X: 0 T: US Revolution - common jigs K: %%sep 1 1 500 X: 1 T: Albinia (G) O: 1772 B: Robert Hinde "Second Collection of Quick Marches with Basses" London 1772 B: Straight & Skillern "204 Favourite Country Dances" London ca.1775 F: http://imslp.org/wiki/204_Favourite_Country_Dances_(Various) p.13 #26 Z: 2014 John Chambers M: 6/8 L: 1/8 K: G % |: "G"G2A BcB | "D7"AGF "G"G2D | "G"G2A BcB | "D7"{B}AGF "G"G3 :|\ |: "Em"{A}G>FG E3 | "Am"A2G "D7"FED | "Em"{A}G>FG E3 | "D7"{B}AGF "G"G3 :| |: "G"d2B d2B | "D7"ABc "G"B2G | "G"d2B d2B | "D7"cAF "G"G3 :|\ |: "C"E2G "G"D2G | "D7"ABc "G"BAG | "C"E2G "G"D2G | "D7"{B}AGF "G"G3 :| [dD] %%sep 1 1 500 X: 2 T: the Female Saylor [Gm] T: Masters In This Hall T: Marche pour les Matelots C: Marin Marais 1706 N: Composed for the opera Alcyone of 1706. N: Feuillet/Playford 1706 R: jig Z: 1997 by John Chambers B: Playford Ball B: Recu\"eil de Contredances (Feuillet) B: Barnes M: 6/8 L: 1/8 K: Gm |: "Gm"G2d "D7"d2c | "Gm"B3 "Cm"c3 | "D7"d2c B2A | "Gm"B2A "D7"G2^F \ | "Gm"G2d "D7"d2c | "Gm"B3 "Cm"c3 | "D7"d2c B2A | "Gm"G6 :| |: "Gm"b2a "D7"g2^f | "Gm"g3 d3 | "Gm"b2a "D7"g2^f | "Gm"g3 "(G7)"d2=f "I"\ | "Cm"e2c "D7"d2A | "Gm"B2G B2c |1"D7"d2d ^f2f | "Gm"g3 "D7"a3 :|2 "D7"d2d B2A | "Gm"G6 |] %%sep 1 1 500 X: 3 T: the Frisky [A] O: 1774 R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Charles & Samuel Thompson eds "Twenty Four Country Dances", London 1774, p.18 #1 B: Straight and Skillern "Two Hundred and Four Favourite Country Dances", v.1 c.1775 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - |: "A"c>de e>dc | "E7"Bcd "A"c2A "I"| "A"c>de e>dc | "E7"B>AG "A"A3 :|\ |: "A"cBc cBc | "D"ded "A"c2A | "A"cBc cBc | "E7"B>AG "A"A3 :| |: "A"a>ba "E"g>ag | "D"f>gf f>ed | "A"c>de "D"f>ed | "E7"c>dB "A"A3 :|\ |: "A"E[AC]E "D"F[AD]F | "E7"Bcd "A"cBA | "A"E[AC]E "D"F[AD]F | "E7"dcB "A"A3 :| % - - - - - - - - Dance description - - - - - - - - % %begintext align % % Turn Right hands & cast off 1 Cu. .|. .|. turn Left & cast % % off below the 3c Cu. :|. :|: hands round 6 .|:. :|:. lead up to % % the top foot it & cast off .|:: :|:: % %endtext %%sep 1 1 500 X: 4 T: the Frisky (G) O: 1774 R: jig M: 6/8 L: 1/8 Z: 2011 John Chambers B: Charles & Samuel Thompson eds "Twenty Four Country Dances", London 1774, p.18 #1 B: Straight and Skillern "Two Hundred and Four Favourite Country Dances", v.1 c.1775 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - |: "G"B>cd d>cB | "D7"ABc "G"B2G "I"| "G"B>cd d>cB | "D7"A>GF "G"G3 :|\ |: "G"BAB BAB | "C"cdc "G"B2G | "G"BAB BAB | "D7"A>GF "G"G3 :| |: "G"g>ag "D"f>gf | "C"e>fe e>dc | "G"B>cd "C"e>dc | "D7"B>cA "G"G3 :|\ |: "G"D[GB,]D "C"E[GC]E | "D7"ABc "G"BAG | "G"D[GB,]D "C"E[GC]E | "D7"cBA "G"G3 :| % - - - - - - - - Dance description - - - - - - - - % %begintext align % % Turn Right hands & cast off 1 Cu. .|. .|. turn Left & cast % % off below the 3c Cu. :|. :|: hands round 6 .|:. :|:. lead up to % % the top foot it & cast off .|:: :|:: % %endtext %%sep 1 1 500 X: 5 T: Garryowen O: Aird 1787 R: jig Z: 2006 John Chambers B: "Rinnci na h-\'Eireann" Elizabeth Burchenal, ed. G.Schirmer (1925) p.100 M: 6/8 L: 1/8 %Q: 3/8=126 %%slurgraces 1 K: G gf | "G"edc BAG | B>cB Bgf | edc BAG | "D7"ABA Agf \ | "G"edc BAG | B>cB B2d | def gdB | "D"A>BA A :| |: Bc | "G"d2B d2B | d2B d2g | "C"e2c e2f | e2c e2f \ | "G"g2a b2a | "C"gfe "G"d2B | def gdB | "D"A>BA A :| %%sep 1 1 500 X: 6 T: Green Sleeves (and Yellow Lace) [Am] O: 1580 S: Gillespie Manuscript, 1768, pg. 96 N: Registered 1580 at the Stationer's Company (London) as "A new Northern Dittye of the Lady Greene Sleeves" B: Playford, 1686 as "Green Sleeves and Pudding Pies" B: Johnson "Scots Musical Museum", 1792, #388 B: Gow - 4th Repository (1817) Z: John Chambers R: jig M: 6/8 L: 1/8 K: ADor AB \ | "Am"c2c c>de | "G"dBG G>AB | "Am(F)"c2A A>Bc | "E7"B2^G E2B |\ | "Am"c2c c>de | "G"dBG G>AB | "Am(F)"c>BA "E7"B^G2 | "Am"A3 z :| |: ef \ | "C"g2g g>fe | "G"d>BG G2g | "Am"a2b c'ba | "Em"g>ee e2f |\ | "C"g2g g>fe | "G"d>BG GAB | "Am(F)"c>BA "E7"B^G2 | "Am"A3 z :| %%sep 1 1 500 X: 7 T: Haste to the Wedding O: 1760 M: 6/8 L: 1/8 R: jig Z: 2005 John Chambers B: Cole p.53 B: Called "The Small Pin Cushion" in J. Oswald's "Caledonian Pocket Companion" (bk. 10, c 1760) B: Called "Carrick Fergus" in J. Brysson's "A Curious Collection of Favourite Tunes" (Edinburgh 1791) N: "The tune 'Come, Haste to the Wedding,' of Gaelic origin, was introduced in the pantomime, The Elopement, staged in London in 1767." (Linscott, 1939) K: D F/G/ \ | "D"A>BA Agf | "G"ede "A7"fdB | "D"A>BA "Bm"AdF | "Em"GFG "A7"EFG | "D"A>BA Aaf | | "G"ede "A7"fdB | "D"A>BA "A7"faf | "D"d>ed d2 :: f/g/ | "D"a>fa afa | "G"b>gb "(A7)"bag | | "D"fga "Bm"agf | "Em"g>fg "A7"efg | "D"a2z "Bm"f2z | "Em"ede "A7"fdB | "D"A>BA "A7"faf | "D"d>ed d2 :| %%sep 1 1 500 X: 8 T: the Irish Washerwoman %D:1790 O: Petrie 1790 B: Petrie's Collection of Strathspey Reels and Country Dances &c., 1790 N: Similar tunes with many titles date back to the 17th C in the British Isles. R: jig Z: 1997 by John Chambers M: 6/8 L: 1/8 K: G d/c/ \ | "G"BGG DGG | BGB dcB | "Am"cAA EAA | cAc "D7"edc \ | "G"BGG DGG | BGB dcB | "Am"cBc "D7"Adc | "G"BGG G2 :| |: g/a/ \ | "G"bgg dgg | bgb bag | "D7"aff dff | afa agf \ | "C"egg "G"dgg | "C"cgg "G"B3 | "Am"cBc "D7"Adc | "G"BGG G2 :| %%sep 1 1 500 X: 9 T: Jefferson and Liberty T: the Gobby O O: 1843 R: jig Z: 2005 John Chambers B: NEFR #12 (in Am rather than Ador, which is slightly more common) B: Howe's Musician's Companion, Part 2 (1843) N: Based on an English song, "The Gobby O" N: Some versions have the pickup notes; others don't. NEFR has only the pickup on the B part. M: 6/8 L: 1/8 K: Ador "A"|:\ "Am"{AB}c2A A^GA | E2A ABc | "G"B2G GBc | dBG GAB ||\ "Am"c2A A^GA | E2A A2e "I"| edc "E7"BAB | "Am"E2A A3 :| "B"|:\ "Am"{B}A2B c2d | "C"e2f g3 | e2f g2e | "G"dBG G2E ||\ "Am"A2B c2d | "C"efg "F"a3 | "C"edc "E7"BAB | "Am"c2A A3 :| %%sep 1 1 500 X: 10 T: Lanagan's Ball O: Ireland c.1860 R: jig Z: 1997 by John Chambers M: 6/8 L: 1/8 K: EDor |: "Em"EFE G2A | B2A Bcd |[1,3 "D"DED F2G | AdB AFD \ :|[2,4 edB "Am"=cBA | "Em"BEE E3 :| B \ |: "Em"e2f gfe | "D"fag fed |[1,3 "Em"e2f gfe | "Bm"fBB B2d \ :|[2,4 "Em"edB "Am"=cBA | "Em"BEE E3 :| %%sep 1 1 500 X: 11 T: Money in Both Pockets M: 6/8 Z: Transcribed to abc by Mary Lou Knack R: jig K: D A \ | "D"d2F "A"FEF | "D"DFA AFD | d2F "A"FEF | "D"D2f fef \ | "D"d2F "A"FEF | "D"DFA AFD | "Em"EFE EFA | "A"BBB B2 :| |: A \ | "D"dfa afd | "A"cea ecA | "D"dfa afd | "G"g3 "(D)"fga \ | "G"bag "D"agf | "Em"ede "Bm"fdB | "F#m"ABA AFA | "G"BBB "A7"B2 :| %%sep 1 1 500 X: 12 T: Moon and Seven Stars, The O: 1750 Z: Transcribed to abc by Mary Lou Knack S: Roaring Jelly Collection B: Aird "Selection of Scotch, English, Irish and Foreign Airs" vol. 1, 1782 B: MS tunebook ca. 1795-1815 of Luther Kingsley of Mansfield, Connecticut. R: jig M: 6/8 K: D A \ | "D"d2A AGF | "G"GAB "D"A2A \ | "G"Bcd efg | "A"fed cBA \ | "D"d2A AGF | "G"GAB "D"A2A \ | "G"Bcd efg | "A"Adc "D"d2 :| |: c/d/ \ | "A"e2A ABA | efg "D"f3 \ | "A"efg "D"fed | "E"cdB "A"A2A \ | "G"BGB "D"A2A | "G"BGB "D"A2A \ | "G"Bcd efg | "A"Adc "D"d2 :| %%sep 1 1 500 X: 13 T: Swallowtail Jig [Em] O: Ryan 1883 Z: 1999 John Chambers R: jig B: Ryan’s Mammoth Collection, 1883; pg. 100 B: Kerr (Merry Melodies), vol. 2; No. 271, pg. 29 B: White's Unique Collection, 1896; No. 42 M: 6/8 L: 1/8 K: Edor E/F/ \ | "Em"GEE BEE | GEG BAG | "D"FDD ADD | dcd AGF \ | "Em"GEE BEE | GEG B2c | "D"dcd AGF | "Em"GEE E2 :| |: B \ | "Em"Bcd e2f | e2f edB | Bcd e2f | edB "D"d2B \ | "Em"Bcd e2f | e2f edB | "D"dcd AGF | "Em"GEE E2 :| %%sep 1 1 500 X: 14 T: the Young Widow [G] O: 1788 B: John Griffith "A Collection of the Newest and Most Fashionable Country Dances and Cotillions", 1788 B: Hendrickson's "John Griffiths Dancing Master." %D:1788 R: jig Z: 2004 John Chambers M: 6/8 L: 1/8 %Q: 3/8=108 K: G |: "G"B2B BAB | "C(D7)"cdc "G"BAG |1,3 BAG BAG | BAG "D7"d3 :|2,4 "G"Bcd "C"efg | "D7"BcA "G"G3 :| |: "D"AFD AFD | "(G)"dcB "D"AFD | AFD AFD | "(G)"dcB "(A7)"A3 :|[K:D] K: D |: "D"f2f fef | "G(A7)"gag "D"fed |1 fed fed | fed "A7"a3 :|2 "D"def "A7"efg | "A7"a2A "D"d3 |] %%sep 1 1 500 X: 15 T: World Turned Upside Down [2] S:fifer Hiram Horner (1944, southwestern Pa.) M:6/8 L:1/8 R:jig, march N:Bayard called it a "half-air" B:Bayard - Dance to the Fiddle, March to the Fife (1981, No. 538) K: D (3A/B/c/ |\ dcd A2G | FAF D3 | DFA dcd | e>de e2 (3A/B/c/ |\ dcd A2G | FAF D2g | fed cde | fdd d2 :|