X: 56 T: Cabar Feigh (#252) T: Deer's Horns, The M:4/4 L:1/8 S:setting by John Kelly, San Francisco R:Reel K:G A/2B/2 !segno!|:\ c2dB cGAB | cBAG ECC2 | d2ec d2 (3ABc | dABG ^FGAB | c2dB cGAB | cBAG ECCE | DE=FG ABce | dcAG FD D2 :| |: ecgc\ acgc | egfg ecce | fdad bdad | faga fddf | ecgc acgc | egfg ecce | dcBc ABce |1 dcAG FDD2 :|2 dcAG FGAB || % % When first received with a batch of fine tunes noted down by our % unselfish friend Francis E. Walsh from the playing of clever San % Francisco musicians, the foregoing reel under a slightly different % name was recognized as a variant of "Rakish Paddy" previously % printed in The Music of Ireland, and O'Neill's Dance Music of % Ireland. Another variant named "Sporting Pat" is to be found in % O'Neill's Irish Music for Piano or Violin. Under the circumstances, % another variant seemed superfluous, but coming from such a % famous fiddler as John Kelly of Roscommon, it has been cheerfully % welcomed to our pages. % A favorite with all capable pipers and fiddlers of our acquaintance % for many years, the tune under any of its recognized names does % not appear in the Bunting, Petrie or Joyce publications. As % "Caper Fey" it was printed in Bremner's Second Collection of Scots % Reels or Country Dances, London 1768; yet omitted from The Glen % Collection of Scottish Dance Music, Edinburgh 1891. % Most Highland Bagpipe note books include a suitable setting of the % tune under the correct title as above, in Gaelic and English. % % [jc 2016-9-17] Bar 7 had "=3D" before the F, and a number of cases % of "=20" in the comments. I ran it all through my quoted-printable % decoder, converting the "=3D" to just '='. I found a copy of the % 2nd edition at % https://babel.hathitrust.org/cgi/pt?id=hvd.32044040672529;view=1up;seq=150 % and on page 142, there's a version (with piano bass) that has the % =F in bar 7, with a Dm chord in the bass. It's tune X:269 in this % edition, so it might not be the same in the edition that Paul Kinder % used for his transcription. It also has the segno sign, which I % added above. %%sep 1 1 500 X: 57 T: Cabar Feigh (#252) T: Deer's Horns, The M:4/4 L:1/8 S:setting by John Kelly, San Francisco N:Bass voice transcribed by John Chambers 2016-9-17 N:from https://babel.hathitrust.org/cgi/pt?id=hvd.32044040672529;view=1up;seq=150 N:Initial repeats added to both voices. R:Reel K:G % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 formatted with 4-bar staffs. V: 1 A/2B/2 !segno!|:\ c2dB cGAB | cBAG ECC2 | d2ec d2 (3ABc | dABG ^FGAB | c2dB cGAB | cBAG ECCE | DE=FG ABce | dcAG FD D2 :| |: ecgc\ acgc | egfg ecce | fdad bdad | faga fddf | ecgc acgc | egfg ecce | dcBc ABce |1 dcAG FDD2 :|2 dcAG FGAB || V: 2 clef=bass middle=d % - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout. z |:\ [a2A2][b2g2] d2[c'2a2] | G2[c'2a2] c2[g2e2] |\ G2[c'2g2] B2[c'2e2] | [d2D2][b2g2] d2[d'2^f2] |\ c2[b2g2] e2[c'2a2] | g2[c'2a2] c2[g2e2] |\ [d2D2][a2=f2] c2[c'2e2] | [d2D2][a2f2] d2[a2f2] :|\ |:\ c2[e'2c'2] e2[e'2c'2] | c2[e'2c'2] g2[e'2c'2] |\ d2[a2f2] A2[a2f2] | d2[a2f2] A2[a2f2] | c2[e'2c'2] e2 [e'2c'2] |\ c2[e'2c'2] g2[e'2c'2] | G2[b2g2] A2[c'2a2] |\ [1 d2[a2f2] D2[a2f2d2] :|[2 [d2D2][a2f2] d2[a2f2] || % - - - - - - - - - - - - - - - - - - - - - - - - - % % When first received with a batch of fine tunes noted down by our % unselfish friend Francis E. Walsh from the playing of clever San % Francisco musicians, the foregoing reel under a slightly different % name was recognized as a variant of "Rakish Paddy" previously % printed in The Music of Ireland, and O'Neill's Dance Music of % Ireland. Another variant named "Sporting Pat" is to be found in % O'Neill's Irish Music for Piano or Violin. Under the circumstances, % another variant seemed superfluous, but coming from such a % famous fiddler as John Kelly of Roscommon, it has been cheerfully % welcomed to our pages. % A favorite with all capable pipers and fiddlers of our acquaintance % for many years, the tune under any of its recognized names does % not appear in the Bunting, Petrie or Joyce publications. As % "Caper Fey" it was printed in Bremner's Second Collection of Scots % Reels or Country Dances, London 1768; yet omitted from The Glen % Collection of Scottish Dance Music, Edinburgh 1891. % Most Highland Bagpipe note books include a suitable setting of the % tune under the correct title as above, in Gaelic and English. % % [jc 2016-9-17] Bar 7 had "=3D" before the F, and a number of cases % of "=20" in the comments. I ran it all through my quoted-printable % decoder, converting the "=3D" to just '='. I found a copy of the % 2nd edition at % https://babel.hathitrust.org/cgi/pt?id=hvd.32044040672529;view=1up;seq=150 % and on page 142, there's a version (with piano bass) that has the % =F in bar 7, with a Dm chord in the bass. It's tune X:269 in this % edition, so it might not be the same in the edition that Paul Kinder % used for his transcription. It also has the segno sign, which I % added above.