
X: 1
T: Another Jig Will Do
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
K: D
|: "D"ABA A2G "(A7)"F2G | "D"ABA AGF "G"~G3 | "D"ABA A2G "(A7)"F2G | "D"A2d "A7"d2c "D"d3 :|
|: "D"A2g f2d "A7"e2c | "C"A2B =c2B c2B | "D"A2g f2d "A7"e2c | "D"A2d "A7"d2c "D"d3 ||
|| "D"A2g f2d "A7"e2c | "C"A2B =c2B c2^c | "D"d>AA A2G "A7"F2G | "D"A2d "A7"d2c "D"d3 :|

%%sep 1 1 500

X: 2
T: Another Jig Will Do
C: J-15
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
% %staffwidth 14cm
K: D
"D"ABA A2G F2G| ABA AGF "C"GGG| "D"ABA A2G F2G| A2d "A"d2c "D"ddd:|
|:\
"D"A2g f2d "A"e2c| "C"A2B =c2d ccc| "D"A2g f2d "A"e2c| "D"A2d "A"d2c "D"ddd|
"D"A2g f2d "A"e2c| "C"A2B =c2d ccc| "D"d2A A2G "A"F2G| "D"A2d "A"d2c "D"ddd:|
%%text 9/1/98

% ---------- page 22 ----------

%%sep 1 1 500

X: 3
T: Another Jig Will Do   [D]
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
K: D
|: "D"ABA A2G "(A7)"F2G | "D"ABA AGF "G"~G3 | "D"ABA A2G "(A7)"F2G | "D"A2d "A7"d2c "D"d3 :|
[| "D"A2g f2d "A7"e2c | "C"A2B =c2B c2B | "D"A2g f2d "A7"e2c | "D"A2d "A7"d2c "D"d3 |]
[| "D"A2g f2d "A7"e2c | "C"A2B =c2B "(A7)"c2^c | "D"d>AA A2G "A7"F2G | "D"A2d "A7"d2c "D"d3 |]

%%sep 1 1 500

X: 4
T: Another Jig Will Do
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
K: D
|: "D"ABA A2G "(A7)"F2G | "D"ABA AGF "G"~G3 | "D"ABA A2G "(A7)"F2G | "D"A2d "A7"d2c "D"d3 :|
|: "D"A2g f2d "A7"e2c | "C"A2B =c2B c2B | "D"A2g f2d "A7"e2c | "D"A2d "A7"d2c "D"d3 ||
|| "D"A2g f2d "A7"e2c | "C"A2B =c2B c2^c | "D"d>AA A2G "A7"F2G | "D"A2d "A7"d2c "D"d3 :|

%%sep 1 1 500

X: 5
T: Another Jig Will Do
C: J-15
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
% %staffwidth 14cm
K: D
"D"ABA A2G F2G| ABA AGF "C"GGG| "D"ABA A2G F2G| A2d "A"d2c "D"ddd:|
|:\
"D"A2g f2d "A"e2c| "C"A2B =c2d ccc| "D"A2g f2d "A"e2c| "D"A2d "A"d2c "D"ddd|
"D"A2g f2d "A"e2c| "C"A2B =c2d ccc| "D"d2A A2G "A"F2G| "D"A2d "A"d2c "D"ddd:|
%%text 9/1/98

% ---------- page 22 ----------

%%sep 1 1 500

X: 6
T: Another Jig Will Do   [D]
C: Irish
M: 9/8
Z: Transcribed to abc by Mary Lou Knack
R: slipjig
K: D
|: "D"ABA A2G "(A7)"F2G | "D"ABA AGF "G"~G3 | "D"ABA A2G "(A7)"F2G | "D"A2d "A7"d2c "D"d3 :|
[| "D"A2g f2d "A7"e2c | "C"A2B =c2B c2B | "D"A2g f2d "A7"e2c | "D"A2d "A7"d2c "D"d3 |]
[| "D"A2g f2d "A7"e2c | "C"A2B =c2B "(A7)"c2^c | "D"d>AA A2G "A7"F2G | "D"A2d "A7"d2c "D"d3 |]

%%sep 1 1 500

X: 7
T: Barney Brallagan's Jig
R: slipjig
O:
B: Cole p.57
D:
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: D
|: "D"F2A ABA ABA | F2A "A7"ABc def | "D"F2A ABA ABA | "G"Bcd "E7"efd "A7"cBA :|
|: "D"f2a f2a "A7"gfe | "D"f2a f2a "A7"g2e | "D"f2a f2a "A7"gfe | "G"Bcd "E7"efd "A7"cBA :|
|: "D"fz2 "A7"az2 "D"d3 | "Em"g2f e2d "A7"cBA | "D"fz2 "A7"ez2 "D"d3 | "G"B2B "A7"A2G "D"FED :|

%%sep 1 1 500

X: 8
T: Green Gates, The
T: Trealock Lauder
T: Redican's Mother
T: The Barony Jig
M:9/8
L:1/8
%Q:120
S:learned from David Kidd
D:Cherish the Ladies's CD "The Back Door"
D:Jack and Charlie Coen's LP "The Branch Line"
D:Matt Molloy's "Heathery Breeze" album
R:Slip Jig
Z:Lorna LaVerne <Muse1950@AOL.COM> 2001-6-19
N:Lorna writes:
N:"The title "Redican's Mother" comes from Jack and Charlie Coen's LP "The
N:Branch Line." The notes state: "Jack  got [the tune] from Larry Redican who
N:had originally learned it from his mother. Jack met Larry's mother once in
N:Dublin in 1960. She was 104 years old at the time and played the tin whistle
N:up to the day she died." You see why Jack might have wanted to call the tune
N:after her. It wasn't composed by Larry Redican though. The tune is called
N:"Trealock Lauder" in O'Farrell's Pocket Companion (c.1800) and "The Barony
N:Jig" in the Roche Collection".
K:D
|: FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A |
|  FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A :|
|: f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B2A |
|  f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B3  :|

%%sep 1 1 500

X: 9
T: Brose and Butter   [Am]
R: slipjig
O: Gow
B: Hunter p.284; SRSNH 5.31
B: Robert Bremner "A Collection of Scots Reels or Country Dances" 1757 p.32 #1
D:
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: ADor
|: "Am"cde ~A2A c2A | cde ~A2A "G"dBG | "Am"cde ~A2A ABc | "G"B2G Gge dBG :|
|: "C"cde ege ege | cde ege "G"dBG |  "C"cde ege efg | "D"f2d dge "G"dBG :|

%%sep 1 1 500

X: 10
T: the Butterfly
O: attr. Tommy Potts
R: slipjig
Z: 1997 by John Chambers <jc:trillian.mit.edu>
N: Commonly ends with the first bar as a coda.
N: Although this tune is often attributed to Tommy Potts, he wrote at most the first part.
N: The other parts are variants of the old tunes Barney's Goat and Skin (or Kick) the Peeler.
N: The tune has many other names, such as The Bug, Eitil Im, Fiona, Im Ag Eitit, The Red Monarch Butterfly, etc..
D: Bothy Band: 1975
M: 9/8
L: 1/8
K: Em
|: "Em"B2E G2E "D"F3 | "Em"B2E G2E "D"FED | "Em"B2E G2E "D"F3 | "G"B2d d2B "D"AFD :|
|: "Em"B2c e2f g3 | B2c g2e "D"dBA | "Em"B2c e2f g2a | "G"b2a g2e "D"dBA :|
|: "Em"B>cB B2A G2A | B>cB BAB "D"dBA | "Em"B>cB B2A G2A | "G"B2d g2e "D"dBA :|

%%sep 1 1 500

X: 11
T: The Collonel
C: David Young, 1740
S: "A Collection of the Newest Country Dances..."
S: Via discussion on strathspey list
R: slip jig
Z: Steve Wyrick
M: 9/8
L: 1/8
K: G
   c | (B/c/d)B dBG G2g | (e/f/g)e dBG TA2c | (B/c/d)B dBG G2B | TA3AFD D2 :|
|: c | TB2E (EF)E (EF)E | TB2E (EF)E D2c | TB2E EFE EFG | ABA AFD D2 :|
|: c | Bcd dBG Bcd | efg dBG ABc | Bcd dBG Bcd | ABA AFD D2 :|
|: c | TBAB EFE EFE | BAB EFE D2c | TBAB EFE EFG | ABA AFD D2 :|

%%sep 1 1 500

X: 12
T: The Whistling Thief
T: Cucanandy
T: Cuaichin Aindi
R:slip jig
N:The Whistling Thief is a song by Samuel Lover.
D:Cran: "The Crooked Stair"
D:Chulrua "Barefoot on the Altar" track 16c
Z:id:hn-slipjig-44
S:bil <bil@BLUESKIESINK.COM> irtrad-l 2001-7-19
S:Jerome Colburn <jscolbur@PRAIRIENET.ORG> irtrad-l 2001-7-20
M:9/8
K:Edor
|: ~B3 B2A G2A | B2d d2c d3 | ~B3 B2A G2A | B2e e2d e3 :|
|: e2f g2f g3 | B2d d2c d3 |1 e2f g2f g3 | B2e e2d e3 :|2 e2B B2A G2A | B2e e2d e3 |]

%%sep 1 1 500

X: 13
T: Dever The Dancer
Z:Nigel Gatherer
M:9/8
L:1/8
K:C major
BEE BE^F G2A|BEE BAG ^FGA|BEE BE^F G2A|B^cd ABG ^FED:|]
ded ^cA^F G2A|ded de^f g^fe|ded ^cA^F G2A|B^cd ABG ^FED:|]

%%sep 1 1 500

X: 14
T: Dick Glasgow's
R:Slip Jig
S:Dick Glasgow, Scotland (fiddle)
S:Ted Hastings <ted@hastings.nu> scots-l 2001-10-19
H:I suspect a home compostion
D:Private tape
Z:Bernie Stocks
M:9/8
L:1/8
K:G
ABA dcA d2c | ABA cdA G3 | ABA dcA d2e | g2d ege dBG :|
GBB GBd g3 | GBB fge fed | GBB GBd gag | fgf efe dBA :|

%%sep 1 1 500

X: 15
T: Drops of Brandy   [G]
T: A Drop of Whiskey
R: slipjig
O: Trad
B: Cole p.63 ("A Drop of Whiskey")
D:
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: G
|: "G"d2c BGB BGB | d2c BGB "D7"cBA | "G"d2c BGB BGB | "Am"cBc A2B "D7"cBA :|
|: "G"GBd gdB gdB | GBd gdB "D7"cBA | "G"GBd gdB gdB | "Am"cBc A2B "D7"cBA :|

%%sep 1 1 500

X: 16
T: Dublin Streets
C:Ireland
M:9/8
%Q:240
S: Cynthia Cathcart <clarsair@verizon.net> tradtunes 2010-9-13
K:G
G2A BGE BGE | F2G AFD AFD | G2A BGE BGE | dcB AGF E3 :|
e2f g2a bge | d2e f2g afd | e2f g2a bge | dcB AGF E3 |
e2f g2a bge | d2e f2g afd | gbg faf gfe | dcB AGF E3 |]

%%sep 1 1 500

X: 17
T: the Dusty Miller's Jig
R: slipjig
B: Cole p.66
D:
Z: John Chambers <jc:trillian.mit.edu>
N: A "Dusty Miller" is a moth that's common in the British Isles.
M: 9/8
L: 1/8
K: G
|: "G"B2d "D"c2A "Em"BAG | "Am"E2A A2B "D"cBA | "G"B2d "D"c2A "G"BAG | "D"D2F    G2A "G"BAG :|
|: "G"B2d "D"e2f "Em"g3  | "Am"a2A A2B "D"cBA | "G"Bcd "D"e2f "G"g2a | "C"g2e "D"d2c "G"BAG :|

%%sep 1 1 500

X: 18
%Breathnach's code: 555552 (when treated as K:Dmix rather than K:Ador)
T: Elizabeth Kelly's Delight
D: Deiseal; Mugar "Kabily-touseg"
S: Michel Sikiotakis <msikio@yahoo.fr> 2009-4-29
M: 9/8
R: slip Jig
Z: id:hn-slipjig-1 Modified by Michel Sikiotakis
K: Ador
|: A3 ABA AGE | A3 G2E DEG | A3 ABA AGE | G3 G2E DEG :|
|: c3 BAG A2E | c3 BGE DEG | c3 BAG A2E | G3 G2E DEG :|

%%sep 1 1 500

X: 19
T: Faeries Delight
M: 9/8
L: 1/8
S: http://www.faeriemagazine.com/forum/topic.asp?TOPIC_ID=38	2008-3-20
K: D mixolydian
|:A2G Add Add|ABA AFA fAg|A2G Add ded|cAG AAG FDD:|
| a2f add add | a2f add baf | a2f add add | cAG A2G FED|
| a2f add add | a2f add baf | a3 bag a2g | fed cAG FED ||

%%sep 1 1 500

X: 20
T: the Far Awa' Wedding
R: slipjig
O: Gow
B: SRSNH 5.31
D:
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: AMix
|: "A"c2A AEA AEA | "A"c2A AEA "G"BGB | "A"c2A AEA AEA | "G"BGB Bge dBG :|
[| "A"cAA a2e cAA | "A"cAA a2f "G"gBB | "A"cAA a2e cAc | "G"BGB Bge dBG ||
|| "A"cAA a2e cAA | "A"cAA "G"~g3 gBB | "A"cAA a2e cAA | "G"BGB Bge dBG |]

%%sep 1 1 500

X: 21
T: Fig for a kiss
T: The Old Dutch Churn
M:9/8
L:1/8
S:James Kelly workshop
Z:Foty, Caroline C. <FotyC@nasd.COM>
N:The c near the end may be c# instead.
R:slipjig
K:EDor
|: F \
|  G2B E2B {d}BAG | FGA D2A {B}AGF | G2B E2B {d}BAG |  BdB AGF E2  :|
f \
|  g2e g2e {f}edB | f2d {e}dcd fed | g2e g2e {f}edB | dBA ABd e2f |
|  g2e g2e {f}edB  | f2d {e}dcd fga | {ga}gfe fed ed=c | B/2c/2dB AGF E2 |]

%%sep 1 1 500

X: 22
T: Fig for a kiss
M:9/8
L:1/8
S:James Kelly workshop
Z:Foty, Caroline C. <FotyC@nasd.COM>
N:The c near the end may be c# instead.
R:slipjig
K:EDor
F |  "Em"G2B E2B BAG | "D"FGA D2A "(B7)"AGF | "Em"G2B E2B BAG | "G"BdB "D"AGF "Em"E2  :|
f |  "Em"g2e g2e edB | "D"f2d dcd "(B7)"fga | "Em"g2e g2e edB | "D"dBA ABd "Em"e2 ||
f |  "Em"g2e g2e edB | "D"f2d dcd "(B7)"fga | "Em"gfe "D"fed "C"ed=c | "G"BdB "D"AGF "Em"E2 |]

%%sep 1 1 500

X: 23
T: the Fox Hunt
O: trad
Z: 1997 by John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: G
|: "G"~B3 BGB "C"c3 | "G"~B3 BGB "D7"A2G | "G"~B3 BGB "C"cde | "G"dzG GAB "D"A2"G"G :|
|: "C"e2e e2d c2d | "Am"ezA A2B "D7"cBA | "G"def gfe "D7"def | "G"gzG GAB "D"A2"G"G :|

%%sep 1 1 500

X: 24
T: FOX HUNTER'S JIG
R: jig
Z: 2006 John Chambers <jc:trillian.mit.edu>
B: "Rinnci na h-\'Eireann" Elizabeth Burchenal, ed. G.Schirmer (1925) p.92
M: 9/8
L: 1/8
Q: 3/8=112
K: D
|:  "D"F3 F3 "G"G3  |  "D"F3  F3 "A"E2D | "D"F3     F3  "G"G2B | "D"AFD D2F "G"E2"D"D :|
|: "Em"B3 BAG   FGA | "A7"B2E E2F   G2B | "D"ABc "G"dcB "D"ABc | "D"d2D D2F "G"E2"D"D :|
    "D"f3 f3 "G"e2d |  "D"f3  f3 "G"e2d | "D"f3     f3  "G"g2b | "D"afd d2f "G"e2"D"d |]
   "Em"B3 BAG   FGA | "A7"B2E E2F   G2B | "D"ABc "G"dcB "D"ABc | "D"d2D D2F "G"E2"D"D |]

%%sep 1 1 500

X: 25
T: Frolicksome Paddy
R: slipjig
O:
B: SRSNH 5.31
D:
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: D
|: "D"d2B AFA AFA | d2B AFD "A7"E2c | "D"d2B AFA AFA | "G"d2B "A7"AFA "D"D3 :|
[| "D"f2d faf "A7"ecA | "D"f2d faf "A7"e2g | "D"f2d faf "A7"ecA | "G"d2B "D"AFA "A7"E3 ||
|| "D"f2d faf "A7"ecA | "D"f2d faf "A7"e2g | "D"f2d faf "A7"ecA | "G"d2B "A7"AFA "D"D3 |]

%%sep 1 1 500

X: 26
T: Green Gates, The
T: Trealock Lauder
T: Redican's Mother
T: The Barony Jig
M:9/8
L:1/8
%Q:120
S:learned from David Kidd
D:Cherish the Ladies's CD "The Back Door"
D:Jack and Charlie Coen's LP "The Branch Line"
D:Matt Molloy's "Heathery Breeze" album
R:Slip Jig
Z:Lorna LaVerne <Muse1950@AOL.COM> 2001-6-19
N:Lorna writes:
N:"The title "Redican's Mother" comes from Jack and Charlie Coen's LP "The
N:Branch Line." The notes state: "Jack  got [the tune] from Larry Redican who
N:had originally learned it from his mother. Jack met Larry's mother once in
N:Dublin in 1960. She was 104 years old at the time and played the tin whistle
N:up to the day she died." You see why Jack might have wanted to call the tune
N:after her. It wasn't composed by Larry Redican though. The tune is called
N:"Trealock Lauder" in O'Farrell's Pocket Companion (c.1800) and "The Barony
N:Jig" in the Roche Collection".
K:D
|: FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A |
|  FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A :|
|: f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B2A |
|  f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B3  :|

%%sep 1 1 500

X: 27
T: Jack of the Green
M:9/8
L:1/8
B:Oswald's Caledonian Pocket Companion Book XI
S:pete stewart <pete:wintonstables.fsnet.co.uk> 2005-6-16
K:D
   C2E D/E/FD     E2 |  A3 E2A F2D |    C2E D/E/FD  E3 |  d3 D2A F2D |
   def    efg    fed |  e3 E2A F2D |    def    efg fef |  d3 D2A F2D |
C/D/EC D/E/FD E/F/GE | F2A AEG FED | C/D/EC D/E/FD E2c | d3d  AG FED |
   afd    afd    afd |  g3 B2e c2A |    afd    egf edc |  d3 D2A F2D |]

%%sep 1 1 500

X: 28
T: James Byrne's
R:slip jig
Z:hn-slipjig-58
S:Daniel Gelinas <gelinas@SECURENYM.NET> irtrad-l 2001-6-16
M:9/8
K:D
|: dfa afd dcd | Bcd efd cBA | dfa afd dcd |1 Bcd ecA d2A :|2 Bcd ecA def ||
|: ecA A/B/cA ecA | d2e fdf agf | ecA A/B/cA ecA |1 d2e fdc def :|2 d2e fdc d2A |]

%%sep 1 1 500

X: 29
T: Just in the Height of Her Bloom
R:song
C:traditional
S:internet : Allen Garvin's Online Version of Joyce's "Old Irish Folk Music and Songs"
B:Joyce, P. W. : "Old Irish Folk Music and Songs"
O:Irish
Z:id:Eckert-song-155 Robert Eckert <Robert@WHISTLEPLAYERS.ZZN.COM> irtrad-l 2001-7-19
M:9/8
L:1/8
%Q:3/8=140
K:G
d/c/ | BAG GEG GEG | BAG EFG A2c | BAG GEG GAB | cBA BGE D2 || c |
Bcd ded dBG | Bcd edB A2c | Bcd ded dBG | cBA BGE D2 || Hd/c/ |
BAG GEG GEG | BAG EFG A2c | BAG GEG GAB | cBA BGE D2 |]

%%sep 1 1 500

X: 30
T: the Kid on the Mountain
R: slipjig
Z: John Chambers <jc:trillian.mit.edu>
N: 4th part after Tommy Peoples
M: 9/8
L: 1/8
K: Em
|: "Em"~E3 "D"FEF "Em"G2F | "Em"E2B B"(#)"cA "(D)"BGD | "Em"~E3 "D"FEF "G"G2A | "G"BAG "D"FAG FED :|
|: "G"BGG "D"AFF "G"G2D | "G"GAB dge dBG | "G"BGG "D7"B2A "G"G2A | "G"BAG "D"FAG "D"FED :|
|: "Em"~g3 eBe e2f | "Em"~g3 efg "D"afd | "Em"~g3 eBe ega | "Em"bag "D"fag fed :|
|: "Em"eBB e2f g2f | "Em"eBB efg "D"afd | "Em"eBB e2f g2a | "Em"bag "D"fag fed :|
|: "G"edB "D"dBA "G"G2D | "G"GAB dge "D"dBd | "G"edB "D"dBA "G"G2A | "G"BAG "D"FAG FED :|

%%sep 1 1 500

X: 31
T: Larry Redican's Slip Jig
Z: Bill Black <Zouki@AOL.COM> irtrad-l 2001-6-4
S: Jimmy Keane
R: slip jig
M: 9/8
L: 1/8
K: G
GFG Bdd cee | GFG BdB cAF | GFG DGG DGF | EDE AGF G3 :|
AGE EDB, DEG | dBA GBd e2 g | dBA BAG EDB, | DB,A, A,B,D E3 :|

%%sep 1 1 500

X: 32
T: the Maid I Adore  #1
T: Dearest my own one
T: Cailin mo r\`uinsa
C: Donald Ross
R: air, song
F: http://www.perthhighland.com/phpbtunes/Maid%20I%20Adore.pdf
Z: 2012 John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: D
ABd |\
"D"f3 e2f "G"edB | "D"A3- A2f "A7"gfg | "D"a3 f2e "E7"dBd | "A"e3- e2a "A7"aga |\
"D"f3 e2d "G"edB | "D"A3- A2f "A7"gfg | "D"a3 f2d  "G"edB | "D"d3- d2A |]
ABA |\
"D"d3 e2f "G"edB | "D"A3- A2A "A7"ABA | "D"a3 f2e "E7"dBd | "A"e2- e2a "A7"aga |\
"D"f3 e2d "G"edB | "D"A3- A2f "A7"gfg | "D"a3 f2d  "G"edB | "D"d3- d3  |]

R: jig
Z: 2024 John Chambers <jc:trillian.mit.edu>
M: 6/8
L: 1/8
K: _
%%sep 1 1 500

X: 33
T: March Fourth or Slipping into Spring
C: by Chris Sackett & Brooke Friendly
N: \cCS 2014 (so ask Chris or Brooke for permission)
N: For the dance ???????
S: Facebook post by Jean K Monroe 2024-3-4
R: slip-jig
Z: 2024 John Chambers <jc:trillian.mit.edu>
N: The Am chords are probably intentional. ;-)
Q: 3/8=110
M: 9/8
L: 1/8
K: Bm
"^A"|:\
"Bm"BBA B2c d2B | "Am(Em)"A2F A2F A2B | "Bm"BBA B2c d2B |\
[1 "F#m"A2c- cd2 "Bm"B3 :|[2 "Am"A2F- FA2 "Bm"B3 |]
"^B"|:\
"F#m"f2d- df2 f2d | "Em"A2F A2F A2B | "Bm"f2d- df2 f2g | "A"a2a- a2g f3 ||
"F#m"f2d- df2 f2d | "Am"A2F A2F A2F | "Em"E2D E2D B,2D |\
[1 "Bm"EDE AFA B3 :|[2 "F#m"EDE AFd "Bm"B3 |]

%%sep 1 1 500

X: 34
T: New Claret
C:
B:Skye Collection
O:Scotland
B:Keith Norman MacDonald : "The Skye collection of the best reels & strathspeys extant" : 1887
Z:Ralph Palmer
R:Slip Jig
M:9/8
L:1/8
%Q:"Moderate."
K:G
|: G2 G B2 G (B/c/)dB | G>AG B2 G (B/c/)dB | .E2 .E .C2 .C (E/F/)GE | D>ED TF2 D (F/G/)AF :|
|: G2 G g2 d (B/c/)dB | G>AG g2 d (B/c/)dB | c2 c e2 c (e/f/)ge | d>fd f2 d (f/g/)af :|
|: gdB GAB gdB | gdB GAB gdB | ece ece (e/f/)ge | fdf fdf (f/g/)af :|

%%sep 1 1 500

X: 35
T: the Old Dutch Churn
T: Dever the Dancer
B: Ryan's Mammoth Collection of Fiddle Tunes
R: jig
M: 9/8
L: 1/8
K: Gm
|: "Gm"B2d G2d dcB | "F"A2c F2c cBA | "Gm"B2d G2d dcB | "Dm"dfd "D7"cBA "Gm"G3 :|
[| "Gm"b2g b2g gfd | "F"a2f fgf agf | "Gm"b2g b2g gfd | "Bb"fdB     Bdf "Gm"g3 |]
|| "Gm"b2g b2g gfd | "F"a2f fgf agf | "Gm"b2g "D"a2^f "Gm"g=fd | "Dm"dfd "D7"cBA "Gm"G3 |]

%%sep 1 1 500

X: 36
T: Green Gates, The
T: Trealock Lauder
T: Redican's Mother
T: The Barony Jig
M:9/8
L:1/8
%Q:120
S:learned from David Kidd
D:Cherish the Ladies's CD "The Back Door"
D:Jack and Charlie Coen's LP "The Branch Line"
D:Matt Molloy's "Heathery Breeze" album
R:Slip Jig
Z:Lorna LaVerne <Muse1950@AOL.COM> 2001-6-19
N:Lorna writes:
N:"The title "Redican's Mother" comes from Jack and Charlie Coen's LP "The
N:Branch Line." The notes state: "Jack  got [the tune] from Larry Redican who
N:had originally learned it from his mother. Jack met Larry's mother once in
N:Dublin in 1960. She was 104 years old at the time and played the tin whistle
N:up to the day she died." You see why Jack might have wanted to call the tune
N:after her. It wasn't composed by Larry Redican though. The tune is called
N:"Trealock Lauder" in O'Farrell's Pocket Companion (c.1800) and "The Barony
N:Jig" in the Roche Collection".
K:D
|: FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A |
|  FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A :|
|: f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B2A |
|  f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B3  :|

%%sep 1 1 500

X: 37
T: the Rocky Road To Dublin
% Nottingham Music Database
S: Toby Bennett
Z: Martin_Döring <mdoering@comlineag.de>
M: 9/8
K: Am
%%continueall no
A "^A"[|\
"Am"efe "G"dcB "Am"A3 | "Am"E2A A2A "G"Bcd |\
"Am"efe "G"dcB "Am"A2c | "G"B2A G2A Bcd |
"Am"efe "G"dcB "Am"A3 | "Am"E2A A2A "G"Bcd |\
"Em"e^fg "Bm"fga "Em"g2e | "G"d2B G2A Bcd |]
"^B"[|\
"Am"e2a a2^f "G"g2b | "Am"e2a a2A "G"Bcd |\
"Am"e2a a2^f "G"g2e | "G"d2B G2A Bcd |
"Am"e2a a2^f "G"g2b | "Am"e2a a2A "G"Bcd |\
"Em"e^fg "Bm"fga "Em"g2e | "G"d2B G2A Bcd |]
"^cho:"[|\
"Am"e2e "G"d2B "Am"A3  | "Am"E2A A2A "G"B2d |\
"Am"e2e "G"d2B "Am"A2c | "G"B2G G2A B2{c}d |\
"Am"e2e "G"d2B "Am"A3- | A3 z3 z3 |]
% - - - - - - - - - -
W:1. In the merry month of May from my home I started
W:Left the girls of Tuam nearly broken-hearted
W:Saluted Father dear, kissed my darlin' Mother
W:Drank a pint of beer my grief and tears to smother
W:Then off to reap the corn, and leave where I was born
W:I cut a stout blackthorn to banish ghost and goblin,
W:In a bran'new pair of brogues I rattled o'er the bogs
W:And frightened all the dogs on the rocky road to Dublin,
W:
W:cho:One, two, three, four five, hunt the hare and turn her,
W:    Down the rocky road, and all the way to Dublin,
W:    Whack fol-lol-de-ra.
W:
W:2. In Mullingar that night I rested limbs so weary,
W:Started by daylight next morning light and airy,
W:Took a drop of the pure, to keep my heart from sinking,
W:That's an frishman's cure, whene'er he's on for drinking,
W:To see the lasses smile, laughing all the while,
W:At my curious style, 'twould set your heart a-bubbling,
W:They ax'd if I was hired, the wages I required,
W:Till I was almost tired of the rocky road to Dublin.
W:
W:3. In Dublin next arrived, I thought it such a pity,
W:To be so soon deprived a view of that fine city,
W:Then I took a stroll out among the quality,
W:My bundle it was stole in a neat locality;
W:Something crossed my mind, then I looked behind,
W:No bundle could I find upon me stick a-wobblin',
W:Enquiring for the rogue, they said my Connaught brogue
W:Wasn't much in vogue on the rocky road to Dublin.
W:
W:4. From there I got away my spirits never failing,
W:Landed on the quay as the ship was sailing,
W:Captain at me roared, said that no room had he,
W:When I jumped aboard, a cabin found for Paddy
W:Down among the pigs, I played some funny rigs
W:Danced some hearty jigs, the water round me bubblin'
W:When off to Holyhead I wished myself was dead,
W:Or better far, instead, on the rocky road to Dublin.
W:
W:5. The bovs of Liverpool, when we safely landed,
W:Called myself a fool, I could no longer stand it;
W:Blood began to boil, temper I was losin'
W:Poor old Erin's isle they began abusin'
W:"Hurrah my soul!" sez I, my shillelagh I let fly,
W:Some Galway boys were by, saw I was a hobble in,
W:Then with a loud Hurrah, they joined in the affray,
W:We quickly cleared the way, for the rocky road to Dublin.

%%sep 1 1 500

X: 38
T: the Rocky Road To Dublin
Z: Martin_Döring <mdoering@comlineag.de>
M: 9/8
K: Ador
[|"Am"e=fe "G"dcB "Am"A3 | "Am"E2A A2B "G"c2d | "Am"e=fe "G"dcB "Am"A2c | "G"B2A G2A Bcd |
| "Am"e=fe "G"dcB "Am"A3 | "Am"E2A A2B "G"c2d |  "C"efg  "D"fga  "C"g2e | "G"d2B G2A Bcd |]
[|"Am"e2a     a2f  "G"g3 | "Am"e2a a2A "G"Bcd | "Am"e2a     a2f  "C"g2e | "G"d2B G2A Bcd |
| "Am"e2a     a2f  "G"g3 | "Am"e2a a2A "G"Bcd |  "C"efg  "D"fga  "C"g2e | "G"d2B G2A Bcd |]

%%sep 1 1 500

X: 39
T: The Running Fitter
O:Northumberland, England
M:9/8
L:1/8
S:"Noel" <noelbats:onetel.com> tradtunes 2012-3-21
N:adapted from the setting in W Shield's 'Rudiments of Thorough Bass' (discovered by Les Jessop)
N:(comment by John Adams of the Village Music Project)
B:Walshâs collection of Lancashire tunes (Lancashire Jigs, Hornpipes, Joaks, etc.) published around 1730.
K: G
   D | "G"G>AG gfe  dBG | "Am"A>Bc EFG "D7"AFD | "G"G>AG gfe  dBG | "C"efg "D7"agf "G"g2 :|
|: d | "G"ded ^cd=c Bgd | "Am"edc  BAG "D7"FAD | "G"ded ^cd=c Bgd | "C"ecB "D7"AGF "G"G2 :|
|: d | "G"B3   g2e  dBG | "Am"c3   EFG "D7"AFD | "G"B3   g2e  dBG | "C"efg "D7"agf "G"g2 :|

%%sep 1 1 500

X: 40
T: the Running Fitter
S:Noel <noelbats:onetel.com> tradtunes 2012-3-20
B:W Shield "Rudiments of Thorough Bass", 1815
M:9/8
L:1/8
K: G
   D | "G"G>AG gfe  dBG | "Am"A>Bc EFG "D7"AFD | "G"G>AG gfe  dBG | "C"efg "D7"agf "G"g2 :|
|: d | "G"ded ^cd=c Bgd | "Am"edc  BAG "D7"FAD | "G"ded ^cd=c Bgd | "C"ecB "D7"AGF "G"G2 :|
|: d | "G"B3   g2e  dBG | "Am"c3   EFG "D7"AFD | "G"B3   g2e  dBG | "C"efg "D7"agf "G"g2 :|

%%sep 1 1 500

X: 41
T: Sir Roger de Coverley
T: the Maltman Comes On Monday
O:1695
B:Playford "The Dancing Master" 9 (1695)
N:The "Maltman" title is Scottish, from bawdy song lyrics written to the tune.
N:This tune was popular in England and Scotland in the 18th C, but mostly used
N:in English dancing nowadays.
R:slipjig
S:Michael Robinson
M:9/8
K:G
|:~GAG G2B dBG | E2A ABG FED | GDG BGB def | g2G FAG FED :|
|  dBd ece dBG | E2A ABG FED | dBd ece def | g2G FAG FED  |
|  dBd ece dBG | E2A ABG FED | d3  e3  def | g2G FAG FED |]

%%sep 1 1 500

X: 42
T: Tending the Cattle with a Heavy Heart
R: slipjig
Z: 2010 John Chambers <jc:trillian.mit.edu>
S: JPG scan of MS of bagipe score, from John Cahill 2010-2-12
N: Chords by John Chambers
M: 6/8
L: 1/8
K: G
e \
| "G"dB<B B2A BG<G | "G"dB<B B"(#)"cd "C"efg \
| "G"dB<B B2A BG<G | "Am"e2A "G"dBG "D"A<A :|
e \
| "Em"B2B g2e "D"fed | "Em"B2B g2e "D"f3 \
| "Em"B2B g2e "D"edf | "Em"edB "Bm"B"(#)"cd "Em"e2 |]
e \
| "Em"B2B g2e "D"fed | "Em"B2B g2e "D"a3 \
| "D"def "C"g2e "D"f2d | "Am"e2A "D"ABd "C"efg |]

%%sep 1 1 500

X: 43
T: The Thrush in the Thistle
F:http://www.hiico.com/.abc/thrush_thistle.abc
O:Scotland
K:F
M:9/8
L:1/8
Z:Lee Wenzbauer lee@hiico.com 26 August, 2004
c \
|: "F" f3 efd cBA | f3 efd "C" gec | "Bb" f2f fed "F" cBA |[1 "Bb" dcB "C" ABG "F" F2c :|[2 "Bb" dcB "C" ABG "F" F2A/B/ |
| "F" cAF cAF "Bb" dBd | "F" cAF cAF "C" GEC | "F" cAF cAF "Bb" dBd | "F" cfc "C" BAG "F" F2A/B/ |
| "F" cAF cAF "Bb" dBf | "F" cAF cAF "C" GEC | "Bb" DEF "Gm" GAB "F7" cd_e | "Bb" dba "C" gfe "F" f3 |]

%%sep 1 1 500

X: 44
T: Green Gates, The
T: Trealock Lauder
T: Redican's Mother
T: The Barony Jig
M:9/8
L:1/8
%Q:120
S:learned from David Kidd
D:Cherish the Ladies's CD "The Back Door"
D:Jack and Charlie Coen's LP "The Branch Line"
D:Matt Molloy's "Heathery Breeze" album
R:Slip Jig
Z:Lorna LaVerne <Muse1950@AOL.COM> 2001-6-19
N:Lorna writes:
N:"The title "Redican's Mother" comes from Jack and Charlie Coen's LP "The
N:Branch Line." The notes state: "Jack  got [the tune] from Larry Redican who
N:had originally learned it from his mother. Jack met Larry's mother once in
N:Dublin in 1960. She was 104 years old at the time and played the tin whistle
N:up to the day she died." You see why Jack might have wanted to call the tune
N:after her. It wasn't composed by Larry Redican though. The tune is called
N:"Trealock Lauder" in O'Farrell's Pocket Companion (c.1800) and "The Barony
N:Jig" in the Roche Collection".
K:D
|: FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A |
|  FAA FAd AFD | FAA FAd B2A | FAA FAd AFD | FED DFA B2A :|
|: f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B2A |
|  f3  faf edB | Aff fef gfe | f3  faf edB | AFE DFA B3  :|

%%sep 1 1 500

X: 45
T: Trotting to Larne
T: Going to the Well for Water
T: the Kaiser
C:John T. Blair (1957)
M:9/8
L:1/8
R:slipjig
Z:John Skelton, Milwaukee Summer School
S:Originally in A, transposed by John Skelton, who got the tune from Cathal McConnell
N:TROTTING TO LARNE. Irish, Slip Jig. A Major. Composed by John T. Blair in
N:1957. Ossian OSS 84, Boys of the Lough - "The Open Road." Sarah Bauhan.
N:Paul de Grae notes:
N:AKA "Going to the Well for Water" (also the name of another slide) or "The Kaiser",
N:pronounced "kaysher", the nickname of a local character in Sliabh Luachra.
K:D
A2f A2f-fed | A2f A2f-fed | B2d G2B dcB | A3 Ade fdB |
A2f A2f-fed | B2g B2g ged | c2e A2a bag |1 f3 edc dcB :|2 f3 edc d2c ||
B3 AGF A3 | AGF AGF Adc | B3 AGF A2F | G2E EFD CB,A, |
Adf d2A ded | Bdg d2B ded | cea g2e bcg |1 faf edc d2c |2 f3 dcB |]

%%sep 1 1 500

X: 46
T: Unnamed Slip Jig (Kerr's Merry Melodies Bk.4, p23)
R:slipjig
S:Philippe Varlet <philvar:EROLS.COM> irtrad-l 2001-5-21
B:Kerr's Merry Melodies Bk.4, p23
N:Some similarity to "Barney Brallaghan [Brannigan]" but not the same tune.
Z:Nigel Gatherer
M:9/8
K:D
F2 A ABA B3|B2 e e2 d cBA|F2 A ABA B3|A2 d d2 A FED:|]
faf f2 d f2 a|b2 e e2 d cBA|faf f2 d f2 a|A2 d d2 A FED|
faf f2 d f2 a|b2 e e2 d cBA|faf efe d3|A2 d d2 A FED|]

%%sep 1 1 500

X: 47
T: Whiskey and Beer
R: slipjig
O: Trad
B: Cole p.58
D: Boys of the Lough ___
Z: John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: D
|: "D"ABA A2G F2G | ABA AGF "A7"G3 | "D"ABA A2G F2G | "A7"A2d d2c "D"d3 :|
[| "D"A2g f2d "A7"e2c | "D"ABA A2B "C"=c2B | "D"A2g f2d "A7"e2c | "A7"A2d d2c "D"d3 ||
|| "D"A2g f2d "A7"e2c | "D"ABA A2B "C"=c2^c | "D"d2A A2G F2G | "A7"A2d d2c "D"d3 |]

%%sep 1 1 500

X: 48
T: The Whistling Thief
T: Cucanandy
T: Cuaichin Aindi
R:slip jig
N:The Whistling Thief is a song by Samuel Lover.
D:Cran: "The Crooked Stair"
D:Chulrua "Barefoot on the Altar" track 16c
Z:id:hn-slipjig-44
S:bil <bil@BLUESKIESINK.COM> irtrad-l 2001-7-19
S:Jerome Colburn <jscolbur@PRAIRIENET.ORG> irtrad-l 2001-7-20
M:9/8
K:Edor
|: ~B3 B2A G2A | B2d d2c d3 | ~B3 B2A G2A | B2e e2d e3 :|
|: e2f g2f g3 | B2d d2c d3 |1 e2f g2f g3 | B2e e2d e3 :|2 e2B B2A G2A | B2e e2d e3 |]

%%sep 1 1 500

X: 49
T: Winding Stairs, The
M:9/8
L:1/8
%Q:124
S:Patrick Street "Made in Cork"
Z:Paul T. Kinder <ptk1126@mindspring.com>
R:Slip Jig
K:EDOR
|:EDE B2 G F2 G|E2 B B2 G AFD|EDE B2 G F2 B|AGA dBG AFD:|
|B2 e e2 d e2 d|B2 e e2 b afd|A2 d d2 c d2 B|AGA dBG AFD|!
Bcd e2 d e2 d|B2 e e2 a fdB|gab efg dcB|AGA dBG AFD||!

%%sep 1 1 500

X: 50
T: Woo'd an' Married an' a'
M: 9/8
L: 1/8
R: slipjig
S: Glen Collection, Vol. 1 (1891)
Z: AK/Fiddler's Companion
K: F
f | c2B ABG  F3   | c2c cdA c2f | dcB (A>GA) FGA | D2d d>ec d2 :|
f | cde f>gf e>dc | A2c cdA c2d | cde  f>gf e>dc | A2d dec  d2 ||
f | cde f>ga efg  | ABc fcA c2f | cdB  ABG   FGA | D2d dec  d2 |]

%%sep 1 1 500

X: 51
T: Woo'd and Married and a'
M: 9/8
L: 1/8
R: slipjig
S: Aird, Vol. II (1782)
Z: AK/Fiddler's Companion
K: G
g | d2c BAB G3  | Bcd dgB d2g | edc BGB GAB | E2e ef^d e3 :|
g | def gag fed | Bcd dgB d2g | def gag fed | B2e ef^d e2 ||
g | def gag fed | Bcd dgB d2g | edc BAB GAB | E2e ef^d e3 |]
