N: labelled SRSNH 9/91 4.3 Z: 2015 John Chambers M: C| L: 1/8 K: A z "A"|\ "A"A2AA B2c2 | "A"A2AA efa2 |\ "A"A2AA B2c2 | "E7"efed "A"cAA :| |: z "B"|\ "D"a2aa g2f2 | "D"d2dd def2 |\ "A"a2aa g2f2 | "E7"efed "A"cAA :| %%sep 1 1 500 X: 32 T: Dalkeith House C: James MacDonald R: reel S: handwritten MS by Anne Hooper, Boston Harbor Scottish Fiddle School, August 2009 Z: 2015 John Chambers M: C| L: 1/8 K: D f "A"| "D"d2 (AB/c/) dAFD | "Em"GEed "D7(A)"cAA(=c | "G"B2)GB "D"AdFA | "A7"GEAG "D"FD D :| g "B"| "D"f2(df) "A"eace | "E7"dBed "D7(A)"cAA(=c | "G"B2)GB "D"AdFA | "A7"G(BAG) "D"FDD || g | "D"fefd "A"eace | "E7"dBed "D7(A)"cAA(=c | "G"BA)BG "D"FGA=c | "G"BG"A7"ge "D"fd d |] %%sep 1 1 500 X: 33 T: Dancing the Baby O: trad. O'Neill's S: From Liz Donaldson N: orig. O'Neill's 1001 #990 N: Based on T. Traub' transcription. B: Version from the Concord Slow Scottish Jam session binder 2. Z: 2015 John Chambers R: reel M: 4/4 K: D L: 1/8 |:\ "D"FAA2 "A7"GAA2 | "D"FAA2 "A7"GFE2 |\ [1 "D"FAA2 "A7"GAA2 | "Bm"D2DE "D"FED2 :|\ [2 "Bm"D2DF "A"E2EF | "D"D2D2 D4 |] |:\ "D"dFF2 AFF2 | "D"dFF2 "A7"GFE2 |\ [1 "D"dFF2 "F#m"AFF2 | "Bm"D2DE FED2 :|\ [2 "Bm"D2DF "A7"E2EF | "D"D2"(G)"D2 "D"D3B |] |:\ "D"faa2 "A"gaa2 | "D"faa2 "A"gfe2 |\ [1 "D"faa2 "G"gbag | "E7"fed2 "A"cBA2 :|\ [2 "Bm"d2df "A7"e2ef | "D"d2"(G)"d2 "D"d4 |] %%sep 1 1 500 X: 34 T: the Dashing White Eejit R: reel C: Allan Henderson (MCPS) S: handwritten page in Concord Slow Scottish Session collection Z: 2015 John Chambers N: Allan reportedly wrote it for his sister who injured herself dancing the Dashing White Sergeant. L: 1/8 M: C| K: E f |\ "E"eB B/B/B "A"ecce | "E"Bcef "B7"gffg | "E"eBeg "F#m"fagb | "A"aAgA "B7"fgec | "E"eB B/B/B "A"ecce | "E"Bcef "B7"gffb | "A"aAgA "F#m"fgec | "B7"Bebg "E"fee :| |::: B |\ "F#m"cffe fAaA | "B7"gbfg efce | "E"Beed e/e/e eg | "B7"bgfa "E"gee2 :::| %%sep 1 1 500 X: 35 T: Davy Nick Nack O: Trad R: hornpipe, march Z: 2016 by John Chambers S: Paddledoo Collection S: from copy in the Concord Slow Scottish Jam collection. M: C| L: 1/8 K: G D2 |\ "G"GFGA B2B2 | GFGA B2B2 | "D7"dcBc "/C"A2A2 | "/B"dcBc "/A"A2A2 | "G"GFGA B2B2 | GFGA B2B2 | "C"dcBc "D7"AcBA | "G"G2B2 G2 :| |: B2 |\ "G"d3c B2d2 | g2g2 d4 | "D7"dcBc "/C"A2A2 | "/B"dcBc "/A"A2A2 | "G"d3c B2d2 | g2g2 d4 | "C"dcBc "D7"AcBA | "G"G2B2 G2 :| %%sep 1 1 500 X: 36 T: the De'il Amang the Tailors T: the Devil's Dream O: Trad F: http://ramshaw.info/tunes/2018-01/Deil_Amang_the_Tailors.pdf K: A "A"[|] (ef/g/ |\ "A"a2)eg a2eg | a2ea fedc | "Bm"dfBf dfBf | dfba "E7"gefg | "A"a2(3efg a2(3efg | a2ea fedc | "D"dfed "A"cABA | "E7"E2G2 "A"A2 :| "B"|: e2 |\ "A"ceAe ceAe | ceag fedc | "Bm"dfBf dfBf | dfba "E7"gfed | "A"ceAe ceAe | ceAe fedc | "D"dfed "A"cABA | "E7"E2G2 "A"A2 :| %%sep 1 1 500 X: 37 T: the Devil in the Kitchen T: the Prince of Wales' Jig C: W. Ross, H.M. Piper R: strathspey, reel S: Potomac Valley Scottish Fiddle Club collection M: 4/4 L: 1/8 K: A mix [|\ "A"e>A A/A/A e>A "D"f>d | "A"e>A A/A/A "G"g2 fA A/A/A A/A/A c>A | "G"B>G G/G/G g2 fA A/A/A e>A "D"f>d | "A"e>A A/A/A "G"g2 fA A/A/A A/A/A c>A | "G"B>G d/c/B g2 fA A/A/A e>A A/A/A | "A"a>A A/A/A "G"g2 fA A/A/A A/A/A c>A | "G"B>G G/G/G g2 f>g | |\ "A"a>A A/A/A e>A A/A/A | "A"a>A A/A/A "G"g2 f>g |\ "A"a/g/f "G"g>e "D"(3faA "A"e>c | "G"d/c/B g>B d B: Ryan's "Mammoth Collection" R: reel M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - e2 |\ "A"agae agae | agae fedc | "Bm"dfBf dfBf | dfBf "E"agfe | "A"agae agae | agae fedc | "D"dfed "A"cABA | "E"E2A2 "A"A2 :| |: e2 |\ "A"ceAe ceAe | ceAe fedc | "Bm"dfBf dfBf | dfBf "E"agfe | "A"ceAe ceAe | ceAe fedc | "D"dfed "A"cABA | "E"E2A2 "A"A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - %%begintext align %% DEVIL's DREAM. (Form in sets of six couples) %% -- First couple down the outside and back, (foot couples up the %% centre and back at: same time) First couple down the centre, back, %% cast off, (foot couples up the outside and back at: the same time) %% Ladies' chain (first four) -- Right and left. %%endtext % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - %%sep 1 1 500 X: 39 T: the Dog and the Rabbit C: Kris Drever N: has "LAU" at the upper right, but that's who recorded it, not who wrote it N: (as taught by Sarah Naylor at Boston Harbor 2011) S: printed page in Concord Slow Scottish Session collection R: reel Z: 2015,2019 John Chambers M: C| L: 1/8 K: G D2 |\ [B3D3]c BAGA | BEED E3A | Bdeg edBd | e2E2 E2D2 | [B3D3]c BAGA | BEED E3A | Bdeg edBA | B2E2 E2 :: D2 |\ G3G- GABd- | dBAG A2GA | Bdeg edBd | e M: C| L: 1/8 K: EDor D |\ "Em"E2BE dEBE | E2BE "D"AFDF |\ "Em"E2BE dEBE | BABc "D"dAF :| A |\ "D"d2fd "A"c2ec | "D"defg afge |\ "D"d2fd "A"c2ec | "G"BABc "D"dAF|| A |\ "D"d2fd "A"c2ec | "D"defg afge |\ "D"afge "A"fdec | "G"BABc "D"dAF |] %%sep 1 1 500 X: 42 T: the Drunken Landlady C: trad. R: reel Z: 2015 John Chambers N: presented by Hanneke Cassel Boston Harbor 2004 M: C| L: 1/8 K:Ador |:\ g3f eA A/A/A | eAgA eA A/A/A | fd d/d/d fdad |gdfd Bdef | g3f eA A/A/A | eAgA eA A/A/A | d2ef gbaf | gedB [1 A/A/A A2 :|2 A2 eg || |:\ ae e/e/e aegd | egfg edBe | dedB G2Bd | d2dg edBd | ae e/e/e aegd | egfg edBc | d2ef gbaf | gedB [1 A/A/A eg :|2 A2 ag || |:\ eA A/A/A edBd | eA A/A/A edBc | dedB G2Bd | d2dg edBd | eA A/A/A edBd | eA A/A/A edBc | d2ef geaf | gedB [1 A/A/A Bd :|[2 A2eg || |:\ eaag a2eg | ageg a2ge | dedB G2Bd | d/d/d dg edBd | eaag a2eg | ageg a2ge | d2ef geaf | gedB [1 A/A/A Bd :|2 A/A/A A2 |] %%sep 1 1 500 X: 43 T: the Evenstar C: Hanneke Cassell S: from her CD "Some Melodious Sonnet" S: printed page in Concord Slow Scottish Session collection R: reel Z: 2015 John Chambers M: C| L: 1/8 K: G %%staffsep 40 |:\ "Am/G"A3G FGcG | "D7/G"BcFA dDcD |\ "G"B3c dG G/G/G | dGdc BAGB | "Am/G"A3G FGcG | "D7/G"BcFA dDcD |\ "G"B6 gf | "G"dDcD [1 BAGB :|[2 BABd |] |:\ "Em"e3d efg2- | "Am"g3f ed e/f/g |\ "D"fd a6- | "D"a3d gfdg | "Am"A3G ABc2- | [1 "D"c3B AGdc | "G"B6 gf | "G"dDcD BABd :|\ [2 "F/G"c3B AG2=F | "G"G8- | "G"G8 |] %%sep 1 1 500 X: 44 T: da Eye Wifie C: Aonghas Grant Jr of Shooglenifgy S: as played by Hanneke Cassel S: handout at Concord Slow Scottish session Feb 2017 R: reel Z: 2017 John Chambers M: C| L: 1/8 K: D (3A,B,C |\ D2FD EFGE | FDDE FDED |\ B,E~E2 EFGA | BFAF Egfe | fd~d2 BAFB | AFdB AFED |\ D~E3 AFEF | DB,~B,2 A,2 :| |: (3efg |\ fd~d2 cdBd | Adcd fdcd |\ (3Bcd gd Adfd | Aced cage | fd~d2 cdBd | Adcd BAFD |\ D~E3 AFEF | DB,~B,2 A,2 :| %%sep 1 1 500 X: 45 T: Fairy Dance Reel C: Nathaniel Gow 1802 R: reel Z: 2014 John Chambers S: SRSNH 3.9 handwritten MS by Barbara McOwen (in Concord Slow Scottish Jam collection) M: C| L: 1/8 K: D %%stretchlast 0 de \ "A"|: "D"f2fd f2fd | "D"f2fd "A7"cAeA | "D"f2fd "G"gfed | "A7"cABc "D"defg :| "B"|: "D"a2af "Bm"b2ba | "Em"g2ge "A7"a2ag | "D"f2fd "G"gfed | "A7"cABc "D"defg :| "C"|: "D"fafd fafd | "D"fafd "A7"cdeg | "D"fdfa "G"gfed | "A7"cABc "D"defg :| "D"[| "D"afdf "Bm"gaba | "Em"gfed "A7"ceag | "D"fedc "G"Bged | "A7"cABc "D"defg || || "D"agfe "B7"^dfba | "Em"gfed "A7"ceag |1 "D"fedc "G"Bged | "A7"cABc "D"de"d.C."fg |] [|["end" "D"[f2A2D2]z2 "G"[g2B2D2G,2]z2 | "A7"[c2E2A,2]z2 "D"[d4F4A,4] |] %%sep 1 1 500 X: 46 T: Far From Home B: O’Neill’s Dance Music of Ireland, 1903, p.237 #1261 Z: 1997 by John Chambers R: reel M: C| L: 1/8 K: G |: "G"GEDE G2GA | B2BA Bcd2 | "G"GEDE "Em"G2GB | "Am"A2AB "D7"AGED | | "G"GEDE G2GA | B2BA Bcd2 | "C"edef "(G)"gedc | "D7"BGAF "G"G4 :| |: "Em"g2ge "D"f2fd | "C"edef "G"edB2 | gedB "Em"G2GB | "Am"A2AB "D7"AGED | | "G"GEDE G2GA | B2BA Bcd2 | "C"edef "(G)"gedc | "D7"BGAF "G"G4 :| %%sep 1 1 500 X: 47 T: Farewell to Whisk(e)y #2 C: Niel Gow O: arr. A.Grant R: reel Z: 2014 John Chambers S: Page from Boston Slow Scottish Session collection N: Barbara McOwen's transcription of Aongas Grant's version N: A few dots added when next note has length 1/8 M: C| L: 1/8 K: A (AF) |\ "A"E2A2 cBAc | "Bm"B2F2 "E7"F3A |\ "A"E2A2 "E7"BABc | "A"e2c2 "A7"c3e |\ f2(ga) "A"e2c2 | "Bm"dcBA "E7"B2c2 |\ "A"E2A2 "E7"cBAB | "A"c2A2 A2 :: f2 |\ "A"e2c2 "F#m"a2c2 | "Bm"dcBA "E7"B2(cd) | "A"e2c2 a2(cd) | "A"e2a2 "A7"a3e |\ "D"f2(ga) "A"e2c2 | "Bm"dcBA "E7"B2c2 |\ "A"E3A "E7"cBAB | "A"c2"D"A2 "A"A2 :| %%sep 1 1 500 X: 48 T: Father Francis Cameron C: John Campbell 1986 Z: 1997 by John Chambers B: BSFC 3-17 B: BSFC Tune Book XXVII-7 B: BSFC Session Tune Book 2016 p.13 #2 M: C| L: 1/8 K: A E2 | "A"~A2cA "D"FDDF | "A"EA,CE "D"~F2DF | "A"EAcA "(F#m)"e2cA | "E7"BEGB d2cB | y3 | "A"~A2cA "D"FDDF | "A"EA,CE "D"~F2DF | "A"EAce "Bm"dcdf | "E7"ecdB "A"A2 :| |: cd | "A"e2cA eAce | "D"f2dB "(Bm)"fBdf | "E7"eagb "A"aecA | "E7"BEGB d2cd | y3 | "A"e2cA eAce | "D"f2dB "(Bm)"fBdf | "E7"eagb "A"aecA | "E7"BEGB "A"A2 :| %%sep 1 1 500 X: 49 T: Fermoy Lasses T: Down the Broom C: R: reel S: Roaring Jelly collection S: page in Concord Slow Scottish Session collection Z: 2015 John Chambers M: C| L: 1/8 K: Em |: "Em"GBEB GBEB | GBEB "C"c2BA \ | "Em"GBEB GBEB | "D"FDFG A2BA | | "Em"GBEB GBEB | GBEB "C"c2BA \ | "G"GABc dedB | "D7"ADFA c2BA :| |: "G"G2BG cGBG | G2Bd "(C)"eg"(D)"dB \ | "G"G2BG cGBG | "D7"AFDF AcBA | | "G"G2BG cGBG | G2Bd "C"e2ef \ | "G"gagf edBd | "C"egdB "D"AGEF :| %%text SSJ2 %%sep 1 1 500 X: 50 T: da Ferry Reel C: Trad. Shetland S: Tom Anderson and Pam Swing, Haand Me Doon Da Fiddle Z: Jack Campin 2002 abcusers 2002-8-7 N: chords added by Jack Campin M: C| L: 1/8 K: D A | "D"d2dA d2d2 | "A"efed c2A2 | "G"BcdB "D"ABAF | "Em"G2E2 "A7"E3 || A | "D"d2dA d2d2 | "A"efed c2A2 | "G"BcdB "A"AGFE | "D"D2d2 d3 :| |: \ e | "D"f2fd fafd | fgag fedf | "A"e2ec e2ec | "(E7)"efed "A7"cBA || g | "D"f2fd fafd | fgag fedf | "Em"efgf "A"edcB | "D"A2d2 d3 :| %%sep 1 1 500 X: 51 T: Fiddle C: Debbie Scott R: reel S: MS of unknown origin in Concord Slow Scottis Jam collection Z: 2017 John Chambers P: ABCBA M: C| L: 1/8 K: Dm %%scale 0.80 "A"|:\ "Dm"vDFAB A(FuDF) |\ "Dm"ABAF "G7"D(E (3FED) |\ "C"C3E G3(e |\ "Dm"ufe)dc "Am"AGF(uE | "Dm"DF)AB A(FuDF) |\ ABAF "G"D(E (3FED) |\ "C"C3(E uGA)GE |\ [1 "Dm"D(CuA,G,) "Am"A,3A, :| [2 "Dm"D(CuA,G,) "Am"A,3 uA \ "B"|:[K:=B][K:D]\ ("Asus4"dcA)(d ucA)d(A u|\ "Em7"G2)BG DGBG |\ ("A7sus4"dvcA)(d cA)ag | [1,3 "A7sus4"e(dcA) "D"d3ue :|\ [2 "A7sus4"e(ducA) "D"(dcd)e :|\ [4 "A7sus4"e(ducA) "D"d2z2 "C":|\ [K:=f=c][K:Dm]\ ("Dm"FvED)(F ED)F(uD | "C"C2)EC G,CEC |\ ("Bb"vFED)(F ED)F(D u|\ "Am"ED)CE "Dm"DCDD |\ ("Dm"vFED)(F uED)F(D | "C"C2)EC "/G"G,CEC |\ ("Bb"vFED)(F ED)F(uD |\ [1 "Am"ED)CE "D"D2 zD :|\ [2 (y"Am"ED)CE "D"D2 zA |] %%sep 1 1 500 X: 52 T: Flora MacDonald T: Thearlaich! Nan Tigeadh Tu! %date: 1757 M:C| L:1/8 R:Reel B:Stewart-Robertson - The Athole Collection (1884) B:Bremner 1757 Z:AK/Fiddler's Companion K:Emin F |\ ~E2 EF BFDF | ~E2 B^c dBAF | ~E2EF EFGA | BdAd FDDF | ~E2B^G BEEe | ~E2 B^c dBAF | ~E2EF EFGA | BdAG FDDF |] Eee^d BEEF | Eee^c dBAF | Eee^d B^cde | faef dBAF | EeBe dEBE | EeBe dBAF | EeBe deBe | faef dBAF |] %%sep 1 1 500 X: 53 T: the Flowers of Edinburgh #1 O: Trad Z: John Chambers N: Probably the best-known Scottish reel. R: reel M: C| L: 1/8 K: G GE \ | "G"D2DE G2GA | BGBd cBAG | "D7"FGFE DEFG | AFdF E2GE | | "G"D2DE G2GA | "G"BGBd "C"efge | "G"dcBA "D7"GFGA | "G"B2G2 G2 :| |: d2 \ | "G"g2gd gbag | "D7"f2fd fagf | "Em"e2ef gfed | B2e2 "(C)"e2ge | | "G"dBGB d2d2 | "C"edef g2fe | "G"dcBA "D7"GFGA | "G"B2G2 G2 :| %%sep 1 1 500 X: 54 T: Frank's Reel C: John McCusker R: reel Z: 2006 John Chambers M: C L: 1/8 K: A E2 "A"|\ "A"AcBA "D"F2 AF | "A"EFAB cABc |\ "D"~d3f "A"eAce | "F#m"f{g}aec "E"B2{cd}cB | "A"AcBA "D"F2 AF | "A"EFAB cABc |\ "D"~d3f "A"ecAc | "E"BAGB [1 "A"A2 :|2 "A"A || "B1"|: e"(E7)"fg |\ "A"aAAg "D"AAfA | "A"effe cABc |\ "D"~d3f "A"ecAc |[1 "Bm"Bcde "E7"f :|[2 "E"BAGB "A"A || "B2"[| e"(E7)"fg |\ "A"aAAg "D"AAfA | "A"effe cABc |\ "D"~d3f "A"eAce | "F#m"f{g}aec "E"B2{cd}cB | |\ "A"AcBA "D"F2 AF | "A"EFAB cABc |\ "D"~d3f "A"ecAc | "E"BAGB "A"A2 |] %%sep 1 1 500 X: 55 T: Galen's Arrival C: Alasdair Fraser R: reel Z: 2019 John Chambers S: Concord Slow Scottish session M: C| L: 1/8 K: G DGA |\ "G"B3A BGdB | "C"c3B cAec | "G"Bdgd "C"ecAG | "D7"FGAB cDBA || "G"B3A BGdB | "Am"c3B cAec | "G"Bdgd "D7"ecAF | "G"G2GF G :: ABd | "G"g2gf gbag | "D"f2fe fddB | "Am"c2cB cedc | "G"Bdgd "D"fgaf || "G"g2gf gbag | "Bm"f2fe fddB | "C"c2cB cedc | "D7"BGAF "G"G :| %%sep 1 1 500 X: 56 T: Galen's Arrival C: Alasdair Fraser R: reel Z: 2019 John Chambers S: Concord Slow Scottish session M: C| L: 1/8 K: G CGA \ | "G"B3A BGdB | "C"c3B cAec | "G"Bdgd "C"ecAG | "D7"FGAB cDBA | y4 \ | "G"B3A BGdB | "Am"c3B cAec | "G"Bdgd "D7"ecAF | "G"G2GF G :| |: ABd \ | "G"g2gf gbag | "D"f2fe fddB | "Am"c2cB cedc | "G"Bdgd "D"fgaf | y4 \ | "G"g2gf gbag | "Bm"f2fe fddB | "C"c2cB cedc | "D7"BGAF "G"G :| %%sep 1 1 500 X: 57 T: Gibby Gray C: Steve Spence R: reel B: printed page of unknown origin in Concord Slow Scottish Jam session binder 2. Z: 2015 John Chambers M: C| L: 1/8 K: Am |:\ EAA(c BA)GA | Bdg(d BA)GA |\ EAA(c BA)GA | BdBG A4 :| |:\ eaa(g ag)ed | c2(cB) cBAG |\ Bdg(B BA)GA | BdBG A4 :| %%sep 1 1 500 X: 58 T: Gillis' Favorite O: trad. Cape Breton R: reel Z: 2015 John Chambers S: Printed page numbered 39 of unknown orinin, via Lance Ramshaw 2015-6-26 M: C| L: 1/8 K: D %%slurgraces %%graceslurs "(A7)"fg |\ "D"ab{b}af dfaf | "G"bg g/g/g "(Em)"{ga}g2ef |\ "A7"gage cege | "D"ba a/a/a "(A7)"a2fg | "D"ab{b}af dfaf | "G"bg g/g/g "(Em)"{ga}g2ef |\ "A7"gage cbag | "D"fd d/d/d d2 :| |: "(A7)"bag |\ "D"fd d/d/d "C"g=c c/c/c | "D"fd d/d/d d2(=cB) |\ "D"Ad d/d/d "C"=cdBc | "D"Ad d/d/d d :| %%sep 1 1 500 X: 59 T: the Glenburnie Rant T: Fight About the Fireside C: Neil Gow R: reel S: page in Concord Slow Scottish Session collection S: handwritten page labelled "Potomac Valley Scottish Fiddle Club" Z: 2015 John Chambers M: C| L: 1/8 K: Em |: e2 |\ "Em"E2EF E2EF | "D" DEFG AFDF |\ "Em"E2EF E2B2 | "B7"efe^d "Em"e2 :| B2 |\ "Em"e2ef g2fe | "D" defg afdf | "C"e2ef g2fe | "B7"efe^d "Em"e2B2 |\ "Em"e2ef g2fe | "D" defg afdf |\ "G"g2bg "D"f2af | "B7"efe^d "Em"e2 |] %%sep 1 1 500 X: 60 T: the Glenburnie Rant T: Fight About the Fireside C: Neil Gow R: reel S: page in Concord Slow Scottish Session collection S: handwritten page labelled "Potomac Valley Scottish Fiddle Club" Z: 2015 John Chambers M: C| L: 1/8 K: Em |: e2 |\ "Em"E2EF E2EF | "D"DEFG AFDF |\ "Em"E2EF E2B2 | "B7"efe^d "Em"e2 :| B2 |\ "Em"e2ef g2fe | "D"defg afdf |\ "C"e2ef g2fe | "B7"efe^d "Em"e2 |] B2 |\ "Em"e2ef g2fe | "D"defg afdf |\ "G"g2bg "D"f2af | "B7"efe^d "Em"e2 |] %%sep 1 1 500 X: 61 T: Glencoe Marathon C: J.H. N: Who is "J.H."? R: reel S: printed copy of unknown origin S: Page from Boston Slow Scottish Session collection Z: 2014 John Chambers N: No begin-repeat symbols were used; I added them at the likely places, but could be wrong. M: C| L: 1/8 K: A F "A"|\ "A"EFAB {B}[c2E2]BA | "D"{c}[d2F2]cd "A"feea | "A"EFAB {B}c2cf | "E7"ecBd "A"cAA :| |: a "B"|\ Tfeef edcA | eccB c2ca | Tfeef eccA | edcA B2Bb | Tfeef edcA | affe {e}f2fe | fbfe f2b2 | ecBd cAA :: F "C"| EFAB c2BA | dF F/F/F GEEB | ABcd efec | Bded cAA :: g "D"| aeed TcAAc | dFFA GEE[1g | aeed cAAc | FAGB TcAA :| [2 B | AcBd cedf | ecdB TcAA :: F "E"| EFAB c2BA | dB B/B/B {c}d2cB | EFAB c2cf | ecBd cAA :| |: g "F"| af f/f/f {g}a2cA | Bcac B/B/B Bg |[1 af f/f/f {g}a2cA | Bcac A/A/A A :|[2 afge f2cA | BABc fefa |] %%sep 1 1 500 X: 62 T: the Goat Whisperer C: Hanneke Cassel 2009 R: reel Z: 2014 John Chambers S: Handwritten tune from Concord Slow Scottish Session collection N: Presented by Hanneke Cassel, Boston Harbor Scottish Fiddle School, August 2009 M: C| L: 1/8 K: D dc |\ dA A/A/A fAeA | dA A/A/A a2gf | f3e e3d | edgf edce | dA A/A/A fAeA | d2ag fedc | d2bd gfed | dcec d2 :| |: dc |\ dAaA dAeA | fedc defa | gdbd gdbd | edad ecac | dcac dAeA | fedc dcBA | G3f gfed | dcec d2 :| %%sep 1 1 500 X: 63 T: Gow's Quickstep T: the Rev. John MacFarlane C: Niel Gow %R: reel, quickstep, polks Z: 2015 John Chambers S: handwritten copy from Angus Grant, at the Boston Harbor Scottish Fiddle School, Aug 2003 M: C| L: 1/8 K: D A2 |\ "D"dcde d2A2 | "D"dcde d2A2 | "G"B2(ef) gfed | "A"f2e2 e2(fe) |\ "D"dcde d2A2 | "D"dcde d2A2 | "G"B3A "A"G3F | "D"A2D2 D2 :| (fg) |\ "D"a3b a2f2 | "D"d3e d2A2 | "G"B2(ef) gfed | "A"f2e2 e2(fg) |\ "D"a3b a2f2 | "D"d3e d2A2 | "G"B3A "A"G3F | "D"A2D2 D2 || (fg) |\ "D"a3b a2f2 | "D"d3e d2A2 | "G"B2(ef) gfed | "A"f2e2 e2(fe) |\ "D"dcde d2A2 | "D"dcdA d2A2 | "G"B3A "A"G3F | "D"A2D2 D2 |] %%sep 1 1 500 X: 64 T: Heather Hill R: reel C: Dan R MacDonald N: Handwritten MS labelled "Presented by Jerry Holland Boston Harbor August 2004" Z: 2015 John Chambers M: 4/4 L: 1/8 K: G B \ | "G"G2BA BGGB | "(D7)"dedB "G"G2GB | "G"dedB degd | "C"egdB "D7"A2AB | | "G"G2BA BGGB | "(D7)"dedB "G"G2GB | "G"dedB degd | "C"eg"D7"dB "G"G2G :| |: B \ | "G"gage gdde | "G"gage degd | "Am"eaab ageg | "Am"abag "C"e2"D7"ef | | "G"gage gdde | "G"gage degd | "Am"egab agea | "D7"gedB "G"G2G :| %%sep 1 1 500 X: 65 T: the High Drive (4 parts) C: Gordon Duncan R: reel Z: 2007 John Chambers S: Page from Concord Slow Scottish Session collection N: Parts C,D from Duncan book and Beaton "Tap Sessions" M: C| L: 1/8 K: D "A"[|] Ac |\ |: "D"d3e fedA | "G"~B2gB BAGB | "D"GA~A2 fedf |"A7"eAce [1,3 afge :|[2,4 "D"d2 :| "B"|: efg \ | "D"a3"(#)"g ad~d2 | "G"AB~B2 gBdB | "D"GA~A2 fedf | "A7"eAce afge | |[1 "D"a3"(#)"g ad~d2 | "G"AB~B2 gBdB | "D"GA~A2 fedf | "A7"edc{d}e "D"d :| |[2 "D"d3e fedA | "G"~B2gB BAGB | "D"GA~A2 fedf | "A7"edc{d}e "D"d2y2 |] "C"|: fe |:\ "D"dAeA fA~A2 | "G"gBBA Bgag | "D"fA~A2 afdf |1,3 "A7"eA~A2 afge :|2,4 "A7"edce "D"d2 :| "D"|: efg | "D"adda ~d2ad | "G"gddg ~d2gd | "D"fddf ~d2fd | "A7"edde "(D)"d [1 ded | "D"adda ~d2ad | "G"gddg ~d2gd | "D"fA~A2 afdf | "A7"edce "D"d :| [2 efg | "D"adda ~d2ad | "G"gBdg BdGB | "D"GA~A2 fede | "A7"edce "D"d2 |] %%sep 1 1 500 X: 66 T: The High Reel M: 4/4 L: 1/8 S: handwritten page from the Boston Slow Scottish Jam collection Z: 2006 John Chambers N: As played by Buddy MacMaster N: SRSNH 7.31 Z: Trans. & arr. B.McOwen K: AMix |: "A"a2fa ecA2 | cAeA fAeA | a2fa ecA2 | "G"Bcdc BGGB | | "A"a2fa ecA2 | cdef "G"g2 (fg) | "D"afge fdec | "G"Bcdc BG GB :| |: "A"(c/B/A) (eA) fAeA | (c/B/A) af ecA2 | (c/B/A) (eA) fAeA | "G"Bcdc BGGB | | "A"(c/B/A) (eA) fAed | cdef "G"g2(fg) | "D"afge fdec | "G"Bcdc BGGB :| %%sep 1 1 500 X: 67 T: High Road to Linton R: reel B: Skye p.22, Hunter 234, Williamson p.51, Chambers R5, BSFC I-24 and III-5 and VI-21 D: Fiddlers Live CD 7 following The Ale is Dear N: Sometimes only the first two parts are played. N: Parts 3 and 4 may have been written by Bobby MacLeod. Z: John Chambers M: C| L: 1/8 K: AMix |: "A"ceef {f}a2ae | "G"{f}g2fe "D"faa2 | "A"ceef {f}a2ae | "D"faec "E"B2"A"A2 :| |: "A"ceeg "D"fddf | "A"ecce "E"fBBd | "A"ceeg "D"fddf | "A"ecac "G"B2"A"A2 :| |: "A"{^g}a2{g}a2 efa2 | efae faef | {^g}a2{g}a2 efae | "D"faec "E"B2"A"A2 :| |: "A"cdec "D"defd | "A"cdec "G"BcdB | "A"cdec "D"def"(#)"g | "A"afec "G"B2"A"A2 :| %%sep 1 1 500 X: 68 T: Hjerdafeld C: Ian Burns O: Shetland P: reel N: SRS 8.7 S: printed copy from unknown source in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_H/Hjerdafeld.pdf P: Play A1A2 A1A2 B1B2 B1A2 M: C L: 1/8 K: G "^A"|:::(ge) | dB B/B/B (AG)AB | {F}G2(BG) (AG)E2 | (DE)GA BGA(B |1,3 cA)BG A2 :|2,4 AcBA G2 :| "^B"|:: B2 | efge f/g/a (gf) | gage dBA(G | DE)GA BGAB |1,3 cABG A2 :|2 AcBA G2 :| "^A2"|| (ge) | dB B/B/B (AG)AB | G2(BG) AGE2 | (DE)GA BGAB | AcBA ["most" G2 |]|["last"[G4G,4] |] %%sep 1 1 500 X: 69 T: Hjerdafeld C: Ian Burns O: Shetland P: reel N: SRS 8.7 S: printed copy from unknown source in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_H/Hjerdafeld.pdf M: C L: 1/8 K: G "^A"|: (ge) \ | dB B/B/B (uAG)AB | v{F}G2(BG) (AG)E2 | (uDE)GA BGvA(uB | cA)BG vA2(uge) | | dB B/B/B (uAG)AB | G2(BG) (AG)E2 | (DE)GA BGAB | AcBA G2 :| "^B"|| zB \ | vefge f/g/a (ugf) | gage dBvA(uG | DE)GA BGAB | cABG A2B2 | | efge f/g/a (ugf) | gage dBvA(uG | DE)GA BGAB | AcBA G2 || || B2 \ | efge f/g/a (gf) | gage dBA(G | DE)GA BGAB | cABG vA2(uge) | | dB B/B/B (uAG)AB | vG2(BG) AGE2 | (DE)GA BGAB | AcBA [G4G,4] |] %%sep 1 1 500 X: 70 T: Homeward Bound S: Roaring Jelly collection S: page from Concord Slow Scottish Session collection N: Cape Breton version of the old Irish tune B: Ryan/Cole M: C| R: reel K: D A, !segno!|\ "D"D2DE FEDF | A2AF "Em"ABde | "D"f R: reel K: G |: "G"G2BG "D7"cAFA | "G"GABd g2fg | "C"ecAc "G"dBGB | "Am"cAAB "D7"AFD2 | "G"DGBG "D7"cAFA | "G"GABd g2fg | "C"ecAc "G"dBGB | "D7"cAFA "G"G4 :| |: "G"g2dg bgag | "C"ec c/c/c efge | "G"dB B/B/B dBGB | "Am"cAAB "D7"AFD2 | [1 "G"g2dg bgag | "C"ec c/c/c efge | "G"dB B/B/B dBGB | "D7"cAGF "G"G4 :| [2 "C"G,CEC "G"B,D[dG]B | "D7"cdef "G"g2fg | "Am"ecAc "G"dBGB | "D7"cAFA "G"G4 |] %%sep 1 1 500 X: 72 T: Hull's Reel M: 4/4 L: 1/8 Z: 2006 John Chambers R: reel K: E ec | "E"BE~E2 B2"A"Ac | "E"BE~E2 "A"cBce | "E"BE~E2 B2AB | "A"cBce "B7"fefg | y6 | "E"BE~E2 B2"A"Ac | "E"BE~E2 "A"cBce | "F#m"fgfe c2Bc | "B7"efec Bc :| |: ef | "E"gB~B2 g2fg | "A"fc~c2 c2Bc | "F#m"fc~c2 c2Bc | "B7"eB~B2 Bcef | y6 | "E"gB~B2 g2fg | "A"fc~c2 c2Bc | "F#m"fgfe c2Bc | "B7"efec Bc :| %%sep 1 1 500 X: 73 T: the Hut On Staffin Island #2 C: Phil Cunningham R: reel Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection N: This version from Fraser & Haas "Fire and Grace" M: C| L: 1/8 N: Originally in A K: D DB, |:\ "D"A,B,DE D3E | (3FED FA dDcD | "G"B3d BAFD |1,3 "Em"E2FE "A7"DB,B,D :|2,4 "A7"E2 DC "D"D2 :| |: FA |\ "D"d3 d3 ed | "A"cBcd c2A2 | "G"B3 B2 cdB | "D"AFEF "A7"DB,B,D | |[1 "D"d3 d3 ed | "A"cBcd c2A2 | "G"B3 B2 cdB | "A7"AFEF "D"D2 :| |[2 "D"A,B,DE D3E | (3FED FA dDcD | "G"B3d BAFD | "A7"E2DC "D"D2 |] %%sep 1 1 500 X: 74 T: Ian Powrie Tunes K: %%sep 1 1 500 X: 75 P: Bill Powrie C: Ian Powrie R: reel, hornpipe Z: 2014 John Chambers S: SRSNH page 7.9 M: C| L: 1/8 K: D A2 |\ "D"D2DF AFF2 | "D"d2Ad "D7"fdd2 |\ "G"d2Bd "D"dAAd | "E7"ceAc eAGE || y4 |\ "D"D2DF AFF2 | "D"d2Ad "D7"fdd2 |\ "G"d2Bd "D"dAAd | "A7"ceAc "D"d2 :| |: de |\ "D"f2gf "D7"fee2 | "G"d2Bd "D"dAA2 |\ "G"dBBd "D"dAAd | "E7"ceAc "A7"egfe || y4 |\ "D"f2gf "D7"feef | "G"d2Bd "D"dAA2 |\ "G"dBBd "D"dAAd | "A7"c{d}e Ac "D"d2 :| %%sep 1 1 500 X: 76 P: Catchin' Rabbits C: Ian Powrie Z: 1999 John Chambers R: reel M: C| L: 1/8 K: D |: A2 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beed e2ef | gefd "A7"edBA | y4 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beef gefd | "A7"eAce "D"d2 :| ag | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beed e2ef | gefd "A7"e2ag | y4 | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beef gefd | "A7"eAce "D"d2 |] ag | "D"f2ef "G"edBd | "D"ABde f2ed | "Em"Beed e2ef | gefd "A7"edBA | y4 | "D"FAAB "A7"ABde | "D"f2ef edBA | "Em"Beef gefd | "A7"eAce "D"d2 |] %%sep 1 1 500 X: 77 T: Iggie and Squiggie C: Jerry Holland F: http://www.thesession.org/tunes/display/7445 Z: 2011 John Chambers M: C| L: 1/8 K: D de |\ "D"fgfe d2fd | "G"B2dB "D"BAFA | "D"fgfe d2fd | "A7"ABde fece | "D"fgfe d2fd | "G"B2dB "D"BAFA | "D"fgfe "(G)"dedc | "A7"BABc "D"d2 :: fg | "D"ad~d2 adbd | "D"ad~d2 "A7"agfg | "D"ad~d2 adbd | "D"fede "A7"feeg | "D"ad~d2 adbd | "D"ad~d2 "G"g4 | "D"fgfe "(G)"dedc | "A7"BABc "D"d2 :| %%sep 2 1 500 %%sep 1 1 500 X: 78 T: Iggie and Squiggie C: Jerry Holland F: http://www.thesession.org/tunes/display/7445 Z: 2011 John Chambers M: C| L: 1/8 K: D ze |\ "D"fgfe d2fd | "G"B2dB "D"BAFA | "D"fgfe d2fd | "A7"ABde fece | "D"fgfe d2fd | "G"B2dB "D"BAFA | "D"fgfe "(G)"dedc | "A7"BABc "D"d2 :| |: fg |\ "D"ad d/d/d adbd | "D"ad d/d/d "A7"agfg | "D"ad d/d/d adbd | "D"fede "A7"feeg | "D"ad d/d/d adbd | "D"ad d/d/d "G"g4 | "D"fgfe "(G)"dedc | "A7"BABc "D"d2 :| %%sep 2 1 500 %%sep 1 1 500 X: 79 T: Iggie and Squiggie C: Jerry Holland R: reel Z: 2014 John Chambers S: Printed copy of unknown origin, from Concord Slow Scottish Session collection N: Chords added by John Chambers M: C| L: 1/8 K: D |:\ "D"(fg)fe d/d/d fd | "G"TB2dB "D"TBAFA |\ "D"fgfe "(Bm)"d/d/d fd | "A7"ABde fec2 |\ "D"(fg)fe d/d/d fd | "G"TB2dB "D"TBAFA |\ "D"fgfe "(G)"dedc | "A7"TBABc "D"d2 :: fg |\ "D"ad d/d/d adbd | "D"ad d/d/d "A7"{b}agfg | "D"ad d/d/d adbd | "D"(fe)de "A"fecf |\ "D"ad d/d/d adbd | "D"ad d/d/d "G"Tg2fg |\ "D"(fg)fe "(G)"dedc | "A7"BABc "D"d2 :| %%sep 1 1 500 X: 80 T: Inver Lasses R: reel Z: from Betsy Hooper N: "Pinewoods Camp 03 Music Class" at upper right M: 4/4 L: 1/8 K: A f | "A"e2cA "D"d2fd | "A"e2cA "E7"dBBa | "A"e2cA "D"d2fd | "E7"edcB "A"cAA :| g | "A"a2ec "D"d2fd | "A"a2ec "E7"fBBg | "A"a2ec "D"d2fd | "E7"edcB "A"cAA || g | "A"a2ec "D"d2fd | "A"a2ec "E7"fBBg | "A"afec "D"defa | "E7"edcB "A"cAA |] %%sep 1 1 500 X: 81 T: Jack Daniel's Reel M: 4/4 L: 1/8 C: John Morris Rankin S: Page from Concord Slow Scottish Session collection "Arr. Troy MacGillivray, Aud 06" B: BSFC Session Tune Book 2016 p.17 #1 S: Barbara McOwen (11/02,8/06) D: K.Frasur & T.MacGillivray BH06 R: Reel K: A e |\ "A"a2ea f{g}aec | Acaf e2ce | "D"fd d/d/d d2df | "A"ec c/c/c "E7"cBBe | "A"a2ea f{g}aec | Acaf e2ce | "D"f2ec "A"e2fe | "E7"c2Bd "A"cAA :| |: f |\ "A"ecBc AcBc | Acaf e2ce | "D"fdcd Adcd | "Bm"ABde "E7"fe e/e/e | "A"fece Bece | Acaf e2ce | "D"f2ec "A"e2fe | "E7"c2Bd "A"cAA :| [a2A2] %%sep 1 1 500 X: 82 T: Jenny Dang the Weaver O: Skye R: reel Z: 2014 John Chambers S: BSFC Session Tune Book 2016 p.34 S: BSFC Book XXIII-3 S: Concord Slow Scottish Session collection S: handwritten page by Barbara McOwen labelled "ROAD TA HOULL SET - PAGE TWO", dated Oct 2003 M: C| L: 1/8 K: D %%slurgraces fe "A"[|\ "D"dA~A2 (AF)AB | "D"dA~A2 {a}"D7"f2ef |\ "G"dB~B2 ({d}BA)Bd | "Em"ABd(e "A7"fa)ef |\ "D"dA~A2 (AF)AB | "D"dA~A2 "D7"{a}f2ef |\ "G"dB~B2 ({d}BA)Bd | "Em"ABd(e {a}"A7"f2) |]| ef |\ "D"d2fd "Em"(ef)ge | "D"d2fd "A7"e2cA | "D"d2fd "G"(ef)ge | "Em"aA~A2 "A7"{a}f2ef |\ "D"d2fd "Em"(ef)ge | "D"defd "A7"e2(cA) |\ "D"defd "G"efg(e | "Em"ab)a(g "A7"af)ef |] %%sep 1 1 500 X: 83 T: Jock Broon's 70th C: Gordon Duncan O: as played by Adam Sutherland N: Boston Harbor Scottish Fiddle School, August 2012 R: reel Z: 2019 John Chambers M: 2/4 L: 1/16 K: Amix % ending on D cd |\ e4 efed | cA A/A/A cAeA | {f}g4 {a}gfga | {e}f4 {g}fefg | aeed e2ed | cA A/A/A eAcA | GA A/A/A d2dA | GAde d2 :| |: cd |\ a2cd ecde | cdac decd | a2cd ecde | cdac dg g/g/g | a2cd ecde | cdac decA | GA A/A/A d2dA | GAde d2 :| |: dc |\ A2GA AGA2 | GAAG A2dc | A2GA AGA2 | GAde d2dc | A2GA AGA2 | GAAG A2dA | GAde d3A | dcde d2 :| %%sep 1 1 500 X: 84 T: Joey Beaton C: Brenda Stubbert R: reel Z: 2014 John Chambers S: Page of unknown origin from Concord Slow Scottish Session collection M: C| L: 1/8 K: D B | AF~F2 GECE | DEFA TBABd | egTfe dcdB | AF~F2 GFEF | AF~F2 GECE | DEFA TBABd | egTfe dcdB | AFGE FDD :| |: g | fd{e}dc dAFA | dcde fdgf | eB~B2 eBgB | egTfe dcd [1 e | fd{e}dc dAFA | dcde fdaf | gbag fdec | dBAG FDD :| [2 B | AF~F2 GECE | DEFA TBABd | egTfe dcdB | AFGE FDD |] %%sep 1 1 500 X: 85 T: Joey Beaton's Reel C: by Jerry Holland P: reel N: J.H. 1 S: Handwritten copy by Barbara McOwen in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_J/Joey_Beatons_Reel.pdf M: C| L: 1/8 K: Bm "^A"|: a | "Bm"fBBA Bcde | "D"fddc dfaf | "A7"eA A/A/A cA A/A/A |1,3 "F#m"f/g/a ea "A"cAA :|2,4 "F#m"f/g/a ec "Bm"B3 :| "^B"|: c | "Bm"BFBd BFBd | "A"cAEA cAec |1,3 "Bm"BFBd BFBd | "F#m"caec "Bm"B/B/B B :|2,4 "G(D)"defd fada | "A"cAec "Bm"B/B/B B :| %%sep 1 1 500 X: 86 T: Joey Beaton's Reel C: by Jerry Holland P: reel N: J.H. 1 S: Handwritten copy by Barbara McOwen in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_J/Joey_Beatons_Reel.pdf M: C| L: 1/8 K: Bm "^A"|: a \ | "Bm"fBBA Bcde | "D"fddc dfaf | "A7"eA A/A/A cA A/A/A | "F#m"f/g/a ea "A"cAAa || | "Bm"fBBA Bcde | "D"fddc dfaf | "A" eA A/A/A cA A/A/A | "F#m"f/g/a ec "Bm"B3 :| "^B"|: c \ | "Bm"BFBd BFBd | "A"cAEA cAec | "Bm"BFBd BFBd | "F#m"caec "Bm"B/B/B Bc || | "Bm"BFBd BFBd | "A"cAEA cAec | "G"defd fada | "A"cAec "Bm"B/B/B B :| %%sep 1 1 500 X: 87 T: John McNeil's Reel T: Big John McNeil C: Peter Milne S: handwritten copy of unknown origin in Concord Slow Scottish Session collection Z: 2015 John Chambers (based on RSCDS version from Anselm Lingnau) %%staffsep 40 M: C| L: 1/8 K: A E !segno!||\ "A"A,2CE FECE | "A"AECE FECE |\ "A"A,2CE FECE | "D"FAGF "E7"EDCB, | "A"A,2CE FECE | "A"AECE FE[DC][CA,] |\ "E/G#"B,D"A"CE "Bm"DF"A7/C#"E=G | "D"FA"E7"GB "A"cAA :| |: f |\ "A"eA"D"fA "A"eAca | "A"eA"D"fA "A"e2 f/g/a |\ "A"eA"D"fA "A"eAce | "D"df"A"ca "E"B2 {de}Tf2 | "A"eA"D"fA "A"eAca | "A"eA"D"fA "A"e2 e/f/g |\ "A"a[bg]ag fedc |1 "E7"defg "A"a3 :|2 "D"BAGF "E7"EDC!segno!B, |] %%sep 1 1 500 X: 88 T: Judy's Reel T: the Maid Behind the Bar O: arr. Elke Baker R: reel S: printed copy from Potomac Valley Scottish Fiddle Club, in Concord Slow Scottish Session collection Z: 2015 John Chambers M: C| L: 1/8 K: D G |\ "D"FAAB AFED | "D"FAAB A2de |\ "Bm"fBBA "G"Bcde | "D"fdef "A"edcA |\ "D"FAAB AFED | "D"FAAB ABde |\ "Bm"fBBA "G"BcdB | "A"AFEF "D"D3 :|\ |: g |\ "D"fgab afde | "D"fdad bdad | "Em"efga beef | "Em"gebe "A"gfeg |\ "D"fgaf bfaf | "D"defd "A"efde |\ "G"fBBA BcdB | "A"AFEF "D"D3 :| %%sep 1 1 500 X: 89 T: Julia Delaney C: anon B: Francis O'Neill: "The Dance Music of Ireland" (1907) no. 643 R: Reel M: C| L: 1/8 K: Dm |: "Dm"dcAG F2DF | "C"E2CE "Dm"F2D2 | dcAG F2DF | "Am"Addc "Dm(Bb)"defe | | "Dm"dcAG F2DF | "C"E2CE "Dm"F2D2 | dcAG F2DF | "Am"Addc "Dm"d4 :| |: "Dm"f2fe fagf | "C"ecgc acgc | "Dm"f2fe fagf | "C"edce "Dm"Adde | | "Dm"f2fe fagf | "C"ecgc acgc | "Dm"fedf "C"edce | "Am"Addc "Dm"d4 :| %%sep 1 1 500 X: 90 T: Kate Dalrymple #3 [A] T: Jinglin' Johnnie R: reel O: trad. Z: 2016 John Chambers S: handwritten MS in the Concord Slow Scottish Jam collection L: 1/8 M: C| K: A cB\ "A"|: "A"A2Ac "E7"B2Bc | "A"A2Ac "E7"B2Bc | "A"A2ag "D"fedc | "E7"B2e2 "A"c2A2 :| "B"[| "A"e2ef edcd | "A"e2a2 e2c2 | "A"e2ef edcd | "A"e2a2 e2c2 | | "D"d2fd "A"c2ec | "Bm"B2Bc "E7"edcB | "A"A2ag "D"fedc | "E7"B2e2 "A"c2A2 |] %%sep 1 1 500 X: 91 T: Keep It Up T: As a th\`oiseach T: Be Off Macintosh B: Skye, Hardie B: BSFC Session Tune Book 2016 p.63 N: pipe reel Fraser p.56 D: Ed Pearlman on Boston Hospitality Z: 2011 John Chambers M: C L: 1/8 K: EDorian c | "Em"dEBE dEBc | "Em"dEBE "D"FDDc | "Em"dEBE "(G)"GBeB | "A7"cAdA "D"FDD :| f | "Em"gebe geef | "Em"gebe "D"fddf | "Em"gebe gefd | "A7"cAdA "D"FDD || f | "Em"gebe geef | "Em"gebe "D"fddf | "Em"ebgb "(D)"faeg | "A7"fcdA "D"FDD |] %%sep 1 1 500 X: 92 T: the King's Reel #2 O: Skye Coll. R: strathspey Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection, handwritten by Barbara McOwen B: Skye Coll. N: "from Buddy MacMaster at Valley of the Moon Scottish Fiddle Camp, August 1986" M: C| L: 1/8 K: Amix B,2 "A"|\ "A"{G,}A,2(EA,) FA,EA, | "A"{G,}A,2(ED) CA,A,B, |\ "A"{G,}A,2(EA,) FA,EF | "G"G2(DC) B,G,G, :| d "B"|\ "A"(3cBA (eA) aeed | "A"(3cBA (eA) cAAd |\ "A"(3cBA (eA) agef | "G"gdd=c BGG || B |\ "A"(3cBA (eA) aeed | "A"(3cBA (eA) cAAB |\ "Am"=c2dc "G"B2Gc | "G"Bgdg BGG |] %%text Also played in A minor %%sep 1 1 500 X: 93 T: the Knockdhu Reel C: Ian Hardie R: reel Z: 2014 John Chambers F: http://ramshaw.info/tunes/Knockdhu_Reel_The.pdf (handwritten by Barbara McOwen) M: C| L: 1/8 K: Ador B, |\ "Am"A,2(ED) CA,A,G, | "Am"A,CEG "D7"A2(EF) |\ "G"G2(BG) A(GE2) | "G"DEGD "Em"EDB,G, | "Am"A,2(ED) CA,A,G, | "Am"A,CEG "D7"A2(EF) | "G"G2(BG) A(GE2) | "Em"DEGG, "Am"(B,A,)A, :|\ |: z |\ "Am"A2(aA) gAaA | "Am"e2(ed) "D7"cAAB | "G"G2(BG) A(GE2) | "G"[D3G,3]E "Em"GABG |\ "Am"A2(aA) gAaA | "Am"e2(ed) "D7"cAAB |\ "G"G2(BG) A(GE2) | "Em"DEGG, "Am"(B,A,)A, :| %%sep 1 1 500 X: 94 T: Lady Anne Montgomery M:C| L:1/8 K:D A |\ "D"FADA FADA | FAdA "G"BAdA | "D"FADF "Em"EDEF | "A"DB,A,B, "D"D3E | "D"FADA FADA | FAdA BABc | "G"dBAF "Em"E3F | "A"DB,A,B, "D"D3 :| |: e |\ "D"f3f fede | fedB ABde | f2fe "Bm"fede | "Em"fgaf "A"efde | "D"f3f fede | fedB ABde | "G"fded "Em"BdAd | "A"egfe "D"d3 :| %%sep 1 1 500 X: 95 T: Largo's Fairy Dance [D] T: the Fairy Reel T: Old Molly Hare C: Nathaniel Gow O: 1809 Z: John Chambers L: 1/8 M: C| N: Many versions from all over the British Isles and North America. N: Nath. Gow (variations by Skinner) N: H&C 88 N: OTDT p.71 N: BSFC I-24 and III-16 and IV-5 and V-5 N: Hunter 219 N: Fairy Dance in Skye 57 N: Bain 7 (he thinks it's trad Shetland) N: Varella 78 N: Gow 268 but C D: Fiddlers 3+2 tape A6 K: D de \ |: "D"f2fd f2fd | f2fd "A7"cAeA | "D"f2fd "G"gfed | "A7"cABc "D"defg :| |: "D"a2af "G"b2ba | "Em"g2ge "A7"a2ag | "D"f2fd "G"gfed | "A7"cABc [1 "D"defg :|2 "D"d2 |] %%sep 1 1 500 X: 96 T: the Lasses of Stewarton P: reel S: printed copy of unknown origin in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_L/Lasses_of_Stewarton_The.pdf Z: 2021 John Chambers M: C L: 1/8 K: G "^A"|: g !segno!| fde^c dAd2 | FDDF A2Ag | fde^c dA=c2 | ECCE G2G :| "^B"|: c | B/c/d AF ADDc | Bd AF A2A [1,3 c | B/c/d AF ABcA | GECE G2G :|[2,4 B | cBAG ABcA | GECE G2G |] "^C"|: c | BGAG BGAG | FDDF A2A [1,3 c | BGAF ABcA | GECE G2G :|[2,4 B | cABG ABcA | GECE G2G |] "^D"|: e | defg afdf | afdf a2fe | defg [1,3 afdf | gece g2f :|[2,4 abaf | gece gba!segno!g |] %%sep 1 1 500 X: 97 T: the Lasses of Stewarton P: reel S: printed copy of unknown origin in Concord Slow Scottish Session collection F: http://ramshaw.info/slowjamtunes/PDF/Tunes_L/Lasses_of_Stewarton_The.pdf F: http://ramshaw.info/slowjamtunes/PDF/Tunes_L/Lasses_of_Stewarton_The.pdf M: C L: 1/8 K: G "^A"|: g !segno!\ | fde^c dAd2 | FDDF A2Ag | fde^c dA=c2 | ECCE G2G :| "^B"[|] c \ | B/c/d AF ADDc | Bd AF A2Ac | B/c/d AF ABcA | GECE G2Gc | | B/c/d AF ADDc | Bd AF A2AB | cBAG ABcA | GECE G2G |] "^C"[|] c \ | BGAG BGAG | FDDF A2Ac | BGAF ABcA | GECE G2Gc | | BGAG BGAG | FDDF A2AB | cABG ABcA | GECE G2G |] "^D"[|] e \ | defg afdf | afdf a2fe | defg afdf | gece g2fe | | defg afdf | afdf a2fe | defg abaf | gece gba!segno!g |] %%sep 1 1 500 X: 98 T: Laxo Burn C: Arthur Scott Robertson (1984) M: C| L: 1/8 Z: 2002 John Chambers from handwritten MS (by Barbara McOwen?) B: BSFC Session Tune Book 2016 p.p.33 B: BSFC Tune Book XXXII-3 K: D AG |\ "D"FD~D2 FGA=c | "G"BG~G2 GABd | "A7"^cA~A2 cdeg | "D"fdcd "G"Bd"A"Ad | "D"FD~D2 FGA=c | | "G"BG~G2 GABd | "A7"^cA~A2 cdeg | "D"fddc d2 :: zg | "D"f2df Afdf | "Em"g2eg Bgeg | | "E7"^g2eg Bgeg | "A"a2ea "A7"ceA=g | "D"f2df Afdf | "Em"g2eg "E7"Bge^g | "A7"aA~A2 cde=g | "D"fddc d2 :| %%sep 1 1 500 X: 99 T: Lay Dee at Dee O: trad. Shetland S: handwritten page in Concord Slow Scottish Session collection Z: Nigel Gatherer scots-l 2001-02-14 B: BSFC X-10A M: 4/4 L: 1/8 K: D A \ | "D"defe d2d2 | "D"ABAG FED2 | "D"d2ef gfed | "A7"efed cBA2 | | "D"(de)fe d2d2 | "D"ABAG FED2 | "D"d2ef "A7"gfec | "D"e2d2 d3 :| |: (e \ | "D"f2)d(f af)d(f | "D"af)d(f "G"g3f) | "A7"e2(ce) eece | "A7"edcB A3(e | | "D"f2)d(f af)d(f | "D"af)d(f "G"g3f) | "A7"efgf edcB | "D"A2d2 d3 :| %%sep 1 1 500 X: 100 T: Leave the Poor Pipe T: F\`ag a Ph\`iob Bhochd C: Allan MacDonald R: reel Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection S: handwritten copy from Barbara McOwen, in the Concord Slow Scottish Session collection S: From a transcription by Margaret Lepley S: SRSHH 12.9 M: C| L: 1/8 K: D AB |\ "D"dAA2 defe | "Em"eBB2 "A7"efge | "D"faag "A7"agec | "D"dcde "A7"fdBc | "D"dAA2 defe | "Em"eBB2 "A7"efge | "D"faag "A7"agec | "D"dAfe d2 :| AB | "A7"cAA2 cAec | "D"dAA2 dAfd | "Em"eBB2 "A7"efge | "D"faag "A7"agec | "D"dAA2 "Bm"dAfd | "Em"eBB2 "A7"efge | "D"daag "A7"agec | "D"dAfe d2 :| %%sep 1 1 500 X: 101 T: Lexy McAskill C: Dr.John McAskill R: reel Z: John Chambers (from Barbara McOwen) B: Martin "Ceol na Fidhle", v.1, p.44, 1991 N: This tune may be harmonized in Am or Em. N: Written (most likely) and named for the composer's mother, Alexandra (Lexy) MacKillop of Rhuvanish, Berneray, 1905-1978. M: C| L: 1/8 K: Ador "A"[|]a | "Am"e2e2 deed | e2dB "G"GBBd | "Am"e2e2 deed | "G"egfd "Am"e2e :| "B"|: f | "Am"g2f2 e2dB | "D7"AAdB "G"GBBe | "Am"g2f2 e2dB | "Em"egfd "Am"e2e :| "C"|: g | "Am"e2e2 e2dB | AAAB "G"GABd | "Am"e2e2 e2dB | "G"egfd "Am"e2e :| "D"|: g | "Am"aeea e2dB | "D7"AAdB "G"GBBe | "Am"aeea e2dB | "Em"egfd "Am"e2e :| %%sep 1 1 500 %%sep 1 1 500 X: 102 T: Lexy McAskill M: 4/4 L: 1/8 C: Dr. John McAskill R: Reel N: This tune may be harmonized in Am or Em. K: Em "A"[|]a |\ "Em"e2 e2 de ed | "Em"e2 dB "G"GB Bd |\ "Em"e2 e2 de ed | "Em" eg "D"fd "Em"e2-e :| "B"|: f |\ "Em"g2 f2 e2 dB | "D7"A2 dB "G"GB Be |\ "Em"g2 f2 e2 dB | "Em" eg "D"fd "Em"e2-e :| "C"|: a |\ "Em"e2 e2 e2 dB | "D7"AA AB "G"GA Bd |\ "Em"e2 e2 e2 ed | "Em" eg "D"fd "Em"e2-e :| "D"|: g |\ "Am"ae ea "Em"e2 dB | "D"A2 dB "Em"GB Be |\ "Am"ae ea "Em"e2 dB | "Em" eg "D"fd "Em"e2-e :| %%sep 1 1 500 X: 103 T: Lianne MacLean's Revenge C: Hanneke Cassel 2010 R: reel Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection S: Handwritten copy by Barbara McOwen for Boston Harbor Scottish Fiddle School, Aug 2011 M: C| L: 1/8 K: Am AG |\ "Am"EA,[E2A,2] DEGB | AGBG BcAG | "F"EA,[E2A,2] DEGB | "Em"AGBG A2AB | "F"cF F/F/F cFBd | "C"cG G/G/G cGBc | "G"e/f/e dB "Em"GABG |1 EGBG "Am"A2 :| 2 EGcG "Am"A2 |] K: Amix=g |: e^g |\ "A"aece "G/A"gAeA | gAea gede | "A"aece "D/F#"g2fe | "G"defd e2e^g | "A"aece "G/A"gAeA | gAea gede | "A"aecg "G/B"dB[gd]B |1 GA"D"BG A2 :|2 "E(no 3rd)"GEBG "(A)"A2 |] %%sep 1 1 500 X: 104 T: Loch Leven Castle R: reel O: RSCDS 21-3(I) B: RSCDS 21-3(I) S: printed page from the BSFC in Concord Slow Scottish Session collection Z: 1997 by John Chambers N: Most other sources don't have the g's sharped. M: C| L: 1/8 K: Ador cB \ | "Am"A2AB AGEG | "Am"AGAB cBcd \ | "C"efga gede | "C"c2G2 "E(m)"G2cB \ | "Am"A2AB AGEG | "Am"AGAB cBcd | | "Am"eaga "E(m)"gede | "Am"c2A2 A2 :| \ eg \ | "Am"a2ab ageg | "Am"a^gab a2=ge \ | "G"dega gede | "C"c2G2 "Em"G2eg | | "Am"a2ab ageg | "Am"a^gab a2=ge \ | "G"dega "E(m)"gede | "Am"c2A2 A2eg \ |]| "Am"a2ab "Em"ageg | "Am"a^gab "D7"a=gef | | "G"gfga "Em"gede | "C"c2G2 "E(m)"G2cB \ | "Am"A2AB AGEG | "Am"AGAB cBcd \ | "Am"ea"(#)"ga "E(m)"gede | "Am"c2A2 A2 |] %%sep 1 1 500 X: 105 T: Lucky Scaup C: Jimmy Shand R: reel N: Also played with the 2nd part repeated. N: Chords added by John Chambers F: http://nigelgatherer.com/tunes/abc/abc7/lucks.abc 20110323 013453 UT S: printed MS from Mike Briggs S: handwritten page from Barbara McOwen in the Concord Slow Scottish Session collection (chords, trills) M: C| L: 1/8 K: D FE | "D"D2DF "A7"E2EG | "D" F2FA "G"G2GB | "D"A2f2 "Em"Tgfed | "A7"f2e2 e2f2 | y4 | "D"D2DF "A7"E2EG | "D(Bm)"F2FA "G"G2GB | "D"A2a2 "A7" gfed | "D" f2d2 d2 :| fg | "D"a2d2 "G"b2d2 | "D" a2gf "A7"g2fg | "D"a2d2 "Bm" bagf | "Em"g2e2 "A7"e2fg | y4 | "D"a2d2 "G"b2d2 | "D" a2gf "A7"g2fe | "D"A2a2 "A7" gfed | "D"Tf2d2 d2 |] fg | "D"a2d2 "G"b2d2 | "D" a2gf "A7"g2fg | "D"a2d2 "Bm" bagf | "Em"g2e2 "A7"e2f2 | y4 | "D"D2DF "A7"E2EG | "D(Bm)"F2FA "G"G2GB | "D"A2a2 "A7" gfed | "D" f2d2 d2 |] %%sep 1 1 500 X: 106 T: MacArthur Road #2 [E] C: Dave Richardson M: C| L: 1/8 Z: John Chambers from handwritten MS (by Barbara McOwen?) K: E c "A"|\ "E"BG~G2 Bcef | g3e "E7"fece |\ "A"f2ge fece | "F#m"aege "B7"fece |\ "E"BG~G2 Bcef | g3e "E7"fece | "A"f2ge "F#m"fcec | "B7"Bcef "E"e3 :| z "B"|\ "E"be~e2 bec'e | be~e2 "E7"fece |\ "A"f2ge fece | "F#m"aege "B7"fece | "E"be~e2 bec'e | bege "E7"fece |\ "A"f2ge "F#m"fcec | "B7"Bcef "E"e3z ||\ "E"be~e2 bec'e | be~e2 "E7"fece | "A"f2ge fece | "F#m"aege "B7"fece |\ "E"BG~G2 Bcef | g3e "E7"fece |\ "A"f2ge "F#m"fcec | "B7"Bcef "E"e3 |] %%sep 1 1 500 X: 107 T: Maggie's Pancakes C: Stuart Morrison R: reel Z: 2013 John Chambers S: PDF image from Lance Ramshaw S: page from Concord Slow Scottish Session collection N: "Presented by H.Cassel, BHSFS 8/03 Chds B. BcO." M: C| L: 1/8 K: Bm |:\ "Bm"fB B/B/B fgfe | "G"dB B/B/B GBdB | "A"cAAd AAec | "A"AfdB "F#m"ecAe | "Bm"fB B/B/B fgfe | "G"dB B/B/B GBdB | "A"cABc ABce- | "F#m"efec "Bm"Bcde :| |:\ "Bm"f2dB "G"GBdB | "A"caec "Bm"dB B/B/B | "Bm"f2dB "G"GBdB | "A"cAec "Bm"Bcde | "D"fd d/d/d fgfe | "Bm"dB B/B/B "G"GBdB | "A"cAdA ecAa- | "F#m"afec "Bm"HBcde :| %%sep 1 1 500 X: 108 T: M\'aire O'Keeffe C: Otis Tomas R: reel Z: 2014 John Chambers S: printed page of unknown origin from Concord Slow Scottish Session collection M: C| L: 1/8 K: D B |\ AF-~F2 DEFA | dABF A2Bc | df-~f2 bafb | afdf eB-~B2 | AF-~F2 DEFA | dABF A2Bc | df-~f2 bafb | afeg fdd :: B | Adfd edcd | (3(Bcd) AF DEFD | B,EGB degb | afdf eB-~B2 | AF-~F2 DEFA | dABF A2Bc | df-~f2 bafb | afeg fdd :| %%sep 1 1 500 X: 109 T: Major Molle's reel C: Andrew Gow R: reel S: page from Concord Slow Scottish Session collection B: The Athole Collection M: C| L: 1/8 K: Ador B |\ "Am"Aeed cBAG | "Am"Aeed "Em"c2cB |\ "Am"Aeef "(D7)"gfge | "G"dBGB "E(m)"edc :| B |\ "Am"AE E/E/E cABG | "Am"AE E/E/E "Em"c2Bc |\ "Am"AE E/E/E "D7"cABc | "G"BGGB "E(m)"edc |] B |\ "Am"AE E/E/E cABG | "Am"AE E/E/E "Em"c2Bc |\ "Am"Aeef "(D7)"gfge | "G"dBGB "E(m)"edc |] %%sep 1 1 500 X: 110 T: Marry Me Now C: (trad.) R: reel Z: 2013 John Chambers S: PDF image from Lance Ramshaw S: page from Concord Slow Scottish Session collection B: Preston's Collection of Scots Reels and Country Dances (1768) B: The Athole Collection (1884) M: C| L: 1/8 K: Am G | EA A/A/A c2ce | dcBA GABG | AE E/E/E c2ce | dBgB A/A/A A2 :| g | agea geae | gedg BGdB | agea geae | gegB A/A/A A |] g | agea geae | gedg BGdB | cAdB ecae | gegB A/A/A A |] %%sep 1 1 500 X: 111 T: (Miss) Mary MacDonald's Reel O: 1788 B: Niel Gow's 2nd Coll. 1788 M: C L: 1/8 R: reel B: Gow – 2nd Collection of Niel Gow’s Reels, 3rd ed., p.31 (orig. 1788) Z: AK/Fiddler’s Companion K: Gmix B |\ GGBG AFFA | (GcBA) G3 :| |: B |\ G S: printed copy of unknown origin M: 6/8 L: 1/8 K: Gdor [|\ "Gm"G2BG "F"AFFA | "Gm"G2BG AGBG | "Gm"DGBG "F"AFFA | "Dm"GcBA "Gm"G2GF | "Gm"G2BG "F"AFFA | "Gm"G2BG AGBG | "Gm"DGBG "F"AFFA | "Dm"GcBA "Gm"G3 |] A | "Gm"G2gB "F"AFFA | "Gm"G2gd gagd | "C"efcB "F" AFFA | "Dm"GcBA "Gm"G3A | "Gm"G2gB "F"AFFA | "Gm"G2gd gagd | "Bb"fgfd "F"ACFA | "Dm"GcBA "Gm"G4 |] %%sep 1 1 500 %%sep 1 1 500 X: 113 T: (Miss) Mary MacDonald O: 1788 B: Niel Gow's 2nd Coll. 1788 R: reel Z: 2014 John Chambers S: printed copy of unknown origin M: 6/8 L: 1/8 K: Gdor A |\ "Gm"G2BG "F"ADFA | "Gm"G2BG AGBG |\ "Gm"DGBG "F"ADFA | "Dm"GcBA "G"G2G :| |: D |\ "Gm"G2g2 "F"ADFA | "Gm"G2g2 gagd |\ "F"efec ADFA | "Dm"GcBA "Gm"G2G :| %%sep 1 1 500 %%sep 1 1 500 X: 114 T: (Miss) Mary MacDonald O: Athole collection R: reel B: The Athole Collection M: C| L: 1/8 K: Gdor B |\ GGBG AFFA | GGBG AGBG | EGBG AFFA | GcBA G3 :| |: B |\ GGgB AFFA | GGgd gagd | fgfc AFFA | GcBA G2G :| %%sep 1 1 500 X: 115 T: The Mason's Apron S: printed page in Concord Slow Scottish Session collection Z: 2015 John Chambers R: reel M: C| L: 1/8 K: A L:1/8 (ed) |\ "A"cA~A2 ABAF | "A"EFAB dcBA | "Bm"dB~B2 BcBA | "Bm"Bcde gfed | "A"cA~A2 ABAF | "A"EFAB dcBA | "D"Bcde "Bm"fefa | "E7"~A2cB "A"A2 :| |: (ed) |\ "A"cAeA fAeA | "A"cAeA fedc | "Bm"dBfB gBfB | "Bm"dBfB "E7"gfed | "A"cAeA fAeA | "A"cAeA fedc | "D"Bcde "Bm"fefa | "E7"~A2cB "A"A2 :| %%sep 1 1 500 X: 116 T: Mike to the Rescue C: Andrea Beaton N: Presented by Andrea Beaton, Boston Harbor Scottish Fiddle School, August 2011 S: printed copy in Concord Slow Scottish Session collection R: reel Z: 2015 John Chambers M: C| L: 1/8 K: D %%staffsep 40 |:\ D2FE FDDF | ABdA B2AB | defb afef | dBAF E/E/E EF | D2FE FDDF | ABdA B2AB | defb afef |[1 dBAF D/D/D DA, :|[2 dBAF D/D/D Dg |: faag fedB | ABcA B2AB | defb afef | [1 dBAF E/E/E Eg | faag fedB | ABdA B2AB | defb afef | dBAF D/D/D Dg :| [2 dBAF E/E/E EF | D2FE FDDF | ABdA B2AB | defb afef | dBAF D/D/D D2 |] %%sep 1 1 500 X: 117 T: Mike to the Rescue C: Andrea Beaton R: reel S: the Concord Slow Scottish Jam collection 2016-10 N: Presented by Andrea Beaton, Boston Harbor Scottish Fiddle School, August 2011 Z: 2016 John Chambers M: C| L: 1/8 K: D A, |:\ D2FE FDDF | ABdA B2AB | defb afef | dBAF E/E/E EF | D2FE FDDF | ABdA B2AB | defb afef | dBAF D/D/D D :| |: g | faag fedB | ABdA B2AB | defb afef | dBAF E/E/E [1 EG | faag fedB | ABcA B2AB | defb afef | dBAF D/D/D D :| [2 EF | D2FE FDDF | ABdA B2AB | defb afef | dBAF D/D/D D |] %%sep 1 1 500 X: 118 T: Millbrae C: Ronald Cooper (1934-1982) Z: John Chambers R: reel M: C| L: 1/8 K: A af \ | "A"eA ~A2 eAce | "D"fedf "A"eaga | "Bm"fedc [1,3 dcBA | "E7"G2 B2 B2 :|\ [2,4 "E7"dBed | "A"c2 A2 A2 :| a2 \ | "E7"g{a}beg begb | "A"aAce agfe | "D"fedc [1 dcBA | "E7"G2 B2 B2 :|\ [2 "E7"dBed | "A"c2 A2 A2 |] a2 \ | "E7"g{a}beg begb | "A"aAce agfe | "D"fedc dcBA | "E7"G2 B2 B2 || af \ | "A"eA ~A2 eAce | "D"fedf "A"eaga | "Bm"fedc "E7"dBed | "A"c2 A2 A2 |] %%sep 1 1 500 %%sep 1 1 500 X: 119 T: the Mill Brae C: Ronald Cooper (1934-1982) Z: John Chambers R: reel M: C| L: 1/8 K: A af \ | "A"eA ~A2 eAce | "D"fedf "A"eaga | "Bm"fedc dcBA | "E7"G2 B2 B2 af | y4 \ | "A"eA ~A2 eAce | "D"fedf "A"eaga | "Bm"fedc "E7"dBed | "A"c2 A2 A2 :| [| a2 \ | "E7"g{a}beg beg[be] | "A"aAce agfe | "D"fedc dcBA | "E7"G2 B2 B2 a2 | y4 \ | "E7"g{a}beg beg[be] | "A"aAce agfe | "D"fedc "E7"dBed | "A"c2 A2 A2 |] [| a2 \ | "E7"g{a}beg beg[be] | "A"aAce agfe | "D"fedc dcBA | "E7"G2 B2 B2 af | y4 \ | "A"eA ~A2 eAce | "D"fedf "A"eaga | "Bm"fedc "E7"dBed | "A"c2 A2 A2 |] %%sep 1 1 500 %%sep 1 1 500 X: 120 T: da Mirrie Boys o' Greenland O: trad. Shetland R: reel S: handwritten MS by Anne Hooper, Boston Harbor Scottish Fiddle School, August 2009 Z: 2015 John Chambers M: C| L: 1/8 K: D "A"|: "D"ABde fd(f2 | "A"e) M: C| L: 1/8 K: ADor {^G}A | "Am"A,B,CD E2DC | "G"B,GFG DB,G,B, | "Am"A,B,CD E^GAc | "E7"BA^GB "Am"cAA :| (^g | "Am"~a2)ed cBA(F | "G"~G2)DC B,A,G, (^g | "Am"a2)ed cBAc | "E7"BA^GB "Am"cAA |] (^g | "Am"~a2)ed cBA(F | "G"~G2)DC B,A,G,B, | "Am"A,B,CD E^GAc | "E7"BA^GB "Am"cAA |] %%sep 1 1 500 X: 122 T: Miss Susan Cooper C: Ronnie Cooper (1934-1982) R: reel Z: 1997 by John Chambers M: C| L: 1/8 K: D (3ABc \ | "D"dfed "G"B2dB | "D"A2FA DAFA | "D"ABde "Bm"fa^ga | "G"=g2fd "A7"eAce | | "D"dfed "G"B2dB | "D"A2FA DAFA | "D"ABde fafd | "A7"eAce "D"d2 :| |: dc \ | "Bm"Bcde fB~B2 | def^g "E7"a2gf | "A"eAce a2^ga | "Bm"=g2fd "A7"eAce | | "D"dfed "G"B2dB | "D"A2FA DAFA | "D"ABde fafd | "A7"eAce "D"d2 :| %%sep 1 1 500 X: 123 T: Miss Thompson C: R: reel S: printed page in Concord Slow Scottish Session collection Z: 2015 John Chambers N: Initial pickup lengthened to fix the rhythm of repeats. M: C| L: 1/8 K: D A2 |\ "D"d2df edcB | "D"A2AB AGFE | "D"DFAG "G"DGBG | "D"DFAF "A7"GFED | "D"d2df edcB | "D"A2AB AGFE | "D"DAdA "A7"fedc | "D"d2d2 d2 :| |: cd |\ "A"ecec Acec | "D"fdfd Adfd | "Em"gege "D"fdfd | "E7"edcB "A"A2A2 | "G"BGBG DGBd | "D"AFAF DFAd | "D"FAdA "A7"fedc | "D"d2d2 d2 :| %%sep 1 1 500 X: 124 T: Miss Wedderburn O: Atholl R: reel Z: 2019 John Chambers B: Atholl Collection S: handwritten MS in Concord Slow Jam collection M: C| L: 1/8 K: A F \ | "A"E2EF "F#m"EFAc | "Bm"BAcB "D"AFFA \ | "A"E2EF "F#m"EFAc | "E7"BABc "A"A/A/A A :| c \ | "D"d2fd "A"c2ec | "Bm"BAcB "D"AFFc \ | "D"d2fd "A"caec | "E7"BABc "A"A/A/A A |] c \ | "D"dfdf "A"cece | "Bm"BAcB "D"AFFe \ |"(Bm)"fefg "D"abaf | "E7"ecBc "A"A/A/A A |] %%sep 1 1 500 X: 125 T: Molly Rankine's Reel C: John Morris Rankine M: 4/4 L: 1/8 R: reel F:http://www.thesession.org/tunes/display/2647 2010-02-18 01:07:59 UT K: Dmaj dB | "D"Ad d/d/d d2df | "G"edef "A7"edB2 | "D"Ad d/d/d "Bm"d2ef | "Em"afdf "A7"e2dB | y4 | "D"Ad d/d/d d2df | "G"edef "A7"edB2 | "D"abaf "Em"edef | "D"defd "A7"e2 :| |: fg | "D"aA A/A/A afef | "Em"abaf "A7"edef | "D"aA A/A/A "Bm"afef | "Em"defd "A7"e2fg | y4 | "D"aA A/A/A afef | "Em"abaf "A7"edef | "Em"gef[bd] "A7"edBe | "D"defd "A7"e2 :| %%sep 1 1 500 X: 126 T: the Mortgage Burn C: Gordon MacLean O: Cape Breton B: The Lighthouse Collection, Cranford, Cape Breton F: http://thesession.org/tunes/2047 R: reel M: 4/4 L: 1/8 K: A AB |\ "A"cEBE AE~E2 | "A"cEBE AEFA \ | "Bm"BFBc BFBc | "E7"dBcA BAFA |\ | "A"cEBE AE~E2 | "A"cEBE AEFA | | "Bm"dBcA BAFE | "E7"FAAB "A"A2 :: AB \ | "A"c2Bc e2ce | "D"fafe "A/c#"c2BA \ | "Bm"B2AB "A"c2Bc | "E"ecBA "D"F2 \ [1 AB | "A"c2Bc e2ce | | "D"fafe "A/c#"c2BA \ | "Bm"B2AB "E7"cBAF | EAAB "A"A2 :|\ [2 cB | "A"AFEF A2AB | "A"cBce "D"f2af \ | "A/c#"e2cA "Bm"BcAF | "E7"EAAB "A"A2 |] %%sep 1 1 500 X: 127 T: the Mortgage Burn C: Gordon MacLean O: Cape Breton B: The Lighthouse Collection, Cranford, Cape Breton B: BSFC Tune Book XXVIII-19 B: BFSC Session Tune Book 2016 p.27 F: http://thesession.org/tunes/2047, the RJ collection, and a few other online transcriptions. Z: 2014 John Chambers R: reel M: 4/4 L: 1/8 K: A |: AB | "A"cEBE AEF[AE] | "A"cEBE AEFA | "Bm"BFBc BFBc | "E7"dBcA BA y2 FA | "A"cEBE AEF[AE] | "A"cEBE AEFA | "Bm"dBcA BAFE | "E7"FAAB "A"A2 :| |: AB | "A"c2Bc e2ce | "D"fafe "A/c#"c2BA | "Bm"B2AB "A"c2Bc | "E"ecBA "(D)"F2 [1 AB | "A"c2Bc e2ce | "D"fafe "A/c#"c2BA | "Bm"B2AB "E7"cBAF | E[AF]AB "A"A2 :| [2 cB | "A"AFEF A2AB | "A"cBce "D"f2af | "A/c#"e2cA "Bm"BcAF | "E7"E[AF]AB "A"A2 |] %%sep 1 1 500 X: 128 T: Mrs. MacLeod of Raasay M:4/4 L:1/8 R:Reel K:A cA |\ "A"A2a2 "D"fefa | "A"c2cB cdcB | "A"A2a2 "D"fefa | "E"B2BA BdcB | "A"A2a2 "D"fefa | "A"c2cB c2ce | "D"f2fe fefg | "D"afec "E"B2 :| |: cB |\ "A"A2cA eAcA | "A"c2cB cdcB | "A"A2cA eAcA | "E"B2BA BdcB | "A"A2cA eAcA | "A"c2cB c2ce | "D"f2fe fefg | "D"afec "E"B2 :| %%sep 1 1 500 X: 129 T: Mrs Norman McKeagan C: Dan R. Macdonald R: reel Z: 2013 John Chambers S: Handwritten MS by Barbara McOwen dated 6/89 D: W.Hunter Record M: C| L: 1/8 K: D F2 "A"|\ "D"D2FD F/G/A AB | "D7"defd "G"g2fe |\ "D"dcBA "Bm"BcdA | "Em"BdAF "A7"EDFE |\ "D"D2-DG F/G/A AB | "D7"defd "G"g2fe |\ "D"dcBA "G"BcdA | "A7"BdAF "D"D2 "B":: f2 |\ "D"abaf defd | "D"fadf "A7"gfef | "D"abaf "Bm"defd | "Em"fadf "A7"e2-ef |\ "D"abaf defd | "D7"fada "G"gfef |\ "D"dcBA BcdA | "A7"B/c/d AF D2 :| %%sep 1 1 500 X: 130 T: Mrs. Stewart of Garth C: R: reel S: Slow Scottish Session (Concord MA USA) handout Z: 2023 John Chambers M: C| L: 1/8 K: Dm |:"Dm"D2DE FGAF | "C"EcGc ECCE | "Dm"D2DE FGAF | "A"Ddfe "Dm"d2dA :| "Dm"dafg afdf | "C"egcg ecge | | "Dm"defg a2gf | "C"ecge "Dm"d2dA || "Dm"dafg afdf | "C"egcg ecge | "Dm"fdec defd | "Am"cAGE "Dm"D2D |] %%sep 1 1 500 X: 131 T: Mrs. Stewart of Garth C: R: reel S: Slow Scottish Session (Concord MA USA) handout Z: 2023 John Chambers M: C| L: 1/8 K: Dm |:\ "Dm"D2DE FGAF | "C"EcGc ECCE | "Dm"D2DE FGAF | "A"Ddfe "Dm"d2dA :| [|\ "Dm"dafg afdf | "C"egcg ecge | "Dm"defg a2gf | "C"ecge "Dm"d2dA || "Dm"dafg afdf | "C"egcg ecge | "Dm"fdec defd | "Am"cAGE "Dm"D2D |] %%sep 1 1 500 X: 132 T: Mutt's Favourite C: Jerry Holland R: reel S: MS from Barbara McOwen in the Concord Slow Scottish collection Z: 2017 John Chambers M: C| L: 1/8 K: Ador G \ "A"|:\ "Am"EAAc B2Ac | "Am"BAAg feea |\ "Am"EAAc B2Ac | "G"BGGA BcdD ||\ "Am"EAAc B2Ac | "Am"BAAg feef | "G"gfgd e2eg | "(Em)"BGBc dBGB "B"::\ "Am"EARA2 fARA2 | gARA2 aARA2 |\ "Am"EAfA "D"gAaA | "G"fgdg "(Em)"BGGD :| %%sep 1 1 500 X: 133 T: My Gentle Milkmaid T: Mo Chuachag Laghach R: reel Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection M: C| L: 1/8 K: Bm A |:\ "Bm"B2d2 "A"cBBc | "Bm"B2d2 "F#m"feef |\ "Bm"B2d2 "A"cBBc | "A"cAAc "F#m"feef :| |:\ "D"d2(fe) "G"dBAB | "D"d2(ad) "F#"feef |\ "D"d2(fe) "G"dBBd | "A"cAAA "F#m"feef :| %%sep 1 1 500 X: 134 T: the New High Level Reel C: Robert Whinham N: often misattributed to Andrew Rankine, who recorded a version R: reel Z: 2002 John Chambers M: C| L: 1/8 K: G D2 \ | "G"G2DG B2GB | "G"d2ed cBAG \ | "D7"F2DF A2FA | "D7"d^cde d=cBA | y4 \ | "G"G2DG B2GB | "G"d2ed cBAG \ | "D7"FDFA dcBA | "G"G2B2 G2 :| |: Bc \ | "G"d2Bd gdBd | "C"e2ce gece \ | "G"d2Bd gdBd | "Am"c2fe "D7"dcBc | y6 \ | "G"d2Bd gdBd | "C"e2ce gece \ | "G"dgfe "D7"dcBA | "G"G2B2 G2 :| %%sep 1 1 500 X: 135 T: North Highland Reel O: Patrick McDonald Collection R: reel B: Version from the Concord Slow Scottish Jam session binder _. N: "taught by Laura Risk - Boston Harbor 2004" Z: 2015 John Chambers M: C L: 1/8 K: Amix |:\ fA A/A/A e2de | fA A/A/A dBBg | fA A/A/A e2de | fedB BAAg :| f2af e2de | fdg2 dBBg | f2af e2de | fedB BAAg | f2af e2de | fdg2 dBBg | fgaf g2af | g/f/e dB BAAg |] %%sep 1 1 500 %%sep 1 1 500 X: 136 T: Pipe Slang C: O: R: reel B: Version from the Concord Slow Scottish Jam session binder _. N: "version by Laura Risk" N: "taught by Laura Risk - Boston Harbor 2004" Z: 2015 John Chambers M: C L: 1/8 K: Amix ed |\ cA A/A/A A2AB | cdef gece | fd d/d/d d2fd | eE E/E/E e2ed | cA A/A/A A2AB | cdef gece | fd d/d/d a2af | eE E/E/E e2 :| |: ec |\ A2a2 gece | f2ed ecAB | A2a2 gece | f2ed e2ec | A2a2 gece | f2ed ecAB | G3B GBde | f2ed e2 :| %%sep 1 1 500 %%sep 1 1 500 X: 137 T: North Highland Reel B: Patrick McDonald Collection R: reel B: Version from the Concord Slow Scottish Jam session binder _. N: "taught by Laura Risk - Boston Harbor 2004" Z: 2015 John Chambers M: C L: 1/8 K: Amix |:\ fA A/A/A e2de | fA A/A/A dBBg | fA A/A/A e2de | fedB BAAg :| f2af e2de | fdg2 dBBg | f2af e2de | fedB BAAg | f2af e2de | fdg2 dBBg | fgaf g2af | g/f/e dB BAAg |] %%sep 1 1 500 X: 138 T: North West Arm C: Kevin Roach R: reel Z: 2014 John Chambers S: page in Concord Slow Scottish Session collection N: "Kevin Roach is a Halifax based musician. North West Arm is one of the bays surrounding Halifax." M: C| L: 1/8 K: D dB |\ AD (3(FED) A,B,CE | DEFA dAAc | BEED EFGA | gfed cAAG | (3(FED) FA dAAF | GFGB gfed | cAcd egfe | dfTfe d2 :| |: fg |\ af-~f2 dB-~B2 | AFFE {E}F2EF | GFGB gfed cdec [1A2fg | af-~f2 dB-~B2 | FGAF D2EF | GFGB gfec | dfTfe d2 :| [2 ABAG | (3(FED) FA dAAF | GFGB gfed | cAcd egfe | dfTfe d2 |] %%sep 1 1 500 X: 139 T: the Old Grey Cat T: the Auld Grey Cat R: reel O: Kerr c.1880 B: Kerr's Merry Melodies, v.1p.28 c.1880 B: Roaring Jelly Coll. Z: John Chambers M: C| L: 1/8 K: Edor B2 \ | "Em"{^d}e2e2 E3F | GFGA BABc | "D"{^c}d2d2 D3E | FAdB AFED | "Em"{^d}e2e2 E3F | | GFGA BABc | "D"{^c}dcBA "B7"BAGF | "Em"E4 e2 :: ed | "Em"B2e2 e3d | Bdef gfed | | "D"A2d2 d3B | ABde fedf | "Em"e2B2 "D"g2B2 | "C"a2B2 "B7"b3a | "Am"gfed "B7"BAB^d | "Em"e6 :| %%sep 1 1 500 X: 140 T: On the Wings of a Skorie #1 C: Michel Ferrie 1995 O: Shetland S: via F.Slimmer, Sierra N: A skorie is a herring gull in the Shetlands D: Fiddler's Bid "Da Farder Ben Da Welcomer" D: Alasdair Fraser and Natalie Haas "Abundance" R: reel Z: 2018 John Chambers from transcripption by Barbara McOwen 1/18 M: C| L: 1/8 K: Em "A"|: GA |\ "Em"BE E/E/E BEcE | BE E/E/E GFGB |\ "D"ABGB AGFA | "Em"GEED "D"EFGA |\ "Em"BE E/E/E BEcE | BE E/E/E GFGB |\ "D"ABGB AGFA | "Em"GEED E2 "B":: GF |\ "Em"EB B/B/B "D"BAFA | "G"GEDE "Bm"GABd | Beed efge | "D"fedf "Em"e2gf |\ "Em"eB B/B/B "D7"BAFA | "G"GEDE GABd |\ "Bm"f/g/a df "Am"efdB | "Bm"ABdf "Em"e2 :| %%text arr. BMcO 1/18, from Concord Slow Scottish collection %%sep 1 1 500 X: 141 T: Over the Waterfall M: 2/4 O: c.1866 N: Variant of a song tune called "The Fellow that Looks Like Me", by C:J.E.Poole in the 1860s. N: The tune may be a lot older than that, but its origin is unknown. R: reel L: 1/16 K: D de |\ "D"f2a2 "A7"gfe2 | "D"d2B2 A2de | "D"f2a2 "A7"gfe2 | "D"d6 de \ | "D"f2a2 "A7"gfe2 | "D"d2B2 A3B | "C"=c3c B2A2 | "G"G6 :| |: FG \ | "D"A2-A2 "G"B2-B2 | "D"ABAG F2FG | "D"A2d2 "A7"cdec | "D"d6 FG \ | "D"A2-A2 "G"B2-B2 | "D"ABAG F2FG | "A7"A2A2 GFE2 | "D"D6 |] %%sep 1 1 500 X: 142 T: Paul's Pipes C: J.H. N: Who is "J.H."? R: reel Z: 2014 John Chambers S: printed copy of unknown origin S: Page from Boston Slow Scottish Session collection N: The original has K:Amix, with naturals on all the c notes but two. M: C| L: 1/8 K: Ador f |\ ed^cd efg2 | dcBc dGGf |\ ed^cd efge | aged eAA :|\ a |\ gabg aeeg | dcBc dGGa | gabg aeeg | GABd eAAa |\ gabg aeeg | GABc dBGa |\ gefd efge | aged eAA |] %%sep 1 1 500 X: 143 T: Petronella R: Reel O: Scotland, 1817 B: (Nathanial) Gow's Repository, Part Fourth, 1817 M: 4/4 K: D Z: 1997 by John Chambers dA \ | "D"F2AF "A7"E2AE | "D"D2D2 D2FA | d2cd e2d2 | "A7"cdec ABAG | | "D"F2AF "A7"E2AE | "D"D2D2 D2FA | d2cd "A7"e2c2 | "D"d2-d2- d2 :| |: dA \ | "D"F2fd A2af | "Em"g2gf edcB | "A7"A2ec Aceg | "D"f2fd AdAF | | "D"D2fd A2af | "Em"g2gf edcB | "A7"A2ec Agec | "D"d2-d2- d2 :| %%sep 1 1 500 X: 144 T: Pipe Slang C: O: R: reel B: Version from the Concord Slow Scottish Jam session binder _. N: "version by Laura Risk" N: "taught by Laura Risk - Boston Harbor 2004" Z: 2015 John Chambers M: C L: 1/8 K: Amix ed |\ cA A/A/A A2AB | cdef gece | fd d/d/d d2fd | eE E/E/E e2ed | cA A/A/A A2AB | cdef gece | fd d/d/d a2af | eE E/E/E e2 :| |: ec |\ A2a2 gece | f2ed ecAB | A2a2 gece | f2ed e2ec | A2a2 gece | f2ed ecAB | G3B GBde | f2ed e2 :| %%sep 1 1 500 X: 145 T: Potatoes and Herring T: Bunt\`ata's Sgadan C: Allan MacDonald R: polka Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection M: C| L: 1/8 K: A B | "A"A2 c{B}A ceae | "D"f2ae "E7"cBB[ae] | "A"A2 c{B}A ceae | "D"f2"E7"ae "A"cAA :| e | "F#m"f2cf efce | f2ae "E"cBBe | "F#m"f2cf efce | "D"f2"E7"ae "A"cAA || e | "F#m"f2cf efce | f2ae "E"cBB[ae] | "A"A2c{B}A ceae | "D"f2"E7"ae "A"cAA |] %%sep 1 1 500 X: 146 T: Pretty Peggy O: Lowe 2 R: reel Z: 2014 John Chambers S: Concord Slow Scottish Session collection S: handwritten page by Barbara McOwen labelled "ROAD TA HOULL SET - PAGE TWO", dated Oct 2003 M: C| L: 1/8 K: D %%slurgraces "A"|: A |\ "D"{c}d2(fd) AFDF | "D"d2(fd) "A7"(e/f/g) (fe) | "D"{c}d2(fd) "Bm"AFD(F | "Em"GE)FD "A7"CEE :| "B"[| A |\ "D"(F/E/D) (AD) "G"BDAD | "D"(G/F/E) (FD) "A7"CEEG | "D"(F/E/D) (AD) "G"BDAD | "A7"(G/F/E) (FD) "D"A,DDA | "D"(F/E/D) (dD) cDBD | "D"A(D F/E/D) "A7"CEEG | "D"FAd(f "Em"ec)dB | "A7"A(FGE) "D"FDD |] %%sep 1 1 500 X: 147 T: Primrose Lasses O:trad Scotland S:Gillian Boucher, Edinburgh April 2001 Z:Nigel Gatherer B:Dunlay's First Collection #59 M:4/4 L:1/8 K:G g \ | "G"edBA G2GE | DEGA "D"BAAg | "G"edBA G2 GE | "D"DEGA "G"BGGA | | "G"BdAB G2GE | DEGA "D"BAAg | "G"edBA G2 GE | "D"DEGA "G"BGG |] B \ | "G"d2gd "C"edgd | "G"Bdgd "D"BAAB | "G"d2gd "C"efge | "D"dBAc "G"BGGB | | "G"d2gd "C"edgd | "G"Bdgd "D"BAAB | "G"dBde "C"gbge | "D"dBAc "G"BGG |] %%sep 1 1 500 X: 148 T: Put Me In a Box T: Put Me in the Big Chest C: attr. William Marshall (1748-1833) B: Skye Collection (in Bb): "Cuir sa chiste mh\'oir mi", "Miss Cruikshank's Reel", 1887 S: Fiddle Hell 2021-11-__ Natalie Haas Accompaniment Workshop R: reel Z: 2014 John Chambers S: page from Concord Slow Scottish Session collection of unknown origin N: The rhythms between the phrases don't quite match. M: C| L: 1/8 K: A AF | EFAB c2cf | ecBA F2AF | EFAB cBcf | ecBc A2 :| |: c | efec eAAc | efec BABc | efec efaf | ecBc A3 :| |: AF | EFAB c2cB | c2cB cef2 | EFAB cBcf | ecBc A2 :| |: c | efec eAAc | efec BABc | efec efaf | ecBc A/A/A A :| %%sep 1 1 500 X: 149 T: the Quandary C: Paul S. Cranford R: reel Z: 2014 John Chambers S: page in Concord Slow Scottish Session collection M: C| L: 1/8 K: D AG !segno!|\ (3(FED) AD dDAd | ABdf e2de | fdef dBAB | ABdf e2 :| dc |\ dBfB bBfB | dBfB Tg2fg | afTge fedB ABdf e2dc | dBfB bBfB | dBfB Tg2fg | abge TfedB | ABdf ecd"_D.S."A |] %%sep 1 1 500 X: 150 T: Queen Dorene C: Katie McNally O: April 2020 R: reel Z: 2021 John Chambers M: C| L: 1/8 K: C#m |:\ c3 d cB G2 | BG FG Bc dB | cg fe cB G2 | GF GB c2 cB :| Ag gB gg cg | g/g/g fe fe cB | Ag gB gg cg | bg fe fe cB | Ag gB gg cg | g/g/g fe fe cB | Ag fe fe c2 | de dB GB de |] %%sep 1 1 500 X: 151 T: the Raivlin Reel C: Barbara McOwen Nov.1993 N: for Lance Ramshaw R: reel Z: 2014 John Chambers S: Handwritten MS by Barbara McOwen N: This "tangled reel" is specially written for Lance Ramshaw, artificial N: intelligence wizard, dance teacher, minister, musician and poet. Instead of N: waiting around at a jam session for the piano to be free, he decided to learn N: the fiddle, so he could play all the time. And he is devouring tunes! N: "Raivlin" is Scots for "a tangled thread," or, "used of rhyme: loose odds and N: ends" and at his request it is intended to be a fun tune for him to play. M: C| L: 1/8 K: D FE |\ "D"D3G FEDA | "D"GFED d3c |\ "G"BDAD GDFD | "Em"EFGE "A7"FGFE |\ "D"D3G FEDA | "D"GFED d3c |\ "G"BDAD "Em7"GDFD | "A7"EFGA "D"D2 :: FG |\ "D"Add2 "G"Bdd2 | "A7"cdef g3f | "A7"efge fgef | "Em7"gaaA "A7"agfe |\ "D"d2ed fdgd | "D"fedc "D7"BAGA |\ "G"BDAD "Em7"GDFD | "A7"EFGA "D"D2 :| %%sep 1 1 500 X: 152 T: the Raivlin Reel C: Barbara McOwen Nov.1993 N: for Lance Ramshaw R: reel Z: 2014 John Chambers S: Handwritten MS by Barbara McOwen N: This "tangled reel" is specially written for Lance Ramshaw, artificial N: intelligence wizard, dance teacher, minister, musician and poet. Instead of N: waiting around at a jam session for the piano to be free, he decided to learn N: the fiddle, so he could play all the time. And he is devouring tunes! N: "Raivlin" is Scots for "a tangled thread," or, "used of rhyme: loose odds and N: ends" and at his request it is intended to be a fun tune for him to play. M: C| L: 1/8 K: D FE |\ "D"D3G FEDA | "D"GFED d3c |\ "G"BDAD GDFD | "Em"EFGE "A7"FGFE | y4 |\ "D"D3G FEDA | "D"GFED d3c |\ "G"BDAD "Em7"GDFD | "A7"EFGA "D"D2 :| |: FG |\ "D"Add2 "G"Bdd2 | "A7"cdef g3f |\ "A7"efge fgef | "Em7"gaaA "A7"agfe | y4 |\ "D"d2ed fdgd | "D"fedc "D7"BAGA |\ "G"BDAD "Em7"GDFD | "A7"EFGA "D"D2 :| %%sep 1 1 500 X: 153 T: the Reconciliation Reel T: the Olive Branch Hornpipe T: Humphrey's Reel T: Crannciuil Umfrei O: Ryans 1883 R: reel D: Matt Molloy & Sean Keane: Contentment is Wealth. B: O'Neill's 1850 (hornpipe) B: Ryan’s "Mammoth Collection", 1883, titled “The Olive Branch” Z: id:hn-reel-95 M: C| L: 1/8 K: A |: "A"A2 c{B}A eAfA | eAfA "E7"ecBc | "A"A2 c{B}A eAfA | "(Bm)"ecBc "E7"AFEF | | "A"A2 c{B}A eAfA | eAfA "E7"ecBc | "A"ABAF EAcf | "E7"ecBc "A"A4 :| |: "A"A2{B}ce a2-af | "E7"efed cdcB | "A"A2{B}ce a3g | "Bm"fbba "E7"gbeg | | "A"agae f{g}aec | "Bm"dBcA "E7"BAFG | "A"ABAF EAcf | "E7"ecBc "A"A4 :| %%sep 1 1 500 X: 154 T: the Red-Haired Boy T: the Little Beggar Man R: reel O: Scotland 1762 S: Concord Slow Scottish Jam collection, transcription by Barbara McOwen Z: 2016 John Chambers B: McGibbon, Scots Tunes, book III, 1762; p.70 B: James Gillespie Manuscript of Perth, 1768 B: c.1776-1778 music copybook of fifer Thomas Nixon Jr. [1] (1762-1842), of Framingham, Connecticut M: C| L: 1/8 K: AMix E2 |\ "A"E2A2 ABcd | efec "D"d2cd | "A"e2A2 ABcA | "G"BAEF G2E2 | "A"E2A2 ABcd | efec "D"d2cd | "A"e2a2 "G"afed | "A"c2A2 A2 :| |: ef |\ "G"gfga g2ef | gfec "D"d2cd | "A"e2A2 ABcA | "G"BAEF G2E2 | "A"E2A2 ABcd | efec "D"d2cd | "A"e2a2 "G"afed | "A"c2A2 A2 :| %%sep 1 1 500 X: 155 T: Niel Gow's Quickstep T: the Reverend John MacFarlane C:Niel Gow %R:quickstep, reel, polka B:RSCDS 37-1 Z:1997 by John Chambers N:Recommended tune for The Reverend John MacFarlane M:C| L:1/8 K:C G2 \ | "C"cBcd c2G2 | "(Am)"cBcd c2G2 | "Dm"A2fe "(D7)"fedc | "G"e2d2 "G7"d2ed \ | "C"cBcd c2G2 | "(Am)"cBcd "C7"c2G2 | "F"{FG}A3G "G7"F3E | "C"G2"F"C2 "C"C2 :| ef \ | "C"g3a g3e | "(Am)"c3d c3G | "Dm"A2fe fedc | "G"e2d2 d2ef \ | "C"g3a g3e | "Am" c3d "C7"c2G2 | "F"{FG}A3G "G7"F3E | "C"G2"F"C2 "C"C2 |] ef \ | "C"g3a g3e | "(Am)"c3d c3G | "Dm" A2fe "(D7)"fedc | "G"e2d2 d2ed \ | "C"cBcd c2G2 | "Am" cBcd "C7"c2G2 | "F"{FG}A3G "G7" F3E | "C"G2"F"C2 "C"C2 |] %%sep 1 1 500 X: 156 T: the Road to Boston T: the March to Boston O: 1775 R: reel Z: 1997 by John Chambers M: C| L: 1/8 K: D de \ | "D"f4 ~f2ef | "(G)"g2f2 e2d2 | "A7"c2d2 e2f2 | "D"d2A2 F2A2 \ | "D"f4 ~f2ef | "(G)"g2f2 e2d2 | "A7"c2d2 e2c2 | "D"d6 :| |: fg \ | "D"a4 ~a2^ga | "G(Bm)"b2a2 g2f2 | "Em"g4 ~g2fg | "A7"a2g2 f2e2 \ | "D(Bm)"f4 ~f2ef | "G(Em)"g2f2 e2d2 | "A7"c2d2 e2c2 | "D"d6 :| %%sep 1 1 500 X: 157 T: the Saint Kilda Wedding R: reel B: Hunter #251; Kerr's 2nd p.7 #34 (reel but in index as strathspey); Z: 1997 by John Chambers M: 4/4 L: 1/8 K: A "A"|:\ "A"~A2A2 Acec | "D"~B2cA "E7"F2 EF | "A"~A2 A2 "F#m"Acec |1 "D"~f2fe "E7"fefa :|2 "D"~f2ag "E7"fefg || "B1"[|\ "A"~a2ab aeea | "D"fgag "E7"f2ed | "A"cefg "F#m"agfa | "A"eaca "E7"B2AF || "B2"||\ "A" Aaag aeea | "D"fgag "E7"f2ed | "A"cefg "F#m"agfa | "A"ecac "E7"B2AF |] %%sep 1 1 500 X: 158 T: Sandy MacIntyre's Trip to Boston C: John Campbell (1975) O: Cape Breton B: Version from the Concord Slow Scottish Jam session binder 2. Z: 2015 John Chambers (from handwritten transcription by B.McOwen 2002) S: From Jeff Rooney jeff.rooney:alcatel.com S: From Betsy Hooper's version M: 4/4 L: 1/8 K: A F |\ "A"E2(CE) A,ECE | Acef "A7"ecce |\ "D"f2(af) "A"ecA(c | "Bm"dB)cA "E7"BFFA | "A"E2(CE) A,ECE | "A"Acef "A7"ecce |\ "D"f2(af) "A"ecBc | "E7"dfec "A"A2(A :| |: f) |\ "A"eAc2 (ec)Bc | "A7"ABce "D"f2(fa) |\ "A"eAc2 "F#m"(ec)Bc | "Bm"dfec "E7"B2(Bf) | "A"eAc2 (ec)Bc | "A7"ABce "D"f2(fg) |\ "D"(ag)fe "Bm"(fg)af | "E7"ecBc "A"A2-A :| %%sep 1 1 500 X: 159 T: da Scallowa Lasses O: trad Shetland R: reel Z: 2013 John Chambers M: C| L: 1/8 K: Ador z2 | a2a2 efed |^cdef g2fg | eaaa efed | cABG A2 :| |: cAc | BEEE c2cA | BcdB edcB | A2a2 efed | cABG A2 :| %%sep 1 1 500 X: 160 T: Seann Truibhas Uilleachain C: R: reel S: printed copy of unknown origin S: from Alasdair Fraser, Legacy of the Scottish Fiddle Vol.1 B: Version from the Concord Slow Scottish Jam session binder 2. Z: 2015 John Chambers M: C| L: 1/8 K: Dm [|\ A,DDF E2A,E | F2ED ECCE | A,DDF E2A,E | F2ED CA,A,B, | A,DDF E2A,E | F2ED ECCE | A,DDF E2A,A | GFED CA,A,2 |] [|\ AcAF GcGE | F2ED ECC2 | AcAF GcGE | F2ED CA,A,2 | AcAF GcGE | F2ED ECC2 | Ac=Bc GcEc | DFED CA,A,2 |] %%sep 1 1 500 X: 161 T: the Seven Sisters reel C: Jack Gilder R: reel S: https://thesession.org/tunes/2787 2023-11-01 M: 4/4 L: 1/8 K: D |: ~D2FD ADFA | ~d2cd BAFD | ~E3F ~G3A | B/c/ded cABc | | df~f2 dfec | dcAF ~G3A | B/c/deg fdec |1 dfec dBAF :|2 dfec defg | |: ~a2^ga fdcd | Adfa bafa | gafg efde | cA^GA BA=GA | | FAdf gece | da^ga ba=ga | fAdf gece |1 ~e2dc defg :|2 ~e2dc dBAF |] %%sep 1 1 500 X: 162 T: the Shetland Fiddler Z: 2007 John Chambers N: A version of "The Hawk", a hornpipe by James Hill. %date: 1954 M: C| L: 1/8 K: D A2 \ | "D"d2fd A2fe | defg afdf | "Em"e2ge B2ed | "A"cdef gece | "D"d2fd A2fe | | defg afdf | fafd fafd | "G"Bg"A7"ec "D"d2 :: cd | "A7"eAfA gAaA | "D"faaf gfed | | "A7"AaBa cada | efed cBAc | "D"dAeA fAgA | faaf "A7"gfeg | "D"fafd fafd | "G"Bg"A7"ec "D"d2 :| %%sep 1 1 500 X: 163 T: the Shetland Fiddler Z: 2007 John Chambers N: A version of "The Hawk", a hornpipe by James Hill. %date: 1954 M: C| L: 1/8 K: D A2 |\ "D"d2fd A2fe | defg afdf | "Em"e2ge B2ed | "A7"cdef gece | "D"d2fd A2fe | defg afdf | fafd fafd | "G"Bg"A7"ec "D"d2 :| |: cd |\ "A7"eAfA gAaA | "D"faaf gfed | "A7"AaBa cada | "E7"efed "A"cBAc | "D"dAeA fAgA | faaf "A7"gfeg | "D"fafd fafd | "G"Bg"A7"ec "D"d2 :| %%sep 1 1 500 X: 164 T: Skye Dance I C: Alasdair Fraser S: handwritten page of unknown origin from Concord Slow Scottish Session collection L: 1/8 M: C K: A |: "A"AAeA c2BA | "G"B2BB "D"d2f2 | "A"AAeA c2BA | "G"B2BB "D"dA"A"Ae :| |: "A"aeed c2BA | "A"AAeA c2e2 | "A"aeed c2BA | "G"B2BB "D"dA"A"Ae :| %%sep 1 1 500 X: 165 T: Sleep Soond in da Moarnin' O: trad Shetland N: Williamson p.55, BSFC IV-27 D: Tom Anderson on "The Fiddler's Companion" tape, Ed Pearlman on BH 5B Z: John Chambers M: C| L: 1/8 K: ADor |:"Am"Aa2g a2ef | "G"gedB GABG | "Am"Aa2g a2ef | "G"gedB [1 "Am"A2"G"BG :|[2 "Am"A2 AB || | "Am"c{B}AeA c{B}AeA | "G"BcdB G2AB | "Am"c{B}AeA c{B}AeA | "G"BAGB "Am"A2AB || | "Am"c{B}AeA c{B}AeA | "G"BcdB G2AB | "Am(F)"ABcd efga | "G"gedB "Am"A4 |] %%sep 1 1 500 X: 166 T: Sleepy Maggie O: Trad R: reel Z: John Chambers N: Neil Gow Collection N: Skye p.62 N: O'Neill's p.135 N: Williamson p.62 N: Hunter 220 N: Kerr's 3rd p.6 N: Winston Scotty Fitzgerald on Celtic 17, N: second Kennedy tune-book p.20 M: C| L: 1/8 K: BDorian |: "Bm"f2Bb fBde | f2Ba "A"eAce | "Bm"f2Bb fBde | "F#m"fgaf "A"eAce :| [| "Bm"fBdB fBde | fBdB "A"eAce | "Bm"fBdB fBde | "Bm"fgaf "A"eAce || || "Bm"fBdB fBde | fBdB "A"eAce | "Bm"fBbB aBgB | "D"fgaf "A"eAce |] %%sep 1 1 500 X: 167 T: the Soldier's Joy T: the King's Head Reel R: reel O: Joshua Campbell 1778 B: Joshua Campbell's Collection 1778 B: RSCDS 2-6 Z: 1997 by John Chambers N: The earlier name of this tune was "The King's Head Reel" M: C| L: 1/8 K: D FG \ | "D"AFDF AFDF | "D"A2d2 d2cB | "D"AFDF AFDF | "A7"G2E2 E2FG | "D"AFDF AFDF | | "D"A2d2 d2de | "D"fafd "A7"egec | "D"d2f2 d2 :: de | "D"f2fd fagf | "A7"e2ec egfe | | "D"f2fd fagf | "A7"edcB A2g2 | "D"f2fd fagf | "A7"e2ec egfe | "D"fafd "A7"egec | "D"d2f2 d2 :| %%sep 2 1 500 %%sep 1 1 500 X: 168 T: Soldiers Joy. M: C| L: 1/8 O: Aird 1778 %Q: 1/2=104 I: :: :: Z: Jack Campin * www.campin.me.uk * 2009 K: D FG | "D"AFDF AFDF | A2d2- d2cB | AFDF AFDF | "A7"G2E2-E2 || FG | "D"AFDF AFDF | A2d2- d2fg | afdf "A7"gece | "D"d2d2-d2 :| e2 | "D"fefg fagf | "A7"edcd efge | "D"fefg fagf | "A7"edcB A2 || A2 | "D"fefg fagf | "A7"edcd efge | "D"afdf "A7"gece | "D"d2d2- d2 :| %%sep 2 1 500 %%sep 1 1 500 X: 169 T: the KING'S HEAD T: Soldier's Joy O: Sarah Armstrong 1943 B: Sam Bayard, "Hill Country Tunes" 1944 #21 S: Played by Mrs Sarah Armstrong, (near) Derry, PA, Nov 5 1943. N: This is the other name of Soldier's Joy, found in many old collections. R: reel M: 4/4 L: 1/8 Z:AK/Fiddler's Companion K:D B2 |\ A2 FG [DA]FDF | [D2A2][D2d2][D2d2] cB | A2 FG [DA]FDF | {F}GFED E2 FG | A FG [DA]FDF | [D2A2][D2d2][D2d2]e2 | f2 af egfe | d2 [d2f2]d2 || de | f2 de f2 af | e2 cd e2g2 | f2 de fgaf | edcB A4 | f2 de f2 af | e2 cd e2 g2 | f2 af egfe | d2 [d2f2] d2 |] %%sep 2 1 500 %%sep 1 1 500 X: 170 T: Soldier's Joy (jig) R: jig B: Joshua Campbell's Collection 1778 N: 2006 Jiggified by John Chambers M: 6/8 L: 1/8 K: D FG \ | "D"AFD AFD | A2d "(A7)"dcB | "D"AFD AFD | "A7"G2E EFG \ | "D"AFD AFD | A2d "(A7)"d2e | "D"fad "A7"egc | "D"d2[fd] d :| |: de \ | "D"fAd faf | "A7"eAc ege | "D"fAd faf | "A7"e2c Ade \ | "D"fAd faf | "A7"eAc ege | "D"fad "A7"egc | "D"d2[fd] d :| %%text Cilla Adams/Borden asked me to play "any good jig, like Soldier's Joy" for a dance, so I did ... [J.C.] %%sep 1 1 500 X: 171 T: Speed the Plough C: John Morehead Z: 2015 John Chambers N: Handwritten version from the Concord Slow Scottish Jam session binder 2. N: "Paddledoo Music" at lower right. O: c.1800 N: Skye, p.5 N: Caledonian Companion, p.37 N: Allan's p.3 #6 N: Harp and Claymore, p.96 (with variations by J.S.Skinner) N: Hardie p.37 N: SFT p.7 N: Litten p.23 N: Skye p.5 N: Kennedy V.1 p.16 N: Allan's p.3 N: Phillips p.44 from Topic 12T280 N: J.S.Skinner(?) D: Bill Hardie on "The Fiddler's Companion" tape M: C| L: 1/8 K: A E |\ "A"A2Ac (ef)ec | "A"eaec efe(c |\ "D"d2)f(d "A"c2)a(c | "D"dc)BA "E7"GABc |\ "A"ABcd efec | "A"eaga fgef |\ "D"decd "Bm"BcAB | "E7"FAGB "A"A2A :: ((3e/f/g/ |\ "A"a2) (3bag aAce | "A"aAgA fAe(c | "D"d2)f(d "A"c2)a(c | "D"dc)BA "E"GABc |\ "A"ABcd efec | "A"eaga fgef |\ "D"decd "Bm"BcAB | "E7"FAGB "A"A2A :| %%sep 1 1 500 X: 172 T: the Spinning Tree C: Catherine Fraser 2007 R: reel Z: 2014 John Chambers S: Page from Boston Slow Scottish Session collection M: C| L: 1/8 K: D |:\ "D"F3G FEDE | "D"FABA d3A | "D"BAd2- "D"dABA | "G"dBAF "A7"GFED | "D"F3G FEDE | [1 "D"FABA d3A | "G"BAd2- dABA | "G"GFED "A7"A,4 :|[2 "D"FABA dfed | "Em"ede2- edAd | "A7"edef gefg || |:\ "D"ab2a gfab- | "D"bagf abaf | "Em"eA (3AAA gAaA | "G"gA (3AAA "A7"agfe | "D"fd (3ddd fdgd | "D(Bm)"fd (3ddd "(A7)"gfed |\ "Em(G)"ede2- "G(Em)"edAd |[1 "A7"edef gefg :|[2 "A7"eded AGFE |] %%sep 1 1 500 X: 173 T: Spootiskerry %T: "da Fitful Head" C: Ian Burns (Shetland) Z: 2015 John Chambers B: Concord Slow Scottish Jam session binder 2. B: SRSNH 1/92 3.16 B: BSFC 4-16 R: reel M: C| L: 1/8 K: G "^A"|: DE |\ "G"G2DE GDEG | DEGA B2AB |\ G2DE "Em"GABd | "Am"eged "D7"B2AB |\ "G"G2DE GDEG | DEGA "G7"B2AB | "C"g2ed "D7"edBA | "G"B2G2 G2 :|\ "^B1"[|] ef |\ "G"g2ed edB2 | "G7"BABG "C"E2DE |\ "G"GABd "Em"eged | "A7"B2A2 "D7"A2ef | "G"g2ed edB2 | "G7"BABG "C"E2DE |\ "G"GABd "D7"eged | "G"B2G2 G2 |]\ "^B2"[|] ef |\ "G"g2ed edB2 | "G7"BABG "C"E2DE | "G"GABd "Em"eged | "A7"B2A2 "D7"A2DE |\ "G"G2DE GDEG | DEGA "G7"B2AB |\ "C"g2ed "D7"edBA | "G"B2G2 G2 |] %%sep 1 1 500 X: 174 T: the Stone Frigate C: Pipe Major Donald M Carrigan 1983 N: The composer's name is often spelled "Kerrigan" R: reel Z: 2012 John Chambers S: handwritten MS labelled "Arr. by B.McOwen & G.Aucoin & M.Lepley, March 2013" S: Concord Slow Scottish Session collection D: Alasdair Gillies CD M: C| L: 1/8 K: D "A"[|]\ B |\ "D"AddA d2Ad | "D7"AddG "G"B2dB |\ "D"AddA "Bm"dABd | "Em"feef "A7"e2dB |\ "D"AddA d2Ad | "D7"AddG "G"B2dB | "D"AddA "Em"Beed | "A7"caac "D"d3 "B1":|\ g |\ "D"faaf a2fa | "D7"aAdG "G"B2dB |\ "D"AddA "Bm"dABd | "Em"feef "A7"e2fg | "D"faaf a2fa | "D7"aAdG "G"B2dB |\ "D"AddA "Em"Beed | "A7"caac "D"d3 "B2"|]\ g |\ "D"faaf a2fa | "D7"aAdG "G"B2dB | "D"AddA "Bm"dABd | "Em"feef "A7"e2dB |\ "D"AddA d2Ad | "D7"AddG "G"B2dB |\ "D"AddA "Em"Beed | "A7"caac "D"d3 |] %%sep 1 1 500 X: 175 T: Stouts Trip tae Skea O: Trad. Shetland R: reel Z: 2014 John Chambers S: Page from Concord Slow Scottish Session collection, from Boston Harbor Scottish Fiddle School, Aug 2011 M: C| L: 1/8 K: D "A"[|\ "D"DBAF EDEF | "Em7"A,2B,D E3E | "Bm7"DBAF EDEF | "G/A"A,2B,C D3D | "D"DBAF EDEF | "Em7"A,2B,D E3E | "Bm7"DBAF EDEF | "G/A"A,2B,C "D"D3A |] "B"[|\ "D"d2d2 BABd | "Em7"A2Bd e3f | "Bm7"defe dcBA | "Em7"BdAF D3A | "Bm7"d2d2 BABd | "Em7"A2Bd e3f | "D/F#"abaf "G"edBA | "G/A"BdAF "D"D4 |] %%sep 1 1 500 X: 176 T: Tail Toddle Reel v.2 C: E.MacColl R: reel Z: 2014 John Chambers S: page in Concord Slow Scottish Session collection N: "Burns Tunes SRSNH 1/93 5.14" at top B: the Sinkler Manuscript of (1710) untitled B: the George Skene Manusript 1717-c.1740, as "Lasses Gar Your Tails Toddle" B: the Drummond Castle Manuscript (1734) B: Aird (1785) B: BSFC Session Tune Book 2016 p.48 S: Barbara McOwen M: C| L: 1/8 K: D A2 |:\ "D"d2fd "G"g2fe | "D"d/d/d fd "A7"e2cA | "D"d2fd "G"g2fe | "D"f/g/a gf "A7"e2cA :| "G"g2dB B2dB | "G"g2dB "A"e2cA | "G"g2dB B2dB | "D"A/A/A af "A"e2cA || "G"g2dB B2dB | "G"g2dB "A"e2cA | "G"g2dB g2dB | "D"A/A/A af "A"e2cA |] %%sep 1 1 500 X: 177 T: Tam Lin [Dm] T: The Howling Wind T: The Glasgow Reel C: Davey Arthur S: Elke Baker's version Z: John Chambers M: C| L: 1/8 K: Dm B, \ | "Dm"~A,2 DA, FA,DA, | "Bb"~B,2 DB, FB,DB, | "C"~C2 EC GCEC | "Dm"FEDC "C"DCA,G, | | "Dm"~A,2 DA, FA,DA, | "Bb"~B,2 DB, FB,DB, | "C"~C2 EC GCEC | "C"FEDC "Dm"D3 :| |: (^c \ | "Dm"d)cAG F2D(^c | d)cAG F2D(=B | "C"~c2)Gc EcG(=B | ~c2)Gc EcG(^c | | "Dm"d)cAG F2D(^c | d)cAG F2DC | "Bb"B,A,B,C DCDE | "C"FEDC "Dm"D3 |] %%sep 1 1 500 %%sep 1 1 500 X: 178 T: Tam Lin [Am] T: the Howling Wind T: the Glasgow Reel C: Davey Arthur S: Elke Baker's version Z: John Chambers M: C| L: 1/8 K: Am (F \ | "Am"~E2) AE cEAE | "F"~F2 AF cFAF | "G"~G2 BG dGBd | "Am"cBAG "G"AGED | | "Am"~E2 AE cEAE | "F"~F2 AF cFAF | "G"~G2 BG dGBd | "G"cBAG "Am"A3 :| |: (^g \ | "Am"a)ged c2A(^g | a)ged c2A(^f | "G"~g2)dg Bgdg | ~g2dg Bgd(^g | | "Am"a)ged c2A(^g | a)ged c2AG | "F"FEFG AGAB | "G"cBAG "Am"A3 :| %%sep 1 1 500 X: 179 T: Tarbolton Lodge B: Athole, Skye collections S: printed page in Concord Slow Scottish Session collection R: reel Z: 2015 John Chambers Z: final notes shortened to fix the rhythm at repeats. M: C| L: 1/8 K: Edor F |\ "Em"Eee^d e2BA | "G"GBAF "A7"GEEF | "D"Dddc d2AF | "Em"GBAG "Bm"FDDF | "Em"Eee^d efga | "D"fedf "Em"eBBA | "G"GABG "D"FGAF | "Bm"BGAF "Em"GEE :| |: f |\ "Em"gfef gebe | "Em"gebe "A7"geef | "D"defg adfd | "A7"ABAG "D"FDDF | "G(Em)"G2BG "D"F2AF | "Em"Eeef gefd | "G"BcdB "D"AGFA | "Bm"BGAF "Em"GEEe :| %%sep 1 1 500 X: 180 T: Temperance Reel R: reel S: page in Concord Slow Scottish Session collection Z: 2015 John Chambers M: C| R: reel K: G (3DEF |\ "G"G2{A}GF GABc | dBge dBAc | "Em"BE{F}ED EFGA | "D"BGAF GFED | "G"G2{A}GF GABc | dBge dBAc | "Em"BE{F}ED EFGA | "D"BdAF "G"G2 :| |: B2 |\ "Em"Beed e3f | geaf gfed | "D"Adde d3e | feaf gfed | "Em"Beed e3f | geaf gfed | "Em"BE{F}ED EFGA | "D"BdAF "G"G2 :| %%sep 1 1 500 X: 181 T: Thig an Fidhlear a' Nochd T: The Fiddler's coming tonight R: reel S: page in Concord Slow Scottish Session collection N: "Boston Scottish Fiddle Club" at bottom right, "Scottish Gaelic" at upper right Z: 2015 John Chambers M: C L: 1/8 K: Am "A"|: "Am"AAe2 AAAA | BBA2 "G"GGGG | "Am"AAe2 AAAA | "G"AGEG "Am"A2A2 :| "B"|: "Am"A2A2 GEE2 | "G"G2G2 GAAG | "Am"A2c2 BAAG | "G"A2BG "Am"A2A2 :| %%sep 1 1 500 X: 182 T: Toss the Feathers M: C| L: 1/8 R: reel D: Silly Wizard "Live Wizardry" CD Z: 2006 John Chambers K:EDor |: "Em"EB~B2 dB~B2 | EBBA "D"FDFA | "Em"BE~E2 B2Bc |1"D"defe dBAF :|2 "D"defe dBA2 | || "Em"Beed ~e2de | "D"fede "Em"fe~e2 | (3gfe be (3gfe be | "D"fede "Em"ge~e2 | | "Em"Beed ~e2de | "D"faaf "Em"~a2 fa | "G"b2bf "D"a2af | "Em"egfe "D"dBAF |] %%sep 1 1 500 X: 183 T: the Trip to Pakistan #2 [Em] C: Niall Kenny D: The Tannahill Weavers Z: 2014 John Chambers (plus added chords) S: page in Concord Slow Scottish Session collection R: Reel L: 1/8 M: 4/4 K: Em |: "Em"EGBE G3B | "D"A2AB AGFG | "Em"EGBE G3B | "D"AGFG "Em"E4 :| |: "Em"EGBG "Am"c3A | "G"B2Bd "D"AGFG | "Em"EGBG "Am"c3A | "G"BAGB "D"A2d2 :| |: "Em"FGBF GBFG | "C"EFGE FGEF | "D"DFAD FADF | "D"AGFG "Em"E4 :| %%sep 1 1 500 %%sep 1 1 500 X: 184 T: the Trip to Pakistan [Em] C: Niall Kenny D: The Tannahill Weavers Z: Gordon Turnbull, gturnbull:oblique-design.demon.co.uk S: Andrew Kuntz scots-l 2000-11-28 N: TRIP TO PAKISTAN. Scottish, Reel. E Minor. Composed by Lanarkshire flute N: player Niall Kenny. The tune has entered bagpipe repertoire and can be heard N: sometimes in competitions. R: Reel L: 1/8 %Q: 350 M: C K: Em |: EGBE ~G3 B | A2AG FGAF | EGBE ~G3 B | AGFG ~E3 B :| [| EGBE c3 A | B2BA BAGB | EGBE c3 A | BAGB ~A3 B | | EGBE c2cA | B2BA BAGB | EGBE cBAc | BAGB ~A3 B |] |: FGBF GBFB | EFGE FGEG | DFAD FADA | AGFG ~E3 B :| %%sep 1 1 500 %%sep 1 1 500 X: 185 T: Trip to Pakistan [Bm] R: Reel C: Nial Kenny D: Tannahill Weavers' "Capernaum" album. S: Sarah Jane Summers - Falkirk Fiddle Workshop S: Ted Hastings scots-l 2000-11-28 M: 4/4 L: 1/8 K: Bm |: (B>d) (f>B) d2 (d>f) | e2 (e>d) c>d e>c | (B>d) (f>B) d2 (d>f) | e>d c>d B2 B2 :| |: (B>d) (f>B) g3 e | f3 a (f>e) (f>d) | (B>d) (f>B) g3 e | f>e d>f e2 e2 :| |: vc>d f>u(c d>f) c>d | B>c d>(B c>d) B>c | A>c e>(A c>e) A>c | e>d c>d B2 B2 :| %%sep 1 1 500 X: 186 T: the Trip to the Market C: Adam Sutherland D: on the Session A9 "Bottlenecks and Armbreakers" CD R: reel Z: 2019 John Chambers M: C| L: 1/8 K: D fe |:\ dA A/A/A dfab | af fff defd | gB B/B/B GB B/B/B | ABce aAfe | dA A/A/A dfab | af fff defd | gB B/B/B GB B/B/B | ABce d3c :| |:\ BF F/F/F BdcA | BG G/G/G BcdB | AD D/D/D DEFD | EFAB cAec | BF F/F/F BdcA | BG G/G/G BcdB | ABce faAB | cefa fedc :|["End"d4 |] %%sep 1 1 500 X: 187 T: the Triumph R: reel B: RSCDS 1-2 B: Nearly identical to version in the Concord Slow Scottish Jam session binder 2. N: Slightly simplified from both versions, by omitting drone notes and chords with alternate bass notes. Z: 1997, 2015 by John Chambers M: C| L: 1/8 K: A af "A"|\ "A"eccA "E7"dBBG | "A"A2a2 "D"f2a2 | "A"eccA "E7"dBBG | "A"A2c2 A2af ||\ "A"eccA "E7"dBBG | "A"A2a2 "D"f2a2 | "A"eccA "E7"dBBG | "A"A2c2 A2 |] z2 "B"|\ "E"B2e2 "A"c2e2 | "E"B2e2 "A"c2e2 | "E7"B2Bd "A"c2ce | "E7"c2B2 "A"A2z2 ||\ "E"Be^de "A"cede | "E"Be^de "A"cede | "E"B2Bd "A"c2ce | "E"c2B2 "A"A2 |] z2 "C"|\ "A"c2cd e2c2 | "Bm"B2Bc "E7"d2B2 | "A"c2cd eagf | "E7"edcB "A"A2AB ||\ "A"c2cd fedc | "Bm"B2Bc "E7"edcB | "A"c2cd eagf | "E7"edcB "A"A2 |] %%sep 1 1 500 X: 188 T: a Tune for Shira C: Ian Powrie N: "for his dog German Shorthaired Pointer" R: reel, march B: Version from the Concord Slow Scottish Jam session binder 2. Z: 2015 John Chambers M: 4/4 L: 1/8 K: G D2 |:\ "G"G2A2 "G7"B2d2 | "C"cBAG "Am"C2D2 | "G"G2A2 "G7"B2d2 | "A7"edef "D7"d2D2 |\ "G"G2A2 "G7"B2d2 | "C"cBAG "Am"C2E2 | "G/d"D2B2 "D7"c2F2 | "G"G4 G2 :| d2 |\ "G"g2B2 "G7"d2g2 | "C"edcB "Am"c2e2 | "G"d2G2 B2d2 | "A7"edef "D7"d2f2 |\ "G"g2B2 "G7"d2B2 | "C"cBAG "Am"C2E2 | "G/d"D2B2 "D7"c2F2 | "G"G4 G2 |] B2 |\ "G"g2B2 "G7"d2g2 | "C"edcB "Am"c2e2 | "G"d2G2 B2d2 | "C"cBAG "D7"A2B2 |\ "G"G2A2 "G7"B2d2 | "C"cBAG "Am"C2E2 | "G/d"D2B2 "D7"c2F2 | "G"G4 G2 :| %%sep 1 1 500 X: 189 T: Two Fifty to Vigo C: Angus R. Grant / Shooglenifty R: reel S: https://ramshaw.info/slowjamtunes/HTML/Tunes_T/Two_Fifty_to_Vigo.html Z: 2024 John Chambers M: C| L: 1/8 %Q: 1/2=120 K: Bm % and D %%continueall "^A"[|\ "Bm"vfBBA "G"BdFG- | GB(dB) "A"Acec | "Bm"fBBA "G"BdFG- | GABd "Bm"cBB2 || "Bm" fBBA "G"BdFG- | GB(dB) "A7"cdeg | "Bm"fBBA "G"BdFG- | Gffe "A7"ed (3(efg) "^B"[|\ "D"affe "Bm"decd- | "G"decd "A7"ed (3(cBA) | "D"affe decd- | "D"dfaf "A7"fee2 || "D"affe "Bm"decd- | "G"decd "A7"ed (3(cBA) | "Bm"fBBA Bfcd- | "D"df(ec) "A7"dcBA "^C"|:\ "F#m"cFFc "G"dGGd | "F#m"cFFe "Bm"(dB) (3(Bcd) | "F#m"cFFc "G"dGGd |[1 "A"cfec "Bm"dcBd :|[2 "Bm"dfec "A7"defg "^D"[|\ "D"affd "A7"caBc- | ca(Bc) dcBA | "D"affd "A7"caBc- | caaf fee2 || "D"affd "A7"caBc- | ca(Bc) dcBA | "Bm"fBBA "G"Bfcd- | df(ec) "A7"dcBA |] %%sep 1 1 500 X: 190 T: Two Fifty to Vigo C: Angus R. Grant / Shooglenifty R: reel S: https://ramshaw.info/slowjamtunes/HTML/Tunes_T/Two_Fifty_to_Vigo.html Z: 2024 John Chambers M: C| L: 1/8 %Q: 1/2=120 K: Bm % and D % %continueall 0 "^A"[|\ "Bm"vfBBA "G"BdFG- | GB(dB) "A"Acec | "Bm"fBBA "G"BdFG- | GABd "Bm"cBB2 || "Bm" fBBA "G"BdFG- | GB(dB) "A7"cdeg | "Bm"fBBA "G"BdFG- | Gffe "A7"ed (3(efg) |] "^B"[|\ "D"affe "Bm"decd- | "G"decd "A7"ed (3(cBA) | "D"affe decd- | "D"dfaf "A7"fee2 || "D"affe "Bm"decd- | "G"decd "A7"ed (3(cBA) | "Bm"fBBA Bfcd- | "D"df(ec) "A7"dcBA |] "^C"|:\ "F#m"cFFc "G"dGGd | "F#m"cFFe "Bm"(dB) (3(Bcd) | "F#m"cFFc "G"dGGd |[1 "A"cfec "Bm"dcBd :|[2 "Bm"dfec "A7"defg |] "^D"[|\ "D"affd "A7"caBc- | ca(Bc) dcBA | "D"affd "A7"caBc- | caaf fee2 || "D"affd "A7"caBc- | ca(Bc) dcBA | "Bm"fBBA "G"Bfcd- | df(ec) "A7"dcBA |] %%sep 1 1 500 X: 191 T: Two Fifty to Vigo #2 C: Angus R. Grant / Shooglenifty R: reel S: https://ramshaw.info/slowjamtunes/HTML/Tunes_T/Two_Fifty_to_Vigo.html Z: 2024 John Chambers M: C| L: 1/8 %Q: 1/2=120 K: Bm % and D %%continueall "^A"|: "Bm"vfBBA "G"BdFG- |[1 GB(dB) "A"Acec :|[2 GABd "Bm"cBB2 :|[3 GB(dB) "A7"cdeg :| Gffe "A7"ed (3(efg) |] "^B"|: "D"affe "(Bm)"decd- |[1,3 "G"decd "A7"ed (3(cBA) :|[2 "D"dfaf "A7"fee2 :| "Bm"fBBA Bfcd- | "D"df(ec) "A7"dcBA |] "^C"|: "F#m"cFFc "G"dGGd | "F#m"cFFe "Bm"(dB) (3(Bcd) | "F#m"cFFc "G"dGGd |[1 "A"cfec "Bm"dcBd :|[2 "Bm"dfec "A7"defg |] "^D"|: "D"affd "A7"caBc- |[1,3 ca(Bc) dcBA :|[2 caaf fee2 :| "Bm"fBBA "G"Bfcd- | df(ec) "A7"dcBA |] %%sep 1 1 500 X: 192 T: the Uist Lasses' Darling B: Athole II S: Page from Lance Ramshaw's Slow Scottish Session collection. R: reel Z: 2013 John Chambers M: C| L: 1/8 K: D B |\ "D"AGFd F/F/F {c}d2 | "D"TfdAF "A7"E/E/E TB2 |\ "D"AGFd F/F/F {c}d2 | "A7"TfdAF "D"TE2 D :| g |\ "D"fdfa "G"bggb | "D"affa "A7"{f}geeg |\ "D"fdfa "G"bggb | "A7"af{c}df "D"{gf}e2{c}d || g |\ "D"fdfa "G"bggb | "D"af{c}df "A7"bgeg |\ "D"fgaf "G"gabg | "A7"af{c}df "D"{gf}e2{c}d |] %%sep 1 1 500 X: 193 T: Union Street Session C: Paul S. Cranford O: Cape Breton Island Z: 2014 John Chambers D: The Lighthouse,1996; Fiddler's Choice, Jerry Holland, The Bumblebees B: The Lighthouse Collection, Paul Stewart Cranford N: "Union Street Session was written a couple of days after a late night bash at fiddler Kyle MacNeil's home in Sydney." M: 4/4 L: 1/8 R: reel K: D %%slurgraces c |\ "D"{c}d2AG TF2DF | "A7"EA,-~A,2 GFED | "D"{DE}F2AF "G"GABd | "A7"AE-~E2 cdec | "D"{c}d2AG TF2DF | "A7"EA,-~A,2 GFED | "D"{DE}F2AF "G"GABd | "A7"AE-~E2 "D"FDD :| |: c |\ "D"{c}d2fd "(G)"gdfa | "A7"eA A/A/A cdec | "D"{c}d2fd "G"Tg2fg | "A7"aeeg Tf2 ec | "D"{c}d2fd "(G)"gdfa | "A7"eA A/A/A cdeg | "D"Tf2ed "A7"{d}e2cd | "A7"{d}e2dc "D"{c}d2"_D.C."A :| %%sep 1 1 500 X: 194 T: Up da Stroods da Sailor Goes O: trad Shetland R: reel Z: 2013 John Chambers M: C| L: 1/8 K: Bm |: B2B2 dBBA | BAB2 dBAF | B2dB ABde | faef dBAF :| [| D2ag fede | f2af f2af | f^gag fede | faef dBAF |] %%sep 1 1 500 X: 195 T: Valhalla C: Sean Og Graham R: reel N: of the band Beorga N: chords by Natalie Haas S: Concord Slow Scottish session, 2019-5-17 Z: 2019 John Chambers M: C| L: 1/8 K: D zz2 |\ "D"A3A B2AF | EFD2 D2dc | "G"B3d B2AF |\ "A"ABE2 E2DE | "D/F#"F2dc "G"B4 | "D/F#"AFED "Bm"B,2"A-"A,2- | "A"A,B,DE F2ED | "G/A"D4- D ::\ EFA |\ "G"B2AF A3B | "D/G"def2 f2ed | "D/G"fab2 bafd |\ "A/G"e6 ab |\ "Bm"f2ed "G"B2dB | "D/F#"AFED "Bm"B,2"A-"A,2- |\ "A"A,B,DE F2ED | "G/A"D4- D |] %%sep 1 1 500 X: 196 T: Waiting for the Dawn C: Hanneke Cassel R: reel Z: 2014 John Chambers M: C| L: 1/8 K: Em "A"|:\ "Em"{A}B2BA BEB[c-G-] | "C"[cG][c2G2]A BAGB | "D"AG[A3D3] GGA- | "D"A[A2D2]G AGFA | {A}B2BA BEB[c-G-] | "C"[cG][c2G2]A BAGB |1 "D"AD D/D/D ADFd- | "Bm"dABd AGFA :|2 "D"AD D/D/D ADFd- | dABd AGFD || "B"|:\ "C"EC C/C/C G2FG | "D"AD D/D/D AGFA | "G"BDDA B2AB- | "G"BDBD AGFD | "C"EC C/C/C G2FG | "D"AD D/D/D AGFA |1 "Em"GFE3 DB,D | "Em"GFGA BAGF :|2 "Em"GF E6- | "Em"E3E EGBe |] %%sep 1 1 500 X: 197 T: da Walk ta Woodwick C: Debbie Scott R: reel S: handwritten page in the Concord Slow Scottish Session collection Z: 2019 John Chambers M: C| L: 1/8 K: Bb |:\ "Bb"BFBd "F7"ceAc | "Bb"BABc dBF2 |\ "Eb"EDEG "C7"=EDEG | "F"F=EFG ABcA ||\ "Bb"BFBd "D7"ceAc | "Gm"BABc "Bb7"dBF2 | "Eb"EDEG "D7"^FADF |[1 "Gm"G4 "F"F2GA :|\ [2 "Gm"G4 "F"F3B |]| "F"AFcc AFFA |\ "Bb"BFBd "Bb7"f3f | "Eb"gefd "Cm"ecdB | "C7"cBAG "F"AFFc || "F"AFcc AFFA |\ "Bb"BFBd "Bb7"f3f | "Eb"gefd "Cm"ecdB |\ "F"AFAc "Bb"B2"G#dim"cB |]| "F"AFcc AFFA | "Bb"BFBd "Bb7"f3f | "Eb"gefd "Cm"ecdB |\ "C7"cBAG "F"AFEC || "Bb"BFBd "D7"ceAc |\ "Gm"BABc "Bb7"dBF2 | "Eb"EDEG "D7"^FADF | "Gm"G8 |] %%sep 1 1 500 X: 198 T: Willafjord O: trad Shetland N: Thought to be originally from Greenland R: reel Z: John Chambers B: Concord Slow Scottish Jam session binder 2. B: SRSNH 1/92 3.16 N: Hardie p.35 N: Lerwick p.14 D: Hazel Stewart on Thistledown 8B) N: John Stickle tune #8 from article??) N: Look at BOL albums M: C| L: 1/8 K: D |: B2 | "D"A2FA- ADFA | "G"B2GB- BDGB | "D"A2FA- ADFA | "Em"EFGA "A7"GFED | y4 | "D"A2FA- ADFA | "G"B2GB- BDGB | "A7"ABcd efge | "D"f2d2 d2 :| |: e2 | "D"f2df- fAdf | "Em"geaf "A7"gfeg | "D"f2df- fAdf | "A7"e2ce- eAce | y4 | "D"f2df- fAdf | "Em"geaf "A7"gfec | ABcd efge | "D"f2d2 d2 :| %%sep 1 1 500 X: 199 T: the Wind That Shakes the Barley R: reel O: c.1800 (arr. Elka Baker) S: Page from Boston Slow Scottish Session collection B: Northern Minstrel c.1800 N: "Paddledoo Music" at lower right. B: Henry Robson's "The Northern Minstrel's Budget", c.1800 B: Joshua Gibbons (Lincolnshire) private MS c.1825 B: Surenne (Dance Music of Scotland), 1852; pg. 41 B: Stewart-Robertson (The Athole Collection), 1884; pg. 89 B: MacDonald (The Skye Collection), 1887; pg. 35 B: RSCDS 21-8(II) (in A) Z: 2018 John Chambers M: C| L: 1/8 K: D B |\ "D"A2AB AFED | "G"B2BA BcdB |\ "D"A2AB "(F#m)"AFED | "G"gfed "A"Bc d :| |: e |\ "D"f2fd "Em"g2ge | "D"f2fd "A"Bcde |\ "D"f2fd "Em"g2ge | "D"afed "G"Bc d :| %%sep 1 1 500 X: 200 T: da Yowes Retreat (fae Rams Gjo) C: Debbie Scott R: jig Z: 2018 John Chambers F: http://ramshaw.info/slowjamtunes/HTML/Tunes_Y/Yowes_Retreat_fae_Rams_Gjo_Da.html M: C| L: 1/8 K: C CD |\ "A"EA,AE cAec | "D"fdge "A"a2de | "D"fdBc "Bm"dBGA | "B7"BGAF "E7"GECD | "A"EA,AE cAec | "D"fdge "A"a2de | "F#m"(3agf ge "Bm"fdec | "E7"dBGB "A"A2 :| GA |\ "E"BEBc dEBd | "A"cAeg aece | "D"fdBc "Bm"dBGA | "B7"BGAF "E7"GEGA | "Bm"BEBc "E7"dEBd | "A"(3cBA eg aece | "D"fdBc "Bm"dBGA | "E7"BEGB "A/c#"A2"Cdim"GA | "Bm"BEBc "E7"dEBd | "A"cAeg aece | "D"fdBc "Bm"dBGA | "B7"BGAF "E7"GECD | "A"EA,AE cAec | "D"fd("C#7"ge "F#m"a2)fg | "F#m"(3agf ge "Bm"fdec | "E7"dBGB "A"A2 |] %%sep 1 1 500 X: 201 T: Zorro da Crow C: Debbie Scott 2011-06-24 R: reel Z: 2018 John Chambers F: http://ramshaw.info/slowjamtunes/HTML/Tunes_Z/Zorro_da_Crow.html M: C| L: 1/8 K: Am CB, !segno!|\ "Am"A,2(AE) "G"GEDC | "Am"A,EAE "G"G2(EG) |\ "Am"AcBG "G"A(GED) | "Dm7"CDEC "Em7"D2 :| |: (EG) |\ "Am"AcBG "G"A2cA- | "Am"AecA "G"^cdB(G |\ "Am"Bc)BG "G"A(GED) |1 "Dm7"CDEC "Em7"D2 :| [2 [M:3/4] "D"(3EDC "Em"(3DCB, "F"C/(B,/A,/"_d.S."G,/) |]