X: 1
T: the 72nd Highlanders' Farewell to Aberdeen
T: the Boy's Lament for his Dragon
C: William Mackay (c.1885)
B: William Ross's Collection of Pipe Music, 1885
N: Earliest known publication: "72nd's Farewel to Aberdeen (The)" in Ross's 1885 collection.
R: march
Z: 2006 John Chambers <jc:trillian.mit.edu>
B: Queen's Own
M: C|
L: 1/8
K: D
A2 \
| "D"A2d2 d2ef | "A7"gfed "D"f4 | "G"g2B2 B2cd | "E7"efed "A7"c2A2 \
| "D"A2d2 d2ef | "A7"gfed "D"f4 | "G"g2B2 "A7"cdec | "D"d4 d2 :|
|: fg \
| "D"a2A2 "D7"A2=c2 | "G"B2G2 "A7"A4 | "D"A2d2 "Bm"ABde | "E7"f2e2 "A7"e2fg \
| "D"a2A2 "D7"A2=c2 | "G"B2G2 "A7"A4 | "D"A2d2 "A7"fedc | "D"d4 d2 :|

%%sep 1 1 500

X: 2
T: Acadia March
C: Katie McNally
%date: 1797
R: march
S: Page from Concord Slow Scottish Session collection
Z: 2017 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: D
DEFA [|\
"Bm"B2F2 "A"A2E2 | "Bm"F2A2 B4 | "G"B,3C D2A2 | "D"F6 DE |\
"Bm"F2ED "A"C2E2 | "G"D2A,2 G,4 | "Em"G,2F2 "A7"E3D |1 "D"D4 :|2 "D"D6 |]
DA, |\
"G"B,2B,C "A"D2G2 | "D"F3E D2dA | "G"B2AF "A"E2A2 | "D"F6 DA, |\
"G"B,2B,C "A"D2G2 | "D"F>G F<E D2 dA | "G"B2AF "A7"E3D | "D"D6 |]
DA, |\
"G"B,2B,C "A"D2G2 | "D"F3E D2dA | "G"B2Bc "A"d2g2 | "Bm"f4 fedA |\
"G"B2Bc "A"d2g2 | "D"f>g f<e d2dA | "G"B2AF "A7"E3D | "D"D4 |]

%%sep 1 1 500

X: 3
T: Acadia March
C: Katie McNally
%date: 1797
R: march
S: Page from Concord Slow Scottish Session collection
Z: 2017 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: D
|:\
"Bm"B2F2 "A"A2E2 | "Bm"F2A2 B4 | "G"B,3C D2A2 | "D"F6 DE | "Bm"F2ED "A"C2E2 |
"G"D2A,2 G,4 | "Em"G,2F2 "A7"E3D |1 "D"D4 DE FA :|2 "D"D6 DA, [| "G"B,2B,C "A"D2G2 |
"D"F3E D2dA | "G"B2AF "A"E2A2 | "D"F6 DA, | "G"B,2B,C "A"D2G2 | "D"F>G F<E D2 dA |
"G"B2AF "A7"E3D | "D"D6 DA, |[| "G"B,2B,C "A"D2G2 | "D"F3E D2dA | "G"B2Bc "A"d2g2 |
"Bm"f4 fedA | "G"B2Bc "A"d2g2 | "D"f>g f<e d2dA | "G"B2AF "A7"E3D | "D"D4 DEFA |]

%%sep 1 1 500

X: 4
T: Aitken Drum
C: RSCDS Graded
O: 1800
%date: 1800 Gow Fourth Collection
S: T. Traub 2-22-2013
R: march, reel
M: 4/4
K: G
L: 1/8
GA \
| "G" B2 B2 cBAG | "C" E3 F G2 E2 | D2 D2 E2 D2 | "A" B2 A2 "D" A2 GA |
| "G" B2 B2 "G7" cBAG | "C" E3 F G2 E2 | "D" D2 D2 E2 F2 | "G" G6 |]
GA \
| "G" B2 B2 B2 AG | "C" c3 d e2 c2 | "G" B2 d2 "Em" B2 G2 | "A" B2 A2 A2 GA |
| "G" B2 Bd cBAG | "C" E3 F G2 E2 | "D" D2 D2 E2 F2 | "G" G6 |]

%%sep 1 1 500

X: 5
T: All the Blue Bonnets Are Over the Border
S: From Barbara McOwen, arr. T. Traub 2-24-2004
S: handwritten copy of SRSNH C-205 (6.21) in Concord Slow Scottish Session collection
O: c.1740
R: Jig
M: 6/8
L: 1/8
K: Amix
a \
|:\
"A"A>AA c2e | a2a a2e |\
"G"=g>ag "D"f<af | "A"e>cA "E7"B2c |\
"A"A>AA c2e | "A"a2a "A7"a2e |\
"D"f>ed "A"cde | "D"f<ac "E"B2A :|
|:\
"A"A>ce ecA | "D"f>ed "A"cBA |\
"A"A>ce "F#m"fga | "Bm"A>Bc "E"B2A |\
"A"A>ce "A7"ecA | "D"f>ed "A"cBA |\
"D"a>gf "A"ece | "D"f<ac "E7(A7)"B2A :| %[K:=g]
K: D
|:\
"D"d3 "G"d3 | "D"d>fe "D7"dBA | "G"d>BB B2A | "A7"a>Aa f2e |\
"D"d3 "G"d3 | "D"d>fe "D7"dBA | "G"d>cB ABc | "Em"d>ef "A7"e2 d :|
[|\
"D"d>fa afd | "D"a>gf "A7"fef | "D"d>fa "Bm"afd | "Em"d>ef "A7"e2d |\
"D"d>fa afd | "D"a>gf "D7"fef | "G"d>cB ABc | "Em"d>ef "A"e2d ||
||\
"D"d>fa afd | "D"a>gf "A7"fef | "D"d>fa "Bm"afd | "Em"d>ef "A7"e2d |\
"D"d>fa afd | "D"a>Aa "D7"f2e | "G"d>cB ABc | "Em"d>ef "A7"e2d |]

%%sep 1 1 500

X: 6
T: Amang the Trees
C:
R: song, march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page in Concord Slow Scottish Session collection
N: "Burns Tunes  SRSNH  1/93  5.14" at top
Z: Transcribed by Barbara McOwen
M: 2/4
L: 1/16
K: D
A2 |\
"D"D2D2 F2D2 | "A7"G2E2 "D"F2D2 | "C"E2E2 G2G2 | "C"E2=C2 C2E2 |\
"D"D2D2 F2D2 | "A7"G2E2 "D"F2D2 | "A7"EE3 A3A | "D"F2D2 D2 |]
B2 |\
"Am"=c2A2 A2Bc | "D"d2d2 e2d2 | "C"=c2A2 A2G=F | "C"E2=C2 C2A2 |\
"D"D2D2 F2D2 | "A7"G2E2 "D"F2D2 | "A7"E2FG AGFE | "D"F2D2 D2 |]

%%sep 1 1 500

X: 7
T: Archie Neil Chisholm
C: Brenda Stubbert
R: march, strathspey
Z: 2014 John Chambers <jc:trillian.mit.edu>
N: Learned at Lance Ramshaw's Slow Scottish session 2014-3-18
M: C
L: 1/8
K: Ador
g |\
Te2 d<B TA2 B<G | TA2 e2 Te2 f<g | TB2 A<B {D}G2 E<D | TE2 G2 [G2G,2] Tg2 |
Te2 d<B TA2 B<G | TA2 e2 Te2 f<g | Te>d B<g Te2 d<B | {E}A4 TA3 :|
|: g |\
Te2 d<e g2 f<g | {g}a2 e2 Te2 e<a | Tg2 dg Te2 d<B | Td2 G2 G2 Tg2 |
[1 Te2 d<e g2 f<g | {g}a2 e2 Te2 e<a | g>e d<g | Te2 d<B | {E}A4 TA3 :|
[2 Te2 d<B TA2 B<G | TA2 e2 Te2 f<g | Te>d B<g Te2 d<B | {E}A4 TA3 |]

%%sep 1 1 500

X: 8
T: Auld Lang Syne
C:
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: Page from Concord Slow Scottish Session collection
M: C
L: 1/8
K: F
C2 |\
"F"F3F F2A2 | "Gm"G3F "C"G2AG | "F"F3F "Dm"A2"C"c2 | "Bb"d6 d2 |\
"F"c3A A2F2 | "Gm"G3F "C"G2"A7"AG | "Dm"F3D "C7"D2C2 | "F"F6 |]
"Bb"d2 |\
"F"c3A "Dm"A2F2 | "Gm"G3F "C"G2"Bb"d2 | "F"c3A A2c2 | "Bb"d6 "Gm"d2 |\
"F"c3A "Dm"A2F2 | "Gm"G3F "C"G2"A7"AG | "Dm"F3D "C7"D2C2 | "F"F6 |]

%%sep 1 1 500

X: 9
T: Balmoral Castle
C: J.S.Skinner
%date: 1904
B: BSFC IV-19
Z: John Chambers <jc:trillian.mit.edu>
R: march
B: Caledonian Companion, p.124 (with 2 variations by Skinner).
B: Harp and Claymore, p. 27 (with 2 variations by Skinner).
M: 2/4
L: 1/8
K: A
E |\
"A"{G}A2 c>A | EA CE | "Bm"{C}D2 B>A | "E7"A/G/F/E/ FG |\
"A"{G}A2 c>A | EA CA, | "D"D/E/F/D/ "E7"B,G | {G}A3 :|
e |\
"A"{g}a2 ef/g/ | ae cA | "Bm"{C}D2 B>A | "E7"A/G/F/E/ ef/g/ |\
"A"{g}a2 ef/g/ | ae cA | "D"D/E/F/D/ "E7"B,G | {G}A3 |]
e |\
"A"{g}ag/f/ ef/g/ | ae cA | "Bm"{C}D2 B>A | "E7"A/G/F/E/ FG |\
"A"{G}A2 c>A | EA CA, | "D"D/E/F/D/ "E7"B,G | {G}A3 |]

%%sep 1 1 500

X: 10
T: the Battle of Waterloo
T: Bonaparte's March
%date: 1913
B: Frank Roche: "Collection of Traditional Irish Music" vol.2 1913
B: Ceol na Fidhle p.47
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: Ador
"Em"(ed/B/) |\
"Am"A>A AB AGGA | "A"^c>d ec "D"d2 (ef/g/) |\
"Am"a>g ed "Em"edBA | "G"G>G GA G2 "Em"(ed/B/) |
"Am"A>A AB AGGA | "A"^c>d ec "D"d2 (ef/g/) |\
"Am"a>g ed "Em"edBG | "Am"A>A AB A2 :|
|: "Em"(ef/g/) |\
"Am"a>g ed "Em"e2 (ef) | "G"g>a ge "Em"g2 (ef/g/) |\
"Am"a>g ed "Em"edBA | "G"G>G GA G2 "Em"(ed/B/) |
"Am"A>A AB AGGA | "A"^c>d ec "D"d2 (ef/g/) |\
"Am"a>g ed "Em"edBG | "Am"A2 A2 A2 :|

%%sep 1 1 500

X: 11
T: Battle of the Braes   #2   [A]
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: fiddle w/ Ed Pearlman
S: Boston Slow Scottish Jam 2015-5-16
M: C|
L: 1/8
K: A
(AF) |\
EFAB c2(BA) | BcBA F2(AF) | EFAB  vcue2uA | vc2B2 B2(AF) |
EFAB c2(BA) | BcBA FGAF   | EFAB  vcue2uc | vB2A2 A2 :|
|: (eg) |\
a2(fe) c2(BA) | BcBA F4   | ua2vfue vceAB | c2B2 B2(eg) |
a2(fe) c2(BA) | BcBA FGAF | EFAB  vcue2uc | vB2A2 A2 :|

%%sep 1 1 500

%%sep 1 1 500

X: 12
T: Battle of the Braes   #2  [D]
R: barndance
F: https://thesession.org/tunes/5497 2015-5-23
M: 4/4
L: 1/8
K: D
dB |\
ABde f2ed | efed B2dB | ABde fdaf | e4 e2fg |
a2~a2 f2ed | BcdB A2de | f2af edef | d4 d2 :|
fg |\
a2~a2 fade | fe~e2 f2df | a2~a2 fdaf | e4 e2fg |
a2~a2 f2ed | BcdB A2de | f2af edef | d4 d2 ||
fg |\
a2~a2 fade | fe~e2 f2df | a2~a2 fdaf | e4 egfe |
defe d3A | BABd A2de | f2af edef | d4 d2 |]

%%sep 1 1 500

%%sep 1 1 500

X: 13
T: Battle of the Braes   #1
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: fiddle w/ Ed Pearlman
S: Boston Slow Scottish Jam 2015-5-16
M: 3/4
L: 1/16
K: A
|:\
"A"A3B c4 c2e2 | "A"a3g "D"f4 "E"e4 | "A"e3c A4 A2c2 | "A"e3f c4 "E"B4 |
"A"e3c A4 B2c2 | "A"e2c2 "D"a3g f4 | "E"g2a2 "A"e3d c2A2 | "E"B3c "A"A4 A4 :|
|:\
"A"c3d e4 e2a2 | "D"f2a2 "A"e4 cA3 | "A"c3d e4 e2a2 | "D"fgaf "A"e4 e2c2 |
"#"dcBc "A"A4 B2c2 | "A"e2c2 "D"a3g f4 | "E"g2a2 "A"e3d c2A2 | "E"B3c "A"A4 A4 :|

%%sep 1 1 500

%%sep 1 1 500

X: 14
T: Blooms of Bon Accord
C: J.S.Skinner
R: march, air
B: The Scottish Violinist
S: SRSNH 2/97 9.12 (handwritten copy)
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: A
   E2 \
| "A"c2z2 c4 | "E7"{c}BABc "A"A2E2 | "Bm"d2z2 d4 | "Bm"{d}cBcd "E7"B2E2 \
| "A"e2z2 "A+"=f4 | "D"g3^f "Bm"d2B2 | "A"AE^DE "Bm"c2B2 | "E7"B4 "A"A2 :|
   GA \
| "E7"B2E2 e4 | "(Bm)"d2c2 "E7"B4 | "A"c4 "(E7)"B3c | "(A)"B2(A2 G2A2) \
| "E7"B2E2 e4 | "(Bm)"d2c2 "E7"B4 | "F#m"c2^de "B7"e2d2 | "E"e2z2 "E7"=d4 |]
|| "A"c2z2 c4 | "E7"{c}BABc "A"A2E2 | "Bm"d2z2 d4 | "Bm"{d}cBcd "E7"B2E2 \
| "A"e2z2 "A+"=f4 | "D"g3^f "Bm"d2B2 | "A"AE^DE "Bm"c2B2 | "E7"B4 "A"A2 |]

%%sep 1 1 500

X: 15
T: Bratach Bana
T: 8x32R3
R: march
K:

%%sep 1 1 500

X: 16
P: Bratach Bana   [A]
R: march
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C|
S: handwritten MS by Barbara McOwen 5/77 "from an old recording"
L: 1/4
K: A
A \
|:\
"A"EA Ae | "A"c>B c/B/A | "A"EA Ae | "A"c>B "A7"c/B/A |\
"D"d2 ef | "A"e>d cd | "E7"ee Bc/B/ | "A"A(E "E7"FE) :|
[|\
"A"c>B cE | "D"FE A>F | "A"EE "F#m"FE | "Bm"cB "E7"BE |\
"A"c>B cE | "D"FE A>B | "A"c<e "E7"Bc/B/ | "A"A(E "E7"FE) |]
[|\
"A"c>B cE | "D"FE A>F | "A"EE "F#m"FE | "Bm"cB "E7"Bc |\
"A"E>F AE | "D"FE A[BE]  | "A"c<e "E7"Bc/B/ | "A"A2 A |]

%%sep 1 1 500

X: 17
P: Bratach Bana   [D]
R: march
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: D
d \
|: "D"Ad da | "D"f>e f/e/d | "D"Ad da | "D"f>e f/e/d \
|  "G"g2 ab | "D"a>g fg | "A7"aa ef/e/ | "D"dA "A7"BA :|
|: "D"f>e fA | "G"BA d>B | "D"AA "Bm"BA | "Em"fe "A7"eA \
|  "D"f>e fA | "G"BA d>e | "D"f<a "A7"ef/e/ |1 "D"dA "A7"BA :|2 "D"d2- d |]

%%sep 1 1 500

X: 18
T: the Cameron Highlanders
C: J. Scott Skinner
R: march
S: handwritten page in Concord Slow Scottish Session collection
S: "The Strathspey & Reel Society of New Hampshire, Inc." at bottom
N: labelled "SRS 10/94 7.5 at top right
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: A
%%staffsep 40
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
"A"[|] e2 |\
"A"A2ec "A7"A2eA | "D"{fa}f2e2 "E7"e2a2 |\
"A"A2ec "F#m"A2eA | "Bm"{B}c2B2 "E7"B2c2 |\
"A"A2ec "A7"A2eA | "D"{fa}f2e2 "E7"e2a2 |
"D"faea "E7"caBa | "A"{ce}c2A2A2 "B":: a2 |\
"A"{fa}f2ea {ce}c2Aa | "A"{ce}c2A2A2a2 |\
"A"{fa}f2ea "F#m"{ce}c2Aa | "Bm"{ce}c2B2"E7"B2a2 |
"A"{fa}f2ea {ce}c2Aa | "A"{ce}ecac "A7"e2{g}a2 |\
"D"faea "E7"caBa | "A"{ce}c2A2A2 "C":: ec |\
"A"A<Aec "A7"AecA | "D"{fa}f2e2"E7"e2a2 |
"A"A<Aec "F#m"AecA | "Bm"{ce}c2B2 "E7"B2ec |\
"A"A<Aec "A7"AecA | "D"{fa}f2e2"E7"e2a2 |\
"D"faea "E7"caBa | "A"{ce}c2A2A2 :|
"D1"[| a2 |\
"A"faea caAa | "A"{ce}c2A2A2a2 |\
"A"faea "F#m"caAa | "Bm"{ce}c2B2"E7"B2a2 |\
"A"faea caAa |
"A"ecac "A7"efga |\
"D"faea "E7"caBa | "A"{ce}c2A2A2 "D2"|[| a2 |\
"A"faea caBa | "A"AaBa caAa |
"A"faea "F#m"caAa | "Bm"{ce}c2B2 "E7"B2ec |\
"A"A<AcA eAcA | "A"eAfA "A7"gAaA |\
"D"faea "E7"caBa | "A"{ce}c2A2[A2E2] |]
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
% %text: Last time: Rit . . . . . A - D - A.
% - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

%%sep 1 1 500

X: 19
T: Campbell's Farewell to Redcastle
R: march
N: There is a third part that is not always used.
N: Scots Guard
S: from Concord Slow Scottish collection "arr. BMcO 1/99"
Z: 2008 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/4
K: AMix
e "A"|\
"A"A>B cd | ea e>d | cA AB/c/ |"G"d-d/B/ GB |\
"A"A>B cd | ea e>d | cB/A/ "G"GB | "A"A2 A :|
g/f/ "B1"|\
"A"ea ag/f/ | ea e>d | cA AB/c/ |"G"d-d/B/ Gg/f/ |\
"A"ea ag/f/ | ea e>d | cB/A/ "G"GB | "A"A2 A ||
g/f/ "B2"|\
"A"ea ag/f/ | ea e>d | cA AB/c/ |"G"d-d/B/ GB |\
"A"A/B/c/d/ c/d/e/f/ | e/f/g/a/ e>d | cB/A/ "G"GB | "A"A2 A |]

%%sep 1 1 500

X: 20
T: Corriechoillie's Welcome to the Northern Meeting
F: http://richardrobinson.tunebook.org.uk/tune/2579
S: page in Concord Slow Scottish Session collection
Z: 2015 John Chambers <jc:trillian.mit.edu> (added chords)
N: Presented by Anne Hooper for Beginners Class 2010 Boston Harbor Scottish Fiddle School
L: 1/8
M: 2/4
O: Scotland
R: march
Q: 1/4=92
Z: Richard Robinson
K: D
e |\
"D"A>B Ad | "G"e>d "A7"BA | "D"d>e "Bm"fa | "Em"fe "A7"ef |\
"D"A>B Ad | "G"e>d "A7"BA | "D"d>e "A7"fa | "D"fd d :|
g | \
"D"a>f "Bm"df | "Em"e>d "A7"BA | "D"d>e "Bm"fa | "Em"fe "A7"eg |\
"D"a>f "Bm"df | "Em"e>d "A7"BA | "D"d>e "A7"fa | "D"fd d ||
g | \
"D"a>f "Bm"df | "Em"e>d "A7"BA | "D"d>e "Bm"fa | "Em"fe "A7"ef |\
"D"A>B Ad | "G"e>d "A7"BA | "D"d>e "A7"fa | "D"fd d |]

%%sep 1 1 500

X: 21
T: Donald Willie and his Dog
C: P.M. Donald Morrison
R: slip-jig, retreat march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: Page from Concord Slow Scottish Session collection (Chords: R.McO)
M: 9/8
L: 1/8
K: Amix=g
|:\
"A"A2c cAc "G"B2G | "A"A2c cAc "G"B3 |\
"A"A2c cAc "G"B2A | "A"c2A "G"ABG "A"A3 :|
|:\
"Em"B2e eAc B2A | B2e eAc B3 |\
"A"c2e eAc "G"BA | "A"c2A "G"ABG "A"A3 :|
|:\
"A"A2c ABB c2A | A2B Acc "G"B3 |\
"A"A2c ABB c2B | "A"c2A "G"ABG "A"A3 :|
|:\
"A"e2c cfd e2d | "A"cec cdc "E"B3 |\
"A"e2c cfd e2d | "A"c2A "G"ABG "A"A3 :|

%%sep 1 1 500

X: 22
T: the Duke of Fife's Welcome to Deeside
C: J. Scott Skinner
N: "Colin's Arrangement"
F: http://richardrobinson.tunebook.org.uk/tune/2541
S: handwritten page from Barbara McOwen in the Concord Slow Scottish Session collection
M: 4/4
L: 1/8
O: Scotland
R: March
Z: Richard Robinson
K: A
E2 "A"|\
"A"E2A2 A2Bc | "E"TB2A2 "A"A2Bc | "D"d2ef "A"e2a2 | "Bm"ecAc "E7"B2E2 |\
"A"E2A2 "F#m"A2Bc | "E"TB2A2 "A"A2Bc | "D"d2ef "E7"ecBc | "A" A4 A2 :|
cd "B1"|\
"A"e2cA a2ga | "D"f2a2 "A"e2c2 | "Bm"d2ef "A"e2a2 | "A"ecAc "E7"B2cd |\
"A"e2cA a2ga | "D"f2a2 "A"e2c2 | "Bm"d2ef "E7"ecBc | "A"A4 A2 |]
cd "B2"|\
"A"e2cA a2ga | "D"f2a2 "A"e2c2 | "Bm"d2ef "A"ecAa | "A"ecAc "E7"B2E2 |\
"A"E2A2 "F#m"A2Bc | "E"B2A2 "F#m"A2Bc | "D"d2ef "E7"ecBc | "A"A4 A2 |]

%%sep 1 1 500

X: 23
T: the Duke of Perth
B: RSCDS 1-8
R: march
N: Robert Bremner's Collection, 1757
N: SFT p.5
N: Allan's p.14
S: printed page in Concord Slow Scottish Session collection labelled "original" at upper left
Z: John Chambers <jc:trillian.mit.edu>
N: Corrected "stumble" of repeats by changing pickup notes to quarter notes, to match the rest of the tune.
M: C|
L: 1/4
K: G
   B |\
"G"G/A/B/c/ dB | "G"gB dB | "G"gB dB | "Am"aA "D7"AB/A/ |\
"G"G/A/B/c/ dB | "G"gB dB | "Am"cA "D7"d>c | "G"BG G :|
|: f |\
"Em"g>a ge | "D"a>b af | "Em"g>a ge | "Em"be ef |\
"Em"g>a "Am"ge | "D"a>b af | "C"g>e "D7"dc | "G"BG G :|

%%sep 1 1 500

X: 24
T: Duncan Grey
R: march
S: handwritten page in Concord Slow Scottish Session collection
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/8
K: G
G2 "A"|\
"G"D2G2 F2G2 | "C"A2B2 "D7"F4 | "G"G4 "D7"A3c | "G"B2G2 G2D2 |\
"G"D2G2 F2G2 | "C"A2B2 "D7"F4 | "G"G4 "D7"A3c | "G"B2G2 G2 |]
z2 "G"|\
"G"B2d2 d2cB | "C"c2c2 c4 | "Am"c3B "A7"A2G2 | "D"F2E2 D4 |\
"G"d2B2 "D"c2A2 | "G"B2G2 "D"A4 | "G"G4 "D7"A3c | "G"B2G2 G2 |]

%%sep 1 1 500

X: 25
T: Fairwell to Craigie Dhu
C: Dougie MacLean
P: air, march
N: SRS 8.7
P: slow air - slow march:
S: handwritten copy from unknown source in Concord Slow Scottish Session collection
F: http://ramshaw.info/slowjamtunes/PDF/Tunes_F/Farewell_to_Craigie_Dhu.pdf
M: C
L: 1/8
K: Gmix
"^A"|: DE \
| "F"F4 ABcd | "G"B2G2 G2DE | "F"F3D "C"E3C |1,3 "G"CB,CE D2 \
                                           :|2,4 "G"CB,G,2- G,2 :|
"^B"|: Bc \
| "G"d3B "F"c3A | "F"BcBG "Dm"F3D |1,3 "C"E4 EDEG | "G"E2D2 D2 \
                                 :|2,4 "C"FGFE CB,CD | "G"B,2G,2- G,2 :|

%%sep 1 1 500

X: 26
T: Fairwell to Craigie Dhu
C: Dougie MacLean
P: air, march
N: SRS 8.7
P: slow air - slow march:
S: handwritten copy from unknown source in Concord Slow Scottish Session collection
F: http://ramshaw.info/slowjamtunes/PDF/Tunes_F/Farewell_to_Craigie_Dhu.pdf
M: C
L: 1/8
K: Gmix
"^A"|: DE \
| "F"F4 ABcd | "G"B2G2 G2DE | "F"F3D "C"E3C | "G"CB,CE D2DE |
| "F"F4 ABcd | "G"B2G2 G2DE | "F"F3D "C"E3C | "G"CB,G,2- G,2 :|
"^B"|: Bc \
| "G"d3B "F"c3A | "F"BcBG "Dm"F3D | "C"E4 EDEG | "G"E2D2 D2Bc |
| "G"d3B "F"c3A | "F"BcBG "Dm"F3D | "C"FGFE CB,CD | "G"B,2G,2- G,2 :|

%%sep 1 1 500

X: 27
T: Farewell To Nigg
C: D. Johnstone
R: air, march, waltz
Z: 2014 John Chambers <jc:trillian.mit.edu>
F: http://ocsession.eu/?p=1185
S: Chords from Concord Slow Scottish Session collection
Q: 80
M: 3/4
L: 1/16
K: Bm
"^A"[|] B3c |\
"Bm"d4 c3B "A"A2c2 | "Bm"B4- B4 d3e | "D"f4 d3e "A7"f2a2 | "D"f4- f4 f2a2 |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
"B"|: d3e |\
"^D"f4 f4 "A"a3e | "Bm"f4 B4 d3e | "D"f4 f2a2 "E7"f3e | "A"c4- c4 c2e2 |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
"^C"|: B3c |\
"Bm"d4 e4 "A"c2A2 | "Bm"B4- B4 d3e | "D"f4 d3e "A7"f2a2 | "D"f4- f4 "A"a3e |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
"^D"|: d3e |\
"D"f4 f2a2 "A"f3e | "Bm"f4 B4 d3e | "D"f4 f2a2 "E7"f3e | "A"c4- c4 a3e |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|

%%sep 1 1 500

X: 28
T: Farewell To Nigg
C: D. Johnstone
R: air, march, waltz
Z: 2014 John Chambers <jc:trillian.mit.edu>
F: http://ocsession.eu/?p=1185
S: Chords from Concord Slow Scottish Session collection
Q: 80
M: 3/4
L: 1/16
K: Bm
% - - - - - - - - - -
V: A nm=A
V: B nm=B
V: C nm=C
V: D nm=D
% - - - - - - - - - -
[V:A]|: B3c |\
"Bm"d4 c3B "A"A2c2 | "Bm"B4- B4 d3e | "D"f4 d3e "A7"f2a2 | "D"f4- f4 f2a2 |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
[V:B]|: d3e |\
"^D"f4 f4 "A"a3e | "Bm"f4 B4 d3e | "D"f4 f2a2 "E7"f3e | "A"c4- c4 c2e2 |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
[V:C]|: B3c |\
"Bm"d4 e4 "A"c2A2 | "Bm"B4- B4 d3e | "D"f4 d3e "A7"f2a2 | "D"f4- f4 "A"a3e |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|
[V:D]|: d3e |\
"D"f4 f2a2 "A"f3e | "Bm"f4 B4 d3e | "D"f4 f2a2 "E7"f3e | "A"c4- c4 a3e |\
"Bm"f4 B4 "G"d2e2 | "A"c3B A4 c2e2 | "G"f4 e3c "A"A2c2 | "Bm"B4- B4 :|

%%sep 1 1 500

X: 29
T: Father John Angus Rankin
M:4/4
L:1/8
C:Jerry Holland
R:March
K:A
AB |\
"A"c2{c}e2 e2de | "D"f2e2 "A"e2AB | "A"c2{c}e2 "(F#m)"ecAB | "Bm"{c}c2B2 "E"B2AB |\
"A"c2{c}e2 e2de | "D"f2e2 "A"e2Ac | "D"def>d "E"e>cd>B | "A"c2A2 A2 :|
fg |\
"A"a2A2 "D"f>edc | "A"f2e2 "E7"e2fg | "A"a2A2 "D"fedc | "E"c2B2 B2fg |\
"A"a2A2 "D"f>edc | "A"f2e2 e2Ac | "D"def>d "E"e>cd>B | "A"c2A2 A2 ||
fg |\
"A"a2A2 "D"f>edc | "A"f2e2 "E7"e2fg | "A"a2A2 "D"fedc | "E"c2B2 B2AB |\
"A"cAcd {d}e2 ce | "D"fdfg {g}a3e | "D"def>d "E"e>cd>B | "A"c2A2 A2 |]

%%sep 1 1 500

X: 30
T: Fenella
C: Paul Cranford
R: march, shottish, strathspey
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: printed copy of unknown origin
S: Page from Boston Slow Scottish Session collection
N: Chords by Duncan Smith
M: C
L: 1/8
K: D
D>E |\
"D"F2 F>E D>E F<A | "(G)"d2 d>c "G"B4 |\
"D"A>B A<F "Bm"G>F E<D | "E(m)"F2 E2 "A7"E2 D>E |\
"D"F2 F>E D>E F<A |
"(G)"d2 d>c "G"B4 |\
[1 "D"A>B A<F "Em"G>F E<D | "A7"A,2 D2 "D"D2 :|\
[2 "D"A>B A<F "G"G>A B<g | "A7"f2 d2 "D"d2 :|\
f>g | "D"a3 f b<a a>f |
"G"g>e f<g "D"f2 f>g |\
"D"a>f g<a "Bm"b>a g<f | "Em"f2 e2 "A7"e2 f>g |\
"D"a3 f b<a a>f | "G"g>e f<g "D"f2 (3efg |
"Em"f>e d>B "A7"A>F E<G | "(D)"F2 D2 "D"D2 "(A7)"f>g |\
"D"a3 f b>a a<f | "G"g>e f<g "D"f2 f>g |\
"D"a>f g<a "Bm"b>a g<f |
"Em"e>d c<B "A7"A>G F<E |\
"D"F2 F>E D>E F<A | "(G)"d2 d>c "G"B4 |\
"D"A>B A<F "G"G>A B<g | "A7"f2 d2 "D"d2 |]

%%sep 1 1 500

X: 31
T: Fingal's Cave
T: Uamh Fhinn
C:
O: Ce\`ol nam Feis
S: SRSNH 11.21 "Arranged by B.McOwen, October 2001"
S: Concord Slow Scottish Jam collection
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: Ador
"A"[|]\
EG |\
"Am"A2-A2 BAGA | B2A2 A2ed | "G"B2AG e2dB | "(Em)"d2G2 G2EG |\
"Am"A2-A2 BAGA | B2A2 A2ed | "G"B2AG "(Em)"e2dB | "Am"e2A2 A2 :|
"B1"[|] Bd |\
"Am"e2de g2eg | a2ea "G"g4 | "Am"e2de "G"g2fg | "Em"edBA G2Bd |\
"Am"e2de g2eg | a2ea "G"g4 | "Em"gefd gedB | "Am"e2A2 A2 |]
"B2"[|]Bd |\
"Am"e2de g2eg | a2ea "G"g4 | "Am"e2de "G"g2fg | "Em"edBA GABG |\
"C"c2Bc "G"d2cd | "Am"e2de "F"a4 | "C"ge"D"fd "Em"gedB | "Am"e2A2 A2 |]

%%sep 1 1 500

%%sep 1 1 500

X: 32
T: Fingal's Cave
T: Cuilfhionn
T: Fingal's Weeping
D: Old Blind Dogs, Fit?
Z: Nigel Gatherer
M: C|
L: 1/8
K: Ador
E/G/ |\
A2 B/A/G/A/ | BA Ae/d/ | BA/G/ ed/B/ | d>G  GE/G/ | A2 B/A/G/A/ | BA Ae/d/ |
BA/G/ ed/B/ | eA  A :| B/d/ | ed/e/ gf/g/ | ae/a/ ge/a/ | ed/e/ ge/g/ | e/d/B/A/ GB/d/ |
ed/e/ gf/g/ | ae/a/ ge/a/ | ge/a/ g/e/d/B/ | eA  AB/d/ |[| ed/e/ gf/g/ | ae/a/ ge/a/ |
ed/e/ ge/g/ | e/d/B/A/ GA/B/ | dc/d/ ed/e/ | gf/g/ ae/a/ | ge/a/ g/e/d/B/ | eA A |]

%%sep 1 1 500

%%sep 1 1 500

X: 33
T: Fingal's Cave
R: March
S: Morison – Highland Airs and Quicksteps, vol. 1 (c. 1882)
Z: AK/Fiddler's Companion
M: 2/4
L: 1/16
K: Am
[|\
A4 BAGA | B2A2 A2ed | B2AG e2dB | d2G2 G4 | A4 BAGA | B2A2 A2ed |
BBAG e2dB | e2A2 A4 |]| e2de g2^fg | {a}a2ea g2eg | e2de g2^fg | edBA G4 |
e2de g2^fg | a2ea g2eg | gefd gedB | e2A2 A4 |[| (e{f}e)de g2^fg | a2ea g2eg |
e2de g2^fg | edBA GABG | c2Bc d2cd | e2de g2a2 | gefd gedB | e2A2 A4 |]

%%sep 1 1 500

X: 34
T: Fred Picknell's March
C: Andy May
S: as taught by Hanneke Cassel
R: march
Z: 2019 John Chambers <jc:trillian.mit.edu>
S: file in Concord Slow Scottish collection 2019-2-23
M: 4/4
L: 1/8
K: G
|:\
"G"G2d2 d4 | d2cB AGAB | "C"c2g2 g2fe | "D"d2dc "G"B2gf |
"C"e2dc Bcd2 | "D"A2Bc "Em"B2ed | "Am"cBAG E3D | "D"D4- D4 :|
|:\
"D"D2d2 d2AB | cdBc A2BA | "C"G2g2 g2fe | "D"d2~dc "G"B2ba |
"C"g2gf efg2 | "D"agfe "G"d2gf | "C"edcB "D"A3G |1 "G"G4- G2FE :|2 "G"G4- G4 |]

%%sep 1 1 500

X: 35
T: the Glencoe Bridge
C: Dan R MacDonald (Cape Breton)
S: handwritten page in the Concord Slow Scottish Session collection 2016 p.54
B: BSFC Tune Book IV-22
Z: 2015 John Chambers <jc:trillian.mit.edu>
%R: march, shottish, strathspey
M: 4/4
L: 1/8
K: D
FG "^A"|\
"D"A2d2 F2d2 | "D"A>F A<d f3a |\
"G"g3e "A7"c>A c<e | "D"d>c d<B "A7"A2
FG |\
"D"A2d2 F2d2 | "D"A>F A<d f3a |\
"G"g3e "A7"c>A c<e | "D"d4 d2 :|
|: fg "^B"|\
"D"{fg}a3g f>d f<a | "A7"g3e c>A c<e |\
"D"d>c d<e "Bm"f>d f<a | "G(Em)"(g>f) g<b "A7"a2
[1 fg |\
"D"{fg}a3g f>d f<a | "A7"g3e c>A c<e |\
"D"d>c d<f "A7"e>a c<e | "D"d4 d2 :|
[2 fg |\
"D"(3agf "(A)"g>e "D"f>d "(A)"e<c | "D"d>B A>F "D7"D>F A>d |\
"G"B>G B<d "A7"c>A c<e | "D"d4 d2 |]

%%sep 1 1 500

X: 36
T: the Glencoe Bridge March
C: Dan R MacDonald (Cape Breton)
B: The Fiddle Player's Tunebook 1
D: Aly Bain/Phil Cunningham: The Ruby
S: From the playing of Richard Wood
Z: Chris Whistler?
M: 4/4
L: 1/8
K:D
F>G |\
"D"A2d2 F2d2 | "D"AFAd f2 g<a |\
[1,3 "Em"g2ge "A7"cAce | "G"dcdB "A7"A2 :|\
[2,4 "Em"g2ge "A7"cAce | "D"d2 "A"dc "D"d2 :|
|: f>g |\
"D"a2ag fdfa | "Em"g2ge "A7"cAce |\
"D"dcde fdfa | "G"gfgb "A7"a2fg |\
[1 "D"a3 g fdfa | "Em"g3e "A7"cAce |
"D"dcdf "A7"eAce | "D"d2"A7"dc "D"d2 :|\
[2 "D"a{g}f "A7"g{f}e "D"fd"A7"ec | "D"dBAF DFAF |\
"G"GBed "A7"cAce | "D"d2 "A"dc "D" d4 |]

%%sep 1 1 500

%%sep 1 1 500

X: 37
T: the Glencoe Bridge March
C: Dan R MacDonald (Cape Breton)
B: The Fiddle Player's Tunebook 1
D: Aly Bain/Phil Cunningham: The Ruby
S: From the playing of Richard Wood
Z: Chris Whistler?
M: 4/4
L: 1/8
K: D
F>G |\
"D"A2d2 F2d2 | "D"AFAd f2 g<a | "G"g2ge "A7"cAce |[1,3 "D"dcdB "A7"A2 :|[2,4 "D"d2 "A"dc "D"d2 :|
|: f>g |\
"D"a2ag fdfa | "G"g2ge "A7"cAce | "D"dcde fdfa | "G"gfgb "A7"a2fg |
[1 "D"a3 g fdfa | "G"g3e "A7"cAce | "D"dcdf "A7"eAce | "D"d2dc d2 :|
[2 "D"(3agf "A7"(3gfe "D"fdec | "D"dBAF DFAF | "G"GBed "A"cAce | "D"d2 "A7"dc "D"d4 |]

%%sep 1 1 500

%%sep 1 1 500

X: 38
T: the Glencoe Bridge March
C: Dan R MacDonald (Cape Breton)
B: The Fiddle Player's Tunebook 1
D: Aly Bain/Phil Cunningham: The Ruby
S: From the playing of Richard Wood
Z: Chris Whistler?
M: 4/4
L: 1/8
K: D
F>G |\
"D"A2d2 F2d2 | "D"AFAd f2 g<a | "G"g2ge "A7"cAce | "D"dcdB "A7"A2 F>G |
"D"A2d2 F2d2 | "D"AFAd f2 g<a | "G"g2ge "A7"cAce | "D"d2 "A"dc "D"d2 :|
|: f>g |\
"D"a2ag fdfa | "G"g2ge "A7"cAce | "D"dcde fdfa | "G"gfgb "A7"a2fg |
[1 "D"a3 g fdfa | "G"g3e "A7"cAce | "D"dcdf "A7"eAce | "D"d2dc d2 :|
[2 "D"(3agf "A7"(3gfe "D"fdec | "D"dBAF DFAF | "G"GBed "A"cAce | "D"d2 "A7"dc "D"d4 |]

%%sep 1 1 500

X: 39
T: the Glencoe Bridge March
C: Dan R MacDonald (Cape Breton)
B: The Fiddle Player's Tunebook 1
D: Aly Bain/Phil Cunningham: The Ruby
S: From the playing of Richard Wood
Z: Chris Whistler?
M: 4/4
L: 1/8
K: D
F>G |\
"D"A2d2 F2d2 | "D"AFAd f2 g<a | "G"g2ge "A7"cAce |[1,3 "D"dcdB "A7"A2 :|[2,4 "D"d2 "A"dc "D"d2 :|
|: f>g |\
"D"a2ag fdfa | "G"g2ge "A7"cAce | "D"dcde fdfa | "G"gfgb "A7"a2fg |
[1 "D"a3 g fdfa | "G"g3e "A7"cAce | "D"dcdf "A7"eAce | "D"d2dc d2 :|
[2 "D"(3agf "A7"(3gfe "D"fdec | "D"dBAF DFAF | "G"GBed "A"cAce | "D"d2 "A7"dc "D"d4 |]

%%sep 1 1 500

X: 40
T: the Glencoe Bridge
C: Dan R MacDonald (Cape Breton)
S: handwritten page in the Concord Slow Scottish Session collection 2016 p.54
B: BSFC Tune Book IV-22
Z: 2015 John Chambers <jc:trillian.mit.edu>
%R: march, shottish, strathspey
M: 4/4
L: 1/8
K: D
FG "^A"|\
"D"A2d2 F2d2 | "D"A>F A<d f3a |\
"G"g3e "A7"c>A c<e | "D"d>c d<B "A7"A2
FG |\
"D"A2d2 F2d2 | "D"A>F A<d f3a |\
"G"g3e "A7"c>A c<e | "D"d4 d2 :|
|: fg "^B"|\
"D"{fg}a3g f>d f<a | "A7"g3e c>A c<e |\
"D"d>c d<e "Bm"f>d f<a | "G(Em)"(g>f) g<b "A7"a2
[1 fg |\
"D"{fg}a3g f>d f<a | "A7"g3e c>A c<e |\
"D"d>c d<f "A7"e>a c<e | "D"d4 d2 :|
[2 fg |\
"D"(3agf "(A)"g>e "D"f>d "(A)"e<c | "D"d>B A>F "D7"D>F A>d |\
"G"B>G B<d "A7"c>A c<e | "D"d4 d2 |]

%%sep 1 1 500

X: 41
T: Glengarry's March
R: march
Z: 1999 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: AMix
ed |\
"A"c2A2 A2Bc | "G"d2B2 "(E7)"B2ed | "A"c2A2    A2Bc | "G"dcBA G2ed |\
"A"c2A2 A2Bc | "G"d2B2 "(E7)"B2ed | "A"c2Ac "G"B2GB | "A"A6 |]
ed |\
"A"c2e2 e2g2 | "G"dBGB "(E7)"d2ed | "A"c2e2 e2f"#"g | "A"agfe a2ed |\
"A"c2e2 e2g2 | "G"dBGB "(E7)"d2ed | "A"c2Ac "G"B2GB | "A"A6 |]

%%sep 1 1 500

X: 42
T: Grand Etang
C: Howie MacDonald, SOCAN
R: march, strathspey
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: PDF image from Lance Ramshaw labelled 2009-07-26
D: Howie MacDonald, A Few Tunes, LP, 1987
M: C
L: 1/8
K: G
%%slurgraces
EF |\
G3 E F>E D>F | TE>G, B,<E {DEF}G2 (G/A/B) | Tc>B A<c TB>A G>B | A>D D/D/D E>D E<F |
{EF}G3 E F>E D>F | TE>B, B,<E | {DEF}G2 (G/A/B) | Tc>B A<c TB>F D<B, | E4 E2 :|
|: zF |\
E>e e/e/e E>d d/d/d | E>e d<B {Bc}d2 A>G | F>D D/D/D E>D E<F | (E<D) d>B A>F D>F |
E>e e/e/e E>d d/d/d | E>e d<B {Bc}d2 A>G | F>E D>d TB>G A<F | E4 E2 :|

%%sep 1 1 500

X: 43
T: the Green Hills of Tyrol   [A]
T: the Scottish Soldier
T: La Tua Danza s\`i Leggiera
C: P/M J.MacLeod
O: G.Rossini "Guglielmo Tell" 1829
R: retreat march
N: also played as a waltz
N: Scots Guards v.1
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER  SRSNH 4/95  7.26-A"
M: 3/4
L: 1/8
K: Amix
%  - - - - - - - - - - - - - - - - - - - - - - - - -
[|]\
"E7"A>B |\
"A"c2 cA cd | "A"e2 ef cf | "E7"e>c B2 Bf | "A"e>c A2 A>B |\
"A"c2 cA cd | "A"e2 ef cf | "E7"e>c B2 BA | "A"c>B A2 :|
[|]\
"A7"ce |\
"D"a2 a2 gf | "A"fe e2 e>f | "E7"ed d2 d>e | "A"dc c2 "A7"ce |\
"D"a2 a2 gf | "A"fe e2 e>f | "E7"e2 e>d c>d | "A"e2 eA |]
[|]\
"A7"ce |\
"D"a2 a2 gf | "A"fe e2 e>f | "E7"ed d2 d>e | "A"dc c2 "A7"ce |\
"D"a2 a2 gf | "A"fe e2 e>f | "E7"e2e>d dB | "A"A4 |]

%%sep 1 1 500

X: 44
T: the Headlands
C: Ronnie Cooper
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: Ceol na Fidhle p. 47
M: 2/4
L: 1/8
K: A
(e>d) "^A1"\
| "A"dc BA | "A"(A<c) "A7"(E>A) | "D"FA df | "A"e2 "E7"(ef/g/) \
| "A"a>e fa | "F#m"fe dc | "B7"c>B Ac | "E"B2y
"E7"(e>d) "^A2"\
| "A"dc BA | "A"(A<c) "A7"(E>A) | "D"FA df | "Adim"a2 (gf) \
| "A"ea Ac | "Bm"Bf "E7"ed | "A"c2 "D"A2 | "A"A2 :|
|: "E7"(ef/g/) "^B"\
| "A"a>e fa | ce "A7"cA | "D"dA df | "A"e2 "E7"(ef/g/) \
| "A"a>e fa | "F#m"fe dc | "Bm"c>B Ac | "E"B2y
[1 "E7"(ef/g/) "^B1"\
| "A"a>e fa | ce "A7"cA | "D"dA fg | "Adim"a2 (g>f) \
| "A"ea Ac | "Bm"Bf "E7"ed | "A"c2 "D"A2 | "A"A2 :|
[2 "E7"(e>d) "^A2"\
| "A"dc BA | (A<c) "A7"E>A | "D"FA df | "Adim"a2 (gf) \
| "A"ea Ac | "Bm"Bf "E7"ed | "A"c2 "D"A2 | "A"A2 |]

%%sep 1 1 500

X: 45
T: the Hen's March to the Midden
C: trad. Scotland
R: march
Z: 2019 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: D
A2 |\
"D"d2A2 defg | "A7"a2gf e2e2 | "D"dcde f2f2 | "G"gfg^g "A7"a4 ||\
"D"agfa "A7"gfeg | "D"fedf "A7"e2A2 |
"D"dfeg (3fga gf | "A7"e2c2 "D"d2 :: "(A)"A2 |\
"A"A2ce A2ce | A2c2 c2e2 | "D"d2fa d2fa | d2f2 f2a2 ||\
"G"d3g g2b2 |
"D"d3f f2a2 | "G"d3g g2b2 | "D"d3f f2a2 ||\
"D"agfa "A7"gfeg | "D"fedf "A7"e2A2 | "D"dfeg (3fga ge | "A7"e2c2 "D"d2 :|

%%sep 1 1 500

X: 46
T: Ho Ro My Nut-Brown Maiden
R: march
Z: 2004 John Chambers <jc:trillian.mit.edu> from MS by Barbara McOwen dated 10/93
B: SRSNH 6.6
M: C|
L: 1/8
K: D
A2 "A"\
| "D"d3c B2A2 | "D"d4 A2d2 | "D"f3d "Bm"g2f2 | "Em"f2e2 "A7"e2g2 \
| "D"fa3 fa3 | "D"A4 "Bm"d2e2 | "Em"f3f "A7"g2e2 | "D"d4-d2 :|
|: f2 "B"\
| "D"a3b a2f2 | "D"a4 f2g2 | "D"a3b "Bm"a2f2 | "Em"e4 "A7"e2g2 \
| "D"fa3 fa3 | "D"A4 "Bm"d2e2 | "Em"f3f "A7"g2e2 | "D"d4-d2 :|

%%sep 1 1 500

X: 47
T: the Hopeful Lover
R: march
S: handwritten page from Concord Slow Scottish Session collection "(Paddledoo Collection)"
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: A
|: "A"AA ce | "A"aa "D"fe | "A"AA ce | "D"aa "E"f2 \
|  "A"AA ce | "D"aa "E"fe | "D"f>e "A"cA | "D"FF "A"A2 :|
|: "A"c>B cB | "A"ce fe | "A"c>B "F#m"ce | "Bm"c/B/A "E"B2 \
|  "A"c>B cB | "A"ce fe | "D"f/g/a/f/ "E7"eB | "A"c/B/A A2 :|

%%sep 1 1 500

X: 48
T: Horsburgh Castle   [D]
C: Ian Hardie
R: march, air
Z: 2014 John Chambers <jc:trillian.mit.edu>
F: http://ramshaw.info/tunes/2014-08/Horsburgh_Castle.pdf
N: Taught by Ronan Martin at Boston Harbor 2014
M: C
L: 1/8
K: D
"^A1"[|] ag | "D"f2 ga "A7"g>e ce | "D(Bm)"d>c de f2 A2 | "G(Em)"B2 g>f "E7"ed cd | "A"f4 e2  ||
"^A2"[|] dc | "G"B2 dg "D"A2  df | "G(Em)"G2 d>e "A7"dc BA | "D"f>g af "A7"ge ce | "D"d2-"G"d2 "D"d2 :|
"^B1"|:  Ad | "D"f2 Ad "G"g2  fg | "D"a>g fa "Bm"d2 ef | "Em"g2 a>g "D"fa gf | "E7"f4 "A7"e2  ||
"^B2"|[1 Ad | "D"f2 Ad "G"g2  fg | "D"a>g fa "Bm"d2 dc | "Em"B2 g>e "A7"fa ce | "D"d2-"G"d2 "D"d2 :|
"^A2"|[2 dc | "G"B2 dg "D"A2  df | "G(Em)"G2 d>e "A7"dc BA | "D"f>g af "A7"ge ce | "D"d2-"G"d2 "D"d2 |]

%%sep 1 1 500

%%sep 1 1 500

X: 49
T: Horsburgh Castle   [Hp]
C: Ian Hardie
R: march, air
Z: 2014 John Chambers <jc:trillian.mit.edu>
F: http://ramshaw.info/tunes/2014-08/Horsburgh_Castle.pdf
N: Taught by Ronan Martin at Boston Harbor 2014
M: C
L: 1/8
K: Hp
{ag}ag |\
{g}f2 {gf}ga {f}g>e {gcd}ce | {gde}d>c {g}de {gfg}f2 {AGA}A2 |\
{gBd}B2 {a}g>f {g}ed {g}cd | {gfg}f4 {gf}e2
{g}dc |\
{gBd}B2 {g}dg {AGAG}A2 {g}df | {gGd}G2 {Gdc}d>e {gdf}dc {gBd}B{Gd}A |\
{g}f>g {ag}af {gf}ge {gcd}ce | {Gdc}d4 {gdG}d2 :|
|: {g}Ad |\
{gfg}f2 {g}Ad {gf}g2 {a}fg | {ag}a>g {a}fa {Gdc}d2 {g}ef |\
{gf}g2 {ag}a>g {a}fa {f}gf | {gfg}f4 {gf}e2
[1 {g}Ad |\
{gf}f2 {g}Ad {gf}g2 {a}fg | {ag}a>g {a}fa {Gdc}d2 {g}dc |\
{gBd}B2 {gf}g>e {g}fa ce | {Gdc}d4 {gdG}d2 :|
[2 {g}dc |\
{gBd}B2 {g}dg {AGAG}A2 {g}df | {gGd}G2 {Gdc}d>e {gdf}dc {gBd}B{Gd}A |\
{g}f>g {ag}af {gf}ge {gcd}ce | {Gdc}d4 {gdG}d2|]

%%sep 1 1 500

%%sep 1 1 500

X: 50
T: Horsburgh Castle   (Eb)
C: Ian Hardie
R: march, air
Z: 2014 John Chambers <jc:trillian.mit.edu>
F: http://ramshaw.info/tunes/2014-08/Horsburgh_Castle.pdf
N: Taught by Ronan Martin at Boston Harbor 2014
M: C
L: 1/8
K: Eb
ba |\
"Eb"g2 ab "Bb7"a>f df | "Eb(Cm)"e>d ef g2 B2 | "Ab(Fm)"c2 a>g "F7"fe de | "Bb"g4 f2
ed |\
"Ab"c2 ea "Eb"B2  eg | "Ab(Fm)"A2 e>f "Bb7"ed cB | "Eb"g>a bg "Bb7"af df | "Eb"e2-"Ab"e2 "Eb"e2 :|
|: Be |\
"Eb"g2 Be "Ab"a2  ga | "Eb"b>a gb "Cm"e2 fg | "Fm"a2 b>a "Eb"gb ag | "F7"g4 "Bb7"f2
[1 Be |\
"Eb"g2 Be "Ab"a2  ga | "Eb"b>a gb "Cm"e2 ed | "Fm"c2 a>f "Bb7"gb df | "Eb"e2-"Ab"e2 "Eb"e2 :|
[2 ed |\
"Ab"c2 ea "Eb"B2  eg | "Ab(Fm)"A2 e>f "Bb7"ed cB | "Eb"g>a bg "Bb7"af df | "Eb"e2-"Ab"e2 "Eb"e2 |]

%%sep 1 1 500

X: 51
T: James Cameron
C: Jerry Holland
B: Jerry Holland the 2nd Collection, 2000
S: Page from Concord Slow Scottish Session collection
R: march
Z: 2015 John Chambers <jc:trillian.mit.edu>
N: "James Cameron" was named after the father of Roderick Cameron, a baroque flute maker.
N: "Fiddler's Choise 1996" at lower right.
M: 2/4
L: 1/8
K: G
DE |\
"G"G2 GF G2 gf | "C"Te2 d<e "G"B2 ge | d2 Tge "Em"d>B A<G |"Am"TB2 A2 "D"A2 DE |
"G"G2 GF G2 gf | "C"Te2 d<e "G"B2 ge | "C"d2 ge "D"d>B A<c | "T"TB2 G2 G2 :|
|: zB | "C"c>c c<d "D"e2 d2 | "G"e>d d<e B2 ge | "G"d2 Tge "Em"d>B A<G | "Am"B2 A2 A2
[1 zB | "C"c>c c<d "D"e2 d2 | "G"e>d d<e B2 ge | "C"d2 Tge | "D"d>B A<c | "G"B2 G2 G2 :|
[2 DE |"G"G2 GF G2 gf | "C"Te2 d<e "G"B2 ge | "C"d2 ge "D"d>B A<c | "T"TB2 G2 G2 |]

%%sep 1 1 500

X: 52
T: Jamie Allen    [G]
T: Jimmy Allen
T: Reel of Tullochgoram
O: c.1800
R: reel
S: page labelled "VII-10", "Northumbrian Pipers 8" and "Potomac Valley"
Z: John Chambers <jc:trillian.mit.edu>
N: Jamie Allen (1734-1810) was a Northumbrian small-pipes player.
N: This tune is attributed to him, but the details aren't known.
M: 2/4
L: 1/8
K: G
G/A/ |\
"G"BG GA | "Em"B2 GA/B/ | "Am"cA AB | "D7"c2 BA |\
"G"Gg "C"ge | "G"d2 B>c | "D7"dd c/B/A | "G"G3 :|
|: B/A/ |\
"G"Gg g>f | "Em"ed cB | "Am"Aa a>g | "D7"fd ef |\
"G"g>a "C"ge | "G"d2 B>c | "D7"dd c/B/A | "G"G3 :|

%%sep 1 1 500

X: 53
T: Jordon Taylor
C: Gordon MacLean
R: march, air
Z: 2019 John Chambers <jc:trillian.mit.edu>
M: C
L: 1/8
K: G
G<A |\
"G"B2d2 "(C)"c>BA<G | "G"B2D2 "C"E4 | "G"D3d "(C)"c>BA<G | "D7"B2A2 A2G<A |\
"G"B2d2 "(C)"c>BA<G | "G"B2D2 "C"E4 | "G"D3d "(C)"c>BA<G | "D7"A3G  "G"G2 :|
z2 |\
"G"(Bd3) (Bd3)  | "C"e>dc<B "D7"d4 | "G"D2d2    B2d2   | "C"c>BA<G "D7"A4 |\
"G"(Bd3) (Bd3)  | "C"e>dc<B "D7"d4 | "G"D2d2 "C"c>BA<G | "D7"A3G    "G"G4 ||
"G"(Bd3) B2g2 | "C"e>dc<B "D7"d4 | "C"e2g2 "G"d2g2   | "C"c>BA<G "D7"A2 G<A |\
"G"B<d"C"c<e B<d"D7"A>B | "G"c>BA<G "C"E4 | "G"D3d "C"c>BA<G | "D7"A3G "G"G2 |]

%%sep 1 1 500

X: 54
T: the King's House
C: Bobby MacLeod
P: Retreat March in A Mixolydian
R: retreat march
Z: 2015 John Chambers <jc:trillian.mit.edu>
S: printed copy of unknown origin in Concord Slow Scottish Session collection
N: The harmonies here are for Dm, not Dmix; transcribed without the 'm' in the chord symbols.
M: 3/4
L: 1/8
K: Amix
EAB |\
"A"c2 e>c BA | "D"a2 f2 a>f | "A"e2 f>e cA | "G"B4 cd |\
"Em"ed G2 g>f | "D"e>d d2 cd | "Em"e2 g2 "G"dB | B3 :|
|: "A"Ace |\
a2 a2 "D"fd | "A"e>d c2 ef | "G"g2 G2 d>c | B4 A/B/c/d/ |\
"A"e2 ec BA | "D"d>e f2 "Em"g>f | "G"e2 d>c BA | "A"A3 :|

%%sep 1 1 500

X: 55
T: the Lad o' Kyle
T: Rantin' Rovin' Robin
T: There was a Lad was Born in Kyle
R: march
Z: 2006 John Chambers <jc:trillian.mit.edu>
S: SRSNH 2.14 (12/89)
M: C|
L: 1/8
K: D
A2 \
| "D"D2D2 A2DE | "A7"F2E2 E2FE | "D"D2D2 A2DE | "D"F2d2 "(A7)"A3A |
| "G"BcdA "D"F2AF | "Em"BAGF "A7"E2FE | "D"D2d2 "A7"ABAG | "D"F2D2 D2 |]
A2 \
|  "D"d2d2 "Bm"d2fd | "Em"edef "A7"e2dB | "D"ABde defe | "D"d2A2 B2A2 |
| "G"BcdA "D"F2AF | "Em"BAGF "A7"E2FE | "D"D2d2 "A7"ABAG | "D"F2D2 D2 |]

%%sep 1 1 500

X: 56
T: the Last March
C: John Morris Rankine
O: as played by Katie McNally
S: Concord Slow Scottish collection
R: march
Z: 2017 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/8
K: A
|:\
f>e f<a f2 e>c | BA  B<e c2 B<A | F2 EF AB c<e | f>e f<a c2 (3cde |
f>e f<a f2 e>c | B>A B<e c2 B<A | F2 EF AB c<A | B>A B<c A2 A2 :|
|:\
F2 E>F A>B c<e | f>e f<a c2 (3cde | f<a e<f Bc  fc  | B2 BA  B<c B<A |
F2 E>F A>B c<e | f>e f<a c2 (3cde | e<f c<e B>c e<c | BA B<c A2  A2 :|

%%sep 1 1 500

X: 57
T: Loch Erroch Side
C: Niel and Margaret Gow
R: march
N: NHHG Fiddle Workshop 2006   Calum MacKinnon
S: printed copy in Concord Slow Scottish Session collection
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: C
|: "G"GF |\
"C"E2G2 "G"G3A "Cm"cBcd"C"c4 |\
"F"A3G A2c2 "Dm"dcde "G"d2D2 |\
"C"E2G2 "G"G3A "Am"cBcd "C"e3d |
"F"c3A "C"GAcE |\
"G"D4 "C"C2 :: "G"gf |\
"C"e2g2 c2ef gfef g4 |\
"Dm"f2a2 d2fg "F"agfg "G"a2gf |
[1 "C"e2g2 c2ef gfef g3c |\
"C"G3c e3c "G"d4 "C"c2 :|\
[2 "C"e3g "G"d3e "C"c3G "F"c2a2 |\
"C"c2G2 c3E "G"D4 "C"C2 |]

%%sep 1 1 500

X: 58
T: Loch Rannoch
C: J.Wilson
R: slow march, strathspey
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection
N: tune labelled "L.P." and "S.M." at lower right
M: C
L: 1/8
K: A
"A"|:\
"A"A>c e>f "D"a>f e<f | "A"A>c e>f e>c "G"c>B |\
"A"A>c e>f "D"a>f e<f | "A"A>c e>c "G"c<B "A"A2 :]
"B"|:\
"D"f>g a>g "A"f>e c<e | "D"f>e a>c "G"B>A "E"B<c |\
"A"e>c a>e "D"f>a "A"f<e | "A"A>c e>c "G"c<B "A"A2 :]

%%sep 1 1 500

X: 59
T: Lochanside
C: Pipe Major John McLellan DCM (1875-1949)
R: retreat march
N: Scots Guards v.1
Z: 2014 John Chambers <jc:trillian.mit.edu>
B: BSFC Session Tune Book 2016 p.36
S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER  SRSNH 4/95  7.26-A"
M: 3/4
L: 1/8
K: D
"A"\
[|] "A7"d>e |\
"D"f2 fa ge | "D"f2 d2 a>f | "D"d2 d>e fA | "Em"f2 e2 e>d |\
"A7"c2 ca ge | "D"d2 A2 "D7"e>f | "G"g2 gB "A7"cA | "D"d2 d2 :|
"B"\
|: "A7"d>f |\
"D"a2 a>g fg | "D"a2 f2 "D7"dA | "G"B2 g>f ed | "Em"f2 e2 e>d |\
"A7"c2 ca ge | "D"d2 A2 "D7"e>f | "G"g2 gB "A7"cA | "D"d2 d2 :|
"C"\
|: "E7"c>B |\
"A7"A2 Ac eg | "D"f2 d2 "E7"c>B | "A7"A2 Ac a>g | "D"f2 "A"eA "A7"df |\
"D"a2 fa "D7"g/f/e/d/ | "G"c2 B2 e>f | "Em"g2 gB "A7"cA | "D"d2 d2 :|

%%sep 1 1 500
%%sep 1 1 500

%%sep 1 1 500

X: 60
T: Lochanside
M: 3/4
L: 1/8
S: Scots Guards Vol. I
R: retreat march, waltz
N: The bar lines are all "off by one", but that's how the Scots Guards wrote it.
K: D
"D"d>e f2 fa | "A"ge "D"f2 d2 | "D"a>f d2 d>e | "D"fA f2"A"e2 |\
e>d c2 ca | ge "D"d2 A2 | "A"e>f "G"g2 gB | "A"cA "D"d2 d2 :|
|:\
"D"d>f a2 a>g | "D"f>g a2 f2 | dA "G"B2g>f | ed "D"f2 "A"e2 |\
"A"e>d c2 ca | "A"ge "D"d2 A2 | "A"e>f "G"g2 gB2 | "A"cA "D"d2 d2 :|
|:\
"A"c>B A2Ac | "A"eg "D"f2 d2 | "A"c2A2Ac | a>g "D"f2 "A"eA |\
"D"df a2 fa | "G"g/f/e/d/ "A"c2 B2 | "A"e>f "G"g2 gB | "A"cA "D"d2 d2 :|

%%sep 1 1 500

X: 61
T: Lord Lovat's Lament
S: Concord Slow Scottish Session collection
N: "arr. Elke Baker"
B: Seaforth Highlanders Book 40
R: air, march
Z: 2017 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: A
A>B |\
"A"c2ce dcBA | "A"c<eef f<e"D"f>g | "A"a2ea "D"fe"A"cA | "E"c<BB>c c>BA>B |
"A"c2ce dcBA | "A"c<eef f<ecA | "D"d>e fe/d/ "A"c<e"G"d>B | "A"A2A>B A2 ||
fg |\
"A"a2ea "D"fe"A"cA | "A"c<eef f<ef>g | "A"a2ea "D"fe"A"cA | "E"cBB>c c<BA>B |
"A"c2ce dcBA | "A"c<eef f<ecA | "D"d>e fe/d/ "A"c<e"G"d>B | "A"A2A>B A2 |]

%%sep 1 1 500

%%sep 1 1 500

X: 62
T: Lord Lovat's Lament
R: air, march
B: BSFC V-11
M: C|
L: 1/8
K: G
G2A2 | "G"B4  B2d2 | "D7"c2B2    A2G2 |  "Em" Bd3       d3e | "Bm"d4 \
e2f2 | "G"g4  d2g2 | "Em"e2d2    B2G2 | "A(m)"BA3       A3B | "D7"A4 ||
G2A2 | "G"B4  B2d2 | "D7"c2B2    A2G2 |   "Em"Bd3       d3e | "Bm"d4 \
B2G2 | "C"c3d e2dc |  "G"Bd3 "D7"c3A  |    "C"AG3 "(D7)"G3A |  "G"G4 |]
e2f2 | "G"g4  d2g2 | "Em"e2d2    B2G2 |    "G"B2d2      d3e | "D7"d4 \
e2f2 | "G"g4  d2g2 | "Em"e2d2    B2G2 |   "A7"B2A2      A3B | "D7"A4 ||
G2A2 | "G"B4  B2d2 | "D7"c2B2    A2G2 |   "Em"Bd3       d3e | "Bm"d4 \
B2G2 | "C"c3d e2dc |  "G"Bd3 "D7"c3A  |    "C"AG3 "(D7)"G3A |  "G"G4 |]

%%sep 1 1 500

X: 63
T: the Lovat Scouts
M: 2/4
L: 1/8
C: J. S. Skinner
S: page from Concord Slow Scottish Session collection, hanwritten by Barbara McOwen
N: Several version with trivial differences have been combined to make this version
N: Ties and chords have been used to indicate the slight differences.
N: Any of the Bm and F#m chords may be E7 and A chords, respectively.
R: Quickstep March
K: A
A/A/ |\
"A"Ac eA/A/ | "D"df ag/f/ | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"BA/A/ |\
"A"Ac eA/A/ | "D" df ag/f/ | "A"e>c "E"dB | "A"A2 A :|
e/e/ |\
"A"aA ce | "D"fd df | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"Be/e/ |\
"A"aA ce | "D"f[ad] df | "A"e>c "E"dB | "A"A2 A |]
e/e/ |\
"A"aA ce | "D"f[ad] df | "A"e>c "(F#m)"Ac | "Bm"B2- "E7"B[e/A/][c/A/] |\
"A"A/B/c/d/ "A7"ec/A/ | "D"d/e/f/g/ ag/f/ | "A"e>c "E"dB | "A"A2 A |]

%%sep 1 1 500

X: 64
T: Magersfontein
C: John A. MacLellan
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page in Concord Slow Scottish Session collection
S: Boston scottish Fiddle Club VII-6
M: 3/4
L: 1/16
K: A
|:\
"A"A3B c4 c2e2 | "A"a3g "D"f4 "E"e4 | "A"e3c A4 A2c2 | "A"e3f c4 "E"B4 |
"A"e3c A4 B2c2 | "A"e2c2 "D"a3g f4 | "E"g2a2 "A"e3d c2A2 | "E"B3c "A"A4 A4 :|
|:\
"A"c3d e4 e2a2 | "D"f2a2 "A"e4 cA3 | "A"c3d e4 e2a2 | "D"fgaf "A"e4 e2c2 |
"E"dcBc "A"A4 B2c2 | "A"e2c2 "D"a3g f4 | "E"g2a2 "A"e3d c2A2 | "E"B3c "A"A4 A4 :|

%%sep 1 1 500

X: 65
T: the Maid I Adore   #2
T: Dearest my own one
T: Cailin mo r\`uinsa
C: Donald Ross
R: march, slipjig, air
S: handwritten copy of SRSNH C-205 (6.21) in Concord Slow Scottish Session collection
M: 9/8
L: 1/8
K: D
"A"[|] A- |\
"D"ABd f3 "D7"e2f | "G"edB "D"A3- A2f |\
"G"gfg "D"a3 "Bm"f2e | "Em"dBd "A7"e3- e2a |\
"D"aga f3 "D7"ed2 |
"G"edB "D"A3- A2f |\
"G"gfg "D"a3 f2d | "Em"edB "D"d3- d2 "B"|[|\
A |\
"D"ABA d3 "D7"e2f | "G"edB "D"A3- A2A |
"D"ABA "/c#"a3 "Bm"f2e | "Em"dBd "A7"e3- e2a |\
"D"aga f3 "D7"e2d | "G"edB "D"A3- A2f |\
"G"gfg "D"a3 f2d | "Em"edB "D"d3- d2 |]

%%sep 1 1 500

X: 66
T: Mairi's Wedding
T: Lewis Bridal Song
C: Words: John Bannerman (1935)
O: Music: Trad Scotland (1909)
K:

%%sep 1 1 500

X: 67
P: Mairie's Wedding  (the Lewis Bridal Song)
S: Kay Graham, via EF
M: 4/4
L: 1/4
K: D
d/B/ |\
"D"A3/A/ AB | "D"de f2 | "G"ed Bd | "A7"fe f2 |\
"D"A3/A/ AB | "D"de f2 | "G"ed BG | "A7"A3 :|
|: f/g/ |\
"D"a3/a/ ab | "Bm"ag f2 | "E7"ed Bd | "A"fe f2 |\
"F#m"a3/a/ ab | "Bm"ag f2 | "Em"ed BG | "A7"A3 :|

%%sep 1 1 500

X: 68
P: Mairie's Wedding  (the Lewis Bridal Song)
R: reel
C: Trad.
O: Scotland
Z: Paul Hardy's Session Tunebook 2012 (see www.paulhardy.net). Creative Commons cc by-nc-sa licenced.
M: 4/4
L: 1/4
%Q: 1/4=190
K: G
G/E/ |\
"G"D3/2D/ DE | GA B2 | "C"AG EG | "D7"BA B2 |\
"G"D3/2D/ DE | GA B2 | "C"AG EC | "D7"D3 :|
|: B/c/ |\
"G"d3/2d/ de | "Em"dc B2 | "A7"AG EG | "D"BA B2 |\
"D7"d3/2d/ de | "Em"dc B2 | "Am"AG EC | "D7"D3 :|

%%sep 1 1 500

X: 69
P: Mairi's Wedding  (the Lewis Bridal Song)
C: Words: John Bannerman (1935)
O: Music: Trad Scotland (1909)
H: The well-known words for this song, and the Scottish Country Dance that goes
H: with it, were written for Mary McNiven, born in 1908, and still alive in 1998.
H: The lyrics were written by Johnny Bannerman for her birthday in 1935, in Gaelic.
H: Her wedding to Captain John Campbell was in 1941.  The tune itself is older.
H: It was published in Marjory Kennedy-Fraser's "Songs of the Hebrides" (1909).
R: march
Z: 1998 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: D
f "A"\
[| "D"A>A AB | de f2 | "G"ed Bd | "A7"fe fa \
|  "D"A>A AB | de f2 | "G"ed BG | "A7"A2 A2 |]
"B1"\
[| "D"a>a ab | ag f2 | "G"ed Bd | "A7"fe f<a \
|  "D"a>a ab | ag f2 | "G"ed BG |1 "A7"A2 A2 :|2 "A"AB/c/ d/e/f/g/ |]
"B2"\
[| "D"a>a ab | ag f2 | "G"ed Bd | "A7"fe f<a \
|  "D"A>A AB | de fg | "G"a>f "A7"fe | "D"d2 z |]
W: Step we gaily on we go, heel for heel and toe for toe,
W: Arm and arm and row on row, all for Mh\`airi's wedding.
W: Plenty herring, plenty meal, plenty fish to fill her creel,
W: Plenty bonny bairns as weel, that's our toast for Mh\`airi.

%%sep 1 1 500

X: 70
T: Mangaster Voe
C: Tom Anderson
B: Tom Anderson Collection I
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection "Arr. \251 B. McOwen, April 1996"
M: C|
L: 1/8
K: A
ed |\
"A"c2e2 "A7"A3e | "D"fdAf "A"e3d | "A"c2A2 "F#m"dcBA | "B7"c2B2 "E7"B2ed |\
"A"c2e2 "A7"A3e | "D"fdAF D3F | "A"E2A2 "E7"GBed | "A"c2A2 A2 :|
cd |\
"A"e3c "A7"a3e | "D"fdaf "A"e3d | "A"c2A2 "F#m"dcBA | "B7"c2B2 "E7"B2cd |\
"A"e3c "A7"a3e | "D"fdAf "A"e3d | "A"ceae "E7"dBed | "A"c2A2 A2 |]
cd |\
"A"e3c "A7"a3e | "D"fdaf "A"e3d | "A"c2A2 "F#m"dcBA | "B7"c2B2 "E7"B2ed |\
"A"c2e2 "A7"A3A | "D"fdAF D3F | "A"E2A2 "E7"GBed | "A"c2A2 A2 |]

%%sep 1 1 500

X: 71
T: McGregor of Ruara
P: retreat march
R: retreat march
Z: 2011 John Chambers <jc:trillian.mit.edu>
S: printed copy of unknown origin in Concord Slow Scottish Session collection
N: The key signature is Amix, but there are no Cs, and Am chords are indicated
M: 3/4
L: 1/8
K: Ador
AB |\
"A(m)"e2 e2 e>d | B2 A2 AB | e2 g2 fa | "G"d2 G2 d>B |\
d2 e>d BA | AG "Em"g>f ed | "G"B<d G2 A2 | B2 "A(m)"A2 :|
|: "Em"ge |\
"D"a2 a2 gf/e/ | "G"d2 d2 "Em"ge | "D"a2 a2 gf/e/ | "G"d2 G2 d>B |\
"Bm"d2 e>d BA | "Em"AG g>f ed | "G"B<d G2 A2 | B2 "A(m)"A2 :|
%%text May be considered either major or minor (actually mixolydian or dorian).

%%sep 1 1 500

X: 72
T: McKechnie's Farewell
C: John Sommerville
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection
S: handwritten and printed copies of unknown origin
N: chords from https://glasgowfiddle.org.uk/session-tunes
M: 4/4
L: 1/8
K: D
DE |\
"D"F2FA "Em7"E2DE | "F#m"FEFA "Em7"E2DE | "D"F2FA "(D7)"dcBA | "G"ABBA B2-"A7"Bc |
"Bm"dcBA "Em7"BAFE | "D"FEFA "A7"E2DE | "D"FEFA "G"EDB,A, | "D"A,D"G"DE "D"D2 :|
|: FA |\
"G"B2BA Bd"A"cA | "D"zAAF "Bm"AB F{E}D | "Em"E2ED "A7"EFDE | "D"FAAF "(D7)"ABFA |
"G"B2BA Bd"A"cA | "D"zAAF "Bm"AB F{E}D | "Em"E2ED "A7"EFDB, | "D"A,D"G"DE "D"D2 :|

%%sep 1 1 500

X: 73
T: Memories of Father Angus MacDonnell
C: Mike MacDougall
O: Cape Breton
R: march, strathspey
S: printed copy of unknown origin in Concord Slow Scottish Session collection
Z: 2014 John Chambers <jc:trillian.mit.edu>
M: C
L: 1/8
K: G
%%slurgraces
(3(DEF) |\
"G"G>G G<A "D7"G>F E<D | "G"B<d d>B {Bc}d2 (3(dBd) |\
"C"{d}e2 "G"d<B "Am"c>A "G"B<G | "C"{D}E4- E2 "D7"(3DEF |
"G"G>G G<A "D7"G>F E<D | "G"B<d d>B {Bc}d2 "C"(3(dge) |\
"G"d>B G<B "Am"A>G "D7"A<B | "G"G2-"C"G2 "G"G2 :|
|: (3Bcd |\
"Em"e>e e<f g>f e>d | "G"B<d d<B {Bc}d2 (3(dBd) |\
"C"{d}e2 "G"d<B "Am"c>A "G"B<G | "C"{D}E4- E2 "D7"(3DEF |
"G"G>G G<A "D7"G>F E<D | "G"B<d d>B "Bm"{Bc}d2 "Em"(3(dge) |\
"G"d>B G<B "Am"A>G "D7"A<B | "G"G2-"C"G2 "G"G2 :|

%%sep 1 1 500

X: 74
T: Miss Murray of Lintrose
R: march
S: John Bowie of Perth, 1784
B: RSCDS 27-1
M: 2/4
L: 1/8
K: A
   ed \
| "A"c2cB A2E2 | "D"F4 "E7"E2d2 | "A"c2A2 "E7"B2G2 | "A"ABcd "E7"e2ed \
| "A"c2cB A2E2 | "D"F4 "E7"E2d2 | "A"c2A2 "E7"GABG | "A"A4 A2 :|
|: cB \
| "A"A2e2 e2de | "D"f2d2 d2cd | "E7"E2d2 d2cd | "A"e2c2 c2BA \
| "A"E2c2 "D"F2d2 | "A"c4 "E7"B2d2 | "A"c2A2 "E7"GABG | "A"A4 A2 :|

%%sep 1 1 500

X: 75
T: the Mist Covered Mountains
T: Chi Mi Na M\`orbheanna
C:
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection labelled "PIPER'S CORNER  SRS 11/94  7.11-A"
N: "T.M." below final bar line.
M: 6/8
L: 1/8
K: Bm
|:\
"Bm"B3 B3 | "Bm"f2f "E7"f>ec | "A"A3 A3 | "A"c>Bc "A7"B>AB |\
"D"d3 "A7"e3 | "Bm"f>ga "A"c>BA | "G"B>cf "F#m"e>dc | "Bm"B3 B3 :|
|:\
"Bm"f3 f3 | "Bm"e>fa "E7"f>ec | "A"A2A "A7"e2c | "D"f2f "F#m"e>dc |\
"Bm"B3 "(A)"d3 | "G"e>fa c>BA | "Em"B>cf "F#m"e>dc | "Bm"B3 B3 :|

%%sep 1 1 500

X: 76
T: Murdo MacKenzie of Torridon
C: Bobby MacLeod
B: Ceol na Fidhle, V.2
R: jig, march
Z: 2014 John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: Am
e |\
"Am"Aee e3 | "Am"Aee "G"dBg | "G"GBd dBd | "C"e<gG "Em"BAG |\
"Am"Aee e3 | "Am"Aee "G"dBa | "C"gfe deg | "Em"edB "Am"A2 :|
B |\
"Am"Aaa a3 | "Am"Aaa "Em"gea | "Em"gfe "Bm"def | "Em"gGd "G"BAG |\
"Am"Aaa a3 | "Am"Aaa "Em"gea | "C"gfe "G"deg | "Em"edB "Am"A2 ||
B |\
"Am"Aaa a3 | "Am"Aaa "Em"gea | "Em"gfe "Bm"def | "Em"gGd "G"BAG |\
"Am"e3 A2e | "G"dBd "Am"e2a | "Em"gfe "Bm"deg | "Em"edB "Am"A2 ||
|: z |\
"Am"A3 e3 | "Am"A2e "G"dBg | "G"B3 G3 | "Em"egG BAG |\
"Am"A3 e3 | "Am"A2e "G"dBa | "C"gfe "G"deg | "Em"edB "Am"A2 :|
B |\
"Am"AaA gAa | "Am"AgA aAa | "Em"gfe "Bm"def | "Em"gGd "G"BAG |\
"Am"AaA gAa | "Am"AgA aAa | "C"gfe "G"deg | "Em"edB "Am"A2 ||
B |\
"Am"AaA gAa | "Am"AgA aAa | "Em"gfe "Bm"def | "Em"gGd "G"BAG |\
"Am"e3 A2e | "G"dBd "Am"e2a | "Em"gfe "Bm"deg | "Em"edB "Am"A2 |]

%%sep 1 1 500

X: 77
T: My Dearie and thou die
C:
N: Suggested tune for Seann Truibhas Willichan
O: from RSCDS & A.Craig
S: handwritten MS in SRSNH 2.13 and Concord Slow Scottish Session collections
R: slow march, air
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: G
B>A "A"|\
"G"G2D2 "C"D>E GB, | "G"D3E D2GA |\
"G"BAGF "Em"E>F ED | "Am"E2A2 "D7"A2B2 |\
"G"D3E "G7"G3B |
"C"A>G AB "Bm"d3e |\
"Am"(3ded cB "Bm"cBAG | "C"E2G2 "G"G2 "B"|[| Bc |\
"G"d3e degB | "Am"AGAB "Bm"d2Bd |
"C"e>f gf "Em"edBd | "Am"e6 "D7"f2 |\
"G"g2dc "G7"B2AG | "C"A>G AB "Bm"d3e |\
"Am"d>e gB "Bm"cBAG | "C"E2G2 "G"G2 |]

%%sep 1 1 500

X: 78
T: My Love is But a Lassie Yet
O: Bremner 1757
R: reel, march
Z: 2001 John Chambers <jc:trillian.mit.edu>
S: printed page SRSNH 2.14 in the Concord Slow Scottish Session collection
B: Bremner's "Scots Reels", 1757 as "Miss Farqharson's Reel"
B: Aird "Selections of Scotch, English, Irish and Foreign Airs", v.II, p.1, #1, c.1782
N: Reused by Robert Burns for his song.
M: C|
L: 1/8
K: D
   dc \
| "D"d2D2 F2A2 | d2D2 D2dc | d2D2 F2A2 | "Em"e2E2 "A7"E2dc \
| "D"d2D2 F2A2 | "G"B2g2 "A7"f2e2 | "D"dcBA "A7"Bcde | "D"f2d2 d2 :|
|: fg \
| "D"a3f "A7"g3e | "D"f2d2 d2fg | a2f2 gfga | "Em"b2e2 "A7"e2fg \
| "D"a2af "A7"g2ge | "D"f2fd "A7"e2ec | "D"dcBA "A7"Bcde | "D"f2d2 d2 :|

%%sep 1 1 500

X: 79
T: Nancy
T: Nancy Clough's March
C: Tom Clough (1930s)
S: printed copy in Concord Slow Scottish Session collection
S: page labelled "VII-10", "Northumbrian Pipers 30" and "Potomac Valley"
N: Called just "Nancy" by composer Tom Clough (1881-1964), who played the Northumbrian Small Pipes.
N: There are also several other unrelated tunes called "Nancy".  This Nancy was Tom's first wife.
N: from thesession.org, arr. Terry Traub 2007-5-3, modified by John Chambers to better match the CSSS version
M: 4/4
L: 1/8
R: reel
K: D
   (3ABc \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "D"d2(ef) "(G)"gfed | "A"c2e2 A2(Bc) \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "G"B2g2 "A"fedc | "D"d4 d2 :|
|: fg \
| "D"a3b a2f2 | "A7"g3a g2e2 | "D"f2d2 "G"gfed | "A"c2e2 A2(Bc) \
| "D"d2D2 F2A2 | "D"d2(fe) d2A2 | "G"B2g2 "A"fedc | "D"d4 d2 :|
|: (3ABc \
| "D"(dc)BA (GF)ED | "D"F2A2 d2A2 | "D"(dc)de "(G)"(gf)ed | "A"cdec A2(Bc) \
| "D"(dc)BA (GF)ED | "D"F2A2 d2(cd) | "G"B2g2 "A"fedc | "D"d4 d2 :|
|: fg \
| "D"aAaf a2(gf) |"A7"gfge g2(fe) | "D"fefd "G"gfed | "A"cdec A2(Bc) \
| "D"dcBA GFED | "D"F2A2 d2(cd) | "G"B2g2 "A7"fedc | "D"d4 d2 :|

%%sep 1 1 500

X: 80
T: Old Faithful
C: Jerry Holland
R: march
Z: 2016 John Chambers <jc:trillian.mit.edu>
S: printed page labelled "Arr BMcO 2/11" from Concord Slow Scottish Session collection
M: C|
L: 1/8
K: D
ag "A"|\
"D"f2ed "A7"c2Bc | "D"d2AG "D7"F2ED |\
"G"{F}GFGB "D"AFd>A | "A7"F2E2 E2ag |\
"D"f2ef "A7"g>edc | "D"d>ABG "D7"F2ED |
"G"GBd>B "A7"A>FG>E | "D"F2D2 D2 :|\
fg "B1"|\
"D"abag "D7"f2ef | "G"gage "A7"c2BA |\
"D"{e}dcde "Bm"f<agf | "Em7"e2E2 "A7"E2fg |
"D"abag f2ef | "A7"gedc "Bm"d2((3AB=c) |\
"G"BAG>B "A7"A>FG<E | "D"F2D2 D2 |]|\
fg "B2"|\
"D"abag f2ef | "A7"gedc "D7"d2(3(AB=c) |
"G"BAGB "F#m"AFd<A | "Em7"F2E2 "A7"EGFE |\
"D"D>FA<d "Em"E>GB<e | "F#m"F>Adf "G"g2bg |\
"D"a>fe>d "A7"c>ba<g | "D"f2d2 d2 |]

%%sep 1 1 500

X: 81
T: Peat Fire Flame
R: march
B: Drewry, Bon Accord
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: Em
B \
| "Em"E>F GF | ED "G"B2 | "D"BA AG/A/ | BA "B7"AB \
| "Em"E>F GF | ED "B7"B>A | "Em"GE "D"FD | "Em"E3 ||
"D7"F \
| "G"G>A Bg/f/ | ed B2 | "D"BA AG/A/ | "D7"BA AB \
| "G"G>A Bg/f/ | ed "B7"B>A | "Em"GE "D"FD | "Em"E3 |]

%%sep 1 1 500

X: 82
T: Peat Fire Flame
R: march
B: Drewry, Bon Accord
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/4
K: Em
B \
| "Em"E>F GF | ED "G"B2 | "D"BA AG/A/ | BA "B7"AB \
| "Em"E>F GF | ED "B7"B>A | "Em"GE "D"FD | "Em"E3 :|
|: "D7"F \
| "G"G>A Bg/f/ | ed B2 | "D"BA AG/A/ | "D7"BA AB \
| "G"G>A Bg/f/ | ed "B7"B>A | "Em"GE "D"FD | "Em"E3 :|

%%sep 1 1 500

X: 83
T: Peter and Doreen Chiasson
C: Brenda Stubbert
R: march
Q: "slow march"
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: printed page of unknown origin from Concord Slow Scottish Session collection
N: The original has half as many bar lines.
M: 2/4
L: 1/8
K: D
F>G |\
{FG}A3 B TA>G F<E | D3 d d2 ef |\
g3 e Tg>f e<d | c2{d}e2 Te2 F>G |
{EF}A3 B TA>G F<E | D3 d d2 ef |\
{a}g>e g<b a>g f<e | {A}d4 d2 :|
|: f>g |\
{g}a3 d g>f e<d | B2 d2 d3 B |\
TA>F A<d f>a g<f | {d}e4 Te2\
[1fg |\
{g}a3 d g>f e<d | B2 d2 d3 B |
TA>F A<d c<e (3(ABc) | d2 D2 D2 :|\
[2 F>G |\
{EF}A3 B TA>G F<E | D3 d d2 ef |\
{a}g>e g<b a>g f<e | {A}d4 d2 |]

%%sep 1 1 500

X: 84
T: the Piper's Cave  #2
C: P/M James Sutherland
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: handwritten page from Concord Slow Scottish Session collection "arr. A. Hooper"
M: 2/4
L: 1/16
K: A
"A"[|] cB |\
"A"A3B A3B | "F#m"c2f2 "D"f2(af) | "A"e2c2 "F#m"dcBA | "D"c2B2- "E7"B2cB |\
"A"A3B A3B | "F#m"c2f2- "D"f2af | "A"e2c2 "E7"BABc | "A"A4 A2 "B":|
fg |\
"D"a2f2 f2(ef) | "A"a2c2 c3f | "A"e2c2 dcBA | "E"c2B2- B2fg |\
"D"a2f2 f2(ef) | "A"a2c2 c3f | "D"e2c2 "E7"BABc | "A"A4 A2 |]
fg |\
"D"a2f2 f2(ef) | "A"a2c2 c3f | "A"e2c2 "F#m"dcBA | "D"c2B2- "E7"B2cB |\
"A"A3B A3B | "F#m"c2f2- "D"f2af | "A"e2c2 "E7"BABc | "A"A4 A2 |]

%%sep 1 1 500

X: 85
T: Piper's Weird
S:Betsy Hooper
S:handwritten copy of unknown origin in Boston Slow Scottish Jam collection
N:Grace notes from both sources
M:6/8
L:1/8
C:J. S. Skinner
R:Air
K:A
|:\
"A"A>AA A>AA | "E"BAB "A"{AB}c2A | "D"f>ff "A"e2c |[1 "B7"c>BA "E"{A}B3 :|[2 "E" eBe "A"A2 ||
A |\
"A"{g}a2Ae2A | "D"{A}fAf "A"e2A | "A"{g}a2Ae2A | "B7"{cd}c>BA "E"{A}B2A |\
"A"{g}a2Ae2A | "D"fAf "A"{f}e2e | "D"f<af "A"{f}e2c | "E"eBe "A"{e}A3 |]

%%sep 1 1 500

X: 86
T: Pipes Awa' March
C: Barbara McOwen (12/91)
R: march
Z: 2006 John Chambers <jc:trillian.mit.edu>
M: 5/4
L: 1/16
K: D
A2 "A"\
| "D"d2A2 "A7"e2A2 g2fe "D"f2A2- A2c2 | "D"d2A2 "A7"e2A2 g2fe "D"f2a2- a2f2 \
| "Em"g3f "A7"e2de "D"f2ed "A7"e2A2- A2c2 | "D"d2e2 "G"g2fe "A7"A2c2 "D"d6 :|
|: A2 "B"\
| "D"agfe "D7"d2ef "G"gfed "A7"c2A2- A2A2 | "D"agfe "D7"d2ef "G"g2f2 "A7"e6 A2 \
| "D"agfe "D7"d2ef "G"gfed "A7"c2A2- "(A)"A2A2 | "G"G2B2 "Em"gfed "A7"A2c2 "D"d6 :|
|: A2 "C"\
| "D"d2A2 "G"B2G2 "A7"A2Bc "D"d2A2- A2c2 | "D"d2A2 "G"B2G2 "Em"ABcd "A7"e6 f2 \
| "Em"g3f "A"e2de "D"f2ed "A7"e2A2- A2c2 | "D"defg "A7"a2A2 c2A2 "D"d6 :|
A2 "D"\
| "D"agfe d2ag fed2 "A7"e2A2- A2A2 | "D"agfe "Bm"d2ag "G"fed2 "A7"e6 A2 \
| "D"agfe d2ag fed2 "A7"cBA2- A2A2 | "G"G2B2 "Em"gfed "A7"A2c2 "D"d6 ||
A2 \
| "D"agfe d2ag fed2 "A7"e2A2- A2A2 | "D"agfe "Bm"d2a2 "G"agf2 "A7"e6 f2 \
| "A7"gfed c2ed cBA2 "G"B2G2- G2B2 | "A7"ABcd e2fg a2A2 "D"d6 |]

%%sep 1 1 500

X: 87
T: Rob Fraser's March
T: Rob Fraser's Welcome to San Francisco
C: Alasdair Fraser
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: printed page of unknown origin from Concord Slow Scottish Session collection
M: 3/4
L: 1/16
K: D
A3d "A"|:\
"D"f4 f4 "A"e2fg | "D"f8 e3f | "Em"g4 B4 e3d | "A"d4 c4 B2A2 |
"F#m"a6 f2 g2fe | "Bm"f2a2 d6 c2 | "G"B6 d2 g2fd |1 "A"e8 A3d :|2 e8 edcB |
"B"|:\
"A"A6 c2 e2g2 | "Bm"f3e d4 c3d | "A/C#"e4 A4 a3g |[1 "D"g4 f4 e3f |
"Em"g2B2 e8- | "Bm"e2d2 f2d2 c2d2 | "G"B4 G2A2 B2g2 | "A"f4 e4 edcB :|
[2 "D"g4 f4 a3g | "D"g2f2 e2d2 c2d2 | "G"B2b2 a2g2 f2e2 | "A"f2g2 e4- e2d2 | "D"d8 z4 |]

%%sep 1 1 500

X: 88
T: Scotland the Brave
C: (unknown)
%Date: 1911
O: Scotland
R: march
B: Version from the Concord Slow Scottish Jam session binder 2.
S: arr. B. McOwen, Sept 2001
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: C
L: 1/8
K: A
[|\
"A"A4 A3B | "A"c2A2 c2e2 | "A"a4 "D"a3g | "A"a2e2 "A7"c2A2 |\
"D"d4 f3d | "A"c2e2 c2A2 | "Bm7"B4 e3e | "E7"e2d2 c2B2 |
"A"A4 A3B | "A"c2A2 c2e2 | "A"a4 "D"a3g | "A"a2e2 "A7"c2A2 |\
"D"d4 f3d | "A"c2e2 c2A2 | "E7"B4 A3B | "A"A8 |]
[|\
"A"a4 "D"a3g | "A"a2e2 c2A2 | "A"a4 "D"a3g | "A"a2e2 "A7"c2A2 |\
"D"d4 f3d | "A"c2e2 c2A2 | "Bm7"B4 e3e | "E7"e2d2 c2B2 |
"A"A4 A3B | "A"c2A2 c2e2 | "A"a4 "D"a3g | "A"a2e2 "A7"c2A2 |\
"D"d4 f3d | "A"c2e2 c2A2 | "E7"B4 A3B | "A"A8 |]

%%sep 1 1 500

X: 89
T: the 72nd Highlanders' Farewell to Aberdeen
T: the Boy's Lament for his Dragon
C: William Mackay (c.1885)
B: William Ross's Collection of Pipe Music, 1885
N: Earliest known publication: "72nd's Farewel to Aberdeen (The)" in Ross's 1885 collection.
R: march
Z: 2006 John Chambers <jc:trillian.mit.edu>
B: Queen's Own
M: C|
L: 1/8
K: D
A2 \
| "D"A2d2 d2ef | "A7"gfed "D"f4 | "G"g2B2 B2cd | "E7"efed "A7"c2A2 \
| "D"A2d2 d2ef | "A7"gfed "D"f4 | "G"g2B2 "A7"cdec | "D"d4 d2 :|
|: fg \
| "D"a2A2 "D7"A2=c2 | "G"B2G2 "A7"A4 | "D"A2d2 "Bm"ABde | "E7"f2e2 "A7"e2fg \
| "D"a2A2 "D7"A2=c2 | "G"B2G2 "A7"A4 | "D"A2d2 "A7"fedc | "D"d4 d2 :|

%%sep 1 1 500

X: 90
T: Stella's Trip to Kamloops
M:4/4
L:1/8
C:Patricia Chafe-Nagy
O:Cape Breton
S:J.H. Collection
R:March
K:A
cd |\
"A"{cd}e3c A2 cd | "A"e<a A>a "D"{fg}f>e c<d |\
"A"e2 A2 c2 {cd}e2 | "D" d>c B<A "E"B2 cd |\
"A"{cd}e3c A2 cd | "A"e<a A>a "D"f2 ed |
"A"Tc>A c<e "D"d>c B<A | "E"E2 {FG}A2 "A"A2 :|\
ga |\
"E"{ga}b3 g e2 g<b | "A"a>g a<f {f}e2 fg |\
"F#m"a4 f>e c<e | "Bm"d>c B<A "E"B2 cd |
"A"{cd}e3 c A2 cd | "A"e<a A>a "D"f2 ed |\
"A"Tc>A c<e "D"d>c B<A | "E"E2 {FG}A2 "A"A2 |]|\
ga |\
"E"{ga}b3 g e2 g<b | "A"a>g a<f {f}e2 fg |
"F#m"a4 Tf>e c<e | "D"d>c B<A "E"B2 ce |\
"D"d>e f<d "E"B2 c>d | "A"e<aA>a "D"f2 ed |\
"A"c>A c<e "D"d>c B<A | "E"E2 {FG}A2 "A"A2 |]

%%sep 1 1 500

X: 91
T: the Sunlight Room
C: Dave Wiesler 2006
N: "written one November morning at my piano"
S: Hanneke Cassel
S: Page from Concord Slow Scottish Session collection (Boston Harbor 2016)
%Q: 1/2=112
N: Hanneke made 2 changes to Dave's tune: The final d in bar 6 was c, and the final B in bar 11 was e.
R: march, reel
Z: 2016 John Chambers <jc:trillian.mit.edu>
M: C|
L: 1/8
K: D
|:\
"D"A2a2 g3a | f2d2 e2d2 | "G/D"BABc d2e2 | "A/D"B2A2 A4 |\
"D"A2a2 g3a | f2d2 e2d2 | "G/D"BABc d2e2 | "A/D"c2d2 "D"d4 :|
|:\
"G"B3c d2e2 | B2d2 "A"c2A2 | "G"BABc d2B2 | "D"A2F2 "A"E4 |\
"G"B3c d2e2 | B2d2 "A"c2A2 | "G"BABc "D"d2F2 | "A"E2A2 "D"D4 :|

%%sep 1 1 500

X: 92
T: the Sweet Maid of Glendaruel
O: Scots Guards
R: march
Z: John Chambers <jc:trillian.mit.edu>
N: Scots Guard p.153
N: BSFC XI-1
M: 2/4
L: 1/8
K: AMix
e \
| "A"A>B cd | e>c Ad    | cA     ec | "E7"cB Be \
|  "A"A>B cd | e>c AB/c/ | "G"d>B GB | "A"BA  A :|
g \
| "A"fe "(D)"a>f | "A"ec Ag    |    fe  ac | "E7"cB Bg \
| "A"fe "(D)"a>f | "A"ec AB/c/ | "G"d>B GB | "A"BA  A |]
g \
| "A"fe "(D)"a>f | "A"ec Ag    |    fe  ac | "E7"cB Bg \
| "A"fe  "D"fd   | "A"ec AB/c/ | "G"d>B GB | "A"BA  A |]

%%sep 1 1 500

X: 93
T: the Sweetness of Mary
C: Joan MacDonald Boes PEI
S: handwritten copy from Barbara McOwen, in from Concord Slow Scottish Session collection
R: march
Z: 2015 John Chambers <jc:trillian.mit.edu>
M: 4/4
L: 1/8
K: A
"A"[|] (AB) |\
"A"c3 B/A/ "D"F3 A/B/ | "A"c>e "D"d<f "E7"e2 (3efg |\
"A"(a>g) (f>e) "F#m"e>d c>d | "Bm7"e<a c<A "E7"B2 (AB) |
"A"c3 B/A/ "D"F3 A/B/ | "A"c>e "D"d<f "E7"e2 (3efg |\
"A"(a>g f)>e "F#m"(e>d) c>d | "Bm"e<a "E7"c>B "A"A2 :|
"B" (a>b) |\
"A"c'>e a<c' "E7"b>e g<b | "D"a>g f<a "A7"e2 c2 |\
"D"f>A d<f "A"e>d c>d | "F#m"e<a "B7"c<A "E7"B>e a>b |
"A"c'>e a<c' "E7"b>e g<b | "D"a>g f<a "A7"e2 c2 |\
"D"f>A d<f "A"e>d c>d | "Bm"e<a "E7"c>B "A"A2 :|

%%sep 1 1 500

X: 94
T: Terribus
B: BSFC V-22
Z: John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/8
K: D
A \
|  "D"dA d>e | fa fd | "Em"g>f e>d | "A7"ce cA \
|  "D"dA d>e | fa fd | "Em"g>f e>a |1 "D"fd d :|2 "D"fd d/e/f/g/ |]
[| "D"a2 a>g | fa fd | "Em"g>f e>d | "A7"ce cA \
|  "D"a2 a>g | fa fd | "Em"g>f e>a | "D"fd d/e/f/g/ ||
|| "D"a2 a>g | fa fd | "Em"g>f e>d | "A7"ce cA \
|  "D"dA d>e | fa fd | "Em"g>f e>a | "D"fd d2 |]

%%sep 1 1 500

X: 95
T: Unst Bridal March
S: Hanneke Cassel, Boston Harbor 2011 (page in Concord Slow Scottish Jam collection)
R: march, waltz
B: Haand me doon da fiddle, 1979  (in G)
Z: 2012 John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: A
a2 |\
"A"A2 A2 "E/g#"BA/B/ | "A"c4 e2 | "D"f>g a2 "F#m"c2 |[M:4/4] "E7"BA HB4 a/g/a/f/ |[M:3/4]\
"A"e2 A2 AB | "A/c#"c2 e2 "D"Bd | "A"c2 A2 "D"A2 | "A"A4 :|
{ag}ua2 |\
"D"(f2 "(A)"e2) a2 | "D"(f2 "(A)"e2) a2 | "D"(f2 "(A)"e2) a2 | "D"f4 "E7"e2 |\
"Bm"f>g a2 "(A)"e2 | "D"f>g a2 "(A)"e2 | "D"f>g a2 "E"a2 | "A"a4 c2 |
"E7"d2 d2 cB | "A"c2 A2 e2 | "D"f>g a2 "F#m"c2 |[M:4/4] "E7"BA HB4 a/g/a/f/ |[M:3/4]\
"A"e2 A2 A>B | "A"c2 e2 "D"Bd | "A"c2 A2 "D"A2 | "A"A4 |]

%%sep 1 1 500

X: 96
T: Washington Square Park
C: Angus Lyon & Ruaridh Campbell
R: march
Z: 2021 John Chambers <jc:trillian.mit.edu>
M: 3/4
L: 1/8
K: E
|:"E"FG EB, B,/C/E | "E/G"FE EB, B,/C/E | "A"AG BG FE | "B7"FF/G/ Ec B/G/F/E/ |
| "E"FG EB, B,/C/E | "C#m"FE EB, B,/C/E | "A"cB BG "B7"FE |1 "E"E3 c B/G/F/E/ :|2 "E"E3 B B/c/e/f/ ||
|:"E"ge fe B/c/e/f/ | "C#m"be fe B/c/e/f/ | "C"=ge e=d dB | "B7"A=d BA B/c/e/f/ |
| "E"ge fe B/c/e/f/ | "E/G"be fe B/c/e/f/ | "Am7"=ge e=d dB |1 "B7"{A}B3 A B/c/e/f/ :|2 "B7"{A}B3 c B/G/F/E/ |]

%%sep 1 1 500

X: 97
T: Wee Michael's March
C: John McCusker
R: march
Z: 2021 John Chambers <jc:trillian.mit.edu>
M: 3/4	% and 2/4
L: 1/8
K: D
"^A"[|]\
A, ED/E/ |\
"D"F2 FA GF | "G"E<G, D2 B,/A,/G, | "D"A,3 F GF  | "A"E3 EDE ||\
"D"F2 FA GF | "G"G<G, D2 B,/A,/G, | "D"A,3 F "A"E>D | "D"D3 ||
y3 A, "A"ED/E/ |\
"D"F2 FA GF | "G"E<G, D2 B,/A,/G, | "D"A,3 F GF  | "A"E4 FG  ||\
"D"A2 FA GF | "G"G<G, D2 B,/A,/G, | "A"A,3 F E>D | "D"D4 |]
"^B"[|\
DE/F/ | "G"G2 GF G<A |[M:2/4] "D"F2 ED |[M:3/4] "Bm"D<B,- B,A, GF | "A"E4 DE/F/ ||\
"G"G2 GF G<A |[M:2/4] "D"F2 ED |[M:3/4]  "D"D<A,- A,F E>D | "D"D4 ||
y2 \
DE/F/ | "G"G2 GF G<A |[M:2/4] "D"F2 ED |[M:3/4] "Bm"D<B,- B,A, GF | "A"E3 EFG   ||\
"D"A2 F>A GF | "G"G<G, D2 B,/A,/G, | "A"A,3 F E>D | "D"D3 |]

%%sep 1 1 500

X: 98
T: Wee Michael's March
C: John McCusker
R: march
Z: 2021 John Chambers <jc:trillian.mit.edu>
M: 3/4	% and 2/4
L: 1/8
K: D
"^A"[|]A, ED/E/ |\
"D"F2 FA GF | "G"E<G, D2 B,/A,/G, | "D"A,3 F GF | "A"E3 EDE || "D"F2 FA GF |
"G"G<G, D2 B,/A,/G, | "D"A,3 F "A"E>D | "D"D3 A, "A"ED/E/ || "D"F2 FA GF | "G"E<G, D2 B,/A,/G, |
"D"A,3 F GF | "A"E4 FG || "D"A2 FA GF | "G"G<G, D2 B,/A,/G, | "A"A,3 F E>D | "D"D4 DE/F/ |]
"^B"[|\
"G"G2 GF G<A |[M:2/4] "D"F2 ED |[M:3/4]"Bm"D<B,- B,A, GF | "A"E4 DE/F/ || "G"G2 GF G<A |[M:2/4] "D"F2 ED |
[M:3/4] "D"D<A,- A,F E>D | "D"D4 DE/F/ || "G"G2 GF G<A |[M:2/4] "D"F2 ED |[M:3/4] "Bm"D<B,- B,A, GF |
"A"E3 EFG || "D"A2 F>A GF | "G"G<G, D2 B,/A,/G, | "A"A,3 F E>D | "D"D3 |]

%%sep 1 1 500

X: 99
T: When the Battle is Over
C: P/M William Robb (d.1942)
R: retreat march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: printed MS of unknown origin
N: "Setting by Aonghas Grant"
M: 3/4
L: 1/8
P: Retreat March
K: A
(A>B) |\
"A"{d}c2 a2 ({fa}fe) | "A"{d}c2 A2 (A>B) | "A"c2 e>c (BA) | "E7"B4 (A>B) |\
"A"{cd}c2 a2 ({fa}fe) | "A"{d}c2 A2 (A>B) | "E7"c2 e>c (Bc) | "A"A4 :|
|: (e>c) |\
"A"B2 A2 ({g}a>g) | "D"{fa}f2 e2 (A>B) | "A"{cd}c2 e>c (BA) | "E7"{Bd}B4 (e>c) |\
"A"B2 A2 ({g}a>g) | "D"{fa}f2 e2 (A>B) | "E7"c2 e>c (Bc) | "A"A4 :|

%%sep 1 1 500

X: 100
T: the White Cockade   [G]
O: Playford, 1687
R: march
Z: 2011 John Chambers <jc:trillian.mit.edu>
B: Playford "Apollo's Banquet", 1687, just called "a Scots tune"
M: C|
L: 1/8
K: G
"(D7)"GA \
| "G"B2Bd cBAG | "G"B2B2 B2GA | "G"B2Bd cBAG | "D7"B2A2 A2GA \
| "G"B2Bd cBAG | "G"B2d2 "Em"g2-ga | "C"bagf "D7"efge | "G"d2B2 "(D7)"B2 :|
|: "(D7)"Bc \
| "G"d2B2 g2Bc | "G"d2d2 "(D7)"d2Bc | "G"d2B2 "Em"g2fg | "Am"a2A2 "D7"A2GA \
| "G"B2d2 "D7"cBAG | "G"B2d2 "Em"g2-ga | "C"bagf "D7"efge | "G"d2B2 "(D7)"B2 :|

%%sep 1 1 500

X: 101
T: Willie Whastle
C: Oxford
R: march
Z: 2014 John Chambers <jc:trillian.mit.edu>
S: page from Concord Slow Scottish Session collection "Arr. \251 B. McOwen, April 1996"
N: The excess "unneeded" accidentals are in the MS.
M: C|
L: 1/8
K: E
B2 |\
"E"E3F G2FE | "D"F2F2 =d2cB | "D"A2Bc =d2cB | "D"A2=D2F2A2 |\
"E"E3F G2FE | "E"F2G2 e2^dc | "E"B2cB "B7"A2BA | "E"G2E2 G2 :|
B2 |\
"E"e3d e2B2 | "E"edef e2Bc | "D"=d3e d2cB | "D"A2=D2 F2A2 |\
"E"E3F G2FE | "E"F2G2 e2^dc | "E"B2cB "B7"A2BA | "E"G2E2 G2 |]
B2 |\
"E"e3^d e2B2 | edef e2Bc | "D"=d3e d2cB | "D"A2=D2 F2A2 |\
"E"E3F G2FE | "E"F2G2 e2^dc | "E" B2cB "B7"A2BA | "E"G2E2 E2 |]