X: 1
T:Scholar (#306), The
M:4/4
L:1/8
S:John Kelly, San Francisco
R:Hornpipe
K:D
(3ABc|sdfsaf sgfseg|sfdsAG sFGsAc|BGBG E2 sefs|sgfesc dcBA|
defa sg2 fgs|ecAG sFGsAc|BGBG E2 ef|gfec d2:|
|:A2|dfaf dfaf|db (3bbb bagf|gfed cded|cded cABc|
dfaf dfaf|db (3bbb bagf|gfef gbag|(3fga ec d2:|
|:fa|(3aaa fd Adfa|(3aaa fa bafa|(3ggg ec A2 segs|(3ggg eg bafa|
(3aaa sfds Adfa|(3aaa sfas bafa|gfef sgbsag|(3fga secs d2:||
%
% Long before I had any idea of publishing a work of this character,
% the fame of John Kelly, and Joseph P. Tamony, as phenomenal
% fiddlers, had reached Chicago. The measured score of their tunes,
% for which I am indebted to our mutual friend Francis E. Walsh of
% San Francisco, is incapable of doing justice to the spirit and
% excellence of their execution, for all gifted Irish musicians
% instinctively embellish their performance with peculiar trills, turns
% and graces, more easily recognized than described.
%    "The Scholar" was first printed in Levey's Dance Music of
% Ireland, Vol.1, London 1858; and not since then until the publication
% of the O'Neill Collections in recent years. The tune seems to have
% been a favorite with fiddlers and pipers of Longford, Leitrim and
% Roscommon, as early as the second quarter of the 19th Century;
% and, by the way, our talented contributor Mr Kelly hails from the
% latter county.

X: 2
T:Leinster Hornpipe (#307), The
M:4/4
L:1/8
S:Francis E. Walsh, San Francisco
R:Hornpipe
K:G
d>c|:(3BdB GB (3AcA FA|Gdgf edBG|F>GA>B cdef|gdBG A2 dc|
(3BdB GB (3AcA FA|G>Bgf edBG|F>GAB c>def|g2 f2 g2 z2:|
|dgfg d>gB>g|d>gf>g b>agf|eAfA eAfA|sedcBs sdcBAs|
GBDB GBDB|GBgf edBG|FGAB cdef|g2 f2 g2 z2|
|d>gfg d>gB>g|d>gfg b>agf|eAfA eAfA|e>dcB d>cBA|
GBDB GBDB|(3GAG g>f edBG|FGAB cdef|g2 f2 g2 z2||

X: 3
T:Tamony's Hornpipe (#308)
M:4/4
L:1/8
S:Joseph P. Tamony, San Francisco
R:Hornpipe
K:A
cB|(3AcA EG Acec|dfBa gebg|aece fecA|GABc dBGB|
(3AcA EG Acec|dcBa gebg|aecA GBed|(3cdc (3BcB A2:|
|:cd|(3efe ce Acea|(3faf df Bgfg|ae^de fecA|GABc =dcdf|
(3efe ce Acea|(3faf df Bgfg|aecA GBed|(3cdc (3BcB A2:||
%
% Tamony's Hornpipe is a variant of Smith's Hornpipe, No. 384
% O'Neill's Irish Music for Piano or Violin.

X: 4
T:Capt. Corbett's Hornpipe (309)
M:4/4
L:1/8
S:Francis E. Walsh, San Francisco
R:Hornpipe
K:D
sfgs|af{a}sges dfed|scesAA sABsAG|FAdf .g.e.c.e|(3efe (3dcB A2 sfgs|
afge dfed|ceAA sABsAG|FAdf gece|d2 dd d2:|
|:cd|seAsAA fAgA|seAsAA f2 sefs|sgfgse dfec|sdcdsB A2 sAGs|
FA (3AAA sGBs (3BBB|AFAd sgfsed|cdef sgesce|d2 dd d2:||
%
% [ABC2WIN WOULD NOT HANDLE ALL THE SLURS IN THIS TUNE
%  SO I PUT IN AS MANY AS ALLOWED]

X: 5
T:Pat. Healy's Hornpipe (#310)
M:4/4
L:1/8
S:John Kelly, San Francisco
R:Hornpipe
K:G
sdBs|cBAc BAGA|Bdef g2 safs|gedB cdef|gedB A2 sdBs|
cBAc BAGA|Bdef g2 (3agf|gedB cBAc|B2 G2 G2:|
|:(3def|gbaf gdBd|gbaf g2 (3agf|gedB cdef|gedB A2 dB|
cBAc BAGA|Bdef g2 safs|gedB cBAc|B2 G2 G2:||

X: 6
T:Dan Lowry's Hornpipe (#311)
M:4/4
L:1/8
S:Joseph P. Tamony, San Francisco
R:Hornpipe
K:D
sFEs|D2 FA dAFD|CDEF G2 sFEs|D2 (3FGA d2 cd|edcB (3ABA (3GFE|
D2 sFAs dAFD|CDEF G2 sFGs|AdcB (3ABA (3GFE|D2 F2 D2:|
|:de|fdfg fedc|BABc B2 cd|edef edcB|(3AAA ce f2 (3ABc|
dcde fdAF|EDEF G2 FG|AdcB (3ABA (3GFE|D2 F2 D2:||
%
% Dan Lowry was a Dublin theatrical man.

X: 7
T:Knuckeen Free (#312), The
M:4/4
L:1/8
S:Capt. F. O'Neill
R:Hornpipe
K:C
cd|(3efg ed c2 Bc|AcBA G2 (3EFG|ABAG "tr"EDEG|AGAB cBcd|
(3efg ed c2 Bc|AcBA G2 (3EFG|ABAG "tr"EDEG|A2 AA A2:|
|:E2|ABcd e2 ef|gage dBG>d|(3efg ed c2 Bc|AGEF G2 cd|
1(3efg ed c2 Bc|AcBA G2 (3EFG|ABAG "tr"EDEG|A2 AA A2:|
2(3efg ed cedB|AcBA G2 (3EFG|ABAG "tr"EDEG|A2 AA A2||
%
% In the days of our fathers, "An Chnoicin Fraoich", or "Little Heathy
% Hill", both as song and air enjoyed no little popularity in the
% province of Munster, particularly in the counties of Cork and Kerry.
% As an air several settings of the melody have been printed, but never
% as a hornpipe until now, and under its colloquial name among the
% peasantry.
%   It will be remembered that many notable dance tunes, especially
% hornpipes and long dances, have been derived from song airs, such
% as "The Blackbird", "The Job of Journeywork", "The Garden of
% Daisies", "Rodney's Glory", and many others.

X: 8
T:Stack's Hornpipe (#313)
M:4/4
L:1/8
S:Patrick Stack, Chicago
R:Hornpipe
K:D
(3ABc|d2 (3cBA BFAF|DFAF G2 (3FED|FAdc Bdgf|(3efe (3dcB A2 (3ABc|
dBcA BFAF|DFAF GFED|FAdf (3efe ce|dfec d2:|
|:ec|Acec Acec|Adfd Adfd|Acef gfgf|(3efe (3dcB A2 (3ABc|
dBcA BFAF|DFAF GFED|FAdf (3efe ce|dfec d2:||

X: 9
T:Boys of Curraghmore (#314), The
M:4/4
L:1/8
S:Rice-Walsh manuscript
R:Hornpipe
K:D
F>E|D2 D>F A2 FA|d>efe dBAD|G>ABG F2 D>E|F2 E2 E2 F>E|
D2 D>F A2 DF/2A/2|d>efe dBAD|G>ABG F2 DE|D2 D2 D2:|
|:c>d|e2 e>c A2 DF/2A/2|d2 d>c defd|d2 d>B AFDE|F2 E2 E2 F>E|
ADDF A2 DF/2A/2|d>efe dBAD|G>ABG F2 DE|D2 D2 D2:||

X: 10
T:Reynardine (#315)
M:4/4
L:1/8
S:Sergt. James O'Neill manuscripts
R:Hornpipe
K:G
Bc|dedB cBAG|F2 ED EAGF|D2 DE GABG||cBcd A2 Bc|
dedB cBAG|F2 ED EAGE|D2 DE GBAB|G2 GA G2:|
|:BA|GEDE GABc|d2 dd d2 cd|edcB cBAB|cBAB c2 B2|
dedB cBAG|F2 ED EAGE|D2 DE GBAB|G2 GA G2:||

X: 11
T:Nelson's Hornpipe (#316)
M:4/4
L:1/8
S:Sergt. James O'Neill manuscripts
R:Hornpipe
K:G
Bc|d2 ec B2 cA|GFAF GABc|d2 gf edcB|ABcA GFED|
d2 ec B2 cA|GFAF G2 dc|BGcA BGAF|G2 G2 G2:|
|:Bc|d2 gf edcB|edef g2 d2|efgf edcB|ABcA GFED|
d2 ec B2 cA|GFAF G2 dc|BGcA GFAF|G2 G2 G2:||
%
% This tune is a variant of "The Cloone Hornpipe" pubished in O'Neill's
% Music of Ireland 1903, and O'Neill's Dance Music of Ireland 1907.
% It was obtained from Sergt. James Early who learned it from his
% tutor on the Union Pipes "Old Man" Quinn. Like many other fine
% tunes it was anonymous, so it was named "The Cloone Hornpipe"
% in honor of the famous piper's native town and parish in County
% Leitrim, Ireland.
%   Its continued popularity is evidenced by its inclusion in a recent
% Irish Collection under the identical name invented for it by its
% sponsor, Sergt. James Early of Chicago.

X: 12
T:Shuter's Hornpipe (#317)
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
G2 G2 GABc|dcBA GABG|A2 A2 A2 ed|cBAG FAFD|
G2 G2 GABc|dcBA G2 g2|fafd ege^c|d2 d2 d2 z2:|
|:A2 A2 A2 B=c|dBAG FAFD|d2 d2 d2 ef|gedc BdBG|
e2 c2 c2 ge|d2 B2 B2 g2|ecec BAGF|G2 G2 G2 z2:||

X: 13
T:Devonshire Hornpipe (#318), The
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
d2|g2 fe edcB|cecA GFED|B,DGD cBAG|F2 D2 D2 d2|
g2 fe edcB|cecA GFED|B,DGD EGcA|B2 G2 G2:|
|:d2|dcBc de=fd|egBd c2 z e|ed^cd e^fga|fa^ce d2 z d|
g2 g2 gdBd|g2 g2 gece|gdBG EGcA|B2 G2 G2:||

X: 14
T:Dorsetshire Hornpipe (#319), The
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:Bb
fe|dcde fedc|BABd F2 FE|DFBd edcB|A2 c2 c2 fe|
dcde fedc|BABd F2 FE|DFBd ceAc|B2 B2 B2:|
|:AB|cBAG FGAB|c2 c2 c2 Bc|dcBA GABc|d2 d2 d2 FE|
DF B2 EG c2|FB d2 GB e2|d2 cB FBAc|B2 B2 B2:||

X: 15
T:Whiteside's Hornpipe (#320)
M:4/4
L:1/8
S:James Whiteside, manuscript
R:Hornpipe
K:G
gf|:dcAc BAGB|AF (3DEF G2 Bc|dedB cBAB|c2 A2 A2 Bc|
dBGB cAFA|GF (3DEF G2 Bc|dfgf dcAF|G2 GF GABc:|
|:dd (3ddd dBGB|cc (3ccc cAFA|BB (3BBB BAGB|AGFA c2 Bc|
dd (3ddd dBGB|cc (3ccc cAFA|BAGB AGFA|G2 G2 G2 z2:||

X: 16
T:Shanahan's Hornpipe (#322)
M:4/4
L:1/8
S:Prof. P.D. Reidy, manuscript
R:Hornpipe
K:G
D2|GFGA BGBd|gfga bgdB|A^GAB cBce|(3agf (3gfe (3dcB (3cBA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:|
|:Bc|dcde d2 ef|gfga bgdB|dcde fgaf|(3agf (3gfe (3dcB (3cBA|
GFGA BGBd|gfga bgdB|Aedc BGAF|G2 G2 G2:||

X: 17
T:Boys of Ballycastle (#321)
M:4/4
L:1/8
S:Pat. Dunne, manuscript
R:Hornpipe
K:G
ef|gfed edBd|edeg B2 sBAs|G2 sGAs BABd|e2 A2 A2 ga|
bagf gfed|edeg B2 sBAs|G2 sGAs BcBA|G2 E2 E2:|
|:gf|e2 B2 B2 sgfs|e2 B2 B2 sgfs|e2 sefs gfga|b2 e2 e2 ga|
bagf gfed|edeg B2 sBAs|G2 sGAs BcBA|G2 E2 E2:||

X: 18
T:Miss Carroll's Hornpipe (#323)
M:4/4
L:1/8
S:O'Farrell's National Irish Music 1797
R:Hornpipe
K:D
(3ABc|dAFA BGEG|FAdf dcBA|Bdgf edcB|ceAA A3 G|
FAdf dAGF|GBef gedc|(3def af bgec|d2 de d2:|
|:A2|dgba gfed|ceag fedc|Bdgf edcd|B2 BB B3 c|
d2 df dAGF|egfa gedc|(3def af bgec|d2 de d2:||

X: 19
T:Spry Young Lad (#324), The
M:4/4
L:1/8
S:Capt. F. O'Neill
R:Hornpipe
K:G
(3def|g2 dc BG G2|GABG A3 z|GABc d2 g2|fgag fdef|
g2 dc BG G2|GABG A3 z|GABc d2 g2|fgaf g2:|
|:Bc|dBGB d2 e2|dcBA G2 AB|cAFA c2 d2|c2 BA G2 Bc|
dBGB d2 g2|f2 e2 c2 c2|d2 (3ddd d2 d2|^cdec d2:||

X: 20
T:McNally's Hornpipe (#325)
M:4/4
L:1/8
S:Capt. F. O'Neill
R:Hornpipe
K:G
(3def|gfaf gedB|cedc BGGD|GABc defg|agfa g2 (3def|
gbgf gedB|cedc BGGD|GABc dedc|BGAF G2:|
|:AB|cAAG FGAB|cdef gdBd|bgaf gfed|egfa g2 (3def|
gbaf gedB|cedc BGGD|GABc dedc|BGAF G2:||

X: 21
T:Lucy Campbell's Hornpipe (#326)
M:2/4
L:1/16
S:Rice-Walsh manuscript
R:Hornpipe
K:D
FG|A3B A2F2|Adcd BAGF|A2d2 cdef|e2E2 E2FG|
A3B A2F2|d3e f2e2|fdcd BAGF|A2D2 D2:|
|:fe|d2B2 A2F2|d2e2 f2e2|d2B2 Adfa|g2e2 egfe|
d2B2 A2F2|d2e2 f2e2|d2A2 BAGF|A2D2 D2:|
|:FG|A2d2 gfed|a2d2 gfed|A2d2 gfga|b2e2 e2 FG|
A2d2 gfed|a2d2 gfed|gdBG FAde|f2d2 d2:|
|:fe|d2f2 A2f2|d2f2 A2f2|d2f2 FAdf|e2E2 E2 fe|
dff2 Aff2|dff2 Aff2|gfga geag|f2d2 d2:|
|:fg|a3b agfe|d2e2 f2e2|d2B2 Bdfa|g2e2 egfg|
fgab agfe|dcde f2e2|fdcd BAGF|A2D2 D2:|
|:dB|ADFG BAGF|ADFG BAGF|ADFG BAGF|B2E2 E2dB|
BAGF GFGA|BABc dede|fdcd BAGF|A2D2 D2:||

X: 22
T:Stage Hornpipe (#327), A
M:2/4
L:1/16
S:Rice-Walsh manuscript
R:Hornpipe
K:A
E2|A2A2 AcBd|c2c2 cedf|eagf edcA|Ace^d fedB|
A2A2 AcBd c2c2 cedf|eagf (3efe (3dcB|c2A2 A2:|
|:A2 ceAe ceAe|dfBf dfBf|ceAe ceAe|BAGF Aced|
ceAe ceAe|dfBf dfBf|eagf (3efe (3dcB|c2A2 A2:||

X: 23
T:Egan's Hornpipe (#328)
M:4/4
L:1/8
S:Rice-Walsh manuscript
R:Hornpipe
K:D
(ABc|dAFA defg|(3agf bg agfg|afbf gfed|(3efe (3dcB Agfe|
dAFA defg|(3agf bg agfg|(3agf (3gfe (3fed (3edc|d2 dd d2:|
|:fg|aba^g a2 fg|gagf gfed|(3fff (3fff fagf|(3efe (3dcB A=gfe|
dAFA defg|(3agf bg agfg|(3agf (3gfe (3fed (3edc|d2 dd d2:||

X: 25
T:Mrs. Wilson's Hornpipe (#329)
M:2/4
L:1/16
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
d2|gfge decd|Bcdc BcAB|GFGA BcdB|AGFE D2d2|
gfge decd|Bcdc BcAB|GFGA BcAB|G2B2 G2:|
|:dc|BcAB G2A2|BcAB G2A2|BcdB edcB|AGAB A2d2|
BcAB G2A2|BcAB G2A2|BcdB AGAB|G2B2 G2:||

X: 26
T:Parisot's Hornpipe (#330)
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
B>A|G>FG>A B>AB>G|c>dc>B A2 B>A|G>FG>A B>AB>G|A>GF>E D2 B>A|
G>FG>A B>AB>G|c>dc>B A2 d>c|B>dG>B A>cF>A|G2 G2 G2:|
|:A>G|F>GE>F D2 c>B|A>BG>A F2 d>c|cAed cAed|cBcB cAGF|
G>FG>A B>AB>G|c>dc>B A2 d>c|B>dG>B A>cF>A|G2 G2 G2:||

X: 27
T:Richer's Hornpipe (#331)
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:D
fg|afaf d2 cd|ecec A2 GF|GABc defg|ecAc e2 fg|
afaf d2 cd|ecec A2 GF|Ggbg fdec|d2 dd d2:|
|:de|fdfd B2 ga|b2 e2 e2 cd|ecec A2 fg|a2 d2 d2 A2|
BcdB AFAF|BcdB AFAF|Ggbg fdec|d2 dd d2:||

X: 28
T:Astley's Hornpipe (#332)
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
GABc dcBd|gfge e2 d2|BdBG cecA|BdBG GFED|
GABc dcBd|gfge e2 d2|BdBG cecA|G2 F2 G2 z2:|
|:defg fafd|gbge fafd|defg a2 c2|BdBG GFED|
BdBG cecA|fafd gbge|dgfe dcBA|G2 F2 G2 z2:||

X: 29
T:Merry Man Hornpipe (#333), The
M:4/4
L:1/8
S:Wilson's Companion to the Ballroom 1816
R:Hornpipe
K:G
DE/2F/2|G2 G2 GBAc|B2 B2 Bdce|dgfe dcBA|BGdB cAFD|
G2 G2 GBAc|B2 B2 Bdce|dgfe dcBA|G2 GG G2:|
|:dc|Bgdg Bgdg|cgeg cgeg|c'afd c'afd|b2 g2 g2 dc|
Bgdg Bgdg|cgeg cgeg|c'afd c'afd|g2 gg g2:||

X: 30
T:Liscarroll Hornpipe (#334), The
M:4/4
L:1/8
S:Jerry O'Reilly, San Francisco
R:Hornpipe
K:G
dc|BGBd gabg|agge dedc|BGBd cAFG|AG (3FED FAdc|
BGBd gabg|agge dedc|BGBd cAFA|G2 GG G2:|
|:ga|bagf gbag|fed^c defg|a2 af gbag|fge^c d2 ef|
gbaf gage|dedB cedc|BGBd cAFA|G2 GG G2:||

X: 31
T:Jack O'Neill's Fancy (#335)
M:4/4
L:1/8
S:John E. O'Neill, Chicago
R:Hornpipe
K:G
(3DEF|GFGA BAGF|E2 e2 (3efe dc|BGdB AB (3cBA|(3GFG BG DCB,D|
GFGA BAGF|E2 e2 (3efe dc|BGdB AB (3cBA|GB (3AGF G2:|
|:ba|gafg egba|(3gag (3fgf e2 ag|fgef dfag|(3fgf (3efe d2 ba|
gafg egba|(3gag (3fgf e2 (3Bcd|1edef gfga|b2 e2 e2:|2edef gfga|bagf edBA
||